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Totentanz, op. 12,2: IV. Dialog
Songs like
Totentanz, op. 12,2: IV. Dialog
by
Hugo Distler
Based on a tempo of (+/- 10%) and a similar genre
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Heinrich Schütz
Geistliche Chormusik: Unser Wandel ist i...
104 bpm • E min • 03:50 • -20.87db
9% Popularity • 19% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Hugo Distler
Morike-Chorliederbuch, Op. 19: Vorspruch
104 bpm • B min • 01:43 • -23.39db
3% Popularity • 36% Danceability • 18% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Thomas Morley
Burial Service: III. Thou Knowest, Lord,...
105 bpm • G min • 01:42 • -26db
15% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Edward Elgar
My Love Dwelt in A Northern Land, Op. 18...
105 bpm • A min • 04:01 • -24.76db
8% Popularity • 23% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Exaudiat te Dominus, LWV 77 No. 15: IV. ...
105 bpm • F min • 02:38 • -18.3db
13% Popularity • 19% Danceability • 23% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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Athesinus Consort Berlin
Wie Wasser
105 bpm • G Maj • 03:10 • -16.13db
13% Popularity • 19% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Johannes Brahms
Seven Songs, Op. 62: III. Waldesnacht
105 bpm • D Maj • 05:40 • -30.17db
11% Popularity • 15% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Hugo Distler
Mörike-Chorliederbuch, op. 19: I. Vorsp...
103 bpm • B min • 01:48 • -21.18db
1% Popularity • 33% Danceability • 13% Energy • 6% Liveness
55% Instrumentalness • 8% Positiveness
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Michael Haydn
Missa Sanctae Crucis, MH 56: Gloria
105 bpm • B Maj • 02:53 • -21db
15% Popularity • 24% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
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Kim André Arnesen
What are children to the Lord?
102 bpm • G# Maj • 04:28 • -32.12db
14% Popularity • 14% Danceability • 1% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Alessandro Scarlatti
Scarlatti, A: Exsultate Deo adjutori
102 bpm • C# Maj • 02:40 • -20.73db
8% Popularity • 41% Danceability • 22% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
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William Crotch
Crotch: Palestine: No. 26, Chorus, "Lo! ...
102 bpm • G Maj • 04:49 • -19.37db
9% Popularity • 25% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 11% Positiveness
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Johannes Brahms
Three Songs, Op. 42: III. Darthulas Grab...
103 bpm • G min • 04:28 • -31.74db
8% Popularity • 21% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Hugo Distler
Mörike-Chorliederbuch, op.19 / Part 1 f...
102 bpm • B min • 01:41 • -22db
0% Popularity • 38% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Donato Baldissera
Chi la Gagliarda
106 bpm • F Maj • 02:27 • -11db
9% Popularity • 36% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 55% Positiveness
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Hans Leo Hassler
Dixit Maria
106 bpm • G Maj • 02:34 • -23.66db
9% Popularity • 21% Danceability • 12% Energy • 15% Liveness
15% Instrumentalness • 8% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: II. Gefangenn...
102 bpm • C# Maj • 04:32 • -22.94db
8% Popularity • 38% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Negrasálmur
Go down Moses
102 bpm • B min • 01:52 • -20.1db
13% Popularity • 26% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 22% Positiveness
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Johannes Brahms
Three Songs, Op. 42: I. Abendständchen
106 bpm • G Maj • 02:10 • -29.93db
9% Popularity • 17% Danceability • 4% Energy • 8% Liveness
32% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
2 Choeurs, Op. 68: No. 2. Les fleurs et ...
106 bpm • E Maj • 01:43 • -19.4db
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
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Hugo Distler
Totentanz, Op. 12 No. 2: V. Fünfter Spr...
105 bpm • C Maj • 02:27 • -26.41db
1% Popularity • 42% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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William Croft
Burial Sentences: IV. Man that is Born o...
101 bpm • D# Maj • 01:24 • -22.47db
14% Popularity • 28% Danceability • 7% Energy • 13% Liveness
28% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Gloria
107 bpm • A Maj • 08:21 • -15.66db
10% Popularity • 20% Danceability • 16% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Einojuhani Rautavaara
Lorca Suite, Op.72: III. La luna asoma (...
102 bpm • C Maj • 02:05 • -36.65db
8% Popularity • 17% Danceability • 2% Energy • 11% Liveness
4% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
107 bpm • E min • 02:12 • -27.49db
8% Popularity • 20% Danceability • 3% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Eleanor Daley
In Remembrance
107 bpm • E Maj • 03:07 • -28db
16% Popularity • 16% Danceability • 6% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Johannes Brahms
Three Songs, Op. 42: II. Vineta
101 bpm • F# Maj • 02:54 • -25.92db
11% Popularity • 25% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
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Maurice Ravel
Ravel: 3 Chansons, M. 69: No. 2, Trois b...
108 bpm • A# min • 02:40 • -27.61db
9% Popularity • 27% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Arvo Pärt
Arvo Pärt: Bogoróditse Dévo
100 bpm • A Maj • 01:14 • -21db
16% Popularity • 33% Danceability • 11% Energy • 10% Liveness
16% Instrumentalness • 8% Positiveness
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Wilhelm Peterson-Berger
Vårsång
108 bpm • C Maj • 01:10 • -33.34db
3% Popularity • 19% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
108 bpm • A Maj • 01:19 • -27.66db
24% Popularity • 24% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 24% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 1, Op. 67: N...
100 bpm • G Maj • 02:57 • -40.12db
13% Popularity • 17% Danceability • 1% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Hugo Distler
Totentanz, Op. 12 No. 2: VIII. Achter Sp...
100 bpm • F Maj • 02:35 • -29.78db
1% Popularity • 40% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Athesinus Consort Berlin
Müde bin ich, geh zur Ruh
99 bpm • F# Maj • 01:57 • -22.6db
10% Popularity • 31% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Sigismondo D'India
Ha di serp'il velen, di tigr'il morso
109 bpm • G# Maj • 02:10 • -24db
9% Popularity • 32% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Ola Gjeilo
Ubi Caritas
99 bpm • F# min • 03:17 • -29db
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Amy Beach
3 Shakespeare Choruses, Op. 39: No. 1. O...
99 bpm • D Maj • 01:49 • -24db
15% Popularity • 23% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Three Shakespeare Songs: III. Over Hill....
110 bpm • A min • 01:04 • -29.6db
13% Popularity • 28% Danceability • 9% Energy • 10% Liveness
69% Instrumentalness • 30% Positiveness
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Hugo Distler
Morike-Chorliederbuch, Op. 19: Tochter d...
108 bpm • F# min • 03:35 • -22.27db
0% Popularity • 38% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Sarah Quartel
Amabile Alleluia
99 bpm • D# Maj • 02:11 • -20.98db
15% Popularity • 16% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Thomas Morley
Burial Service: I. Man that is Born of a...
98 bpm • G min • 01:26 • -29.64db
20% Popularity • 17% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Southwestern Seminary Oratorio Chorus
Awake The Harp
110 bpm • D Maj • 02:10 • -16.07db
18% Popularity • 47% Danceability • 38% Energy • 28% Liveness
66% Instrumentalness • 70% Positiveness
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Carl Nielsen
Der er etyndigt land (There is a Lovely ...
98 bpm • F Maj • 01:50 • -22.64db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
2% Instrumentalness • 16% Positiveness
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Wilhelm Stenhammar
3 Körvisor: No. 2, I seraillets have
111 bpm • F# Maj • 02:06 • -24.31db
9% Popularity • 24% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Hugo Distler
Totentanz, Op. 12 No. 2: VII. Siebenter ...
98 bpm • A min • 02:28 • -25.78db
1% Popularity • 44% Danceability • 7% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Finn Mathiassen
Lille Almanak – Little Almanac 3
98 bpm • D# Maj • 01:34 • -31.46db
8% Popularity • 31% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Ali Ismael
パレスチナ 革命者
111 bpm • D# Maj • 01:08 • -15.54db
9% Popularity • 63% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Clément Janequin
O doulx regard, o parler gratieux
98 bpm • C Maj • 03:02 • -27.33db
8% Popularity • 16% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Yuri Alexandrovich Falik
Stranger
111 bpm • A min • 01:53 • -24.38db
14% Popularity • 31% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Anton Bruckner
Requiem: IX. Requiem
111 bpm • F Maj • 01:09 • -26.8db
9% Popularity • 20% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Hugo Distler
Morike-Chorliederbuch, Op. 19: Schon Roh...
98 bpm • D min • 04:30 • -34.16db
0% Popularity • 31% Danceability • 2% Energy • 7% Liveness
24% Instrumentalness • 5% Positiveness
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Elfrida Andrée
Ur drömliv I (Arr. for Vocal Ensemble)
97 bpm • C min • 02:02 • -24.21db
16% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Kampin Laulu Chamber Choir
Jaakko Mäntyjärvi: Väinämöinen unek...
97 bpm • D min • 04:33 • -20.79db
8% Popularity • 18% Danceability • 11% Energy • 8% Liveness
53% Instrumentalness • 4% Positiveness
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Carl Nielsen
Aftenstemning (Evening Mood), FS 48
112 bpm • C# Maj • 02:23 • -28.65db
16% Popularity • 17% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Athesinus Consort Berlin
Die güldene Sonne bringt Leben und Wonn...
96 bpm • A Maj • 02:25 • -19.62db
18% Popularity • 30% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Adrian Batten
O Sing Joyfully
113 bpm • G# Maj • 01:46 • -25.68db
9% Popularity • 24% Danceability • 12% Energy • 15% Liveness
18% Instrumentalness • 32% Positiveness
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Hugo Distler
Choralpassion für 5-stimmigen gemischte...
111 bpm • D Maj • 03:27 • -30.43db
0% Popularity • 36% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Peter Cornelius
Weihnachtslieder, Op. 8: No. 3, The Thre...
95 bpm • G Maj • 02:42 • -19.34db
16% Popularity • 21% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
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Jakarta Oratorio Society
Speak to My Heart
113 bpm • F Maj • 02:48 • -28.43db
8% Popularity • 26% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 9% Positiveness
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Domenico Scarlatti
Iste Confessor
95 bpm • F# Maj • 03:28 • -17.51db
17% Popularity • 21% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Heinrich Kaminski
Psalm 130, Op. 1a "Aus der Tiefe rufe ic...
114 bpm • D min • 04:03 • -25.58db
7% Popularity • 20% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Alessandro Striggio
All'imperio d'Amore: 9. O Giovenil ardir...
95 bpm • G Maj • 02:16 • -16db
12% Popularity • 31% Danceability • 12% Energy • 14% Liveness
20% Instrumentalness • 10% Positiveness
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Hugo Distler
Singet dem Herrn ein neues Lied (Motette...
97 bpm • A Maj • 01:38 • -24.6db
0% Popularity • 26% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
94 bpm • E Maj • 03:26 • -21db
11% Popularity • 11% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Truro Cathedral Choir
Nôtre Père, Op. 14
115 bpm • F Maj • 01:27 • -31.62db
18% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: IV. Sanctus
115 bpm • G# min • 03:39 • -19.83db
9% Popularity • 18% Danceability • 18% Energy • 10% Liveness
58% Instrumentalness • 12% Positiveness
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Quire of Voyces
Salvator mundi I
94 bpm • G# min • 02:10 • -21.47db
9% Popularity • 13% Danceability • 26% Energy • 9% Liveness
97% Instrumentalness • 13% Positiveness
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Hugo Distler
Organ Sonata, Op. 18, No. 2: II. —
96 bpm • G Maj • 02:19 • -32.32db
0% Popularity • 18% Danceability • 6% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
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Giovanni Croce
Laudans exultet gaudio per doppio coro, ...
116 bpm • F Maj • 03:17 • -18.34db
9% Popularity • 21% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
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LeoRoads
Angelic Symphony
93 bpm • A min • 02:26 • -18.67db
8% Popularity • 20% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 14% Positiveness
► Preview
Giaches de Wert
Gaudete in Domino
116 bpm • G min • 01:32 • -20.09db
14% Popularity • 20% Danceability • 28% Energy • 10% Liveness
43% Instrumentalness • 15% Positiveness
► Preview
Arild Sandvold
Fem Latinske Kirkekor: 1. Jubilate Deo O...
94 bpm • G# Maj • 02:01 • -23.7db
9% Popularity • 17% Danceability • 12% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
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Hugo Distler
Morike-Chorliederbuch, Book 3, Op. 19: F...
96 bpm • G min • 01:25 • -24.05db
0% Popularity • 40% Danceability • 11% Energy • 7% Liveness
53% Instrumentalness • 14% Positiveness
► Preview
Enrique Lacárcel Bautista
I Am in Need of Music - Bonus Track
116 bpm • A# Maj • 03:48 • -21.11db
14% Popularity • 27% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
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Plainchant
Psalm 148: O Praise the Lord of Heaven
116 bpm • G# Maj • 03:10 • -20.76db
9% Popularity • 30% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
► Preview
BBC Radio 4 Daily Service Singers
On A Hill Far Away Stood An Old Rugged C...
92 bpm • A# Maj • 04:05 • -25.24db
8% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Anton Bruckner
Afferentur regi, WAB 1
92 bpm • F Maj • 01:35 • -28db
25% Popularity • 12% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
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Hugo Distler
Lobe den Herren
115 bpm • G Maj • 02:39 • -23.23db
1% Popularity • 26% Danceability • 9% Energy • 13% Liveness
81% Instrumentalness • 21% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86: IV. Sanctus
92 bpm • D Maj • 02:54 • -17.58db
9% Popularity • 18% Danceability • 19% Energy • 11% Liveness
42% Instrumentalness • 4% Positiveness
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Peter Philips
Ecce vicit Leo
118 bpm • A# Maj • 02:24 • -18.87db
13% Popularity • 36% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
George Dyson
Magnificat in C Minor
118 bpm • C min • 02:58 • -23.51db
10% Popularity • 28% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
118 bpm • G# Maj • 06:46 • -24.16db
15% Popularity • 19% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Jaakko Mäntyjärvi
Double, Double Toil and Trouble
91 bpm • F# Maj • 03:01 • -23db
13% Popularity • 30% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Hugo Distler
Morike-Chorliederbuch, Op. 19: Das Wande...
94 bpm • F Maj • 02:14 • -30.07db
0% Popularity • 42% Danceability • 3% Energy • 10% Liveness
36% Instrumentalness • 14% Positiveness
► Preview
Owain Park
O Send Out Thy Light
91 bpm • B Maj • 02:33 • -24.18db
19% Popularity • 17% Danceability • 4% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Three Elizabethan Partsongs: I. Sweet Da...
91 bpm • E min • 02:01 • -30db
10% Popularity • 15% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
DJ Spooky
Bitchley's Kow Korn/In Principio/Easter ...
119 bpm • C# Maj • 04:32 • -6.18db
0% Popularity • 57% Danceability • 73% Energy • 29% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Johann Crüger
O haupt voll blut und wunden
91 bpm • C Maj • 02:46 • -24.71db
8% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Stuart Beatch
The Letter
91 bpm • F Maj • 03:09 • -21.64db
12% Popularity • 15% Danceability • 7% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
► Preview
Hugo Distler
Choralpassion für 5-stimmigen gemischte...
118 bpm • G Maj • 04:02 • -22.89db
0% Popularity • 43% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Мужской камерный хор "Logos"
Богородице дево радуй...
119 bpm • D Maj • 01:00 • -29.63db
19% Popularity • 18% Danceability • 9% Energy • 13% Liveness
71% Instrumentalness • 12% Positiveness
► Preview
Jean Mouton
Qui ne regrettoit
91 bpm • G min • 01:34 • -25.46db
9% Popularity • 24% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
► Preview
Paul Hindemith
Six chansons: I. La biche
120 bpm • E Maj • 01:14 • -29.84db
10% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Smooth Moment
Maria jumping mountains
120 bpm • C Maj • 03:26 • -19.47db
9% Popularity • 20% Danceability • 18% Energy • 17% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
John Stainer
The Crucifixion: Recitative: "And They C...
90 bpm • C# Maj • 01:12 • -28.44db
8% Popularity • 20% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Hugo Distler
Jahrkreis, Op. 5: No. 12: Ein Lämmlein ...
91 bpm • G min • 01:47 • -30.39db
0% Popularity • 18% Danceability • 3% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Stuart Beatch
The Debate
89 bpm • G# min • 01:36 • -19.48db
14% Popularity • 24% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Totentanz, op. 12,2: IV. Dialog