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Totentanz, op. 12,2: XVII. 9. Chorspruch
Songs like
Totentanz, op. 12,2: XVII. 9. Chorspruch
by
Hugo Distler
Based on a tempo of (+/- 10%) and a similar genre
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Sieben Magnificat Antiphonen: II. O Adon...
74 bpm • C# Maj • 02:25 • -40.63db
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12% Instrumentalness • 4% Positiveness
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Hugo Distler
Singet dem Herrn ein neues Lied (Viersti...
74 bpm • F Maj • 05:29 • -20.11db
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0% Instrumentalness • 7% Positiveness
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Popliteal
Life is a Gamble
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95% Instrumentalness • 4% Positiveness
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2% Instrumentalness • 3% Positiveness
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74 bpm • G Maj • 01:04 • -22.32db
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27% Instrumentalness • 7% Positiveness
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Ronald Corp
I Carry Your Heart
74 bpm • F Maj • 04:25 • -27.99db
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20% Instrumentalness • 4% Positiveness
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Athesinus Consort Berlin
A und O
74 bpm • D Maj • 03:32 • -17.29db
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80% Instrumentalness • 5% Positiveness
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The Passing of the Year: No. 4. Hot sun,...
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28% Instrumentalness • 3% Positiveness
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44% Instrumentalness • 20% Positiveness
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Otche Nach
75 bpm • C Maj • 02:03 • -24db
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Millikin University Choir
Exsultate
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Locus Iste, WAB 23: Locus iste, WAB 23
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Missa Brevis. Benedictus
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Les Sept paroles de Notre Seigneur Jésu...
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66% Instrumentalness • 3% Positiveness
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Missa Sanctae Crucis, MH 56: Agnus Dei
75 bpm • G# min • 02:34 • -19.33db
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Vier Lieder aus dem Jungbrunnen, Op. 44:...
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49% Instrumentalness • 4% Positiveness
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90% Instrumentalness • 4% Positiveness
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The Choir of Trinity College, Melbourne
Glory Be to Jesus (Arr. Michael Leighton...
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0% Instrumentalness • 6% Positiveness
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96% Instrumentalness • 3% Positiveness
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88% Instrumentalness • 4% Positiveness
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10% Popularity • 15% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Ecce quomodo moritur iustus
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16% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Hugo Distler
Choralpassion für 5-stimmigen gemischte...
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72% Instrumentalness • 4% Positiveness
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Ich Lasse Dich Nicht BWV Anh. 159
72 bpm • F min • 07:19 • -19.92db
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17% Instrumentalness • 9% Positiveness
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76 bpm • E Maj • 01:13 • -24db
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0% Instrumentalness • 4% Positiveness
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76 bpm • C Maj • 02:27 • -19.84db
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76% Instrumentalness • 9% Positiveness
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Hugo Distler
Singet dem Herrn ein neues Lied
75 bpm • F Maj • 05:49 • -18.22db
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0% Instrumentalness • 4% Positiveness
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1% Instrumentalness • 4% Positiveness
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11% Instrumentalness • 3% Positiveness
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2% Instrumentalness • 6% Positiveness
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34% Instrumentalness • 4% Positiveness
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Anton Bruckner
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29% Instrumentalness • 3% Positiveness
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Hugo Distler
Aus dem Jahrkreis, Op. 5: No. 21. Ein ne...
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0% Popularity • 19% Danceability • 9% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Edward Elgar
Death on the Hills, Op. 72
72 bpm • A min • 04:06 • -32.59db
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0% Instrumentalness • 4% Positiveness
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34% Instrumentalness • 4% Positiveness
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15% Instrumentalness • 7% Positiveness
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Vårmorgonen
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1% Instrumentalness • 4% Positiveness
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11% Instrumentalness • 4% Positiveness
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Edward Elgar
2 Choral songs, Op. 71: No. 1. The Showe...
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40% Instrumentalness • 4% Positiveness
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Mass of the Americas: I. El cantico del ...
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93% Instrumentalness • 7% Positiveness
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Unknown
Let thy merciful ears
72 bpm • E Maj • 01:35 • -31.94db
9% Popularity • 21% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Laestadian Lutheran Church
The Benediction
71 bpm • C Maj • 01:49 • -21.59db
17% Popularity • 23% Danceability • 18% Energy • 16% Liveness
87% Instrumentalness • 10% Positiveness
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Judith Weir
Drop down, ye heavens, from above
77 bpm • D min • 01:31 • -19.42db
8% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Hugo Distler
Choralpassion für 5-stimmigen gemischte...
73 bpm • A min • 01:42 • -33.44db
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1% Instrumentalness • 7% Positiveness
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Sydney Guillaume
Dominus Vobiscum
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4% Instrumentalness • 7% Positiveness
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Leonard Bernstein
MASS: No. 7, Prayer for the Congregation...
77 bpm • D Maj • 01:35 • -30.17db
15% Popularity • 11% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
77 bpm • F# min • 01:32 • -32.66db
13% Popularity • 23% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Damijan Močnik
Acclamatio
77 bpm • G Maj • 03:04 • -22.63db
13% Popularity • 15% Danceability • 16% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
21% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Hugo Distler
Choralpassion für 5-stimmigen gemischte...
76 bpm • C Maj • 03:01 • -22.48db
0% Popularity • 31% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Heinrich Schütz
Verleih uns Frieden gnädiglich
71 bpm • D# min • 02:02 • -25.59db
9% Popularity • 17% Danceability • 11% Energy • 6% Liveness
27% Instrumentalness • 7% Positiveness
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Antonio Lotti
Regina coeli
77 bpm • G Maj • 00:59 • -27db
20% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Ralph Vaughan Williams
O Taste and See
77 bpm • G Maj • 01:37 • -35.23db
8% Popularity • 16% Danceability • 4% Energy • 12% Liveness
31% Instrumentalness • 4% Positiveness
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San Francisco Girls Chorus
Ave Verum, Op. 65, No. 1
78 bpm • A# min • 03:44 • -34db
16% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Jason Orange
Greatest Day (arr. J. Wikeley for choir)
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14% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Hugo Distler
Choralpassion für 5-stimmigen gemischte...
72 bpm • A min • 01:25 • -23.7db
0% Popularity • 23% Danceability • 12% Energy • 23% Liveness
6% Instrumentalness • 22% Positiveness
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Henry Purcell
Thou Knowest, Lord, The Secrets of Our H...
78 bpm • B Maj • 02:44 • -26.88db
15% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Charles Gounod
Messe brève No. 7: II. Gloria
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14% Popularity • 22% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 29% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: II. ...
78 bpm • A min • 02:57 • -23.03db
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Frank Martin
Mass for unaccompanied double choir: III...
78 bpm • E min • 06:05 • -25.83db
11% Popularity • 10% Danceability • 7% Energy • 24% Liveness
16% Instrumentalness • 4% Positiveness
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Georgy Sviridov
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78 bpm • F Maj • 02:00 • -27.51db
9% Popularity • 16% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
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Hugo Distler
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76 bpm • G Maj • 03:13 • -27.45db
0% Popularity • 17% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Laestadian Lutheran Church
Christ Jesus Lay in Death's Strong Bands...
78 bpm • E min • 06:11 • -19.47db
9% Popularity • 13% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Laurence Equilbey
Sept chansons - La Blanche Neige
78 bpm • D min • 01:10 • -29.9db
18% Popularity • 19% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 18% Positiveness
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Five Creates
Release Now
78 bpm • C# Maj • 02:31 • -23.53db
19% Popularity • 13% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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César Franck
Franck: Dextera Domini, FWV 65
78 bpm • A# Maj • 10:27 • -19.3db
7% Popularity • 8% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Arild Sandvold
Fem Latinske Kirkekor: 3. Venite, Filii
78 bpm • A Maj • 01:23 • -24.18db
17% Popularity • 16% Danceability • 12% Energy • 10% Liveness
77% Instrumentalness • 5% Positiveness
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Hugo Distler
11 kleine Klavierstucke fur die Jugend, ...
76 bpm • A Maj • 01:20 • -23.44db
3% Popularity • 28% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 17% Positiveness
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Laestadian Lutheran Church
I Recall the Day of Rapture SHZ 315
78 bpm • G min • 03:22 • -22db
9% Popularity • 21% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 3, Op. 145: ...
78 bpm • A# Maj • 02:12 • -40.47db
12% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Anton Bruckner
Libera me, WAB 21
70 bpm • F Maj • 02:18 • -20.63db
15% Popularity • 25% Danceability • 19% Energy • 10% Liveness
40% Instrumentalness • 24% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: II. I See Thy Brid...
70 bpm • G# min • 02:40 • -26db
11% Popularity • 14% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Edward Bairstow
Jesu, the Very Thought of Thee
78 bpm • D# Maj • 02:01 • -34.06db
8% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Hugo Distler
Geistliche Chormusik, Op. 12: No. 9, Mot...
76 bpm • F Maj • 09:45 • -18.84db
0% Popularity • 12% Danceability • 5% Energy • 11% Liveness
13% Instrumentalness • 3% Positiveness
► Preview
Thomas Morley
Fyer, Fyer!
78 bpm • F Maj • 02:30 • -17db
8% Popularity • 28% Danceability • 23% Energy • 20% Liveness
98% Instrumentalness • 27% Positiveness
► Preview
Johannes Eccard
When to the Temple Mary Went
78 bpm • D min • 03:03 • -34db
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Knut Nystedt
I Will Praise Thee, Oh Lord
79 bpm • E min • 01:39 • -17db
12% Popularity • 21% Danceability • 28% Energy • 34% Liveness
2% Instrumentalness • 12% Positiveness
► Preview
Ralph Vaughan Williams
Mass in G Minor: IVb. Benedictus
79 bpm • G Maj • 02:23 • -26.48db
8% Popularity • 14% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Hugo Distler
Morike-Chorliederbuch, Book 3, Op. 19: D...
71 bpm • F Maj • 01:44 • -26.55db
0% Popularity • 21% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Thomas Morley
Fyer Fyer
70 bpm • F Maj • 02:50 • -18db
10% Popularity • 17% Danceability • 25% Energy • 16% Liveness
2% Instrumentalness • 31% Positiveness
► Preview
Studentenkoor Gica
Die Sonne sinkt von hinnen
79 bpm • A min • 02:42 • -32.29db
0% Popularity • 18% Danceability • 4% Energy • 12% Liveness
4% Instrumentalness • 13% Positiveness
► Preview
Dmitry Bortniansky
Sacred Concerto No. 6, "Slava vo vishnik...
69 bpm • F# Maj • 01:41 • -32.41db
12% Popularity • 20% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Knut Nystedt
Peace I Leave With You
79 bpm • C# min • 02:37 • -23.16db
14% Popularity • 23% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Charles Gounod
Messe brève No. 7: III. Sanctus
79 bpm • C Maj • 01:41 • -23db
15% Popularity • 13% Danceability • 4% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Hugo Distler
Mörike-Chorliederbuch, op. 19: XXII. De...
78 bpm • D Maj • 03:51 • -22.74db
2% Popularity • 26% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Sestina, prima parte: "Incenerite spogli...
69 bpm • A# min • 02:13 • -27.8db
8% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
4 Tantum ergo, WAB 41: No. 4 in C Major ...
69 bpm • C Maj • 02:19 • -26.29db
17% Popularity • 17% Danceability • 7% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Quatre motets pour un temps de pénitenc...
69 bpm • E Maj • 03:56 • -22.85db
8% Popularity • 9% Danceability • 16% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: II. Psalm 23
79 bpm • D min • 02:51 • -20.14db
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Totentanz, op. 12,2: XVII. 9. Chorspruch