Songs like Totentanz, op. 12,2: XXII. Dialog by Hugo Distler
Based on a tempo of (+/- 10%) and a similar genre
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Hugo Distler
Morike-Chorliederbuch, Book 3, Op. 19: L...
76 bpm • G Maj • 03:13 • -27.45db
0% Popularity • 17% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 17% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
17% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Christian David
Sonne der Gerechtigkeit (Arr. Johannsen)
76 bpm • C Maj • 02:27 • -19.84db
8% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
8% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
76 bpm • F Maj • 02:22 • -30db
16% Popularity • 12% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 3% Positiveness
16% Popularity • 12% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Also hat Gott die Welt geliebt
76 bpm • A Maj • 02:41 • -23db
7% Popularity • 20% Danceability • 17% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
7% Popularity • 20% Danceability • 17% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
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Hugo Distler
11 kleine Klavierstucke fur die Jugend, ...
76 bpm • A Maj • 01:20 • -23.44db
3% Popularity • 28% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 17% Positiveness
3% Popularity • 28% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 17% Positiveness
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Ronaldo Miranda
Suite Nordestina: III. Bumba chora
76 bpm • A# min • 02:18 • -18.69db
9% Popularity • 17% Danceability • 13% Energy • 17% Liveness
15% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 13% Energy • 17% Liveness
15% Instrumentalness • 7% Positiveness
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Sally Beamish
Seven Songs: I. I Have a Bird
76 bpm • G Maj • 01:55 • -30.34db
11% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 2% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Vytautas Miskinis
Angelis suis
76 bpm • G min • 03:55 • -32.7db
7% Popularity • 7% Danceability • 3% Energy • 8% Liveness
44% Instrumentalness • 4% Positiveness
7% Popularity • 7% Danceability • 3% Energy • 8% Liveness
44% Instrumentalness • 4% Positiveness
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Karl-Erik Welin
Vårmorgonen
76 bpm • E min • 02:20 • -33.07db
9% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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László Lajtha
3 Hymnes pour la Ste Vierge (3 Hymns for...
76 bpm • E Maj • 05:22 • -29.72db
9% Popularity • 14% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Hugo Distler
Choralpassion für 5-stimmigen gemischte...
76 bpm • C Maj • 03:01 • -22.48db
0% Popularity • 31% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 31% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
38% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
38% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
16% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
76 bpm • D# Maj • 04:52 • -25db
15% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Antonio Lotti
Missae: Agnus Dei
75 bpm • A# Maj • 03:07 • -24db
16% Popularity • 23% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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The Choir of Trinity College, Melbourne
Glory Be to Jesus (Arr. Michael Leighton...
75 bpm • F Maj • 02:14 • -16.8db
13% Popularity • 22% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Hugo Distler
Geistliche Chormusik, Op. 12: No. 9, Mot...
76 bpm • F Maj • 09:45 • -18.84db
0% Popularity • 12% Danceability • 5% Energy • 11% Liveness
13% Instrumentalness • 3% Positiveness
0% Popularity • 12% Danceability • 5% Energy • 11% Liveness
13% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: III. Credo
75 bpm • A min • 05:44 • -22db
13% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
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Damijan Močnik
Acclamatio
77 bpm • C min • 02:52 • -14.96db
7% Popularity • 20% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 26% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Judith Weir
Drop down, ye heavens, from above
77 bpm • D min • 01:31 • -19.42db
8% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
8% Popularity • 28% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
75 bpm • E Maj • 01:42 • -28.55db
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen, Book 2, Op. 91: No. 5. Der Ble...
75 bpm • G min • 04:12 • -35.33db
10% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
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Hugo Distler
Aus dem Jahrkreis, Op. 5: No. 21. Ein ne...
75 bpm • G min • 03:02 • -21.14db
0% Popularity • 19% Danceability • 9% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 9% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Leonard Bernstein
MASS: No. 7, Prayer for the Congregation...
77 bpm • D Maj • 01:35 • -30.17db
15% Popularity • 11% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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Becky McGlade
My Beloved Spake - SATB
75 bpm • A min • 03:34 • -19.34db
7% Popularity • 15% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 15% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Grace-Evangeline Mason
A Winter Carol (SATB)
75 bpm • G# Maj • 02:52 • -28.38db
13% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
77 bpm • F# min • 01:32 • -32.66db
13% Popularity • 23% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 23% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Hugo Distler
Singet dem Herrn ein neues Lied
75 bpm • F Maj • 05:49 • -18.22db
0% Popularity • 19% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
75 bpm • F Maj • 01:54 • -28.71db
8% Popularity • 20% Danceability • 3% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 3% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
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Jeronimas Kačinskas
Missa Brevis. Benedictus
75 bpm • D min • 01:07 • -18.12db
10% Popularity • 26% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 26% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Jesu meine Freude, BWV 227: Denn das Ges...
75 bpm • D# min • 01:08 • -28db
11% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
11% Popularity • 15% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Damijan Močnik
Acclamatio
77 bpm • G Maj • 03:04 • -22.63db
12% Popularity • 15% Danceability • 16% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 16% Energy • 8% Liveness
26% Instrumentalness • 3% Positiveness
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Anton Bruckner
Locus Iste, WAB 23: Locus iste, WAB 23
75 bpm • C Maj • 03:12 • -31db
21% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Hugo Distler
Aus dem Jahrkreis, op. 5: XXXIX. Wie der...
75 bpm • C min • 01:57 • -23.39db
1% Popularity • 19% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
1% Popularity • 19% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 6% Positiveness
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Antonio Lotti
Regina coeli
77 bpm • G Maj • 00:59 • -27db
20% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
23% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
O Taste and See
77 bpm • G Maj • 01:37 • -35.23db
8% Popularity • 16% Danceability • 4% Energy • 12% Liveness
31% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 4% Energy • 12% Liveness
31% Instrumentalness • 4% Positiveness
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San Francisco Girls Chorus
Ave Verum, Op. 65, No. 1
78 bpm • A# min • 03:44 • -34db
16% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Jørgen Sørensen
Da solen påskemorgen kom
74 bpm • F Maj • 03:05 • -22db
8% Popularity • 31% Danceability • 9% Energy • 13% Liveness
44% Instrumentalness • 20% Positiveness
8% Popularity • 31% Danceability • 9% Energy • 13% Liveness
44% Instrumentalness • 20% Positiveness
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Hugo Distler
Geistliche Chormusik, Op. 12: No. 5, Ich...
78 bpm • E min • 03:45 • -20.43db
0% Popularity • 12% Danceability • 15% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 15% Energy • 12% Liveness
10% Instrumentalness • 4% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): III. K...
74 bpm • D min • 08:43 • -25.47db
15% Popularity • 7% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
15% Popularity • 7% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Jason Orange
Greatest Day (arr. J. Wikeley for choir)
78 bpm • C# Maj • 04:11 • -26.23db
14% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Henry Purcell
Thou Knowest, Lord, The Secrets of Our H...
78 bpm • B Maj • 02:44 • -26.88db
15% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
15% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Charles Gounod
Messe brève No. 7: II. Gloria
78 bpm • C Maj • 01:12 • -21db
14% Popularity • 22% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 29% Positiveness
14% Popularity • 22% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 29% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: IV. Gladsome Light
78 bpm • A# min • 03:22 • -29.27db
7% Popularity • 14% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
7% Popularity • 14% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Hugo Distler
Mörike-Chorliederbuch, op. 19: XXII. De...
78 bpm • D Maj • 03:51 • -22.74db
2% Popularity • 26% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 26% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: II. ...
78 bpm • A min • 02:57 • -23.03db
22% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
22% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Frank Martin
Mass for unaccompanied double choir: III...
78 bpm • E min • 06:05 • -25.83db
11% Popularity • 10% Danceability • 7% Energy • 24% Liveness
16% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 7% Energy • 24% Liveness
16% Instrumentalness • 4% Positiveness
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Jonathan Dove
The Passing of the Year: No. 4. Hot sun,...
74 bpm • B Maj • 03:11 • -20db
9% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
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Athesinus Consort Berlin
A und O
74 bpm • D Maj • 03:32 • -17.29db
10% Popularity • 20% Danceability • 17% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 17% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
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Ronald Corp
I Carry Your Heart
74 bpm • F Maj • 04:25 • -27.99db
13% Popularity • 11% Danceability • 7% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 7% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
78 bpm • F Maj • 02:00 • -27.51db
9% Popularity • 16% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
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Hugo Distler
Totentanz, Op. 12 No. 2: IX. Neunter Spr...
78 bpm • D Maj • 02:26 • -26.32db
1% Popularity • 32% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
1% Popularity • 32% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Five Creates
Release Now
78 bpm • C# Maj • 02:31 • -23.53db
19% Popularity • 13% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
I Recall the Day of Rapture SHZ 315
78 bpm • G min • 03:22 • -22db
9% Popularity • 21% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
9% Popularity • 21% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 2, Until the Daybre...
74 bpm • F min • 02:32 • -36.49db
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Josef Rheinberger
Hymnen, Op. 140: II. Dextera Domini
78 bpm • D Maj • 02:57 • -24.41db
9% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
► Preview
César Franck
Franck: Dextera Domini, FWV 65
78 bpm • A# Maj • 10:27 • -19.3db
8% Popularity • 8% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
8% Popularity • 8% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
► Preview
Arild Sandvold
Fem Latinske Kirkekor: 3. Venite, Filii
78 bpm • A Maj • 01:23 • -24.18db
17% Popularity • 16% Danceability • 12% Energy • 10% Liveness
77% Instrumentalness • 5% Positiveness
17% Popularity • 16% Danceability • 12% Energy • 10% Liveness
77% Instrumentalness • 5% Positiveness
► Preview
Edward Bairstow
Jesu, the Very Thought of Thee
78 bpm • D# Maj • 02:01 • -34.06db
8% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Robert Schumann
Romanzen und Balladen, Book 3, Op. 145: ...
78 bpm • A# Maj • 02:12 • -40.47db
12% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 19% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Arvo Pärt
Sieben Magnificat Antiphonen: II. O Adon...
74 bpm • C# Maj • 02:25 • -40.63db
10% Popularity • 18% Danceability • 1% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 1% Energy • 12% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Thomas Morley
Fyer, Fyer!
78 bpm • F Maj • 02:30 • -17db
8% Popularity • 28% Danceability • 23% Energy • 20% Liveness
98% Instrumentalness • 27% Positiveness
8% Popularity • 28% Danceability • 23% Energy • 20% Liveness
98% Instrumentalness • 27% Positiveness
► Preview
Johannes Eccard
When to the Temple Mary Went
78 bpm • D min • 03:03 • -34db
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Henryk Górecki
Ave, lauderis
74 bpm • G Maj • 01:04 • -22.32db
24% Popularity • 23% Danceability • 6% Energy • 7% Liveness
27% Instrumentalness • 7% Positiveness
24% Popularity • 23% Danceability • 6% Energy • 7% Liveness
27% Instrumentalness • 7% Positiveness
► Preview
Knut Nystedt
I Will Praise Thee, Oh Lord
79 bpm • E min • 01:39 • -17db
12% Popularity • 21% Danceability • 28% Energy • 34% Liveness
2% Instrumentalness • 12% Positiveness
12% Popularity • 21% Danceability • 28% Energy • 34% Liveness
2% Instrumentalness • 12% Positiveness
► Preview
Kim André Arnesen
Magnificat anima mea
73 bpm • E min • 06:24 • -21.85db
14% Popularity • 7% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 14% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Ralph Vaughan Williams
Mass in G Minor: IVb. Benedictus
79 bpm • G Maj • 02:23 • -26.48db
8% Popularity • 14% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 4% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Messe brève No. 7: III. Sanctus
79 bpm • C Maj • 01:41 • -23db
15% Popularity • 13% Danceability • 4% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 4% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Studentenkoor Gica
Die Sonne sinkt von hinnen
79 bpm • A min • 02:42 • -32.29db
0% Popularity • 18% Danceability • 4% Energy • 12% Liveness
4% Instrumentalness • 13% Positiveness
0% Popularity • 18% Danceability • 4% Energy • 12% Liveness
4% Instrumentalness • 13% Positiveness
► Preview
Hugo Distler
Morike-Chorliederbuch, Book 2, Op. 19: G...
79 bpm • A# Maj • 02:19 • -33.9db
0% Popularity • 26% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Knut Nystedt
Peace I Leave With You
79 bpm • C# min • 02:37 • -23.16db
14% Popularity • 23% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
14% Popularity • 23% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
► Preview
Herbert Howells
Requiem: II. Psalm 23
79 bpm • D min • 02:51 • -20.14db
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109, IJR 75 "C...
73 bpm • D# Maj • 01:47 • -20.79db
10% Popularity • 20% Danceability • 21% Energy • 13% Liveness
44% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 21% Energy • 13% Liveness
44% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: III. Cr...
79 bpm • A# Maj • 10:07 • -22.46db
13% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
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Benedict Sheehan
Liturgy of St. John Chrysostom: No. 9, C...
73 bpm • C Maj • 08:05 • -22.03db
11% Popularity • 7% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 7% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Hugo Distler
Morike-Chorliederbuch, Book 2, Op. 19: V...
73 bpm • C min • 02:24 • -35.22db
0% Popularity • 24% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 24% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Ecce quomodo moritur justus
80 bpm • E Maj • 04:05 • -28db
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Béla Bartók
27 2- and 3- Part Choruses, BB 111, Vol....
80 bpm • C min • 01:36 • -33.48db
23% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
23% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Missa in G Major, Op. 151 "St. Crucis": ...
79 bpm • G Maj • 03:11 • -27db
8% Popularity • 10% Danceability • 4% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 4% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
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William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Caroline Charrière
Flowers
73 bpm • F Maj • 02:29 • -23.55db
10% Popularity • 15% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Hugo Distler
Choralpassion für 5-stimmigen gemischte...
73 bpm • D min • 01:12 • -30.83db
0% Popularity • 19% Danceability • 3% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 3% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
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Johann Cristoph Bach
Ich Lasse Dich Nicht BWV Anh. 159
72 bpm • F min • 07:19 • -19.92db
12% Popularity • 14% Danceability • 11% Energy • 11% Liveness
17% Instrumentalness • 9% Positiveness
12% Popularity • 14% Danceability • 11% Energy • 11% Liveness
17% Instrumentalness • 9% Positiveness
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Lumen Valo
Ralph Vaughan Williams: Rest
80 bpm • D# Maj • 04:03 • -22.98db
14% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: III. Eripe me
80 bpm • D Maj • 04:11 • -23.81db
8% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: I. Kyrie
80 bpm • E min • 05:16 • -23db
14% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
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Melchior Vulpius
Oppstanden Er Vår Frelsermann
80 bpm • A# Maj • 00:59 • -21.3db
12% Popularity • 20% Danceability • 22% Energy • 17% Liveness
99% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 22% Energy • 17% Liveness
99% Instrumentalness • 4% Positiveness
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Hugo Distler
Geistliche Chormusik, Op. 12: No. 8, Das...
73 bpm • E min • 07:08 • -19.45db
0% Popularity • 23% Danceability • 13% Energy • 7% Liveness
11% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 13% Energy • 7% Liveness
11% Instrumentalness • 4% Positiveness
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Thomas Tomkins
Burial Sentences: I. I Am The Resurrecti...
72 bpm • F min • 01:17 • -27.56db
13% Popularity • 20% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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LeoRoads
Seraphic Whispers
80 bpm • F# min • 02:11 • -17.28db
10% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
10% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
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Henryk Górecki
Sicut parvi amplectamur
80 bpm • F Maj • 04:39 • -24.91db
13% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
13% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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James Whitbourn
Requiem canticorum: Introit
72 bpm • F# min • 05:27 • -29.14db
14% Popularity • 10% Danceability • 5% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 5% Energy • 12% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Death on the Hills, Op. 72
72 bpm • A min • 04:06 • -32.59db
7% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Hugo Distler
Choralpassion für 5-stimmigen gemischte...
73 bpm • A min • 01:42 • -33.44db
0% Popularity • 25% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
0% Popularity • 25% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
