Songs like Tourdion: Quand je bois du vin (Anonyme) by Montserrat Figueras
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: III. E...
79 bpm • E min • 03:57 • -20.39db
18% Popularity • 18% Danceability • 13% Energy • 12% Liveness
7% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 13% Energy • 12% Liveness
7% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Marche...
79 bpm • C# Maj • 02:03 • -14.49db
23% Popularity • 51% Danceability • 33% Energy • 12% Liveness
97% Instrumentalness • 28% Positiveness
23% Popularity • 51% Danceability • 33% Energy • 12% Liveness
97% Instrumentalness • 28% Positiveness
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Johannes Ockeghem
Intemerata Dei mater
79 bpm • D min • 08:10 • -28db
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum: III. Te aeternum patrem
79 bpm • C# Maj • 01:55 • -18.63db
11% Popularity • 19% Danceability • 15% Energy • 23% Liveness
84% Instrumentalness • 28% Positiveness
11% Popularity • 19% Danceability • 15% Energy • 23% Liveness
84% Instrumentalness • 28% Positiveness
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Montserrat Figueras
Tourdion: Quand je bois du vin (Anonyme)
79 bpm • B min • 04:05 • -19.11db
23% Popularity • 38% Danceability • 35% Energy • 10% Liveness
13% Instrumentalness • 38% Positiveness
23% Popularity • 38% Danceability • 35% Energy • 10% Liveness
13% Instrumentalness • 38% Positiveness
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Francisco Correa de Arauxo
Batalla de Morales (Instrumental)
79 bpm • F Maj • 05:30 • -23.79db
1% Popularity • 16% Danceability • 16% Energy • 11% Liveness
17% Instrumentalness • 11% Positiveness
1% Popularity • 16% Danceability • 16% Energy • 11% Liveness
17% Instrumentalness • 11% Positiveness
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Anonymous
Danze Veneziane: Pavana del Re
79 bpm • F Maj • 01:56 • -22.61db
19% Popularity • 38% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
19% Popularity • 38% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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Philippe de Vitry
Colla iugo subdere - Bona condit cetera ...
79 bpm • A min • 01:40 • -23.46db
20% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Rolf Lislevand
Tarantela
79 bpm • B Maj • 03:00 • -29.42db
15% Popularity • 32% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
15% Popularity • 32% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Anthonello de Caserta
Amour m'a le cuer mis en tel martire (ba...
80 bpm • A# min • 07:53 • -23.35db
9% Popularity • 13% Danceability • 4% Energy • 9% Liveness
62% Instrumentalness • 11% Positiveness
9% Popularity • 13% Danceability • 4% Energy • 9% Liveness
62% Instrumentalness • 11% Positiveness
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Jordi Savall
Cantigas De Santa Maria - Santa Maria, S...
80 bpm • E Maj • 03:00 • -23.57db
14% Popularity • 28% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 28% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Hopkinson Smith
Melancholy Galliard
80 bpm • G# Maj • 02:13 • -22.65db
34% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
34% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
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Montserrat Figueras
Sentirete una canzonetta
80 bpm • G Maj • 03:10 • -19.49db
4% Popularity • 33% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
4% Popularity • 33% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Unicorn Ensemble
Saltarello No. 1
80 bpm • E min • 02:36 • -17db
24% Popularity • 39% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 39% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Biagio Marini
Per ogni sorte di strumenti musicale, Op...
80 bpm • G min • 05:47 • -20db
13% Popularity • 9% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 5% Positiveness
13% Popularity • 9% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 5% Positiveness
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Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
36% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
36% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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Andrew Lawrence-King
Folias (Imperfectas)
78 bpm • A min • 01:44 • -36.5db
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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La Capella Reial De Catalunya
Audi, benigne Conditor (C. M. Montecassi...
78 bpm • A min • 03:46 • -29.6db
0% Popularity • 8% Danceability • 3% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 8% Danceability • 3% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
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Georg Philipp Telemann
Ouverture-Suite G-Dur “La Bizarre”, ...
77 bpm • F# Maj • 01:37 • -22.53db
7% Popularity • 52% Danceability • 30% Energy • 10% Liveness
74% Instrumentalness • 96% Positiveness
7% Popularity • 52% Danceability • 30% Energy • 10% Liveness
74% Instrumentalness • 96% Positiveness
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Unicorn Ensemble
Saltarello No. 4
80 bpm • D Maj • 07:26 • -19db
14% Popularity • 40% Danceability • 37% Energy • 8% Liveness
60% Instrumentalness • 52% Positiveness
14% Popularity • 40% Danceability • 37% Energy • 8% Liveness
60% Instrumentalness • 52% Positiveness
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Michael Praetorius
Terpsichore*: Bransle Double 3
77 bpm • G min • 01:42 • -26.88db
31% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
31% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
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Wolfram Von Eschenbach
Do man den edelen syn gezelt (arr. J. Fe...
77 bpm • A min • 05:31 • -15db
11% Popularity • 27% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 27% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
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Josquin des Prez
Nymphes des bois
81 bpm • G# min • 04:33 • -23.36db
20% Popularity • 8% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: DĂ©us DirĂ Aycels...
78 bpm • A# Maj • 03:47 • -25.49db
7% Popularity • 13% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 13% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Andrea da Firenze
Dolce speranza d'amoroso foco
81 bpm • A min • 03:13 • -24.7db
8% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 29% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Heinrich Isaac
Innsbruck, ich muĂź dich lassen
77 bpm • F Maj • 02:45 • -18db
16% Popularity • 30% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 30% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Marc-Antoine Charpentier
Te Deum: I. Prélude
81 bpm • C# Maj • 01:44 • -14.86db
28% Popularity • 42% Danceability • 33% Energy • 21% Liveness
94% Instrumentalness • 49% Positiveness
28% Popularity • 42% Danceability • 33% Energy • 21% Liveness
94% Instrumentalness • 49% Positiveness
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Monsieur de Sainte-Colombe
Les Pleurs (version Ă 2 violes) (Mr. de...
77 bpm • C# min • 02:24 • -23db
34% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: PortarĂ CascĂş Esc...
77 bpm • G min • 02:34 • -26db
8% Popularity • 28% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Tobias Hume
The King of Denmarks Delight
81 bpm • G Maj • 02:31 • -35.35db
27% Popularity • 48% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 52% Positiveness
27% Popularity • 48% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 52% Positiveness
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Jordi Savall
Gallyard (Anonyme)
76 bpm • G min • 02:38 • -20.84db
19% Popularity • 50% Danceability • 15% Energy • 7% Liveness
73% Instrumentalness • 43% Positiveness
19% Popularity • 50% Danceability • 15% Energy • 7% Liveness
73% Instrumentalness • 43% Positiveness
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Maike Boerdam
Gesproken tekst LXVI (23): "Betrekkingen...
82 bpm • C Maj • 03:20 • -23.69db
0% Popularity • 38% Danceability • 17% Energy • 16% Liveness
1% Instrumentalness • 48% Positiveness
0% Popularity • 38% Danceability • 17% Energy • 16% Liveness
1% Instrumentalness • 48% Positiveness
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Le Concert Des Nations
Quatrième Concert: Allemande - Légère...
76 bpm • D min • 01:34 • -18.19db
4% Popularity • 36% Danceability • 18% Energy • 20% Liveness
99% Instrumentalness • 63% Positiveness
4% Popularity • 36% Danceability • 18% Energy • 20% Liveness
99% Instrumentalness • 63% Positiveness
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![Concert LIV: [La] Dubois - Gigue 1e cover art](https://i.scdn.co/image/ab67616d00001e02198b6b9c71c4f5d7a70ab38d)
Monsieur de Sainte-Colombe
Concert LIV: [La] Dubois - Gigue 1e
82 bpm • B Maj • 02:33 • -22.54db
7% Popularity • 23% Danceability • 7% Energy • 12% Liveness
21% Instrumentalness • 25% Positiveness
7% Popularity • 23% Danceability • 7% Energy • 12% Liveness
21% Instrumentalness • 25% Positiveness
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Claudio Monteverdi
L'Orfeo, Atto secondo: V. Tu se’ morta
82 bpm • D min • 02:27 • -23.21db
25% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Michael Praetorius
Terpsichore*: Bransle simple 1 (La, la, ...
76 bpm • D# Maj • 01:43 • -23.93db
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
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Guillaume de Machaut
Messe de Nostre Dame: Kyrie
76 bpm • C Maj • 08:39 • -23.53db
23% Popularity • 7% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 7% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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La Capella Reial De Catalunya
Gesproken tekst XXI (14): "De Zotheid is...
82 bpm • D min • 01:52 • -25.66db
4% Popularity • 39% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
4% Popularity • 39% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Anonymous
Codex Las Huelgas: I. Iocundare plebs fi...
82 bpm • C Maj • 06:48 • -19.84db
14% Popularity • 15% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 15% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Walther von der Vogelweide
Unter den liinden an der heide
76 bpm • B min • 03:17 • -23.27db
12% Popularity • 33% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 33% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Marc-Antoine Charpentier
Prélude pour le Salve Regina, H. 23a
76 bpm • D# Maj • 01:04 • -23.68db
22% Popularity • 10% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
22% Popularity • 10% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
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Jordi Savall
Polorum regina
76 bpm • D Maj • 06:57 • -18.98db
18% Popularity • 21% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 21% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Giovanni Pierluigi da Palestrina
Salve Regina: Salve Regina
82 bpm • C min • 06:22 • -24db
22% Popularity • 9% Danceability • 14% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
22% Popularity • 9% Danceability • 14% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: D'Alt Dels Cels Dev...
76 bpm • G min • 02:09 • -24.5db
14% Popularity • 28% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 28% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Pierre de la Rue
Mijn hert altijt heeft verlanghen
76 bpm • A min • 04:47 • -22.21db
16% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Mateo Flecha
Teresica Hermana
76 bpm • G min • 02:14 • -15.19db
1% Popularity • 38% Danceability • 26% Energy • 19% Liveness
9% Instrumentalness • 43% Positiveness
1% Popularity • 38% Danceability • 26% Energy • 19% Liveness
9% Instrumentalness • 43% Positiveness
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Giorgio Mainerio
Schiarazula Marazula
76 bpm • G min • 01:23 • -17.11db
24% Popularity • 43% Danceability • 24% Energy • 15% Liveness
77% Instrumentalness • 34% Positiveness
24% Popularity • 43% Danceability • 24% Energy • 15% Liveness
77% Instrumentalness • 34% Positiveness
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Jordi Savall
Canarios (Improvisations Instr.) (Jordi ...
76 bpm • G Maj • 03:13 • -25.97db
16% Popularity • 20% Danceability • 3% Energy • 9% Liveness
4% Instrumentalness • 17% Positiveness
16% Popularity • 20% Danceability • 3% Energy • 9% Liveness
4% Instrumentalness • 17% Positiveness
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Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: Als bons DarĂ Goig...
76 bpm • G min • 02:35 • -24.4db
7% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 24% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Traditionnel
Hymne de la Catalogne
83 bpm • F# Maj • 02:20 • -14.67db
7% Popularity • 18% Danceability • 49% Energy • 15% Liveness
94% Instrumentalness • 52% Positiveness
7% Popularity • 18% Danceability • 49% Energy • 15% Liveness
94% Instrumentalness • 52% Positiveness
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Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Hilliard Ensemble
"Mille Regretz" (Després)
83 bpm • B Maj • 02:03 • -26db
22% Popularity • 21% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
22% Popularity • 21% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
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Jordi Savall
Preces: Penitentes orate - Plegaria mozďż˝...
76 bpm • G Maj • 03:44 • -19.71db
20% Popularity • 23% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 23% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Juan del Encina
Si abra en este baldres
83 bpm • F Maj • 01:28 • -15db
19% Popularity • 62% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 62% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Hildegard von Bingen
O Rubor Sanguinis: Antienne
75 bpm • F Maj • 01:32 • -30db
35% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 29% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Johannes Ockeghem
Ockeghem: Missa pro Defunctis: I. Requie...
83 bpm • F Maj • 05:37 • -31db
18% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
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"The Orthodox Singers" Male Choir
Before Thy Cross
75 bpm • G min • 05:06 • -31.18db
26% Popularity • 7% Danceability • 2% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
26% Popularity • 7% Danceability • 2% Energy • 13% Liveness
97% Instrumentalness • 3% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Canari...
84 bpm • D min • 01:16 • -20db
19% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Heinrich Isaac
La mi la Sol
75 bpm • D# min • 02:10 • -21db
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
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Anthony Holborne
I. - Galliard: The Teares Of The Muses (...
84 bpm • G min • 02:07 • -22db
9% Popularity • 30% Danceability • 9% Energy • 11% Liveness
98% Instrumentalness • 25% Positiveness
9% Popularity • 30% Danceability • 9% Energy • 11% Liveness
98% Instrumentalness • 25% Positiveness
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Hildegard von Bingen
Antiphon, O quam mirabilis est
83 bpm • A Maj • 03:31 • -27.57db
31% Popularity • 24% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Montserrat Figueras
II. Femina Nova: Jarcha - Gar Kom Lebare...
75 bpm • G Maj • 06:18 • -22.3db
9% Popularity • 26% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 26% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Alfonso X El Sabio
Cantigas de Santa Maria, No. 60: Entre A...
84 bpm • F Maj • 03:20 • -20.89db
20% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Jean-Baptiste Lully
Alceste, LWV 50: Echos (1674)
84 bpm • F Maj • 01:02 • -19db
20% Popularity • 49% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 56% Positiveness
20% Popularity • 49% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 56% Positiveness
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Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Michael Praetorius
Terpsichore*: Spagnoletta
84 bpm • A# Maj • 00:56 • -26.39db
31% Popularity • 61% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 51% Positiveness
31% Popularity • 61% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 51% Positiveness
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Andrea Falconieri
Folias (A 3) Echa Para Mi Señora Doña ...
84 bpm • B Maj • 04:29 • -16.5db
22% Popularity • 28% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 28% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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William Byrd
Ave verum corpus
84 bpm • A min • 04:07 • -27.68db
23% Popularity • 9% Danceability • 5% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 5% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
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John Dowland
Lachrimæ, or Seven Teares: XI. The King...
74 bpm • C Maj • 01:32 • -19db
21% Popularity • 43% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
21% Popularity • 43% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: 2ème ...
84 bpm • G# Maj • 01:12 • -28.91db
20% Popularity • 64% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 85% Positiveness
20% Popularity • 64% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 85% Positiveness
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François Couperin
Troisième Leçon de Ténèbres à 2 voi...
74 bpm • C Maj • 12:48 • -16.09db
26% Popularity • 18% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Gilles Binchois
Da Pacem - Gilles Binchois
84 bpm • F Maj • 02:02 • -19.89db
10% Popularity • 18% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Montserrat Figueras
Amazigh Lullaby
85 bpm • G min • 02:33 • -27db
14% Popularity • 45% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 45% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Andreas Scholl
Stabat Mater
85 bpm • F Maj • 02:01 • -11.05db
38% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Gherardello da Firenze
I' vo' bene
84 bpm • E min • 02:21 • -17.37db
11% Popularity • 35% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 35% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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PĂ©rotin
Beata Viscera
85 bpm • G# min • 06:12 • -25db
23% Popularity • 20% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
23% Popularity • 20% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Biagio Marini
Passacaglia Ă 4
85 bpm • G min • 03:11 • -18.87db
13% Popularity • 9% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 7% Positiveness
13% Popularity • 9% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 7% Positiveness
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Claude Goudimel
Requiem: Pie Jesu Domine - CristĂłbal de...
74 bpm • A# Maj • 01:40 • -17.08db
17% Popularity • 17% Danceability • 20% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 20% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Codex Calixtinus
Compostela "Ad vesperas Sancti Iacobi": ...
73 bpm • E min • 06:55 • -16db
31% Popularity • 11% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 11% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Claudio Monteverdi
L'Orfeo, Ato primo: II. Lasciate i monti
85 bpm • G Maj • 02:37 • -19db
20% Popularity • 30% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 30% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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John Playford
Dances From the English Dancing Master: ...
73 bpm • A min • 01:56 • -25.9db
20% Popularity • 35% Danceability • 4% Energy • 16% Liveness
96% Instrumentalness • 13% Positiveness
20% Popularity • 35% Danceability • 4% Energy • 16% Liveness
96% Instrumentalness • 13% Positiveness
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La Capella Reial De Catalunya
Sibil-La Valenciana: D'Una Verge Naixerďż˝...
73 bpm • G min • 01:55 • -24db
13% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
27% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Heinrich Isaac
Fanfare des MĂ©dicis: Palle, palle (Inst...
73 bpm • F Maj • 02:08 • -17.7db
9% Popularity • 28% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 62% Positiveness
9% Popularity • 28% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 62% Positiveness
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Jean-Philippe Rameau
Les Indes Galantes - Air pour les esclav...
86 bpm • F# min • 01:39 • -18db
23% Popularity • 57% Danceability • 28% Energy • 11% Liveness
79% Instrumentalness • 74% Positiveness
23% Popularity • 57% Danceability • 28% Energy • 11% Liveness
79% Instrumentalness • 74% Positiveness
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Jean-Baptiste Lully
Le Divertissement Royal de Versailles, L...
73 bpm • F min • 01:36 • -12.37db
13% Popularity • 42% Danceability • 54% Energy • 11% Liveness
96% Instrumentalness • 66% Positiveness
13% Popularity • 42% Danceability • 54% Energy • 11% Liveness
96% Instrumentalness • 66% Positiveness
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Josquin des Prez
Mille regretz
86 bpm • F# min • 02:14 • -28.85db
28% Popularity • 17% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Montserrat Figueras
Segunda Parte - Morir Cuerdo Y Vivir Loc...
73 bpm • G min • 01:09 • -26.68db
18% Popularity • 15% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
18% Popularity • 15% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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La Capella Reial De Catalunya
Sibil-La Mallorquina: Ladonchs No HaurĂ ...
73 bpm • F Maj • 02:50 • -25.77db
11% Popularity • 20% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Robert de Visée
Prélude en ré mineur
86 bpm • C# min • 01:15 • -28db
36% Popularity • 25% Danceability • 4% Energy • 15% Liveness
76% Instrumentalness • 23% Positiveness
36% Popularity • 25% Danceability • 4% Energy • 15% Liveness
76% Instrumentalness • 23% Positiveness
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Jordi Savall
Sinanon Saran (Chant de griot)
86 bpm • F Maj • 03:43 • -19.86db
38% Popularity • 48% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 61% Positiveness
38% Popularity • 48% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 61% Positiveness
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AnĂłnimo
Estas Noches a Tan Largas (Instrumental)
86 bpm • C Maj • 04:34 • -26.16db
2% Popularity • 24% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 8% Positiveness
2% Popularity • 24% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 8% Positiveness
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Josquin des Prez
Obsecro Te
86 bpm • C min • 05:41 • -38.36db
34% Popularity • 47% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
34% Popularity • 47% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Georg Philipp Telemann
Ouverture-Suite G-Dur “La Bizarre”, ...
86 bpm • F# Maj • 01:57 • -20.27db
6% Popularity • 38% Danceability • 17% Energy • 7% Liveness
74% Instrumentalness • 54% Positiveness
6% Popularity • 38% Danceability • 17% Energy • 7% Liveness
74% Instrumentalness • 54% Positiveness
