Songs like Tous les cris les S.O.S. by Daniel Balavoine

176 bpm • G Maj • 05:00 • -15db

37% Popularity • 57% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness

176 bpm • A min • 05:02 • -11db

59% Popularity • 45% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness

176 bpm • F# Maj • 04:54 • -5.59db

52% Popularity • 46% Danceability • 92% Energy • 68% Liveness
1% Instrumentalness • 68% Positiveness

176 bpm • E min • 03:33 • -12.78db

43% Popularity • 42% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness

177 bpm • A# Maj • 03:34 • -14.64db

56% Popularity • 35% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness

172 bpm • D Maj • 03:26 • -13db

44% Popularity • 59% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness

172 bpm • F Maj • 03:47 • -7.24db

65% Popularity • 39% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness

174 bpm • F Maj • 03:31 • -9.3db

18% Popularity • 56% Danceability • 59% Energy • 47% Liveness
0% Instrumentalness • 87% Positiveness

171 bpm • C Maj • 04:43 • -8.81db

47% Popularity • 36% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness

171 bpm • D Maj • 03:26 • -12.76db

59% Popularity • 59% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness

171 bpm • C# min • 04:00 • -7db

52% Popularity • 42% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness

175 bpm • G Maj • 03:25 • -5.57db

58% Popularity • 60% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness

171 bpm • F Maj • 03:28 • -6.17db

46% Popularity • 52% Danceability • 91% Energy • 54% Liveness
0% Instrumentalness • 96% Positiveness

183 bpm • D Maj • 05:42 • -13db

51% Popularity • 50% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness

183 bpm • E min • 03:34 • -5.95db

53% Popularity • 38% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness

165 bpm • D# Maj • 02:56 • -7.43db

47% Popularity • 27% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness

164 bpm • G# Maj • 04:33 • -8db

58% Popularity • 70% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness

180 bpm • D Maj • 04:14 • -8.94db

65% Popularity • 54% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness

164 bpm • A min • 04:10 • -7.44db

54% Popularity • 56% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness

162 bpm • A Maj • 02:21 • -9.74db

52% Popularity • 58% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness

164 bpm • C min • 04:05 • -16.45db

53% Popularity • 56% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness

162 bpm • B min • 03:53 • -7db

48% Popularity • 35% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness

161 bpm • D Maj • 04:01 • -10db

51% Popularity • 45% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness

161 bpm • C Maj • 03:58 • -4.47db

37% Popularity • 53% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness

193 bpm • D Maj • 02:58 • -7db

49% Popularity • 55% Danceability • 88% Energy • 51% Liveness
0% Instrumentalness • 81% Positiveness

162 bpm • A Maj • 02:22 • -6.34db

55% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness

199 bpm • A# min • 04:32 • -6.42db

51% Popularity • 47% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness

160 bpm • C Maj • 03:30 • -7db

57% Popularity • 53% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness

158 bpm • E min • 02:43 • -14db

45% Popularity • 56% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness

200 bpm • D# min • 03:59 • -4.77db

47% Popularity • 31% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness

154 bpm • C Maj • 03:09 • -10db

48% Popularity • 57% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness

201 bpm • B min • 03:02 • -15db

52% Popularity • 56% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness

152 bpm • B min • 03:30 • -12.73db

44% Popularity • 60% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness

151 bpm • F Maj • 02:43 • -12.94db

66% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness

151 bpm • F Maj • 02:57 • -7.2db

48% Popularity • 58% Danceability • 83% Energy • 54% Liveness
0% Instrumentalness • 92% Positiveness

150 bpm • C Maj • 03:21 • -11db

43% Popularity • 57% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness

151 bpm • E Maj • 05:08 • -9db

47% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness