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Tout par compas suy composés
Songs like
Tout par compas suy composés
by
Baude Cordier
Based on a tempo of (+/- 10%) and a similar genre
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Pierre de la Rue
Jam sauche
93 bpm • F min • 01:16 • -19db
34% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
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Charles Tessier
Bansle de Lorraine
93 bpm • C min • 01:54 • -14.65db
9% Popularity • 35% Danceability • 31% Energy • 9% Liveness
82% Instrumentalness • 21% Positiveness
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Sirinu
If love now reynyd (version 2)
94 bpm • C min • 01:14 • -29db
9% Popularity • 40% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
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Thibaut de Champagne
Chançon ferai, que talenz m’en est pr...
94 bpm • C# Maj • 05:51 • -21db
8% Popularity • 26% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Comtessa de Dia
A chantar m'er de so qu'eu no volria
92 bpm • A min • 05:48 • -19db
11% Popularity • 39% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Piffaro
Was Wird Es Doch Des Wunders Noch (A 7)
94 bpm • C# Maj • 02:09 • -23.77db
17% Popularity • 37% Danceability • 4% Energy • 14% Liveness
71% Instrumentalness • 48% Positiveness
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Robert Parsons
A Song of Mr Robert Parsons
92 bpm • G# min • 01:55 • -29db
27% Popularity • 12% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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Alessandro Piccinini
Toccata VIII
94 bpm • F# min • 01:48 • -22.35db
25% Popularity • 54% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 14% Positiveness
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Baude Cordier
Tout par compas suy composes
92 bpm • C Maj • 02:15 • -30.28db
0% Popularity • 46% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 54% Positiveness
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Robert Ballard
Branles de village
94 bpm • C Maj • 04:30 • -20.91db
31% Popularity • 52% Danceability • 11% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
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Guillaume de Machaut
De Fortune me doi pleindre et loer
92 bpm • F Maj • 07:59 • -21.42db
7% Popularity • 15% Danceability • 7% Energy • 33% Liveness
0% Instrumentalness • 7% Positiveness
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Bernart de Ventadorn
Can l'erba fresc'
94 bpm • D# min • 01:33 • -22.31db
21% Popularity • 30% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Esaias Reusner
Delitiae testudinis Suite No. 13 in E-Fl...
94 bpm • D Maj • 03:48 • -27db
19% Popularity • 43% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
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Heinrich Isaac
Innsbruck, ich muss dich lassen
94 bpm • F Maj • 04:46 • -24.89db
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
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The Broadside Band
Shepheards Holyday or Labour in Vaine
94 bpm • A# Maj • 02:56 • -21.84db
10% Popularity • 38% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Pierre Attaingnant
La Magdalena
92 bpm • C# min • 02:34 • -21.42db
31% Popularity • 32% Danceability • 19% Energy • 14% Liveness
85% Instrumentalness • 66% Positiveness
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Peter Abelard
Dolorum solatium, "Planctus David super ...
94 bpm • G Maj • 09:35 • -19.58db
10% Popularity • 30% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Baude Cordier
Belle, bonne, sage
94 bpm • D# min • 07:33 • -18.97db
0% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Francesco Spinacino
Recercare (I)
92 bpm • G min • 02:09 • -37.09db
34% Popularity • 35% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
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Richard I of England
Ja nus hons pris ne dira sa raison (Unde...
95 bpm • F Maj • 02:22 • -26.56db
17% Popularity • 23% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Hildegard von Bingen
Antiphona O, beata infantia
91 bpm • F min • 02:05 • -27.42db
22% Popularity • 26% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Vincenzo Capirola
La villanella
95 bpm • G min • 01:28 • -30.79db
21% Popularity • 55% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 69% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
95 bpm • D min • 01:42 • -27.15db
29% Popularity • 24% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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Maddalena Casulana
Il desiderio: No. 3, Morir non può il m...
91 bpm • G Maj • 01:54 • -21db
31% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Toccata & Fugue in D minor, BWV565
91 bpm • E min • 08:45 • -20.66db
30% Popularity • 30% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Jean-Paul Paladin
Le content est riche
95 bpm • D min • 02:19 • -27.36db
7% Popularity • 51% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
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Diego Pisador
Dezilde al Cavallero que
90 bpm • F Maj • 02:53 • -27.21db
18% Popularity • 36% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 58% Positiveness
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Francesco Soriano
Nihil tibi
96 bpm • E Maj • 01:10 • -26db
48% Popularity • 30% Danceability • 4% Energy • 6% Liveness
99% Instrumentalness • 7% Positiveness
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Alfonso X El Sabio
Cantiga No. 10, "Rosa das rosas": Por no...
96 bpm • C Maj • 07:25 • -18.14db
21% Popularity • 27% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Baude Cordier
Tout par compas suy composés
90 bpm • E min • 02:11 • -24.4db
33% Popularity • 24% Danceability • 5% Energy • 12% Liveness
82% Instrumentalness • 33% Positiveness
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Vincenzo Ruffo
La Gamba
90 bpm • F Maj • 01:24 • -26db
21% Popularity • 45% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 77% Positiveness
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Thomas Tallis
A Solfing Song
96 bpm • E Maj • 02:52 • -28.82db
24% Popularity • 17% Danceability • 1% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Eduardo Paniagua
Danza / Dit Le Burguygnon
90 bpm • D min • 02:49 • -15.5db
17% Popularity • 68% Danceability • 28% Energy • 10% Liveness
51% Instrumentalness • 43% Positiveness
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Tobias Hume
The First Part of Ayres, French, Pollish...
90 bpm • D# min • 01:10 • -30.11db
32% Popularity • 32% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 23% Positiveness
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Heringman
Da Ripa : Part III: Nunc Mater exora nat...
96 bpm • A Maj • 01:50 • -26db
24% Popularity • 41% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 36% Positiveness
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Silvius Leopold Weiss
Deux pièces en fa majeur: II. Ciacconna...
90 bpm • C# min • 04:34 • -32db
30% Popularity • 26% Danceability • 7% Energy • 13% Liveness
96% Instrumentalness • 54% Positiveness
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Richard Farrant
Ah, alas you salt sea gods
96 bpm • G# min • 03:16 • -21.35db
9% Popularity • 17% Danceability • 5% Energy • 11% Liveness
15% Instrumentalness • 11% Positiveness
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Baude Cordier
Se cuer d'amant par soy humilier (rondea...
96 bpm • D# Maj • 02:44 • -23.98db
0% Popularity • 36% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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William Lawes
Pieces for 2 Lutes: III. Corant
90 bpm • A Maj • 01:46 • -31db
25% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
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Alessandro Piccinini
Toccata XX
96 bpm • D min • 02:39 • -22.76db
17% Popularity • 37% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 41% Positiveness
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Vincenzo Capirola
Che farala che dirala
97 bpm • F min • 02:00 • -29.09db
27% Popularity • 43% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 58% Positiveness
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Sirinu
Helas madam
97 bpm • F Maj • 01:45 • -29.56db
9% Popularity • 52% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Walther von der Vogelweide
Under der linden an der heide
97 bpm • A min • 04:35 • -23.88db
10% Popularity • 38% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Peter Philips
Christus resurgens
97 bpm • B Maj • 03:43 • -18db
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
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Tylman Susato
Passe and Medio / Den iersten gaillarde
97 bpm • G min • 03:07 • -21db
19% Popularity • 19% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 17% Positiveness
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Michaël Grébil
Improvisació llaüt
97 bpm • C Maj • 00:57 • -30.23db
13% Popularity • 38% Danceability • 12% Energy • 11% Liveness
71% Instrumentalness • 36% Positiveness
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Pierre Attaingnant
Première Suytte de Branles d'Escosse
97 bpm • C Maj • 01:53 • -26.21db
11% Popularity • 48% Danceability • 9% Energy • 18% Liveness
5% Instrumentalness • 50% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
35% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Madrigals, Book 1 (Il primo libro di mad...
98 bpm • A# min • 02:18 • -23.24db
10% Popularity • 19% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Richard I of England
Ja nuns hons pris
98 bpm • F Maj • 05:53 • -22.82db
17% Popularity • 18% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Christopher Tye
In Nomine No. 20, 'Crye'
98 bpm • C# min • 01:54 • -24.23db
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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John Playford
The English Dancing Master: St. Paul's s...
98 bpm • G min • 01:00 • -27.73db
21% Popularity • 56% Danceability • 7% Energy • 14% Liveness
77% Instrumentalness • 40% Positiveness
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Edward Martin
Prelude (Phalese)
98 bpm • G min • 01:34 • -23.29db
16% Popularity • 55% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 45% Positiveness
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Eduardo Paniagua
Danza / Wascha Mesa
88 bpm • D min • 03:39 • -17db
20% Popularity • 71% Danceability • 25% Energy • 7% Liveness
84% Instrumentalness • 66% Positiveness
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Gilles Binchois
Binchois: Amours mercy de trespout non p...
88 bpm • C# min • 03:55 • -23db
10% Popularity • 13% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Sylvain Bergeron
Perceval la quete du Graal: La Bataille ...
99 bpm • G Maj • 01:04 • -40.01db
30% Popularity • 43% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 26% Positiveness
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Giacomo Gorzanis
Saltarello I & II
99 bpm • A# Maj • 03:24 • -32db
33% Popularity • 34% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 61% Positiveness
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Pierre Attaingnant
La Magdalena
99 bpm • D min • 03:28 • -14.03db
7% Popularity • 38% Danceability • 28% Energy • 29% Liveness
1% Instrumentalness • 31% Positiveness
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Juan del Encina
Triste Espana (version 1)
88 bpm • G min • 01:19 • -21.21db
15% Popularity • 28% Danceability • 5% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
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John Playford
The Dancing Master: Maiden Lane
99 bpm • G Maj • 00:48 • -24.81db
12% Popularity • 51% Danceability • 19% Energy • 33% Liveness
47% Instrumentalness • 96% Positiveness
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Thomas Morley
Pavin
87 bpm • A Maj • 04:56 • -38.39db
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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Adam de la Halle
De cueur pensieu
99 bpm • C Maj • 01:35 • -15.21db
11% Popularity • 76% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 96% Positiveness
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Hildegard von Bingen
Ave Generosa
87 bpm • G min • 01:28 • -36db
37% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
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Lorenzo Masini
Non Perch' i' speri, donna (ballata) - 2...
99 bpm • D min • 04:03 • -17.98db
11% Popularity • 21% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 17% Positiveness
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Guillaume de Machaut
Messe de Notre-Dame: X. Agnus Dei
87 bpm • F# Maj • 03:27 • -28db
24% Popularity • 18% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Viva Biancaluna Biffi
Improvisació viella
99 bpm • A min • 01:17 • -23.17db
15% Popularity • 20% Danceability • 18% Energy • 11% Liveness
56% Instrumentalness • 27% Positiveness
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Gace Brulé
Quant voi la flour boutener
87 bpm • C# Maj • 03:14 • -21.23db
10% Popularity • 12% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Bartolomeo Tromboncino
Ostinato vos seguire
87 bpm • F Maj • 03:32 • -15db
18% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Julian Bream
John Dowland: Melancholy Galliard
87 bpm • G# Maj • 03:50 • -23.02db
18% Popularity • 44% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: I. ...
86 bpm • F Maj • 04:18 • -20.99db
16% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Isaac: Optime Pastor - 1. Optime Divino
87 bpm • E min • 04:42 • -21.78db
18% Popularity • 11% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Adolf Hasse
Ezio: Aria. Vi fida lo sposo (Arr. For l...
100 bpm • E Maj • 04:47 • -28.17db
8% Popularity • 46% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Hans Neusidler
Der Judentantz
86 bpm • A Maj • 01:07 • -21db
15% Popularity • 32% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 53% Positiveness
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Robert de Visée
Prélude en ré mineur
86 bpm • C# min • 01:15 • -28db
36% Popularity • 25% Danceability • 4% Energy • 15% Liveness
76% Instrumentalness • 23% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: IV. Beth
86 bpm • F# min • 01:12 • -24db
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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László Czidra
Danserye: Basse danse: No. 1. Dont vient...
101 bpm • D min • 02:01 • -25.15db
20% Popularity • 62% Danceability • 9% Energy • 32% Liveness
91% Instrumentalness • 51% Positiveness
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Hildegard von Bingen
Sequentia O, Jerusalem, aurea civitas
101 bpm • C Maj • 07:11 • -24.85db
13% Popularity • 28% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Philippe de Vitry
Vos quied admiramini - Gratissima vigini...
101 bpm • F Maj • 03:20 • -18.67db
11% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Hans Neusidler
Welscher Tantz Wascha mesa - Hupfauff
86 bpm • C Maj • 01:31 • -23.09db
14% Popularity • 41% Danceability • 26% Energy • 30% Liveness
96% Instrumentalness • 73% Positiveness
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Pierre Francisque Carroubel
Spagnolette
86 bpm • D min • 03:35 • -25db
19% Popularity • 35% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 28% Positiveness
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Vincenzo Capirola
Lute music - Italy: Ricercar XIII
86 bpm • A# Maj • 03:31 • -22.68db
23% Popularity • 47% Danceability • 5% Energy • 16% Liveness
84% Instrumentalness • 32% Positiveness
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Anthony Holborne
Varietie of Lute Lessons, 1610: Pavin No...
101 bpm • F# min • 05:58 • -23db
18% Popularity • 47% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Johannes Ockeghem
D'un autre amer: D'ung aultre amer
86 bpm • D min • 03:07 • -22.11db
16% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Baude Cordier
Belle bonne sage, Fol. IIV (Rondeau)
101 bpm • C min • 05:46 • -23.83db
3% Popularity • 20% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Nicolas Vallet
Pavanne en forme de complainte
85 bpm • G# min • 04:49 • -25db
30% Popularity • 47% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
27% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Claude Gervaise
Pavane, Gaillarde & Branle de Champagne
85 bpm • G min • 04:47 • -14db
37% Popularity • 30% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 37% Positiveness
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William Byrd
Byrd: Ye Sacred Muses
85 bpm • B Maj • 03:34 • -26.75db
3% Popularity • 11% Danceability • 1% Energy • 11% Liveness
6% Instrumentalness • 8% Positiveness
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Piffaro
Greiner, Zancker, Schnöpfitzer
102 bpm • D Maj • 01:02 • -17.88db
23% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
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Francesco de la Torre
Danza alta, sobre "la Spagna"
102 bpm • A min • 03:22 • -16db
9% Popularity • 36% Danceability • 24% Energy • 11% Liveness
22% Instrumentalness • 21% Positiveness
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Anthony Holborne
The Fairy Round (Galliard)
102 bpm • F# Maj • 03:24 • -25db
31% Popularity • 40% Danceability • 12% Energy • 12% Liveness
83% Instrumentalness • 51% Positiveness
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Gherardello da Firenze
I' vo' bene
84 bpm • E min • 02:21 • -17.37db
10% Popularity • 35% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Guillaume Dufay
Se la face ay pale
103 bpm • A# Maj • 02:53 • -23db
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Lorenzini
Fantaisie
84 bpm • A min • 03:11 • -29.9db
8% Popularity • 14% Danceability • 2% Energy • 7% Liveness
62% Instrumentalness • 15% Positiveness
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Charles Mouton
Suite in C Minor from Ms. Lobkowicz: V. ...
103 bpm • B min • 03:03 • -21.43db
30% Popularity • 44% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
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Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
23% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Piffaro
Alta Trinita Beata
84 bpm • G Maj • 03:29 • -18db
7% Popularity • 9% Danceability • 23% Energy • 34% Liveness
60% Instrumentalness • 18% Positiveness
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Rolf Lislevand
Tarantela II
103 bpm • C# Maj • 04:02 • -23.76db
22% Popularity • 34% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Tout par compas suy composés