Songs like Toutes les nuictz by Clément Janequin
Based on a tempo of (+/- 10%) and a similar genre
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Clément Janequin
Le chant des oiseaux
78 bpm • A# Maj • 05:35 • -21.93db
13% Popularity • 30% Danceability • 21% Energy • 7% Liveness
79% Instrumentalness • 23% Positiveness
13% Popularity • 30% Danceability • 21% Energy • 7% Liveness
79% Instrumentalness • 23% Positiveness
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Maddalena Casulana
Maddalena Casulana : Morir non può il m...
78 bpm • C Maj • 01:29 • -23.96db
15% Popularity • 34% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 34% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Andrea Falconieri
En el porta de Santiago ! : Canzon La Be...
78 bpm • G min • 02:12 • -24.67db
18% Popularity • 22% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
18% Popularity • 22% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Andrew Lawrence-King
Folias (Imperfectas)
78 bpm • A min • 01:44 • -36.5db
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Hildegard von Bingen
O dulcissime amator (Symphonia virginum)
78 bpm • A min • 09:15 • -29.45db
14% Popularity • 13% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 13% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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![Folias (Imperfectas) [Harp] cover art](https://i.scdn.co/image/ab67616d00001e02ee51bb12c37d93e807a54227)
La Capella Reial De Catalunya
Folias (Imperfectas) [Harp]
78 bpm • A min • 01:19 • -37.48db
19% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
19% Popularity • 30% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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John Playford
The English Dance Master, Vol. 1: The Be...
78 bpm • F Maj • 01:53 • -22.87db
23% Popularity • 37% Danceability • 5% Energy • 43% Liveness
13% Instrumentalness • 53% Positiveness
23% Popularity • 37% Danceability • 5% Energy • 43% Liveness
13% Instrumentalness • 53% Positiveness
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Philippe Verdelot
Ogn'hor per voi sospiro
78 bpm • G min • 02:22 • -22db
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
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John Dowland
Lady Hunsdon's Puffe, P. 54
78 bpm • A# Maj • 01:49 • -20.52db
26% Popularity • 45% Danceability • 19% Energy • 8% Liveness
82% Instrumentalness • 78% Positiveness
26% Popularity • 45% Danceability • 19% Energy • 8% Liveness
82% Instrumentalness • 78% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Giorgio Mainerio
Gagliarda
77 bpm • G Maj • 01:17 • -21.57db
20% Popularity • 46% Danceability • 17% Energy • 20% Liveness
63% Instrumentalness • 37% Positiveness
20% Popularity • 46% Danceability • 17% Energy • 20% Liveness
63% Instrumentalness • 37% Positiveness
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John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Motets: Cantate domino
77 bpm • F Maj • 03:11 • -18db
22% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Clément Janequin
Au joly jeu
79 bpm • B Maj • 01:46 • -22.45db
1% Popularity • 55% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
1% Popularity • 55% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ad pectus....
79 bpm • C Maj • 02:53 • -23db
14% Popularity • 22% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 22% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Francesco Corbetta
Balletto fatto nella Bariera sopra la Sa...
77 bpm • C# min • 01:18 • -27.87db
29% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
29% Popularity • 47% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 65% Positiveness
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Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
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Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Michael Praetorius
Terpsichore*: Bransle Double 3
77 bpm • G min • 01:42 • -26.88db
30% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
30% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
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Clément Janequin
Martin menoit son pourceau
77 bpm • C# Maj • 01:38 • -20.38db
2% Popularity • 46% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
2% Popularity • 46% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Adrian Le Roy
Second livre de guiterre: Ô combien est...
77 bpm • C Maj • 07:05 • -21.64db
7% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Mon cœur se recommande à vous
77 bpm • F Maj • 01:53 • -22.1db
11% Popularity • 24% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Intemerata Dei mater
79 bpm • D min • 08:10 • -28db
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
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Baltimore Consort
Kemp’s Jig
77 bpm • A# Maj • 01:15 • -24db
24% Popularity • 60% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 73% Positiveness
24% Popularity • 60% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 73% Positiveness
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John Taverner
Kyrie, "Leroy": Kyrie Leroy
79 bpm • A# min • 06:37 • -27.51db
16% Popularity • 11% Danceability • 11% Energy • 8% Liveness
49% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 11% Energy • 8% Liveness
49% Instrumentalness • 4% Positiveness
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John Dunstable
Veni Sancte Spiritus et emitte/Veni Sanc...
77 bpm • E Maj • 06:26 • -20.93db
11% Popularity • 10% Danceability • 12% Energy • 6% Liveness
65% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 12% Energy • 6% Liveness
65% Instrumentalness • 4% Positiveness
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Arvo Pärt
The Deer's Cry
77 bpm • A min • 04:10 • -23db
29% Popularity • 8% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Andrea Falconieri
Folias echa para mi Señora Doña Taroli...
77 bpm • C Maj • 03:26 • -16db
12% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 28% Danceability • 20% Energy • 43% Liveness
0% Instrumentalness • 28% Positiveness
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Hildegard von Bingen
De Sancta Maria: Ave Maria auctrix vitæ...
79 bpm • D# Maj • 09:28 • -25.43db
12% Popularity • 16% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Philippe de Vitry
Colla iugo subdere - Bona condit cetera ...
79 bpm • A min • 01:40 • -23.46db
20% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Mike Svoboda
Voulez ouyr les Cris de Paris
76 bpm • B Maj • 08:33 • -15.45db
0% Popularity • 28% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 28% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Guillaume Costeley
J'ayme trop mieux souffrir la mort
80 bpm • C Maj • 02:09 • -26.87db
13% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Hopkinson Smith
Melancholy Galliard
80 bpm • G# Maj • 02:13 • -22.65db
34% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
34% Popularity • 42% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 40% Positiveness
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Clément Janequin
Il estoit une fillette
80 bpm • F# min • 01:14 • -19db
4% Popularity • 44% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
4% Popularity • 44% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Jacob Obrecht
Missa O lumen ecclesie: Kyrie
76 bpm • F Maj • 01:15 • -23db
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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John Dowland
M. George Whitehead his Almand from Lach...
76 bpm • A# Maj • 01:31 • -25db
16% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 49% Positiveness
16% Popularity • 27% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 49% Positiveness
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Michael Praetorius
Terpsichore*: Bransle simple 1 (La, la, ...
76 bpm • D# Maj • 01:43 • -23.93db
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
35% Popularity • 60% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 84% Positiveness
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Jean Boyer
Airs à quatre parties, Livre I: Que fer...
76 bpm • D min • 06:17 • -17db
9% Popularity • 14% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 14% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Hopkinson Smith
La Mallassis - Sarabande
76 bpm • F min • 02:35 • -28db
29% Popularity • 42% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
29% Popularity • 42% Danceability • 2% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Guillaume de Machaut
Messe de Nostre Dame: Kyrie
76 bpm • C Maj • 08:39 • -23.53db
23% Popularity • 7% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 7% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Anthony Holborne
Image of Melancholy
76 bpm • D Maj • 05:33 • -15.87db
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 11% Positiveness
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Pierre de la Rue
Autant en emporte
80 bpm • G# min • 01:17 • -25db
23% Popularity • 24% Danceability • 5% Energy • 14% Liveness
99% Instrumentalness • 19% Positiveness
23% Popularity • 24% Danceability • 5% Energy • 14% Liveness
99% Instrumentalness • 19% Positiveness
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Thomas Tallis
If Ye Love Me
80 bpm • B Maj • 02:11 • -21.78db
14% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Hopkinson Smith
Three Feminine Portraits - Lady Hunsdon'...
80 bpm • A# Maj • 01:36 • -20.04db
26% Popularity • 34% Danceability • 17% Energy • 21% Liveness
89% Instrumentalness • 53% Positiveness
26% Popularity • 34% Danceability • 17% Energy • 21% Liveness
89% Instrumentalness • 53% Positiveness
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Matteo da Perugia
Ave sancta mundi salus - Agnus dei
80 bpm • E min • 02:10 • -21db
8% Popularity • 22% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 22% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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John Dunstable
Quam pulchra es - 1987 Remastered Versio...
76 bpm • C# Maj • 02:47 • -27db
10% Popularity • 21% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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Gregorio Allegri
Miserere: I. Miserere mei, Deus
76 bpm • F min • 02:38 • -25db
32% Popularity • 20% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Pierre de la Rue
Mijn hert altijt heeft verlanghen
76 bpm • A min • 04:47 • -22.21db
16% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Diego Ortiz
Pass'emezzo antico: Recercada primera
76 bpm • G# min • 02:11 • -20db
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
28% Popularity • 51% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 60% Positiveness
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Cyrillus Kreek
Whilst Great Is Our Poverty
76 bpm • C# Maj • 05:17 • -25.36db
30% Popularity • 8% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Juan de Araujo
Los coflades de la estleya
81 bpm • F# Maj • 04:09 • -22.24db
4% Popularity • 28% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
4% Popularity • 28% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Messe de Nostre Dame: Credo
75 bpm • C Maj • 06:34 • -22.66db
11% Popularity • 26% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 26% Danceability • 11% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Guillaume Dufay
Je me complains piteusement
75 bpm • A Maj • 02:06 • -30db
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Vincenzo Capirola
Balletto
81 bpm • D Maj • 01:52 • -31db
26% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
26% Popularity • 44% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 50% Positiveness
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Charles Tessier
Air espagnol: No ay en la tierra
75 bpm • C# Maj • 04:16 • -27.57db
8% Popularity • 24% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 24% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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John Playford
The Dancing Master: Come live with me an...
75 bpm • C Maj • 01:14 • -30db
27% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
27% Popularity • 17% Danceability • 3% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
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Jacopo da Bologna
Fenice fu’ e vissi (Madrigale)
75 bpm • A# min • 02:24 • -27db
8% Popularity • 34% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Heinrich Isaac
La mi la Sol
75 bpm • D# min • 02:10 • -21db
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
32% Popularity • 40% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 53% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gregorio Allegri
Motets: Repleti sunt omnes
81 bpm • D min • 01:41 • -17.4db
32% Popularity • 18% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
32% Popularity • 18% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Jean-Henri d'Anglebert
Les Folies d'Espagne
75 bpm • C Maj • 05:05 • -24db
11% Popularity • 32% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
11% Popularity • 32% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Clément Janequin
Le chant des oyseaux
81 bpm • A min • 05:26 • -20.38db
4% Popularity • 37% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
4% Popularity • 37% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Guillaume Dufay
Isorhythmic Motets: O gemma, lux et spec...
75 bpm • D min • 05:08 • -22.22db
8% Popularity • 10% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Tobias Hume
The First Part of Ayres, 1605: Love's Fa...
75 bpm • F# Maj • 01:52 • -27.24db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Cesare Negri
Le Gratie d'Amore: Catena d'amore
74 bpm • G min • 01:28 • -26.69db
22% Popularity • 56% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 73% Positiveness
22% Popularity • 56% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 73% Positiveness
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Adrian Willaert
Ricercar à 3
74 bpm • A# min • 01:39 • -31.09db
14% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 14% Liveness
30% Instrumentalness • 57% Positiveness
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Clément Janequin
Janequin: Il estoit une fillette (Versio...
81 bpm • G min • 01:17 • -14.89db
0% Popularity • 36% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 36% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Michael Praetorius
Terpsichore*: Volte
82 bpm • F Maj • 01:20 • -27db
29% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
29% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
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Francisco de Peñalosa
Missa Nunca Fue Pena Major: V. Agnus Dei
74 bpm • G# min • 03:26 • -22.83db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VIII...
82 bpm • C# min • 01:18 • -22db
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Guillaume Dufay
Motets: Alma redemptoris mater
74 bpm • C Maj • 03:38 • -27db
12% Popularity • 11% Danceability • 5% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 5% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
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Clément Janequin
Le Chant des Oyseaulx
82 bpm • G# min • 05:27 • -16db
13% Popularity • 44% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 44% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Antoine Brumel
Missa "Et ecce terrae motus" A 12 voce: ...
82 bpm • C Maj • 01:38 • -18db
18% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
18% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
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Joan Ambrosio Dalza
Tastar de corde
82 bpm • C min • 01:28 • -35.72db
33% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
33% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Zamboni
Lute Sonata No. 9: IV. Sarabanda
83 bpm • C# min • 01:42 • -27db
30% Popularity • 37% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
30% Popularity • 37% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 19% Positiveness
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Orlande de Lassus
Prophetiae Sibyllarum: Prologue
83 bpm • G Maj • 01:18 • -26db
29% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
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Clément Janequin
Les cris de Paris
74 bpm • C# min • 06:36 • -23.27db
2% Popularity • 30% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
2% Popularity • 30% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
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Pierre Attaingnant
Basse danse la Magdalena
83 bpm • D min • 02:13 • -29db
14% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Antoine Brumel
Du tout plongiet/Fors seulement
82 bpm • C min • 12:28 • -26.43db
25% Popularity • 12% Danceability • 6% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
25% Popularity • 12% Danceability • 6% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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The Hilliard Ensemble
"Mille Regretz" (Després)
83 bpm • B Maj • 02:03 • -26db
22% Popularity • 21% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
22% Popularity • 21% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
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Cipriano de Rore
Ancor che col partire
73 bpm • A min • 02:50 • -18db
10% Popularity • 13% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 20% Positiveness
10% Popularity • 13% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 20% Positiveness
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Clément Janequin
Le chant des oiseaux
83 bpm • G# Maj • 05:24 • -17db
10% Popularity • 37% Danceability • 27% Energy • 91% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 37% Danceability • 27% Energy • 91% Liveness
0% Instrumentalness • 47% Positiveness
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The Tallis Scholars
Brumel: Mater Patris - 1. Mater Patris E...
73 bpm • D min • 01:01 • -23.66db
31% Popularity • 20% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 20% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
