Songs like Toy Piano Boogie by Freddy Martin
Based on a tempo of (+/- 10%) and a similar genre
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Coon-Sanders
Here Comes My Ball And Chain
116 bpm • G Maj • 03:22 • -17db
19% Popularity • 74% Danceability • 24% Energy • 18% Liveness
19% Instrumentalness • 84% Positiveness
19% Popularity • 74% Danceability • 24% Energy • 18% Liveness
19% Instrumentalness • 84% Positiveness
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Henry Hall
It's Just the Time for Dancing
116 bpm • G Maj • 02:31 • -10db
23% Popularity • 58% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
23% Popularity • 58% Danceability • 34% Energy • 8% Liveness
8% Instrumentalness • 74% Positiveness
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Blue Barron & His Orchestra
Bluebirds in the Moonlight
116 bpm • F min • 02:45 • -11.01db
19% Popularity • 84% Danceability • 40% Energy • 4% Liveness
10% Instrumentalness • 88% Positiveness
19% Popularity • 84% Danceability • 40% Energy • 4% Liveness
10% Instrumentalness • 88% Positiveness
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Swing & Sway With Sammy Kaye With Nancy Norman
Chickery Chick
116 bpm • F Maj • 02:18 • -11.24db
8% Popularity • 76% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 76% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Freddy Martin & His Orchestra
Then I'll be tired of you
116 bpm • F Maj • 02:56 • -10.9db
0% Popularity • 55% Danceability • 19% Energy • 15% Liveness
19% Instrumentalness • 45% Positiveness
0% Popularity • 55% Danceability • 19% Energy • 15% Liveness
19% Instrumentalness • 45% Positiveness
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Larry Clinton
Where in the World
115 bpm • G# Maj • 02:52 • -11.35db
12% Popularity • 40% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 40% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
I Haven't the Time to Be a Millionaire
116 bpm • G# Maj • 03:05 • -12.15db
9% Popularity • 70% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 54% Positiveness
9% Popularity • 70% Danceability • 12% Energy • 11% Liveness
6% Instrumentalness • 54% Positiveness
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Geraldo & His Orchestra
We Must All Stick Together
117 bpm • E min • 03:09 • -14.12db
25% Popularity • 92% Danceability • 26% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
25% Popularity • 92% Danceability • 26% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
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Isham Jones And His Orchestra
The Original Charleston
117 bpm • D min • 02:44 • -11db
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
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Anne Shelton
The Last Time I Saw Paris
115 bpm • C Maj • 03:05 • -12.8db
11% Popularity • 46% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 46% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Cotton
Kiss Me Goodnight Sergeant Major
117 bpm • G Maj • 02:56 • -14db
22% Popularity • 73% Danceability • 39% Energy • 14% Liveness
4% Instrumentalness • 94% Positiveness
22% Popularity • 73% Danceability • 39% Energy • 14% Liveness
4% Instrumentalness • 94% Positiveness
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Red Norvo & His Orchestra
Remember
115 bpm • D Maj • 03:13 • -17.73db
18% Popularity • 55% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
18% Popularity • 55% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Gracie Fields
Donkey Serenade
115 bpm • A# Maj • 02:34 • -11.26db
19% Popularity • 44% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
19% Popularity • 44% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Freddy Martin
April in Paris
117 bpm • B Maj • 02:58 • -15.4db
2% Popularity • 41% Danceability • 20% Energy • 14% Liveness
25% Instrumentalness • 30% Positiveness
2% Popularity • 41% Danceability • 20% Energy • 14% Liveness
25% Instrumentalness • 30% Positiveness
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Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
21% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
21% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
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Red Nichols & His Five Pennies
Battle Hymn Of The Republic - Remastered...
117 bpm • C Maj • 02:43 • -11db
17% Popularity • 53% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
17% Popularity • 53% Danceability • 35% Energy • 11% Liveness
89% Instrumentalness • 46% Positiveness
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Paul Whiteman
Happy Feet
117 bpm • A# min • 02:55 • -11.22db
19% Popularity • 75% Danceability • 44% Energy • 18% Liveness
90% Instrumentalness • 89% Positiveness
19% Popularity • 75% Danceability • 44% Energy • 18% Liveness
90% Instrumentalness • 89% Positiveness
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Irving Aaronson and His Commanders
An' Furthermore
115 bpm • D# Maj • 02:59 • -10db
16% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Ben Selvin & His Orchestra
Baby Face
117 bpm • C Maj • 03:04 • -3.64db
17% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
17% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
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Joe Loss & His Orchestra
Till The Lights Of London Shine Again
117 bpm • C Maj • 03:17 • -19db
20% Popularity • 34% Danceability • 11% Energy • 19% Liveness
90% Instrumentalness • 36% Positiveness
20% Popularity • 34% Danceability • 11% Energy • 19% Liveness
90% Instrumentalness • 36% Positiveness
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Sammy Davis Jr. | Dean Martin
Sam's Song
115 bpm • D min • 02:45 • -11.75db
37% Popularity • 58% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 58% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
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Freddy Martin & His Orchestra
April in paris
118 bpm • F Maj • 02:55 • -8.17db
0% Popularity • 36% Danceability • 43% Energy • 39% Liveness
25% Instrumentalness • 29% Positiveness
0% Popularity • 36% Danceability • 43% Energy • 39% Liveness
25% Instrumentalness • 29% Positiveness
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Eddie Cantor
Makin' Whoopee
118 bpm • G Maj • 03:08 • -10db
12% Popularity • 56% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
12% Popularity • 56% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Larry Clinton
True Confession
118 bpm • A# min • 02:52 • -13.45db
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 61% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Tommy Dorsey Orchestra
Dry Bones
118 bpm • A# Maj • 03:37 • -11.83db
16% Popularity • 57% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 71% Positiveness
16% Popularity • 57% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 71% Positiveness
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Noel Coward
Twentieth Century Blues (Cavalcade)
114 bpm • G# Maj • 01:22 • -19db
34% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
34% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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Jimmy Dorsey & His Orchestra
Blueberry Hill
114 bpm • G# Maj • 02:35 • -9.51db
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
20% Popularity • 56% Danceability • 23% Energy • 6% Liveness
12% Instrumentalness • 57% Positiveness
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Henry Hall
Love Is the Sweetest Thing
118 bpm • D# Maj • 03:06 • -13.99db
11% Popularity • 55% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 55% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Guy Lombardo & His Royal Canadians
I Can't Begin to Tell You
114 bpm • A# Maj • 02:35 • -15.14db
8% Popularity • 39% Danceability • 11% Energy • 40% Liveness
3% Instrumentalness • 25% Positiveness
8% Popularity • 39% Danceability • 11% Energy • 40% Liveness
3% Instrumentalness • 25% Positiveness
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Jimmy Dorsey
Blueberry Hill
114 bpm • G# Maj • 02:36 • -15.35db
11% Popularity • 50% Danceability • 28% Energy • 14% Liveness
65% Instrumentalness • 51% Positiveness
11% Popularity • 50% Danceability • 28% Energy • 14% Liveness
65% Instrumentalness • 51% Positiveness
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Bob Crosby
Don'T Say Goodbye
114 bpm • A min • 01:43 • -9db
26% Popularity • 72% Danceability • 45% Energy • 17% Liveness
95% Instrumentalness • 96% Positiveness
26% Popularity • 72% Danceability • 45% Energy • 17% Liveness
95% Instrumentalness • 96% Positiveness
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Billy Cotton & His Band
Friends And Neighbours
114 bpm • F Maj • 02:28 • -19db
16% Popularity • 72% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 72% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Ben Selvin & His Orchestra
Happy Days Are Here Again
119 bpm • C Maj • 03:22 • -12.2db
27% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
27% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
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The Piccadilly Players
Sunny Skies
113 bpm • A# Maj • 03:14 • -10db
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
24% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
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Lew Stone
The Girl Who Loves a Soldier
119 bpm • A# Maj • 03:16 • -13.24db
16% Popularity • 77% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 77% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Jack Hylton
Happy Days Are Here Again
119 bpm • G Maj • 03:10 • -9.64db
13% Popularity • 80% Danceability • 52% Energy • 30% Liveness
6% Instrumentalness • 86% Positiveness
13% Popularity • 80% Danceability • 52% Energy • 30% Liveness
6% Instrumentalness • 86% Positiveness
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Jack Payne
I'm Tickled Pink With a blue-eyed baby
113 bpm • C Maj • 02:48 • -17db
11% Popularity • 84% Danceability • 32% Energy • 9% Liveness
5% Instrumentalness • 67% Positiveness
11% Popularity • 84% Danceability • 32% Energy • 9% Liveness
5% Instrumentalness • 67% Positiveness
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Freddy Martin
Blue Champagne
113 bpm • C Maj • 03:21 • -15.69db
1% Popularity • 26% Danceability • 15% Energy • 14% Liveness
83% Instrumentalness • 32% Positiveness
1% Popularity • 26% Danceability • 15% Energy • 14% Liveness
83% Instrumentalness • 32% Positiveness
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Jimmy Dorsey
Green Eyes
119 bpm • G Maj • 03:27 • -16.97db
19% Popularity • 53% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 53% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
36% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Eric Winstone and His Band
I Walked In (With My Eyes Wide Open)
119 bpm • G min • 03:08 • -14.17db
10% Popularity • 56% Danceability • 28% Energy • 15% Liveness
2% Instrumentalness • 75% Positiveness
10% Popularity • 56% Danceability • 28% Energy • 15% Liveness
2% Instrumentalness • 75% Positiveness
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Mary Martin
Let's Do It
119 bpm • F Maj • 02:55 • -11.05db
0% Popularity • 74% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 74% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Eddie Cantor
Yes Sir, That's My Baby! - Remastered
113 bpm • G# Maj • 02:05 • -8.95db
18% Popularity • 87% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 87% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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The Merry Macs
Sentimental Journey
113 bpm • C min • 03:02 • -12db
23% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Lawrence Welk And His Champagne Music
Makin' Love, Mountain Style
119 bpm • C Maj • 02:38 • -17.02db
11% Popularity • 83% Danceability • 23% Energy • 8% Liveness
14% Instrumentalness • 95% Positiveness
11% Popularity • 83% Danceability • 23% Energy • 8% Liveness
14% Instrumentalness • 95% Positiveness
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Werner Müller & His Orchestra
Teddy Bears’ Picnic
113 bpm • C Maj • 03:02 • -11.94db
6% Popularity • 58% Danceability • 28% Energy • 10% Liveness
61% Instrumentalness • 67% Positiveness
6% Popularity • 58% Danceability • 28% Energy • 10% Liveness
61% Instrumentalness • 67% Positiveness
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Freddy Martin & His Orchestra
My Heart Is Keeping Company
113 bpm • G Maj • 03:02 • -16.24db
1% Popularity • 51% Danceability • 6% Energy • 25% Liveness
3% Instrumentalness • 45% Positiveness
1% Popularity • 51% Danceability • 6% Energy • 25% Liveness
3% Instrumentalness • 45% Positiveness
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Freddy Martin
Melodia de la Boheme
120 bpm • D Maj • 02:53 • -11.77db
0% Popularity • 27% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
0% Popularity • 27% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
Hear My Song Viletta
120 bpm • D# Maj • 03:04 • -12.39db
6% Popularity • 66% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
6% Popularity • 66% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Bert Ambrose
Broadway Rhythm
120 bpm • C# Maj • 03:22 • -15.72db
15% Popularity • 72% Danceability • 34% Energy • 13% Liveness
90% Instrumentalness • 80% Positiveness
15% Popularity • 72% Danceability • 34% Energy • 13% Liveness
90% Instrumentalness • 80% Positiveness
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Ted Weems
Somebody Stole My Gal
112 bpm • E Maj • 03:02 • -13db
20% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
20% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
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Jack Hylton & His Orchestra
Happy Days Are Here Again
120 bpm • C Maj • 03:08 • -11.64db
15% Popularity • 81% Danceability • 43% Energy • 27% Liveness
72% Instrumentalness • 86% Positiveness
15% Popularity • 81% Danceability • 43% Energy • 27% Liveness
72% Instrumentalness • 86% Positiveness
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Eddie Cantor
If You Knew Susie (Like I Know Susie)
120 bpm • D Maj • 02:51 • -14.63db
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Tommy Dorsey Orchestra
Candy
112 bpm • G Maj • 02:46 • -17.71db
13% Popularity • 70% Danceability • 15% Energy • 86% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 70% Danceability • 15% Energy • 86% Liveness
0% Instrumentalness • 39% Positiveness
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Jimmy Dorsey
Green Eyes
120 bpm • F min • 03:19 • -12.75db
19% Popularity • 61% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 61% Danceability • 23% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Rudy Vallee and His Connecticut Yankees
I Can't Remember
120 bpm • A# Maj • 03:17 • -21db
27% Popularity • 36% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 27% Positiveness
27% Popularity • 36% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 27% Positiveness
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Carroll Gibbons & The Savoy Hotel Orpheans
Moonlight Becomes You
112 bpm • F Maj • 03:21 • -17db
15% Popularity • 47% Danceability • 10% Energy • 28% Liveness
95% Instrumentalness • 32% Positiveness
15% Popularity • 47% Danceability • 10% Energy • 28% Liveness
95% Instrumentalness • 32% Positiveness
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Jack Payne Band
My Baby Just Cares for Me
120 bpm • F Maj • 02:49 • -12.09db
20% Popularity • 81% Danceability • 61% Energy • 7% Liveness
18% Instrumentalness • 77% Positiveness
20% Popularity • 81% Danceability • 61% Energy • 7% Liveness
18% Instrumentalness • 77% Positiveness
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Geraldo & His Orchestra
Beneath the Lights of Home - 1995 Remast...
112 bpm • D# Maj • 03:09 • -15.39db
13% Popularity • 45% Danceability • 13% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
13% Popularity • 45% Danceability • 13% Energy • 32% Liveness
2% Instrumentalness • 38% Positiveness
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Ginny Simms
Deep Purple
112 bpm • D Maj • 02:59 • -19.29db
10% Popularity • 39% Danceability • 8% Energy • 12% Liveness
63% Instrumentalness • 16% Positiveness
10% Popularity • 39% Danceability • 8% Energy • 12% Liveness
63% Instrumentalness • 16% Positiveness
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Carmen Cavallaro & His Orchestra
I'll Follow My Secret Heart
120 bpm • A# Maj • 02:09 • -12.8db
15% Popularity • 34% Danceability • 26% Energy • 15% Liveness
58% Instrumentalness • 38% Positiveness
15% Popularity • 34% Danceability • 26% Energy • 15% Liveness
58% Instrumentalness • 38% Positiveness
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Jean Goldkette & His Orchestra
In My Merry Oldsmobile
111 bpm • D Maj • 02:32 • -11db
25% Popularity • 74% Danceability • 26% Energy • 6% Liveness
23% Instrumentalness • 69% Positiveness
25% Popularity • 74% Danceability • 26% Energy • 6% Liveness
23% Instrumentalness • 69% Positiveness
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Bob Crosby & The Bob Cats
With the Wind and the Rain in Your Hair ...
121 bpm • G# Maj • 03:11 • -7.26db
16% Popularity • 47% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
16% Popularity • 47% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Billy Cotton & His Band
Puttin' On The Ritz
111 bpm • D# Maj • 03:02 • -19.73db
10% Popularity • 82% Danceability • 28% Energy • 18% Liveness
58% Instrumentalness • 85% Positiveness
10% Popularity • 82% Danceability • 28% Energy • 18% Liveness
58% Instrumentalness • 85% Positiveness
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Roy Fox & His Band
Roll Along Prairie Moon
121 bpm • G# Maj • 02:43 • -24.38db
15% Popularity • 53% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 8% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
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Blue Barron & His Orchestra
Ida, Sweet as Apple Cider
121 bpm • F Maj • 02:13 • -11.11db
8% Popularity • 80% Danceability • 38% Energy • 27% Liveness
2% Instrumentalness • 84% Positiveness
8% Popularity • 80% Danceability • 38% Energy • 27% Liveness
2% Instrumentalness • 84% Positiveness
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Jack Hylton & His Orchestra
Life Begins At Oxford Circus
121 bpm • D Maj • 02:21 • -22.95db
20% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
20% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Rudy Vallee and His Connecticut Yankees
Say It Isn't So
121 bpm • D# Maj • 03:39 • -20.9db
29% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Frank Sinatra with Tommy Dorsey and His Orchestra
Snootie Little Cutie
121 bpm • F Maj • 03:20 • -11.2db
4% Popularity • 65% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
4% Popularity • 65% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Lester Lanin
Just One Of Those Things - Society
121 bpm • D min • 02:12 • -14.52db
30% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
30% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
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Ben Selvin & His Orchestra
I Wonder Where My Baby Is Tonight
111 bpm • D Maj • 03:05 • -8.02db
13% Popularity • 87% Danceability • 46% Energy • 6% Liveness
70% Instrumentalness • 96% Positiveness
13% Popularity • 87% Danceability • 46% Energy • 6% Liveness
70% Instrumentalness • 96% Positiveness
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Joe Loss & His Orchestra
I'll Never Smile Again
111 bpm • G min • 03:13 • -13.95db
17% Popularity • 43% Danceability • 20% Energy • 28% Liveness
5% Instrumentalness • 24% Positiveness
17% Popularity • 43% Danceability • 20% Energy • 28% Liveness
5% Instrumentalness • 24% Positiveness
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The Cast
Back Home Again in Indiana
111 bpm • C min • 01:55 • -9db
29% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
29% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
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Bob Crosby
Politics
122 bpm • G Maj • 02:05 • -13.14db
28% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
On The Sunny Side Of The Street
122 bpm • G min • 03:12 • -13.59db
28% Popularity • 80% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 80% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Jimmy Dorsey
Sophisticated Swing
110 bpm • D# Maj • 02:43 • -12db
15% Popularity • 51% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
15% Popularity • 51% Danceability • 16% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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The Merry Macs
Deep in the Heart of Texas
110 bpm • C# Maj • 03:10 • -14db
21% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Les Elgart
Zing! Went The Strings Of My Heart
110 bpm • F Maj • 01:46 • -13.4db
23% Popularity • 64% Danceability • 50% Energy • 14% Liveness
65% Instrumentalness • 89% Positiveness
23% Popularity • 64% Danceability • 50% Energy • 14% Liveness
65% Instrumentalness • 89% Positiveness
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Freddy Martin
In A Little Spanish Town
122 bpm • C Maj • 02:26 • -5.46db
3% Popularity • 67% Danceability • 71% Energy • 3% Liveness
90% Instrumentalness • 94% Positiveness
3% Popularity • 67% Danceability • 71% Energy • 3% Liveness
90% Instrumentalness • 94% Positiveness
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Bob Crosby
With the Wind and the Rain In Your Hair
122 bpm • A min • 03:11 • -7.93db
14% Popularity • 47% Danceability • 26% Energy • 23% Liveness
4% Instrumentalness • 35% Positiveness
14% Popularity • 47% Danceability • 26% Energy • 23% Liveness
4% Instrumentalness • 35% Positiveness
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Johnny Mercer & The Pied Pipers
My Sugar Is So Refined
110 bpm • F Maj • 02:40 • -11.47db
16% Popularity • 76% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 76% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Jack Payne
I Can't Believe That You're in Love With...
110 bpm • B Maj • 02:31 • -15.85db
18% Popularity • 66% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 58% Positiveness
18% Popularity • 66% Danceability • 34% Energy • 16% Liveness
2% Instrumentalness • 58% Positiveness
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The Merry Macs
I Got Rings on My Fingers
110 bpm • G# Maj • 02:30 • -15.32db
22% Popularity • 79% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 79% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Russ Columbo
When You're In Love
110 bpm • D# Maj • 03:10 • -13.26db
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
26% Popularity • 48% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
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Fats Waller
My Very Good Friend the Milkman - Remast...
110 bpm • F Maj • 03:30 • -13.78db
29% Popularity • 70% Danceability • 29% Energy • 18% Liveness
57% Instrumentalness • 55% Positiveness
29% Popularity • 70% Danceability • 29% Energy • 18% Liveness
57% Instrumentalness • 55% Positiveness
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Freddy Martin
The Dickie Bird Song
110 bpm • D Maj • 03:07 • -17.02db
2% Popularity • 71% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
2% Popularity • 71% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Ted Weems
You're the Cream in My Coffee
110 bpm • D# Maj • 03:04 • -10.66db
11% Popularity • 74% Danceability • 49% Energy • 17% Liveness
39% Instrumentalness • 81% Positiveness
11% Popularity • 74% Danceability • 49% Energy • 17% Liveness
39% Instrumentalness • 81% Positiveness
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Roger Williams
Near You
123 bpm • G Maj • 02:47 • -15db
30% Popularity • 77% Danceability • 16% Energy • 8% Liveness
69% Instrumentalness • 55% Positiveness
30% Popularity • 77% Danceability • 16% Energy • 8% Liveness
69% Instrumentalness • 55% Positiveness
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Bunny Berigan
When I Take My Sugar to Tea
110 bpm • C Maj • 03:12 • -9.08db
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
21% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
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Glen Gray
Melancholy Mood
109 bpm • F min • 03:14 • -12.72db
12% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
12% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
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Henry Hall
Underneath the Arches
123 bpm • E min • 03:07 • -8.17db
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Freddy Martin
Jingle, Jangle, Jingle
109 bpm • D Maj • 02:50 • -4.21db
0% Popularity • 80% Danceability • 68% Energy • 8% Liveness
35% Instrumentalness • 72% Positiveness
0% Popularity • 80% Danceability • 68% Energy • 8% Liveness
35% Instrumentalness • 72% Positiveness
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Ted Heath
Swingin' Sheperd Blues
109 bpm • C Maj • 02:51 • -13.41db
14% Popularity • 73% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 44% Positiveness
14% Popularity • 73% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 44% Positiveness
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Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
28% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
28% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
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Bea Wain
Two Dreams Got Together
109 bpm • A min • 03:17 • -22.78db
14% Popularity • 29% Danceability • 8% Energy • 15% Liveness
86% Instrumentalness • 24% Positiveness
14% Popularity • 29% Danceability • 8% Energy • 15% Liveness
86% Instrumentalness • 24% Positiveness
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Glen Gray & The Casa Loma Orchestra
Blue Moon
109 bpm • D# Maj • 03:12 • -16.81db
21% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
21% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
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Art Mooney
I'm Looking over a Four-Leaf Clover
109 bpm • G Maj • 02:28 • -11.73db
23% Popularity • 72% Danceability • 54% Energy • 28% Liveness
45% Instrumentalness • 96% Positiveness
23% Popularity • 72% Danceability • 54% Energy • 28% Liveness
45% Instrumentalness • 96% Positiveness
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Freddy Martin
Who Wouldn't Love You
124 bpm • F Maj • 03:03 • -5.65db
0% Popularity • 61% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 61% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
