Songs like Traces IV by Tigran Hamasyan
Based on a tempo of (+/- 10%) and a similar genre
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Anouar Brahem
Déjà la nuit
133 bpm • F min • 05:10 • -32.22db
22% Popularity • 32% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
22% Popularity • 32% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Daniel Herskedal
Lynx Tracks
132 bpm • D Maj • 01:40 • -31.13db
20% Popularity • 24% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
20% Popularity • 24% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
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Jon Balke
This Is The Movie
134 bpm • C Maj • 05:18 • -26.98db
25% Popularity • 30% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 30% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Tigran Hamasyan
Traces IV
133 bpm • G# min • 05:14 • -27.57db
19% Popularity • 37% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
19% Popularity • 37% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Carla Bley
Vashkar
134 bpm • F# Maj • 07:22 • -16.18db
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
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Vladislav Delay
Single 02
132 bpm • C# Maj • 04:55 • -15.85db
1% Popularity • 16% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
1% Popularity • 16% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Mats Eilertsen Trio
Sails Set
134 bpm • E Maj • 02:24 • -27.92db
24% Popularity • 49% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
24% Popularity • 49% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Thomas Strønen
Lucus
134 bpm • F min • 03:47 • -19.68db
10% Popularity • 32% Danceability • 30% Energy • 7% Liveness
83% Instrumentalness • 15% Positiveness
10% Popularity • 32% Danceability • 30% Energy • 7% Liveness
83% Instrumentalness • 15% Positiveness
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Benjamin Mørk
Pasvikdalen
134 bpm • G Maj • 03:06 • -20.45db
12% Popularity • 50% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 20% Positiveness
12% Popularity • 50% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 20% Positiveness
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Mats Eilertsen
22
132 bpm • A# min • 04:58 • -28.56db
28% Popularity • 33% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
28% Popularity • 33% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
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Anouar Brahem
Un point bleu
134 bpm • G Maj • 01:52 • -28.01db
36% Popularity • 48% Danceability • 0% Energy • 22% Liveness
96% Instrumentalness • 76% Positiveness
36% Popularity • 48% Danceability • 0% Energy • 22% Liveness
96% Instrumentalness • 76% Positiveness
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Vladislav Delay
Single 01
132 bpm • A Maj • 02:41 • -34.29db
1% Popularity • 16% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Nils Petter Molvær
Honey in Your Head
132 bpm • B min • 03:42 • -17.76db
24% Popularity • 43% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
24% Popularity • 43% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Erik Honoré
The Letter
132 bpm • E min • 02:46 • -26.49db
1% Popularity • 31% Danceability • 2% Energy • 8% Liveness
77% Instrumentalness • 7% Positiveness
1% Popularity • 31% Danceability • 2% Energy • 8% Liveness
77% Instrumentalness • 7% Positiveness
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Anat Fort Trio
Paul Motian (2)
134 bpm • D Maj • 04:00 • -26.55db
27% Popularity • 30% Danceability • 9% Energy • 6% Liveness
63% Instrumentalness • 4% Positiveness
27% Popularity • 30% Danceability • 9% Energy • 6% Liveness
63% Instrumentalness • 4% Positiveness
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Sokratis Sinopoulos Quartet
Walking
134 bpm • D Maj • 06:30 • -21.95db
10% Popularity • 36% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
10% Popularity • 36% Danceability • 17% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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Nik Bärtsch
Modul 42
131 bpm • C# Maj • 06:27 • -23.64db
17% Popularity • 48% Danceability • 9% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
17% Popularity • 48% Danceability • 9% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
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Trygve Seim
Nu Seglar Vi Inn
131 bpm • C min • 04:34 • -19.28db
13% Popularity • 34% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 19% Positiveness
13% Popularity • 34% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 19% Positiveness
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Tord Gustavsen Quartet
Glow
131 bpm • F min • 05:11 • -15.03db
13% Popularity • 49% Danceability • 25% Energy • 10% Liveness
71% Instrumentalness • 13% Positiveness
13% Popularity • 49% Danceability • 25% Energy • 10% Liveness
71% Instrumentalness • 13% Positiveness
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Marcin Wasilewski
Hyperballad
131 bpm • C min • 05:52 • -20.86db
22% Popularity • 39% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
22% Popularity • 39% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Anat Fort Trio
Minnesota
135 bpm • D Maj • 07:34 • -21db
26% Popularity • 45% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
26% Popularity • 45% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
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Tigran Hamasyan
The Spinners
131 bpm • A min • 02:57 • -17.94db
18% Popularity • 47% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 30% Positiveness
18% Popularity • 47% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 30% Positiveness
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David Kollar
Shadows Behind Pillars
135 bpm • G Maj • 08:51 • -14.58db
5% Popularity • 24% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
5% Popularity • 24% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Mette Henriette
Drifting
131 bpm • A# min • 04:01 • -22.46db
26% Popularity • 30% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
26% Popularity • 30% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Tord Gustavsen Quartet
Communion
135 bpm • E min • 04:33 • -26.67db
9% Popularity • 27% Danceability • 1% Energy • 12% Liveness
59% Instrumentalness • 4% Positiveness
9% Popularity • 27% Danceability • 1% Energy • 12% Liveness
59% Instrumentalness • 4% Positiveness
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Joona Toivanen Trio
Faculties
130 bpm • F Maj • 05:41 • -31.2db
17% Popularity • 27% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
17% Popularity • 27% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
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Skúli Sverrisson
The Typist
136 bpm • E min • 03:25 • -27.12db
20% Popularity • 37% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 34% Positiveness
20% Popularity • 37% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 34% Positiveness
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Canberk UlaÅŸ
Ritual
136 bpm • F# min • 03:14 • -18.81db
13% Popularity • 29% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
13% Popularity • 29% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Tigran Hamasyan
The Legend Of The Moon
136 bpm • D min • 05:32 • -23.07db
10% Popularity • 53% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 53% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Vijay Iyer Trio
Wrens
130 bpm • C Maj • 06:47 • -20.72db
7% Popularity • 32% Danceability • 17% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
7% Popularity • 32% Danceability • 17% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
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Dhafer Youssef
Al-Akhtal Rhapsody Part I
136 bpm • B min • 05:57 • -18.15db
13% Popularity • 32% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
13% Popularity • 32% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Daniel Herskedal
The Mariner's Cross
137 bpm • E min • 03:14 • -17.91db
18% Popularity • 42% Danceability • 47% Energy • 9% Liveness
92% Instrumentalness • 41% Positiveness
18% Popularity • 42% Danceability • 47% Energy • 9% Liveness
92% Instrumentalness • 41% Positiveness
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Andy Sheppard
Ballarina
137 bpm • D min • 03:43 • -20.67db
10% Popularity • 40% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
10% Popularity • 40% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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John Børge Askeland
Kyrie
137 bpm • D min • 08:14 • -20.37db
7% Popularity • 56% Danceability • 14% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
7% Popularity • 56% Danceability • 14% Energy • 26% Liveness
90% Instrumentalness • 27% Positiveness
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Michel Benita
Elisian/Inutil Paisagem
129 bpm • G# Maj • 04:56 • -19.72db
13% Popularity • 27% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 10% Positiveness
13% Popularity • 27% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 10% Positiveness
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Anat Fort Trio
If
137 bpm • A Maj • 01:18 • -20.75db
47% Popularity • 29% Danceability • 15% Energy • 14% Liveness
67% Instrumentalness • 10% Positiveness
47% Popularity • 29% Danceability • 15% Energy • 14% Liveness
67% Instrumentalness • 10% Positiveness
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Mats Eilertsen
Perpetum
138 bpm • D Maj • 06:55 • -28.77db
12% Popularity • 44% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
12% Popularity • 44% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Terje Rypdal
As If The Ghost … Was Me!?
137 bpm • G Maj • 05:43 • -18.82db
14% Popularity • 21% Danceability • 34% Energy • 33% Liveness
82% Instrumentalness • 9% Positiveness
14% Popularity • 21% Danceability • 34% Energy • 33% Liveness
82% Instrumentalness • 9% Positiveness
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Arild Andersen
Hyperborean
128 bpm • G min • 05:15 • -26.98db
13% Popularity • 27% Danceability • 11% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
13% Popularity • 27% Danceability • 11% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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Airelle Besson
Birsay
128 bpm • B min • 02:27 • -16.88db
26% Popularity • 61% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 76% Positiveness
26% Popularity • 61% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 76% Positiveness
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Tigran Hamasyan
The Boatman (Prelude)
138 bpm • G# min • 03:25 • -22.07db
23% Popularity • 47% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
23% Popularity • 47% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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John Børge Askeland
Kyrie 2
128 bpm • D# Maj • 07:29 • -15.56db
4% Popularity • 40% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 5% Positiveness
4% Popularity • 40% Danceability • 20% Energy • 9% Liveness
85% Instrumentalness • 5% Positiveness
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Anat Fort Trio
Inner Voices
128 bpm • F min • 02:13 • -28.09db
31% Popularity • 36% Danceability • 0% Energy • 9% Liveness
56% Instrumentalness • 22% Positiveness
31% Popularity • 36% Danceability • 0% Energy • 9% Liveness
56% Instrumentalness • 22% Positiveness
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Janne Mark
Julen I Hjertet
138 bpm • D Maj • 04:59 • -15.04db
6% Popularity • 36% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
6% Popularity • 36% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Misha Alperin
At Home
139 bpm • A# Maj • 02:42 • -32db
35% Popularity • 45% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
35% Popularity • 45% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Ketil Bjørnstad
Epigraph No. 1, var. 1
128 bpm • G Maj • 01:35 • -31.97db
31% Popularity • 40% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 40% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Arve Henriksen
Recording Angel
139 bpm • A# min • 06:23 • -29.28db
8% Popularity • 17% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Vladislav Delay
Single 09
128 bpm • E min • 03:28 • -25.75db
1% Popularity • 28% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
1% Popularity • 28% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Eivind Aarset
Homage To Greene
139 bpm • D Maj • 05:29 • -24.71db
9% Popularity • 30% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
9% Popularity • 30% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Mats Eilertsen
March
127 bpm • A min • 08:03 • -15.69db
15% Popularity • 39% Danceability • 16% Energy • 14% Liveness
54% Instrumentalness • 8% Positiveness
15% Popularity • 39% Danceability • 16% Energy • 14% Liveness
54% Instrumentalness • 8% Positiveness
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Trygve Seim
Agnus Dei
127 bpm • D Maj • 03:13 • -24.21db
14% Popularity • 35% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 17% Positiveness
14% Popularity • 35% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 17% Positiveness
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Nils Petter Molvær
Framework 2
127 bpm • E min • 03:20 • -17.27db
18% Popularity • 31% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 18% Positiveness
18% Popularity • 31% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 18% Positiveness
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Kham Meslien
Mauza
139 bpm • G min • 01:01 • -22.55db
31% Popularity • 47% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 47% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Tigran Hamasyan
Hayrapetakan Maghterg - Var. 1
140 bpm • F min • 01:45 • -37.13db
13% Popularity • 43% Danceability • 0% Energy • 8% Liveness
87% Instrumentalness • 37% Positiveness
13% Popularity • 43% Danceability • 0% Energy • 8% Liveness
87% Instrumentalness • 37% Positiveness
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Eivind Aarset
Jukai (Sea Of Trees)
127 bpm • C min • 03:45 • -25.47db
7% Popularity • 30% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
7% Popularity • 30% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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John Børge Askeland
Agnus Dei
140 bpm • G Maj • 05:44 • -16.14db
8% Popularity • 54% Danceability • 19% Energy • 34% Liveness
83% Instrumentalness • 34% Positiveness
8% Popularity • 54% Danceability • 19% Energy • 34% Liveness
83% Instrumentalness • 34% Positiveness
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Aaron Parks
Is Anything Okay?
141 bpm • C# Maj • 03:24 • -13.62db
32% Popularity • 53% Danceability • 34% Energy • 7% Liveness
87% Instrumentalness • 6% Positiveness
32% Popularity • 53% Danceability • 34% Energy • 7% Liveness
87% Instrumentalness • 6% Positiveness
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Skúli Sverrisson
Speak Softly Now
141 bpm • E min • 03:05 • -29.25db
23% Popularity • 33% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
23% Popularity • 33% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 29% Positiveness
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Markus Stockhausen
Mondtraum
125 bpm • E min • 05:10 • -25db
15% Popularity • 37% Danceability • 2% Energy • 5% Liveness
90% Instrumentalness • 29% Positiveness
15% Popularity • 37% Danceability • 2% Energy • 5% Liveness
90% Instrumentalness • 29% Positiveness
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Tigran Hamasyan
Nairian Odyssey
126 bpm • G Maj • 11:00 • -19.55db
20% Popularity • 46% Danceability • 20% Energy • 13% Liveness
90% Instrumentalness • 24% Positiveness
20% Popularity • 46% Danceability • 20% Energy • 13% Liveness
90% Instrumentalness • 24% Positiveness
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Eivind Aarset
Close (For Comfort)
126 bpm • G# min • 06:34 • -21db
10% Popularity • 25% Danceability • 6% Energy • 16% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 25% Danceability • 6% Energy • 16% Liveness
79% Instrumentalness • 4% Positiveness
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Colin Vallon
Tsunami
125 bpm • A min • 07:00 • -19.74db
12% Popularity • 39% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
12% Popularity • 39% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Jakob Davidsen
7-Isolation (Edvard Munch)
141 bpm • D min • 03:55 • -27db
10% Popularity • 32% Danceability • 2% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
10% Popularity • 32% Danceability • 2% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
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Marcin Wasilewski
Drum Kick
142 bpm • C# Maj • 01:41 • -22.33db
18% Popularity • 43% Danceability • 14% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
18% Popularity • 43% Danceability • 14% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
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Sly & Robbie
Politically KKKorrrekkkttt
142 bpm • G Maj • 07:09 • -14.25db
10% Popularity • 41% Danceability • 44% Energy • 7% Liveness
91% Instrumentalness • 60% Positiveness
10% Popularity • 41% Danceability • 44% Energy • 7% Liveness
91% Instrumentalness • 60% Positiveness
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Tigran Hamasyan
Ancient Observer
125 bpm • C# Maj • 05:57 • -17db
18% Popularity • 39% Danceability • 15% Energy • 15% Liveness
87% Instrumentalness • 21% Positiveness
18% Popularity • 39% Danceability • 15% Energy • 15% Liveness
87% Instrumentalness • 21% Positiveness
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Steve Tibbetts
Padre-Yaga
125 bpm • D min • 06:27 • -24.21db
11% Popularity • 52% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
11% Popularity • 52% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
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Joel Lyssarides
Stay Now
124 bpm • B Maj • 02:49 • -22.51db
45% Popularity • 39% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
45% Popularity • 39% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
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Dhafer Youssef
Al-Akhtal Rhapsody Part II
124 bpm • F# min • 01:55 • -16.8db
25% Popularity • 45% Danceability • 56% Energy • 9% Liveness
93% Instrumentalness • 60% Positiveness
25% Popularity • 45% Danceability • 56% Energy • 9% Liveness
93% Instrumentalness • 60% Positiveness
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Avishai Cohen
Elli
124 bpm • F Maj • 03:57 • -15.22db
30% Popularity • 30% Danceability • 45% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
30% Popularity • 30% Danceability • 45% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Colin Vallon
Sisyphe
143 bpm • G# min • 04:26 • -26.75db
34% Popularity • 38% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
34% Popularity • 38% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Tigran Hamasyan
Kakavik (The Little Partridge)
142 bpm • G Maj • 05:55 • -17.68db
10% Popularity • 32% Danceability • 30% Energy • 14% Liveness
88% Instrumentalness • 26% Positiveness
10% Popularity • 32% Danceability • 30% Energy • 14% Liveness
88% Instrumentalness • 26% Positiveness
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Daniel Herskedal
Arriving at Ellis Island
124 bpm • C min • 03:49 • -21.72db
12% Popularity • 53% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
12% Popularity • 53% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 29% Positiveness
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Tord Gustavsen Quartet
Eg Veit I Himmerik Ei Borg
124 bpm • A min • 05:39 • -13db
21% Popularity • 29% Danceability • 41% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
21% Popularity • 29% Danceability • 41% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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Nik Bärtsch
Modul 5
143 bpm • D# Maj • 08:31 • -21.8db
9% Popularity • 26% Danceability • 37% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 37% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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John Børge Askeland
Where Did You Go
123 bpm • G Maj • 04:21 • -15.2db
10% Popularity • 46% Danceability • 25% Energy • 31% Liveness
59% Instrumentalness • 12% Positiveness
10% Popularity • 46% Danceability • 25% Energy • 31% Liveness
59% Instrumentalness • 12% Positiveness
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Colin Vallon
Reste
143 bpm • D# Maj • 01:36 • -23.39db
39% Popularity • 30% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
39% Popularity • 30% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
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Tore Brunborg
Shelter
123 bpm • C# min • 05:21 • -18.57db
17% Popularity • 57% Danceability • 18% Energy • 19% Liveness
91% Instrumentalness • 25% Positiveness
17% Popularity • 57% Danceability • 18% Energy • 19% Liveness
91% Instrumentalness • 25% Positiveness
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Søren Bebe Trio
The Path to Somewhere
123 bpm • D Maj • 03:22 • -22.29db
33% Popularity • 34% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
33% Popularity • 34% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Wolfert Brederode
Ruins I
123 bpm • F min • 03:02 • -37.7db
10% Popularity • 55% Danceability • 0% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
10% Popularity • 55% Danceability • 0% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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Daniel Herskedal
Monsoon Coming
144 bpm • C Maj • 06:34 • -19.12db
13% Popularity • 63% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
13% Popularity • 63% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Ellen Bødtker
Gråblå Himmel
144 bpm • D# min • 03:37 • -13.64db
0% Popularity • 33% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 16% Positiveness
0% Popularity • 33% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 16% Positiveness
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Avishai Cohen
Naked Truth - Pt. 8
144 bpm • C min • 04:29 • -19.83db
11% Popularity • 29% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
11% Popularity • 29% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Benjamin Mørk
Bjørndragarhaugen
122 bpm • G min • 04:05 • -16.39db
8% Popularity • 57% Danceability • 32% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
8% Popularity • 57% Danceability • 32% Energy • 12% Liveness
95% Instrumentalness • 28% Positiveness
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Mino Cinelu
Le monde qui change
145 bpm • E min • 00:59 • -18.8db
27% Popularity • 45% Danceability • 8% Energy • 21% Liveness
95% Instrumentalness • 33% Positiveness
27% Popularity • 45% Danceability • 8% Energy • 21% Liveness
95% Instrumentalness • 33% Positiveness
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Arve Henriksen
Groundswell
122 bpm • F min • 05:36 • -18.34db
23% Popularity • 32% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
23% Popularity • 32% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Vijay Iyer
Touba
145 bpm • C# Maj • 07:17 • -23db
13% Popularity • 35% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
13% Popularity • 35% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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Peter Erskine
New Old Age
122 bpm • A# min • 09:25 • -23.15db
12% Popularity • 39% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 39% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Louis Sclavis
Extases
121 bpm • C# Maj • 03:57 • -23.31db
18% Popularity • 29% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
18% Popularity • 29% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Shinya Fukumori Trio
Hoshi Meguri No Uta
121 bpm • E min • 05:03 • -23.86db
11% Popularity • 39% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
11% Popularity • 39% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Vladislav Delay
Single 13
120 bpm • A# Maj • 06:42 • -17.76db
1% Popularity • 22% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
1% Popularity • 22% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Jakob Bro
Reconstructing A Dream
147 bpm • E min • 09:17 • -22db
18% Popularity • 27% Danceability • 11% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
18% Popularity • 27% Danceability • 11% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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David Kollar
Friendship
120 bpm • E min • 01:12 • -28.06db
18% Popularity • 52% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 54% Positiveness
18% Popularity • 52% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 54% Positiveness
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Bobo Stenson Trio
Stilla
120 bpm • A# Maj • 04:27 • -21.31db
26% Popularity • 57% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 52% Positiveness
26% Popularity • 57% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 52% Positiveness
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John Børge Askeland
Silence
120 bpm • G# Maj • 04:55 • -14.46db
10% Popularity • 40% Danceability • 28% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
10% Popularity • 40% Danceability • 28% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Carmen Villain
Gestures
120 bpm • C# Maj • 07:38 • -19.13db
16% Popularity • 67% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
16% Popularity • 67% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Dave Douglas
Supplication
120 bpm • A min • 03:02 • -20.24db
15% Popularity • 41% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
15% Popularity • 41% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
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Daniel Herskedal
VÃ¥kenatt
120 bpm • C Maj • 03:52 • -27.2db
28% Popularity • 29% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
28% Popularity • 29% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness