Songs like Trad / Arr Greatorex: Adeste Fideles by Thomas Greatorex
Based on a tempo of (+/- 10%) and a similar genre
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RO Morris
Love came down at Christmas (Arr. Stephe...
70 bpm • E min • 01:17 • -28.32db
13% Popularity • 25% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
13% Popularity • 25% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
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Jim Clements
Away in a Manger
70 bpm • F Maj • 02:56 • -32.81db
10% Popularity • 9% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 9% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Thomas Greatorex
Trad / Arr Greatorex: Adeste Fideles
70 bpm • F Maj • 04:51 • -21.35db
0% Popularity • 34% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 34% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Marc-Antoine Charpentier
Charpentier: Messe de minuit pour Noël,...
70 bpm • C min • 01:27 • -21.41db
20% Popularity • 14% Danceability • 11% Energy • 40% Liveness
62% Instrumentalness • 35% Positiveness
20% Popularity • 14% Danceability • 11% Energy • 40% Liveness
62% Instrumentalness • 35% Positiveness
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The Oxford Trinity Choir
In the Bleak Mid Winter
70 bpm • G Maj • 04:48 • -17.85db
5% Popularity • 22% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
5% Popularity • 22% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Bob Chilcott
The Shepherd's Carol
70 bpm • D Maj • 02:49 • -27.33db
16% Popularity • 21% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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John Rutter
O Jesulein süß, O Jesulein mild, BWV 4...
69 bpm • A# Maj • 03:16 • -26.19db
0% Popularity • 19% Danceability • 6% Energy • 16% Liveness
67% Instrumentalness • 8% Positiveness
0% Popularity • 19% Danceability • 6% Energy • 16% Liveness
67% Instrumentalness • 8% Positiveness
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Samuel Scheidt
In dulci jubilo
69 bpm • C Maj • 03:28 • -20.14db
11% Popularity • 23% Danceability • 11% Energy • 3% Liveness
80% Instrumentalness • 15% Positiveness
11% Popularity • 23% Danceability • 11% Energy • 3% Liveness
80% Instrumentalness • 15% Positiveness
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Benjamin Britten
A Ceremony of Carols, Op. 28: No. 6, Thi...
69 bpm • G# min • 01:41 • -21.58db
9% Popularity • 38% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
9% Popularity • 38% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Worcester Cathedral Choir
The Cherry Tree Carol - Arr. Donald Hunt
69 bpm • G min • 02:49 • -37.02db
21% Popularity • 19% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 19% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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![Quem pastores laudavere [unaccomp. version] - 2004 Remastered Version cover art](https://i.scdn.co/image/ab67616d00001e0280089b7e48cbd40ff2799281)
Choir of King's College, Cambridge
Quem pastores laudavere [unaccomp. versi...
71 bpm • F# Maj • 01:59 • -23.73db
20% Popularity • 25% Danceability • 13% Energy • 12% Liveness
21% Instrumentalness • 8% Positiveness
20% Popularity • 25% Danceability • 13% Energy • 12% Liveness
21% Instrumentalness • 8% Positiveness
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Traditional
Angels We Have Heard On High
71 bpm • D Maj • 02:41 • -14.05db
6% Popularity • 24% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
6% Popularity • 24% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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John Rutter
A Spotless Rose
71 bpm • A Maj • 02:45 • -24db
0% Popularity • 15% Danceability • 11% Energy • 11% Liveness
7% Instrumentalness • 7% Positiveness
0% Popularity • 15% Danceability • 11% Energy • 11% Liveness
7% Instrumentalness • 7% Positiveness
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Boris Ord
Adam lay y-bounden
71 bpm • B min • 01:16 • -19.48db
13% Popularity • 28% Danceability • 17% Energy • 25% Liveness
46% Instrumentalness • 16% Positiveness
13% Popularity • 28% Danceability • 17% Energy • 25% Liveness
46% Instrumentalness • 16% Positiveness
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John Tavener
The Lamb (Live): The Lamb
69 bpm • E min • 03:31 • -33.89db
8% Popularity • 17% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Chanticleer
Silent Night
68 bpm • C# Maj • 03:21 • -30.43db
14% Popularity • 21% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Robert Parsons
Ave Maria
72 bpm • G# Maj • 04:38 • -29.43db
14% Popularity • 7% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
14% Popularity • 7% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
Good King Wenceslas
72 bpm • G# Maj • 02:53 • -18db
12% Popularity • 14% Danceability • 14% Energy • 10% Liveness
10% Instrumentalness • 42% Positiveness
12% Popularity • 14% Danceability • 14% Energy • 10% Liveness
10% Instrumentalness • 42% Positiveness
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John Rutter
Un flambeau, Jeannette, Isabelle
72 bpm • G Maj • 02:33 • -27.6db
14% Popularity • 12% Danceability • 5% Energy • 9% Liveness
64% Instrumentalness • 19% Positiveness
14% Popularity • 12% Danceability • 5% Energy • 9% Liveness
64% Instrumentalness • 19% Positiveness
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Michael Praetorius
Prætorius: Es ist ein Ros' entsprungen
68 bpm • F Maj • 02:17 • -14.91db
12% Popularity • 17% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 17% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Ola Gjeilo
Det hev ei rose sprunge
72 bpm • G Maj • 02:51 • -20.49db
9% Popularity • 15% Danceability • 15% Energy • 24% Liveness
9% Instrumentalness • 20% Positiveness
9% Popularity • 15% Danceability • 15% Energy • 24% Liveness
9% Instrumentalness • 20% Positiveness
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Harold Darke
In the Bleak Midwinter
72 bpm • G Maj • 04:58 • -30.13db
9% Popularity • 18% Danceability • 6% Energy • 10% Liveness
24% Instrumentalness • 3% Positiveness
9% Popularity • 18% Danceability • 6% Energy • 10% Liveness
24% Instrumentalness • 3% Positiveness
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Leigh Harline
When You Wish Upon A Star
68 bpm • E Maj • 03:59 • -23.42db
8% Popularity • 28% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 28% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Choir of King's College, Cambridge
Sussex Carol
72 bpm • G Maj • 01:53 • -21.95db
13% Popularity • 25% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 23% Positiveness
13% Popularity • 25% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 23% Positiveness
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Traditional
The First Nowell
68 bpm • D Maj • 05:00 • -24.22db
5% Popularity • 12% Danceability • 7% Energy • 20% Liveness
48% Instrumentalness • 16% Positiveness
5% Popularity • 12% Danceability • 7% Energy • 20% Liveness
48% Instrumentalness • 16% Positiveness
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Philip Moore
The angel Gabriel
68 bpm • B min • 04:02 • -19.1db
7% Popularity • 19% Danceability • 18% Energy • 28% Liveness
95% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 18% Energy • 28% Liveness
95% Instrumentalness • 4% Positiveness
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William J. Kirkpatrick
Away in a Manger (arr. J. Rutter): Away ...
67 bpm • F# Maj • 02:23 • -33.11db
12% Popularity • 11% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 8% Positiveness
12% Popularity • 11% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 8% Positiveness
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Peter Warlock
3 Carols: Balulalow
73 bpm • D# Maj • 02:05 • -28.57db
13% Popularity • 16% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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William G. James
Carol of the Birds
67 bpm • D# Maj • 01:08 • -27.13db
14% Popularity • 30% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 30% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Bo Holten
Julebudet til dem, der bygge (The Christ...
73 bpm • E Maj • 02:42 • -24.38db
18% Popularity • 20% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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George Ratcliffe Woodward
Woodward / Arr. Woodward: Up! Good Chris...
67 bpm • C Maj • 01:15 • -28.36db
8% Popularity • 23% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 23% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Anonymous
Antiphon: Hodie Christus natus est (chan...
67 bpm • G Maj • 01:04 • -25.14db
9% Popularity • 35% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 35% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Robert Wells
The Christmas Song
67 bpm • G Maj • 04:00 • -24.49db
8% Popularity • 11% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 11% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Arvo Pärt
Pärt: Bogoróditse djévo
67 bpm • A Maj • 01:14 • -24.07db
12% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Worcester Cathedral Choir
Away in a Manger
73 bpm • G# Maj • 03:14 • -30db
22% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Charles Ives
Ives / Arr. Echols: A Christmas Carol
73 bpm • F# Maj • 02:26 • -29.31db
20% Popularity • 18% Danceability • 2% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 2% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Philip Ledger
On Christmas Night
73 bpm • G Maj • 02:15 • -18db
11% Popularity • 33% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 33% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Choir of King's College, Cambridge
Past Three O' Clock
73 bpm • G Maj • 02:31 • -24.89db
8% Popularity • 42% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
8% Popularity • 42% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
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Royal Philharmonic Orchestra
Unto Us Is Born A Son
73 bpm • D Maj • 01:54 • -16.21db
17% Popularity • 15% Danceability • 12% Energy • 7% Liveness
6% Instrumentalness • 31% Positiveness
17% Popularity • 15% Danceability • 12% Energy • 7% Liveness
6% Instrumentalness • 31% Positiveness
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Adolphe Adam
Cantique de Noël (O Holy Night) - arr. ...
73 bpm • D# Maj • 05:53 • -18.62db
8% Popularity • 15% Danceability • 19% Energy • 11% Liveness
23% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 19% Energy • 11% Liveness
23% Instrumentalness • 4% Positiveness
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Worcester Cathedral Choir
Coventry Carol
73 bpm • G Maj • 03:59 • -32.77db
17% Popularity • 14% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 14% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Johann Schop
Break Forth, O Beauteous Heavenly Light
67 bpm • G Maj • 01:06 • -23.33db
7% Popularity • 10% Danceability • 9% Energy • 36% Liveness
30% Instrumentalness • 39% Positiveness
7% Popularity • 10% Danceability • 9% Energy • 36% Liveness
30% Instrumentalness • 39% Positiveness
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Traditional
Ding Dong! Merrily on High
67 bpm • A# Maj • 01:46 • -27.72db
2% Popularity • 31% Danceability • 6% Energy • 32% Liveness
3% Instrumentalness • 33% Positiveness
2% Popularity • 31% Danceability • 6% Energy • 32% Liveness
3% Instrumentalness • 33% Positiveness
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Choir of King's College, Cambridge
Traditional: Ding dong! Merrily on High ...
73 bpm • B Maj • 02:21 • -22db
14% Popularity • 37% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 37% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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The Oxford Trinity Choir
St Matthew's Passion
74 bpm • E Maj • 02:08 • -13.35db
3% Popularity • 17% Danceability • 38% Energy • 23% Liveness
42% Instrumentalness • 4% Positiveness
3% Popularity • 17% Danceability • 38% Energy • 23% Liveness
42% Instrumentalness • 4% Positiveness
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The King's Singers
O little one sweet
74 bpm • A# Maj • 02:12 • -31.69db
6% Popularity • 26% Danceability • 3% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
6% Popularity • 26% Danceability • 3% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
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Worcester Cathedral Choir
As I Outrode
74 bpm • G Maj • 01:25 • -22.76db
11% Popularity • 30% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 30% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Gerald Finley
Past Three a Clock
74 bpm • G Maj • 02:36 • -25.58db
7% Popularity • 37% Danceability • 7% Energy • 65% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 37% Danceability • 7% Energy • 65% Liveness
0% Instrumentalness • 33% Positiveness
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Traditional
O Tannenbaum
74 bpm • A min • 01:55 • -12.97db
16% Popularity • 34% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 34% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Berliner Mozartchor
Schlafe mein Prinzchen Schlaf ein
74 bpm • F Maj • 01:44 • -18.79db
13% Popularity • 25% Danceability • 17% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
13% Popularity • 25% Danceability • 17% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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William J. Kirkpatrick
Away in a Manger (arr. B. Chilcott for c...
74 bpm • G Maj • 02:46 • -37db
28% Popularity • 13% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 13% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Michael Praetorius
Es ist ein Ros entsprugen
74 bpm • F Maj • 01:30 • -28db
18% Popularity • 8% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
18% Popularity • 8% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
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Choir of King's College, Cambridge
While Shepherds Watched
74 bpm • F# Maj • 03:11 • -18.9db
9% Popularity • 16% Danceability • 21% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
9% Popularity • 16% Danceability • 21% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
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Jester Hairston
Mary's Boy Child (Arr. J. Rutter for Voi...
75 bpm • G# Maj • 04:29 • -26.15db
9% Popularity • 23% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Traditional
Boar's Head Carol
74 bpm • C Maj • 01:11 • -28.91db
8% Popularity • 34% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 34% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Bob Chilcott
Mary, Mother: II. Carpentry Carol
75 bpm • G Maj • 02:53 • -17.98db
16% Popularity • 16% Danceability • 23% Energy • 13% Liveness
2% Instrumentalness • 5% Positiveness
16% Popularity • 16% Danceability • 23% Energy • 13% Liveness
2% Instrumentalness • 5% Positiveness
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Sir David Willcocks
While Shepherds Watched Their Flocks (ar...
75 bpm • F Maj • 02:29 • -28db
25% Popularity • 15% Danceability • 8% Energy • 11% Liveness
28% Instrumentalness • 26% Positiveness
25% Popularity • 15% Danceability • 8% Energy • 11% Liveness
28% Instrumentalness • 26% Positiveness
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John Francis Wade
Adeste Fideles (O Come All Ye Faithful)
75 bpm • C Maj • 02:40 • -17.07db
1% Popularity • 12% Danceability • 37% Energy • 66% Liveness
15% Instrumentalness • 14% Positiveness
1% Popularity • 12% Danceability • 37% Energy • 66% Liveness
15% Instrumentalness • 14% Positiveness
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Berliner Männerchor "Carl Maria Von Weber"
Es ist ein Ros entsprungen
75 bpm • B Maj • 03:15 • -26.44db
12% Popularity • 10% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
12% Popularity • 10% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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Robert Shaw
O Come, Emmanuel
75 bpm • E min • 02:49 • -30.22db
11% Popularity • 21% Danceability • 4% Energy • 26% Liveness
23% Instrumentalness • 5% Positiveness
11% Popularity • 21% Danceability • 4% Energy • 26% Liveness
23% Instrumentalness • 5% Positiveness
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Worcester Cathedral Choir
Sing Aloud - Arr. Gustav Holst
75 bpm • D# Maj • 02:18 • -21.91db
23% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Felix Mendelssohn
Cummings & Mendelssohn: Hark! the Herald...
75 bpm • G Maj • 04:10 • -10.61db
10% Popularity • 12% Danceability • 34% Energy • 22% Liveness
70% Instrumentalness • 15% Positiveness
10% Popularity • 12% Danceability • 34% Energy • 22% Liveness
70% Instrumentalness • 15% Positiveness
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Taylor Scott Davis
Magnificat: V. Gloria Patri (Version for...
65 bpm • G Maj • 06:26 • -16.74db
11% Popularity • 10% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Kenneth Leighton
3 Carols, Op. 25: No. 2, Lully, Lulla, T...
76 bpm • D min • 03:16 • -31.38db
2% Popularity • 14% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
2% Popularity • 14% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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John Henry Hopkins
We Three Kings of Orient Are
76 bpm • G Maj • 02:09 • -25.08db
9% Popularity • 16% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 16% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Leontyne Price
O Tannenbaum
76 bpm • A# Maj • 01:52 • -19.12db
8% Popularity • 30% Danceability • 18% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
8% Popularity • 30% Danceability • 18% Energy • 14% Liveness
1% Instrumentalness • 17% Positiveness
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William Walton
What Cheer?
76 bpm • D Maj • 01:35 • -20.37db
7% Popularity • 38% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 38% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
William J. Kirkpatrick
Kirkpatrick: Away in a Manger (Arr. Ledg...
76 bpm • F# Maj • 02:09 • -29.78db
9% Popularity • 20% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
The Oxford Trinity Choir
I Hear Bells on Christmas Day
76 bpm • F Maj • 03:23 • -18.71db
9% Popularity • 18% Danceability • 17% Energy • 33% Liveness
20% Instrumentalness • 7% Positiveness
9% Popularity • 18% Danceability • 17% Energy • 33% Liveness
20% Instrumentalness • 7% Positiveness
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Lowell Mason & arr John Rutter
Joy to the world
76 bpm • D Maj • 02:02 • -24.36db
9% Popularity • 25% Danceability • 5% Energy • 8% Liveness
24% Instrumentalness • 19% Positiveness
9% Popularity • 25% Danceability • 5% Energy • 8% Liveness
24% Instrumentalness • 19% Positiveness
► Preview
Piae Cantiones
Up! good Christen folk
64 bpm • C Maj • 01:20 • -29.33db
6% Popularity • 26% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
6% Popularity • 26% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Anonymous
Once in Royal David's city
76 bpm • G# Maj • 01:05 • -25db
8% Popularity • 34% Danceability • 10% Energy • 52% Liveness
2% Instrumentalness • 11% Positiveness
8% Popularity • 34% Danceability • 10% Energy • 52% Liveness
2% Instrumentalness • 11% Positiveness
► Preview
The Tabernacle Choir at Temple Square
O Holy Night (Cantique De Noel)
76 bpm • D Maj • 05:06 • -19.37db
12% Popularity • 30% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
12% Popularity • 30% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Adolf Adam
O Holy Night (Arr. John Rutter)
76 bpm • D# Maj • 05:53 • -22.71db
8% Popularity • 11% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
8% Popularity • 11% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Break forth, O beauteous heavenly light
76 bpm • G Maj • 01:15 • -22.93db
20% Popularity • 23% Danceability • 20% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
20% Popularity • 23% Danceability • 20% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
► Preview
John Rutter
I Sing of a Maiden
76 bpm • D# Maj • 02:55 • -26.05db
0% Popularity • 18% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
O Heiland, reiß die Himmel auf, Op.74/2
76 bpm • C min • 05:31 • -22.99db
10% Popularity • 15% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 15% Danceability • 20% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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The King's Singers
Angelus ad Virginem
77 bpm • A# Maj • 01:58 • -20.62db
10% Popularity • 41% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 41% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Praetorius
Praetorius: In dulci jubilo
77 bpm • F Maj • 01:01 • -24.99db
20% Popularity • 9% Danceability • 18% Energy • 16% Liveness
59% Instrumentalness • 5% Positiveness
20% Popularity • 9% Danceability • 18% Energy • 16% Liveness
59% Instrumentalness • 5% Positiveness
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Harold Darke
In the Bleak Midwinter
77 bpm • G Maj • 04:35 • -27.62db
8% Popularity • 15% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 6% Positiveness
8% Popularity • 15% Danceability • 5% Energy • 8% Liveness
19% Instrumentalness • 6% Positiveness
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Adolphe Adam
O Holy Night (Cantique de Noel)
64 bpm • D# Maj • 04:38 • -20.88db
25% Popularity • 11% Danceability • 10% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 10% Energy • 10% Liveness
50% Instrumentalness • 4% Positiveness
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John Francis Wade
O Come All Ye Faithful
77 bpm • G Maj • 04:01 • -17.22db
15% Popularity • 17% Danceability • 20% Energy • 13% Liveness
73% Instrumentalness • 20% Positiveness
15% Popularity • 17% Danceability • 20% Energy • 13% Liveness
73% Instrumentalness • 20% Positiveness
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The City of Prague Philharmonic Orchestra
Away in a Manger
77 bpm • F Maj • 02:38 • -14.67db
18% Popularity • 12% Danceability • 28% Energy • 12% Liveness
16% Instrumentalness • 9% Positiveness
18% Popularity • 12% Danceability • 28% Energy • 12% Liveness
16% Instrumentalness • 9% Positiveness
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Adolf Fredriks kyrkas kammarkör
Goder afton
77 bpm • F# Maj • 01:31 • -17.82db
8% Popularity • 30% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 42% Positiveness
8% Popularity • 30% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 42% Positiveness
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Vienna Boys' Choir
Once in Royal David's City
77 bpm • A Maj • 02:10 • -24.79db
14% Popularity • 24% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 24% Danceability • 7% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Francis Poulenc
Quem Vidistis Pastores Dicite
77 bpm • F# min • 02:29 • -23.4db
13% Popularity • 17% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 17% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Adolphe Adam
Cantique de Noël "O Holy Night" - Bonus...
64 bpm • E Maj • 02:39 • -15.07db
8% Popularity • 26% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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August von Othegraven
Vom Himmel hoch, ihr Engel, kommt!
77 bpm • G Maj • 03:42 • -25.39db
7% Popularity • 24% Danceability • 8% Energy • 10% Liveness
8% Instrumentalness • 14% Positiveness
7% Popularity • 24% Danceability • 8% Energy • 10% Liveness
8% Instrumentalness • 14% Positiveness
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Stephen Cleobury
King Jesus Hath A Garden
78 bpm • A Maj • 03:24 • -30.16db
8% Popularity • 32% Danceability • 8% Energy • 10% Liveness
73% Instrumentalness • 32% Positiveness
8% Popularity • 32% Danceability • 8% Energy • 10% Liveness
73% Instrumentalness • 32% Positiveness
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The Sixteen
Gloucestershire Wassail
63 bpm • G Maj • 02:12 • -21.62db
9% Popularity • 48% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 48% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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John Joubert
There is no rose
78 bpm • G# Maj • 02:12 • -31.6db
8% Popularity • 16% Danceability • 3% Energy • 12% Liveness
7% Instrumentalness • 12% Positiveness
8% Popularity • 16% Danceability • 3% Energy • 12% Liveness
7% Instrumentalness • 12% Positiveness
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Benjamin Britten
A Ceremony of Carols, Op. 28: X. Deo gra...
78 bpm • E min • 01:07 • -22.87db
8% Popularity • 38% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
8% Popularity • 38% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
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Michael Praetorius
Praetorius / Arr. Christophers: "Quem pa...
78 bpm • F Maj • 01:46 • -18db
20% Popularity • 26% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 26% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Camille Saint-Saëns
Oratorio de Noël, Op. 12: No. 2 Et Past...
78 bpm • B min • 04:59 • -27.1db
11% Popularity • 22% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Gote Widlund
I Juletid: I juletid
78 bpm • G# Maj • 01:40 • -22.8db
7% Popularity • 19% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
7% Popularity • 19% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Choir of King's College, Cambridge
See Amid The Winter's Show
78 bpm • G Maj • 03:54 • -21.94db
16% Popularity • 13% Danceability • 13% Energy • 8% Liveness
55% Instrumentalness • 15% Positiveness
16% Popularity • 13% Danceability • 13% Energy • 8% Liveness
55% Instrumentalness • 15% Positiveness
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Gregorio Allegri
"Nasceris, alme puer"
78 bpm • F Maj • 04:21 • -25.02db
14% Popularity • 9% Danceability • 11% Energy • 10% Liveness
51% Instrumentalness • 6% Positiveness
14% Popularity • 9% Danceability • 11% Energy • 10% Liveness
51% Instrumentalness • 6% Positiveness
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King's College Choir
In The Bleak Midwinter
78 bpm • G Maj • 04:45 • -27.05db
8% Popularity • 14% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
