Songs like Traditional: Ding dong! Merrily on High (After a French Noel from the 16th Century, arr. David Willcocks) by Choir of King's College, Cambridge
Based on a tempo of (+/- 10%) and a similar genre
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Anonymous
O Little Town of Bethlehem
73 bpm • F Maj • 03:17 • -27.96db
6% Popularity • 23% Danceability • 7% Energy • 12% Liveness
24% Instrumentalness • 14% Positiveness
6% Popularity • 23% Danceability • 7% Energy • 12% Liveness
24% Instrumentalness • 14% Positiveness
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Worcester Cathedral Choir
Away in a Manger
73 bpm • G# Maj • 03:14 • -30db
19% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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The City of Prague Philharmonic Orchestra
Coventry Carol
73 bpm • G min • 03:25 • -17.3db
22% Popularity • 15% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 5% Positiveness
22% Popularity • 15% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 5% Positiveness
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Choir of King's College, Cambridge
O Come All Ye Faithful (Adeste fideles)
73 bpm • G Maj • 04:01 • -17.09db
12% Popularity • 19% Danceability • 27% Energy • 19% Liveness
93% Instrumentalness • 10% Positiveness
12% Popularity • 19% Danceability • 27% Energy • 19% Liveness
93% Instrumentalness • 10% Positiveness
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Charles Ives
Ives / Arr. Echols: A Christmas Carol
73 bpm • F# Maj • 02:26 • -29.31db
16% Popularity • 18% Danceability • 2% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 2% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Philip Ledger
On Christmas Night
73 bpm • G Maj • 02:15 • -18db
9% Popularity • 33% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 33% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Johann Sebastian Bach
Bach, JS: Herz und Mund und Tat und Lebe...
73 bpm • G Maj • 05:42 • -17.01db
21% Popularity • 9% Danceability • 20% Energy • 15% Liveness
93% Instrumentalness • 15% Positiveness
21% Popularity • 9% Danceability • 20% Energy • 15% Liveness
93% Instrumentalness • 15% Positiveness
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Bo Holten
Julebudet til dem, der bygge (The Christ...
73 bpm • E Maj • 02:42 • -24.38db
15% Popularity • 20% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 20% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Worcester Cathedral Choir
Coventry Carol
73 bpm • G Maj • 03:59 • -32.77db
15% Popularity • 14% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 14% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Choir of King's College, Cambridge
Traditional: Ding dong! Merrily on High ...
73 bpm • B Maj • 02:21 • -22db
11% Popularity • 37% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 37% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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John Rutter
Dormi, Jesu
73 bpm • A min • 05:35 • -34db
13% Popularity • 7% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
13% Popularity • 7% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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![Sussex Carol (Arr. David Willcocks) [1963] cover art](https://i.scdn.co/image/ab67616d00001e029a43de67ca7d244d53225089)
English Traditional
Sussex Carol (Arr. David Willcocks) [196...
73 bpm • G Maj • 01:53 • -21.08db
2% Popularity • 32% Danceability • 15% Energy • 12% Liveness
83% Instrumentalness • 28% Positiveness
2% Popularity • 32% Danceability • 15% Energy • 12% Liveness
83% Instrumentalness • 28% Positiveness
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Traditional
Good Christian Men, Rejoice
73 bpm • F# Maj • 01:28 • -35.05db
8% Popularity • 33% Danceability • 3% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 33% Danceability • 3% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 2, Scene 1:...
72 bpm • D# Maj • 11:12 • -24.84db
4% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
4% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Worcester Cathedral Choir
As I Outrode
74 bpm • G Maj • 01:25 • -22.76db
8% Popularity • 30% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 30% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Choir of King's College, Cambridge
Past Three O' Clock
73 bpm • G Maj • 02:31 • -24.89db
5% Popularity • 42% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
5% Popularity • 42% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
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Vienna Boys' Choir
O Tannenbaum
72 bpm • A# Maj • 01:41 • -19db
18% Popularity • 35% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 35% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Anonymous
God Rest Ye Merry, Gentlemen
72 bpm • E min • 03:29 • -23.99db
9% Popularity • 20% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
9% Popularity • 20% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
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Harold Darke
In the Bleak Midwinter
72 bpm • G# Maj • 04:57 • -26.24db
23% Popularity • 17% Danceability • 13% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 13% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 3, Scene 1:...
74 bpm • D# Maj • 06:08 • -25.43db
8% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 18% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Royal Philharmonic Orchestra
Good King Wenceslas
72 bpm • G# Maj • 02:53 • -18db
9% Popularity • 14% Danceability • 14% Energy • 10% Liveness
10% Instrumentalness • 42% Positiveness
9% Popularity • 14% Danceability • 14% Energy • 10% Liveness
10% Instrumentalness • 42% Positiveness
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Choir of King's College, Cambridge
Sussex Carol
72 bpm • G Maj • 01:53 • -21.95db
10% Popularity • 25% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 23% Positiveness
10% Popularity • 25% Danceability • 18% Energy • 12% Liveness
97% Instrumentalness • 23% Positiveness
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William J. Kirkpatrick
Away in a Manger (arr. B. Chilcott for c...
74 bpm • G Maj • 02:46 • -37db
24% Popularity • 13% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 13% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Anonymous
Rocking Carol: Little Jesu Sweetly Sleep
74 bpm • F Maj • 01:39 • -34db
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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John Rutter
Dormi, Jesu [2007]
72 bpm • A# min • 04:28 • -26.74db
2% Popularity • 16% Danceability • 11% Energy • 15% Liveness
75% Instrumentalness • 6% Positiveness
2% Popularity • 16% Danceability • 11% Energy • 15% Liveness
75% Instrumentalness • 6% Positiveness
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Harold Darke
In the Bleak Midwinter
72 bpm • G Maj • 04:58 • -30.13db
8% Popularity • 18% Danceability • 6% Energy • 10% Liveness
24% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 10% Liveness
24% Instrumentalness • 3% Positiveness
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Christina Rossetti
Darke: In the Bleak Midwinter (Christmas...
72 bpm • G Maj • 04:34 • -28.85db
1% Popularity • 22% Danceability • 8% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
1% Popularity • 22% Danceability • 8% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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The Oxford Trinity Choir
I Saw Three Ships
74 bpm • A# Maj • 03:03 • -18db
12% Popularity • 48% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 48% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 38% Positiveness
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Choir of King's College, Cambridge
While Shepherds Watched
74 bpm • F# Maj • 03:11 • -18.9db
7% Popularity • 16% Danceability • 21% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
7% Popularity • 16% Danceability • 21% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
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Boris Ord
Adam lay y-bounden
71 bpm • B min • 01:16 • -19.48db
11% Popularity • 28% Danceability • 17% Energy • 25% Liveness
46% Instrumentalness • 16% Positiveness
11% Popularity • 28% Danceability • 17% Energy • 25% Liveness
46% Instrumentalness • 16% Positiveness
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Worcester Cathedral Choir
Sing Aloud - Arr. Gustav Holst
75 bpm • D# Maj • 02:18 • -21.91db
19% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Richard Elfyn Jones
Adam's Fall
75 bpm • C# min • 03:15 • -23.18db
2% Popularity • 12% Danceability • 14% Energy • 16% Liveness
3% Instrumentalness • 5% Positiveness
2% Popularity • 12% Danceability • 14% Energy • 16% Liveness
3% Instrumentalness • 5% Positiveness
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Henry John Gauntlett
Once In Royal David’s City (Desc. by P...
75 bpm • G Maj • 04:38 • -22db
17% Popularity • 11% Danceability • 14% Energy • 39% Liveness
41% Instrumentalness • 5% Positiveness
17% Popularity • 11% Danceability • 14% Energy • 39% Liveness
41% Instrumentalness • 5% Positiveness
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Michael Praetorius
Lo, How a Rose E'er Blooming
75 bpm • F Maj • 03:26 • -44.87db
25% Popularity • 7% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 7% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Choir of King's College, Cambridge
Hark! The Herald Angels Sing
75 bpm • G Maj • 03:31 • -15.61db
14% Popularity • 17% Danceability • 34% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
14% Popularity • 17% Danceability • 34% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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Sir David Willcocks
While Shepherds Watched Their Flocks (ar...
75 bpm • F Maj • 02:29 • -28db
21% Popularity • 15% Danceability • 8% Energy • 11% Liveness
28% Instrumentalness • 26% Positiveness
21% Popularity • 15% Danceability • 8% Energy • 11% Liveness
28% Instrumentalness • 26% Positiveness
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Anonymous
God rest ye merry, Gentlemen
71 bpm • E min • 02:56 • -19.32db
7% Popularity • 31% Danceability • 17% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
7% Popularity • 31% Danceability • 17% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
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Felix Mendelssohn
Cummings & Mendelssohn: Hark! the Herald...
75 bpm • G Maj • 04:10 • -10.61db
9% Popularity • 12% Danceability • 34% Energy • 22% Liveness
70% Instrumentalness • 15% Positiveness
9% Popularity • 12% Danceability • 34% Energy • 22% Liveness
70% Instrumentalness • 15% Positiveness
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John Tavener
Tavener: The Lamb
71 bpm • G Maj • 03:31 • -31.75db
4% Popularity • 8% Danceability • 9% Energy • 16% Liveness
26% Instrumentalness • 4% Positiveness
4% Popularity • 8% Danceability • 9% Energy • 16% Liveness
26% Instrumentalness • 4% Positiveness
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Thomas Adès
The Fayrfax Carol [1997 – Premiere]
75 bpm • G Maj • 04:22 • -30.28db
1% Popularity • 13% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 13% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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![Quem pastores laudavere [unaccomp. version] - 2004 Remastered Version cover art](https://i.scdn.co/image/ab67616d00001e0280089b7e48cbd40ff2799281)
Choir of King's College, Cambridge
Quem pastores laudavere [unaccomp. versi...
71 bpm • F# Maj • 01:59 • -23.73db
17% Popularity • 25% Danceability • 13% Energy • 12% Liveness
21% Instrumentalness • 8% Positiveness
17% Popularity • 25% Danceability • 13% Energy • 12% Liveness
21% Instrumentalness • 8% Positiveness
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John Rutter
All Bells in Paradise
70 bpm • D Maj • 04:34 • -25.9db
16% Popularity • 15% Danceability • 12% Energy • 21% Liveness
8% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 12% Energy • 21% Liveness
8% Instrumentalness • 4% Positiveness
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Anonymous
Gabriel's Message
75 bpm • A# min • 02:57 • -30.17db
9% Popularity • 15% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
9% Popularity • 15% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
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William J. Kirkpatrick
Away In A Manger
76 bpm • F Maj • 03:57 • -31.76db
18% Popularity • 12% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 1, Scene 3:...
76 bpm • B min • 02:33 • -17db
4% Popularity • 28% Danceability • 26% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
4% Popularity • 28% Danceability • 26% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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James Whitbourn
The Magi's Dream
70 bpm • A min • 03:29 • -20.51db
3% Popularity • 23% Danceability • 10% Energy • 5% Liveness
27% Instrumentalness • 4% Positiveness
3% Popularity • 23% Danceability • 10% Energy • 5% Liveness
27% Instrumentalness • 4% Positiveness
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Choir of King's College, Cambridge
Hark! The Herald Angels Sing
75 bpm • G Maj • 03:04 • -23.71db
29% Popularity • 21% Danceability • 9% Energy • 18% Liveness
14% Instrumentalness • 10% Positiveness
29% Popularity • 21% Danceability • 9% Energy • 18% Liveness
14% Instrumentalness • 10% Positiveness
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John Henry Hopkins
We Three Kings of Orient Are
76 bpm • G Maj • 02:09 • -25.08db
7% Popularity • 16% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 16% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: VIII...
76 bpm • C# min • 03:59 • -22.94db
26% Popularity • 21% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 21% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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William J. Kirkpatrick
Kirkpatrick: Away in a Manger (Arr. Ledg...
76 bpm • F# Maj • 02:09 • -29.78db
8% Popularity • 20% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 20% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 1, Scene 3:...
76 bpm • A# min • 03:27 • -22.41db
11% Popularity • 31% Danceability • 8% Energy • 9% Liveness
23% Instrumentalness • 28% Positiveness
11% Popularity • 31% Danceability • 8% Energy • 9% Liveness
23% Instrumentalness • 28% Positiveness
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Worcester Cathedral Choir
Ding Dong, Merrily on High
77 bpm • A# Maj • 02:06 • -18.8db
11% Popularity • 39% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 39% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Choir of King's College, Cambridge
O Jesulein süss, BWV 493
75 bpm • B Maj • 01:54 • -25.81db
11% Popularity • 22% Danceability • 13% Energy • 19% Liveness
12% Instrumentalness • 9% Positiveness
11% Popularity • 22% Danceability • 13% Energy • 19% Liveness
12% Instrumentalness • 9% Positiveness
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John Francis Wade
O come, all ye faithful (Arr. David Will...
76 bpm • A Maj • 04:36 • -18.56db
2% Popularity • 10% Danceability • 23% Energy • 8% Liveness
97% Instrumentalness • 13% Positiveness
2% Popularity • 10% Danceability • 23% Energy • 8% Liveness
97% Instrumentalness • 13% Positiveness
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John Rutter
What Sweeter Music
77 bpm • F# Maj • 04:18 • -30.09db
15% Popularity • 10% Danceability • 7% Energy • 12% Liveness
61% Instrumentalness • 5% Positiveness
15% Popularity • 10% Danceability • 7% Energy • 12% Liveness
61% Instrumentalness • 5% Positiveness
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Bob Chilcott
Good King Wenceslas
77 bpm • G# Maj • 02:58 • -20.01db
22% Popularity • 17% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Michael Praetorius
Praetorius: In dulci jubilo
77 bpm • F Maj • 01:01 • -24.99db
18% Popularity • 9% Danceability • 18% Energy • 16% Liveness
59% Instrumentalness • 5% Positiveness
18% Popularity • 9% Danceability • 18% Energy • 16% Liveness
59% Instrumentalness • 5% Positiveness
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César Franck
Panis angelicus
77 bpm • A Maj • 03:34 • -19.19db
23% Popularity • 11% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Gustav Holst
Holst: I Vow to Thee, My Country
77 bpm • C Maj • 02:33 • -21.19db
21% Popularity • 10% Danceability • 24% Energy • 10% Liveness
99% Instrumentalness • 8% Positiveness
21% Popularity • 10% Danceability • 24% Energy • 10% Liveness
99% Instrumentalness • 8% Positiveness
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RO Morris
Love came down at Christmas (Arr. Stephe...
70 bpm • E min • 01:17 • -28.32db
10% Popularity • 25% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
10% Popularity • 25% Danceability • 8% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
John Francis Wade
O Come All Ye Faithful
77 bpm • G Maj • 04:01 • -17.22db
12% Popularity • 17% Danceability • 20% Energy • 13% Liveness
73% Instrumentalness • 20% Positiveness
12% Popularity • 17% Danceability • 20% Energy • 13% Liveness
73% Instrumentalness • 20% Positiveness
► Preview
Bob Chilcott
The Shepherd's Carol
70 bpm • D Maj • 02:49 • -27.33db
15% Popularity • 21% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Adolphe Adam
O, Holy Night
77 bpm • D# Maj • 02:34 • -15.71db
8% Popularity • 16% Danceability • 25% Energy • 11% Liveness
40% Instrumentalness • 8% Positiveness
8% Popularity • 16% Danceability • 25% Energy • 11% Liveness
40% Instrumentalness • 8% Positiveness
► Preview
Worcester Cathedral Choir
The Cherry Tree Carol - Arr. Donald Hunt
69 bpm • G min • 02:49 • -37.02db
17% Popularity • 19% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 19% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Samuel Scheidt
In dulci jubilo
69 bpm • C Maj • 03:28 • -20.14db
9% Popularity • 23% Danceability • 11% Energy • 3% Liveness
80% Instrumentalness • 15% Positiveness
9% Popularity • 23% Danceability • 11% Energy • 3% Liveness
80% Instrumentalness • 15% Positiveness
► Preview
Johann Sebastian Bach
Break forth, O beauteous heavenly light
76 bpm • G Maj • 01:15 • -22.93db
17% Popularity • 23% Danceability • 20% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
17% Popularity • 23% Danceability • 20% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
► Preview
Vienna Boys' Choir
Es Wird Scho Glei Dumpa / It Will Soon B...
77 bpm • G Maj • 01:39 • -27.02db
13% Popularity • 25% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 25% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Choir of King's College, Cambridge
Jesus bleibet meine Freude, BWV 147
77 bpm • G Maj • 03:00 • -25.98db
21% Popularity • 20% Danceability • 4% Energy • 10% Liveness
39% Instrumentalness • 12% Positiveness
21% Popularity • 20% Danceability • 4% Energy • 10% Liveness
39% Instrumentalness • 12% Positiveness
► Preview
Stephen Cleobury
King Jesus Hath A Garden
78 bpm • A Maj • 03:24 • -30.16db
6% Popularity • 32% Danceability • 8% Energy • 10% Liveness
73% Instrumentalness • 32% Positiveness
6% Popularity • 32% Danceability • 8% Energy • 10% Liveness
73% Instrumentalness • 32% Positiveness
► Preview
Robert Philip Goodenough
Goodenough: Psalm CL: O Praise God in Hi...
78 bpm • G Maj • 01:46 • -12.66db
13% Popularity • 22% Danceability • 18% Energy • 9% Liveness
14% Instrumentalness • 22% Positiveness
13% Popularity • 22% Danceability • 18% Energy • 9% Liveness
14% Instrumentalness • 22% Positiveness
► Preview
The Oxford Trinity Choir
O, Christmas Tree (O Tannenbaum)
78 bpm • G Maj • 01:58 • -12.45db
14% Popularity • 27% Danceability • 39% Energy • 62% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 27% Danceability • 39% Energy • 62% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
John Joubert
There is no rose
78 bpm • G# Maj • 02:12 • -31.6db
7% Popularity • 16% Danceability • 3% Energy • 12% Liveness
7% Instrumentalness • 12% Positiveness
7% Popularity • 16% Danceability • 3% Energy • 12% Liveness
7% Instrumentalness • 12% Positiveness
► Preview
Johann Sebastian Bach
How shall I fitly meet thee?
68 bpm • C min • 01:20 • -26db
25% Popularity • 19% Danceability • 10% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 10% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Handel: Messiah, HWV 56, Pt. 2, Scene 1:...
78 bpm • E min • 01:38 • -21.42db
3% Popularity • 23% Danceability • 15% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
3% Popularity • 23% Danceability • 15% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Choir of King's College, Cambridge
The Three Kings
78 bpm • G# Maj • 02:45 • -25.96db
20% Popularity • 31% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
20% Popularity • 31% Danceability • 12% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
► Preview
Sir David Willcocks
Gabriel's Message (arr. David Willcocks)
78 bpm • A min • 02:49 • -32db
26% Popularity • 24% Danceability • 2% Energy • 12% Liveness
68% Instrumentalness • 9% Positiveness
26% Popularity • 24% Danceability • 2% Energy • 12% Liveness
68% Instrumentalness • 9% Positiveness
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Michael Praetorius
Praetorius / Arr. Christophers: "Quem pa...
78 bpm • F Maj • 01:46 • -18db
17% Popularity • 26% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 26% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Bob Chilcott
The Shepherd's Carol [2001]
78 bpm • D Maj • 02:53 • -28.76db
1% Popularity • 16% Danceability • 3% Energy • 11% Liveness
29% Instrumentalness • 7% Positiveness
1% Popularity • 16% Danceability • 3% Energy • 11% Liveness
29% Instrumentalness • 7% Positiveness
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Traditional
Rejoice and Be Merry
79 bpm • G Maj • 01:30 • -29.26db
15% Popularity • 28% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 28% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 1, Scene 1:...
78 bpm • A# Maj • 02:50 • -23.27db
15% Popularity • 28% Danceability • 6% Energy • 46% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 28% Danceability • 6% Energy • 46% Liveness
0% Instrumentalness • 12% Positiveness
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Choir of King's College, Cambridge
See Amid The Winter's Show
78 bpm • G Maj • 03:54 • -21.94db
13% Popularity • 13% Danceability • 13% Energy • 8% Liveness
55% Instrumentalness • 15% Positiveness
13% Popularity • 13% Danceability • 13% Energy • 8% Liveness
55% Instrumentalness • 15% Positiveness
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Academy of St. Martin in the Fields
Quelle est cette odeur agréable?
79 bpm • E Maj • 04:24 • -29.06db
8% Popularity • 10% Danceability • 6% Energy • 5% Liveness
92% Instrumentalness • 11% Positiveness
8% Popularity • 10% Danceability • 6% Energy • 5% Liveness
92% Instrumentalness • 11% Positiveness
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Michael Praetorius
Det Är En Ros Utsprungen
79 bpm • F Maj • 03:59 • -48.39db
2% Popularity • 7% Danceability • 0% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
2% Popularity • 7% Danceability • 0% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
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Guildford Cathedral Choir
O Little Town Of Bethlehem
79 bpm • F Maj • 03:13 • -19.62db
12% Popularity • 14% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 14% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Henry Gauntlet
Once in Royal David's City
79 bpm • G Maj • 04:41 • -25.51db
26% Popularity • 10% Danceability • 11% Energy • 23% Liveness
26% Instrumentalness • 8% Positiveness
26% Popularity • 10% Danceability • 11% Energy • 23% Liveness
26% Instrumentalness • 8% Positiveness
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The Sixteen
Alma Redemptoris Mater a 5
79 bpm • D# Maj • 05:51 • -24.41db
23% Popularity • 18% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Choir of King's College, Cambridge
As With Gladness Men Of Old
78 bpm • G# Maj • 03:23 • -21.59db
11% Popularity • 20% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Traditional
I Wonder as I Wander (arr. S. Pilkington...
79 bpm • F min • 03:58 • -26db
18% Popularity • 13% Danceability • 8% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 8% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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William J. Kirkpatrick
Away in a Manger (arr. J. Rutter): Away ...
67 bpm • F# Maj • 02:23 • -33.11db
10% Popularity • 11% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 8% Positiveness
10% Popularity • 11% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 8% Positiveness
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César Franck
Franck: Mass, Op. 12, FWV 61: Panis Ange...
79 bpm • G# Maj • 03:08 • -29db
23% Popularity • 10% Danceability • 7% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
23% Popularity • 10% Danceability • 7% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Wayne Kirkpatrick
Away In a Manger (Arr. David Willcocks)
67 bpm • F Maj • 02:29 • -35.63db
5% Popularity • 23% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 23% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Herbert Howells
Traditional: A Spotless Rose
79 bpm • F# min • 03:10 • -30.19db
4% Popularity • 19% Danceability • 8% Energy • 11% Liveness
25% Instrumentalness • 10% Positiveness
4% Popularity • 19% Danceability • 8% Energy • 11% Liveness
25% Instrumentalness • 10% Positiveness
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Choir of King's College, Cambridge
Traditional: While Shepherds Watched The...
78 bpm • F Maj • 02:51 • -18.11db
5% Popularity • 11% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
5% Popularity • 11% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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George Ratcliffe Woodward
Woodward / Arr. Woodward: Up! Good Chris...
67 bpm • C Maj • 01:15 • -28.36db
5% Popularity • 23% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
5% Popularity • 23% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Thomas Helmore
Veni, Veni, Emmanuel (arr. Andrew Gant)
79 bpm • E min • 03:19 • -21db
0% Popularity • 23% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 23% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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The Oxford Trinity Choir
Hark! The Herald Angels Sing
79 bpm • G Maj • 03:49 • -14.06db
13% Popularity • 12% Danceability • 21% Energy • 63% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 12% Danceability • 21% Energy • 63% Liveness
0% Instrumentalness • 10% Positiveness
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Arvo Pärt
Pärt: Bogoróditse djévo
67 bpm • A Maj • 01:14 • -24.07db
9% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 26% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Herbert Howells
A Spotless Rose
79 bpm • F# min • 03:41 • -31db
21% Popularity • 10% Danceability • 8% Energy • 11% Liveness
26% Instrumentalness • 6% Positiveness
21% Popularity • 10% Danceability • 8% Energy • 11% Liveness
26% Instrumentalness • 6% Positiveness
