Songs like Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol) by Traditional
Based on a tempo of (+/- 10%) and a similar genre
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Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Popular
Introitus: Ad Te Levavi, Modo VII
81 bpm • E Maj • 03:24 • -24.02db
26% Popularity • 20% Danceability • 6% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 6% Energy • 13% Liveness
47% Instrumentalness • 4% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Roman Hurko
3rd Antiphon - The Beatitudes
81 bpm • D# min • 01:51 • -19db
38% Popularity • 21% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Amy Beach
Peace I Leave with You
81 bpm • D# Maj • 01:39 • -27db
30% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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John Alexander
There Will Be Rest
81 bpm • D# Maj • 06:23 • -25db
22% Popularity • 10% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Cantores in Ecclesia
Asperges Me
81 bpm • D Maj • 01:46 • -22.63db
37% Popularity • 11% Danceability • 14% Energy • 27% Liveness
33% Instrumentalness • 4% Positiveness
37% Popularity • 11% Danceability • 14% Energy • 27% Liveness
33% Instrumentalness • 4% Positiveness
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Traditional
In Exitu Israel De Aegypto: Ps.113
81 bpm • D Maj • 06:48 • -16.06db
5% Popularity • 21% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
5% Popularity • 21% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Christina Pluhar
Are mou rindineddha
81 bpm • B min • 04:35 • -15.42db
27% Popularity • 31% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 31% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Monks Of The Abbey Of Notre Dame
Pax Aeterna
81 bpm • G# Maj • 01:15 • -23.24db
45% Popularity • 23% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
45% Popularity • 23% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Kheruvimskaya pesnya (Cherubic Hymn)
82 bpm • E min • 04:58 • -27.07db
18% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
18% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
33% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
33% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Traditional
In Domino Confido: Ps.10
81 bpm • E Maj • 02:48 • -17.06db
7% Popularity • 28% Danceability • 11% Energy • 16% Liveness
2% Instrumentalness • 5% Positiveness
7% Popularity • 28% Danceability • 11% Energy • 16% Liveness
2% Instrumentalness • 5% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Ojcze Nasz
82 bpm • F Maj • 01:15 • -21.55db
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
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Men's Chamber Choir of Sofia
The Noble Joseph
80 bpm • C Maj • 02:38 • -19.31db
22% Popularity • 17% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
22% Popularity • 17% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Dmitry Bortniansky
Kol' slaven nash (How great is our Lord ...
80 bpm • D# Maj • 04:16 • -26.4db
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Ch...
80 bpm • A Maj • 02:34 • -32db
31% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
31% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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Traditional
Were You There?
82 bpm • E Maj • 03:50 • -31.95db
19% Popularity • 19% Danceability • 6% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 6% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Shelley Phillips And Friends
Mr. Beveridge's_Hole in the Wall
80 bpm • A# Maj • 04:51 • -11db
14% Popularity • 47% Danceability • 19% Energy • 13% Liveness
56% Instrumentalness • 27% Positiveness
14% Popularity • 47% Danceability • 19% Energy • 13% Liveness
56% Instrumentalness • 27% Positiveness
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Alice Tegner
O Salve Regina
82 bpm • G min • 01:40 • -22.76db
22% Popularity • 27% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 27% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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KITKA Women's Vocal Ensemble
Shen Khar Venakhi
82 bpm • D Maj • 04:10 • -22.7db
20% Popularity • 17% Danceability • 7% Energy • 13% Liveness
60% Instrumentalness • 6% Positiveness
20% Popularity • 17% Danceability • 7% Energy • 13% Liveness
60% Instrumentalness • 6% Positiveness
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Dmitry Bortniansky
Cherubic Hymn No. 7
82 bpm • D Maj • 05:30 • -31db
17% Popularity • 12% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
32% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
32% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Traditional
A Worcester Ladymass: Agnus Dei
80 bpm • A min • 03:34 • -32.05db
17% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Jordi Savall
Cantigas De Santa Maria - Santa Maria, S...
80 bpm • E Maj • 03:00 • -23.57db
13% Popularity • 28% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 28% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Daniel Elder
Twinkle, Twinkle, Little Star
82 bpm • D Maj • 03:16 • -29db
13% Popularity • 17% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Corydon Singers
In Pardisum
82 bpm • B Maj • 03:13 • -19.99db
15% Popularity • 19% Danceability • 17% Energy • 14% Liveness
99% Instrumentalness • 3% Positiveness
15% Popularity • 19% Danceability • 17% Energy • 14% Liveness
99% Instrumentalness • 3% Positiveness
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Aaron Copland
Copland: Appalachian Spring: VII. Doppio...
82 bpm • C# Maj • 03:01 • -17.37db
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
46% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
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Carl Nielsen
Aftenstemning (Evening Mood), FS 48
82 bpm • C# Maj • 02:34 • -28db
25% Popularity • 14% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
25% Popularity • 14% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Traditional
Usquequo, Domine, Oblivisceris Me: Ps.12
80 bpm • E Maj • 02:17 • -16.25db
7% Popularity • 23% Danceability • 10% Energy • 14% Liveness
3% Instrumentalness • 10% Positiveness
7% Popularity • 23% Danceability • 10% Energy • 14% Liveness
3% Instrumentalness • 10% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Lovely Night
82 bpm • G Maj • 04:38 • -18.89db
12% Popularity • 13% Danceability • 19% Energy • 18% Liveness
14% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 19% Energy • 18% Liveness
14% Instrumentalness • 4% Positiveness
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William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Kammerkoor Head Ööd Vend
Muusika
83 bpm • F Maj • 02:37 • -30.67db
29% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Jesu, meine Freude
79 bpm • D# min • 01:02 • -21db
29% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Choir of Trinity College, Melbourne
Jesus, Lover of My Soul (Arr. Michael Le...
79 bpm • D min • 03:49 • -20.07db
20% Popularity • 18% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 18% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Strathclyde University Chamber Choir
Ye Banks And Braes
79 bpm • G# Maj • 02:46 • -20db
5% Popularity • 24% Danceability • 21% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
5% Popularity • 24% Danceability • 21% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Akademiska Damkören Lyran
Sügismaastikud: V. Tuul kõnnumaa kohal
79 bpm • D min • 01:14 • -23db
20% Popularity • 25% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
20% Popularity • 25% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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The Tallis Scholars
Josquin: Missa Gaudeamus - 05. Qui Tolli...
83 bpm • G# min • 03:54 • -22.36db
19% Popularity • 9% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 9% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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James Morgan
Let The Love That Dwells In Your Hearts ...
83 bpm • C Maj • 02:07 • -23.79db
26% Popularity • 15% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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SOFIA ORTHODOX CHOIR
Cherubic Hymn No. 4
79 bpm • A# Maj • 04:49 • -25.2db
24% Popularity • 16% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Johannes Ockeghem
Intemerata Dei mater
79 bpm • D min • 08:10 • -28db
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
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Pierre Attaingnant
Basse danse la Magdalena
83 bpm • D min • 02:13 • -29db
15% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Leopold Stokowski
Traditional Slavic Christmas Music
79 bpm • C Maj • 03:12 • -33db
18% Popularity • 13% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Monks Of The Abbey Of Notre Dame
Introit Benedicta Sit
83 bpm • F# Maj • 03:22 • -23db
48% Popularity • 19% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Traditional
The Truth from Above
79 bpm • A min • 03:11 • -23.53db
9% Popularity • 11% Danceability • 20% Energy • 4% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 11% Danceability • 20% Energy • 4% Liveness
0% Instrumentalness • 6% Positiveness
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Jordi Savall
O Virgo splendens (canon a 2 i a 3)
79 bpm • G min • 02:21 • -15.34db
17% Popularity • 18% Danceability • 34% Energy • 12% Liveness
23% Instrumentalness • 22% Positiveness
17% Popularity • 18% Danceability • 34% Energy • 12% Liveness
23% Instrumentalness • 22% Positiveness
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John Dowland
Lady Rich, Her Galliard
83 bpm • F# Maj • 01:57 • -32.65db
38% Popularity • 30% Danceability • 2% Energy • 9% Liveness
82% Instrumentalness • 48% Positiveness
38% Popularity • 30% Danceability • 2% Energy • 9% Liveness
82% Instrumentalness • 48% Positiveness
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Henry VIII
Pastyme with good company: Pastime with ...
79 bpm • C Maj • 01:46 • -21.4db
13% Popularity • 21% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 21% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Kristina Arakelyan
You Know Me
83 bpm • A# Maj • 04:04 • -25.32db
29% Popularity • 16% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
29% Popularity • 16% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C Minor, Op. 13 "P...
83 bpm • D Maj • 01:44 • -39.68db
40% Popularity • 18% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
40% Popularity • 18% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Traditional
Veni Creator Spiritus
83 bpm • A# Maj • 03:08 • -19.99db
5% Popularity • 21% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
5% Popularity • 21% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Antonio Vivaldi
Gloria: Domine Fili unigenite
79 bpm • E Maj • 02:02 • -20db
30% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
30% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Nicene Creed
79 bpm • F min • 04:08 • -24db
31% Popularity • 18% Danceability • 4% Energy • 18% Liveness
1% Instrumentalness • 11% Positiveness
31% Popularity • 18% Danceability • 4% Energy • 18% Liveness
1% Instrumentalness • 11% Positiveness
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Harry Burleigh
My Lord, What a Mornin' (arr. H.H.T. Bur...
79 bpm • D# Maj • 03:39 • -25.73db
11% Popularity • 15% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 6% Positiveness
11% Popularity • 15% Danceability • 3% Energy • 11% Liveness
40% Instrumentalness • 6% Positiveness
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Jan Campanus Vodnansky
Rorando coeli
83 bpm • A Maj • 02:14 • -27db
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Cantores in Ecclesia
O Salutaris Hostia
79 bpm • E Maj • 01:11 • -28db
28% Popularity • 11% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 11% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
St. Petersberg Chamber Choir
Alleluia, Behold the Bridegroom
79 bpm • C Maj • 05:31 • -20.94db
22% Popularity • 10% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Schola Antiqua
Puer natus est
79 bpm • G# Maj • 02:42 • -20.46db
22% Popularity • 23% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
22% Popularity • 23% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Traditional
Ordinarium Missae: Kyrie
84 bpm • D Maj • 01:18 • -22.61db
28% Popularity • 19% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
28% Popularity • 19% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
The Russian State Symphony Cappella
To Thee We Sing
78 bpm • D# min • 04:13 • -18.27db
26% Popularity • 15% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
26% Popularity • 15% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
36% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
36% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
► Preview
The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
27% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Michael Praetorius
Terpsichore*: Spagnoletta
84 bpm • A# Maj • 00:56 • -26.39db
32% Popularity • 61% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 51% Positiveness
32% Popularity • 61% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 51% Positiveness
► Preview
St. Peter St. Paul Cathedral Choir of Minsk
Otcze Nasz
84 bpm • C Maj • 01:54 • -24.65db
31% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
31% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
► Preview
Traditional
Repleatur os meum laude tua
84 bpm • C Maj • 04:59 • -23.55db
6% Popularity • 15% Danceability • 5% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 15% Danceability • 5% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
20% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
The Monteverdi Choir
Love Is Come Again
78 bpm • F Maj • 02:00 • -19.51db
17% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 29% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
► Preview
St. Petersburg Optina Pustyn Male Choir
3 Choruses from Tsar Fyodor Ioannovich: ...
84 bpm • C min • 03:44 • -24db
29% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
► Preview
Dominican House of Studies
Anima Christi
84 bpm • F Maj • 02:59 • -18.03db
29% Popularity • 18% Danceability • 25% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
29% Popularity • 18% Danceability • 25% Energy • 11% Liveness
60% Instrumentalness • 7% Positiveness
► Preview
Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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Henry Purcell
Oedipus, Z.583: II. Music for a While
78 bpm • A# min • 03:57 • -21.28db
18% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
18% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
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Andrew Lawrence-King
Folias (Imperfectas)
78 bpm • A min • 01:44 • -36.5db
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Traditional
The Water of Tyne (arr. Elizabeth Poston...
78 bpm • C# Maj • 02:38 • -27.34db
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
36% Instrumentalness • 8% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 9% Liveness
36% Instrumentalness • 8% Positiveness
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Hubert Parry
I was glad when they said unto me
84 bpm • A# Maj • 06:48 • -15.83db
8% Popularity • 10% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
8% Popularity • 10% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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S. Serafimovich
Opening Psalm (Greek Chant, Harmonized B...
78 bpm • G Maj • 04:17 • -26.9db
15% Popularity • 17% Danceability • 9% Energy • 11% Liveness
49% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 9% Energy • 11% Liveness
49% Instrumentalness • 4% Positiveness
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Elaine Hagenberg
Alleluia
84 bpm • D Maj • 02:21 • -16.65db
18% Popularity • 15% Danceability • 22% Energy • 10% Liveness
61% Instrumentalness • 17% Positiveness
18% Popularity • 15% Danceability • 22% Energy • 10% Liveness
61% Instrumentalness • 17% Positiveness
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Nova Schola Gregoriana
Missa de angelis - Agnus Dei
78 bpm • F Maj • 01:34 • -23db
43% Popularity • 23% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
43% Popularity • 23% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
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The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
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Monks Of The Abbey Of Notre Dame
Benedicamus Patrem
85 bpm • D Maj • 01:42 • -26db
44% Popularity • 40% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Canticles & Prayers, Inexpressible Wonde...
77 bpm • F Maj • 02:10 • -30db
24% Popularity • 14% Danceability • 3% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 3% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
85 bpm • B min • 01:55 • -31.7db
25% Popularity • 16% Danceability • 4% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
25% Popularity • 16% Danceability • 4% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
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Bob Chilcott
The lily and the rose (version for mixed...
77 bpm • A min • 04:08 • -29.26db
11% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
11% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
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James Whitbourn
Give us the wings of faith
85 bpm • A min • 02:36 • -25db
36% Popularity • 12% Danceability • 16% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
36% Popularity • 12% Danceability • 16% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 03. Tibi Soli Peccav...
77 bpm • A# Maj • 01:04 • -23db
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Knut Nystedt
Cry Out and Shout
85 bpm • D min • 01:30 • -16db
23% Popularity • 28% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 28% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
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Wilhelm Peterson-Berger
I furuskogen
85 bpm • G# Maj • 01:12 • -28db
26% Popularity • 16% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 16% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Michael Praetorius
Terpsichore*: Bransle Double 3
77 bpm • G min • 01:42 • -26.88db
31% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
31% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Cheruvimskaja Piesn
77 bpm • G# min • 05:23 • -21.63db
24% Popularity • 11% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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Ensemble des chants et choeurs russes orthodoxes
Le Beau Joseph
77 bpm • A Maj • 02:24 • -22.62db
15% Popularity • 14% Danceability • 14% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 14% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
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Claude Gervaise
Pavane, Gaillarde & Branle de Champagne
85 bpm • G min • 04:47 • -14db
36% Popularity • 30% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 37% Positiveness
36% Popularity • 30% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 37% Positiveness
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Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
28% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
