Songs like Traditional: Tenderness by Traditional
Based on a tempo of (+/- 10%) and a similar genre
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Vishwa Mohan Bhatt
Romantic Dhun
146 bpm • G Maj • 10:43 • -25db
14% Popularity • 40% Danceability • 17% Energy • 5% Liveness
96% Instrumentalness • 12% Positiveness
14% Popularity • 40% Danceability • 17% Energy • 5% Liveness
96% Instrumentalness • 12% Positiveness
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Traditional
Traditional: Raga Puriya Kalyan
146 bpm • G# Maj • 11:46 • -14db
11% Popularity • 44% Danceability • 47% Energy • 24% Liveness
25% Instrumentalness • 18% Positiveness
11% Popularity • 44% Danceability • 47% Energy • 24% Liveness
25% Instrumentalness • 18% Positiveness
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Ram Narayan
Raga Baïragi-Bhaïrav - Drut Tîn-Tal
146 bpm • A# min • 02:32 • -20db
32% Popularity • 41% Danceability • 33% Energy • 16% Liveness
83% Instrumentalness • 79% Positiveness
32% Popularity • 41% Danceability • 33% Energy • 16% Liveness
83% Instrumentalness • 79% Positiveness
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Ravi Shankar
Swara-Kakali (based on Raga Tilang) - 19...
147 bpm • C# Maj • 08:50 • -13.71db
13% Popularity • 46% Danceability • 55% Energy • 27% Liveness
74% Instrumentalness • 52% Positiveness
13% Popularity • 46% Danceability • 55% Energy • 27% Liveness
74% Instrumentalness • 52% Positiveness
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Shahid Parvez
Raga Yaman Drut
147 bpm • C# Maj • 08:56 • -13db
18% Popularity • 20% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
18% Popularity • 20% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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Tony Scott
Shiva - The Third Eye
147 bpm • A Maj • 05:08 • -23.62db
12% Popularity • 29% Danceability • 2% Energy • 18% Liveness
4% Instrumentalness • 7% Positiveness
12% Popularity • 29% Danceability • 2% Energy • 18% Liveness
4% Instrumentalness • 7% Positiveness
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Vishwa Mohan Bhatt
Vaisnava Bhajan
147 bpm • D Maj • 09:15 • -24db
27% Popularity • 41% Danceability • 23% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
27% Popularity • 41% Danceability • 23% Energy • 9% Liveness
96% Instrumentalness • 15% Positiveness
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Traditional
Traditional: Tenderness
146 bpm • D Maj • 08:40 • -17db
12% Popularity • 50% Danceability • 36% Energy • 33% Liveness
5% Instrumentalness • 35% Positiveness
12% Popularity • 50% Danceability • 36% Energy • 33% Liveness
5% Instrumentalness • 35% Positiveness
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Shivkumar Sharma
Mountain Love Song
145 bpm • B min • 04:11 • -12db
22% Popularity • 59% Danceability • 46% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
22% Popularity • 59% Danceability • 46% Energy • 8% Liveness
5% Instrumentalness • 68% Positiveness
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Ravi Shankar
Shankar: Swara-Kakali (Based on Raga Til...
147 bpm • C# Maj • 08:50 • -14db
10% Popularity • 46% Danceability • 52% Energy • 35% Liveness
80% Instrumentalness • 55% Positiveness
10% Popularity • 46% Danceability • 52% Energy • 35% Liveness
80% Instrumentalness • 55% Positiveness
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Ballaké Sissoko
Histoire de Molly
144 bpm • E min • 05:30 • -19.98db
20% Popularity • 46% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
20% Popularity • 46% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Toumani Diabaté
Cheikhna Demba
144 bpm • G min • 04:30 • -20.26db
36% Popularity • 43% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 50% Positiveness
36% Popularity • 43% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 50% Positiveness
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Vishwa Mohan Bhatt
Kajari from Varanasi
148 bpm • D Maj • 08:34 • -24db
9% Popularity • 41% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 16% Positiveness
9% Popularity • 41% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 16% Positiveness
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Traditional
Mozart, Traditional & De Courson: Al Sah...
144 bpm • E min • 04:57 • -12db
11% Popularity • 31% Danceability • 36% Energy • 21% Liveness
73% Instrumentalness • 16% Positiveness
11% Popularity • 31% Danceability • 36% Energy • 21% Liveness
73% Instrumentalness • 16% Positiveness
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Anoushka Shankar
Oceanic Part 2
144 bpm • C# Maj • 04:40 • -11db
30% Popularity • 63% Danceability • 62% Energy • 11% Liveness
88% Instrumentalness • 54% Positiveness
30% Popularity • 63% Danceability • 62% Energy • 11% Liveness
88% Instrumentalness • 54% Positiveness
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Bismillah Khan
Mishra Bhairavi
149 bpm • C# Maj • 05:53 • -11.62db
22% Popularity • 40% Danceability • 49% Energy • 17% Liveness
65% Instrumentalness • 60% Positiveness
22% Popularity • 40% Danceability • 49% Energy • 17% Liveness
65% Instrumentalness • 60% Positiveness
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Munir Bashir
Taqsîm en maqâm : Nahawand-kabîr
143 bpm • C min • 09:35 • -22.35db
33% Popularity • 46% Danceability • 18% Energy • 17% Liveness
57% Instrumentalness • 37% Positiveness
33% Popularity • 46% Danceability • 18% Energy • 17% Liveness
57% Instrumentalness • 37% Positiveness
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Ali Farka Touré
Warbé
149 bpm • E Maj • 04:51 • -17.79db
40% Popularity • 60% Danceability • 25% Energy • 36% Liveness
87% Instrumentalness • 37% Positiveness
40% Popularity • 60% Danceability • 25% Energy • 36% Liveness
87% Instrumentalness • 37% Positiveness
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Ravi Shankar
Dhun
149 bpm • C# Maj • 02:48 • -17db
30% Popularity • 45% Danceability • 45% Energy • 19% Liveness
27% Instrumentalness • 86% Positiveness
30% Popularity • 45% Danceability • 45% Energy • 19% Liveness
27% Instrumentalness • 86% Positiveness
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Bobby McFerrin
Hoedown!
150 bpm • D Maj • 05:38 • -23.73db
17% Popularity • 44% Danceability • 19% Energy • 25% Liveness
10% Instrumentalness • 34% Positiveness
17% Popularity • 44% Danceability • 19% Energy • 25% Liveness
10% Instrumentalness • 34% Positiveness
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Tony Scott
Is Not All One
142 bpm • C Maj • 03:12 • -27.94db
31% Popularity • 23% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
31% Popularity • 23% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Bismillah Khan
Raga Purbi: Alap in Rupaktaal
143 bpm • D Maj • 09:40 • -11.1db
11% Popularity • 38% Danceability • 67% Energy • 10% Liveness
68% Instrumentalness • 54% Positiveness
11% Popularity • 38% Danceability • 67% Energy • 10% Liveness
68% Instrumentalness • 54% Positiveness
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Shivkumar Sharma
Twilight Shadows
150 bpm • F Maj • 03:56 • -15db
20% Popularity • 49% Danceability • 35% Energy • 25% Liveness
4% Instrumentalness • 28% Positiveness
20% Popularity • 49% Danceability • 35% Energy • 25% Liveness
4% Instrumentalness • 28% Positiveness
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Gori Women's Choir
Orovela Georgian Folksong
142 bpm • F# min • 04:52 • -33.55db
13% Popularity • 14% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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L. Subramaniam
Offering of Love
142 bpm • A min • 04:40 • -20.67db
10% Popularity • 20% Danceability • 10% Energy • 7% Liveness
2% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 10% Energy • 7% Liveness
2% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
142 bpm • A# Maj • 02:08 • -24.16db
34% Popularity • 23% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 23% Danceability • 11% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Philip Glass
Ragas in Minor Scale
151 bpm • F Maj • 07:33 • -17.92db
24% Popularity • 61% Danceability • 24% Energy • 8% Liveness
35% Instrumentalness • 44% Positiveness
24% Popularity • 61% Danceability • 24% Energy • 8% Liveness
35% Instrumentalness • 44% Positiveness
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Ram Narayan
Raga Kirvani - Alap
142 bpm • F min • 02:34 • -24.42db
30% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 24% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Amjad Ali Khan
Ekla Chalo Re
141 bpm • C Maj • 03:53 • -6.4db
29% Popularity • 66% Danceability • 60% Energy • 5% Liveness
89% Instrumentalness • 61% Positiveness
29% Popularity • 66% Danceability • 60% Energy • 5% Liveness
89% Instrumentalness • 61% Positiveness
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Rabih Abou-Khalil
La Seduction - b.Charab et Tout
141 bpm • F Maj • 02:02 • -16.86db
31% Popularity • 49% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 37% Positiveness
31% Popularity • 49% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 37% Positiveness
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Constantinople
Tamalà
151 bpm • E min • 04:51 • -20.19db
21% Popularity • 45% Danceability • 42% Energy • 14% Liveness
94% Instrumentalness • 59% Positiveness
21% Popularity • 45% Danceability • 42% Energy • 14% Liveness
94% Instrumentalness • 59% Positiveness
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Traditional
Garun a
141 bpm • E min • 04:03 • -27.51db
16% Popularity • 14% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Naseer Shamma
Al-Andalus Abre Sus Puertas. Al-Andalus ...
151 bpm • D min • 06:35 • -14.6db
23% Popularity • 45% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
23% Popularity • 45% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Nishat Khan
Raga Gaoti
141 bpm • D Maj • 08:51 • -18.09db
11% Popularity • 25% Danceability • 38% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
11% Popularity • 25% Danceability • 38% Energy • 7% Liveness
94% Instrumentalness • 14% Positiveness
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G.S. Sachdev
Raga Des Alap
140 bpm • F Maj • 03:55 • -22.32db
36% Popularity • 18% Danceability • 3% Energy • 17% Liveness
50% Instrumentalness • 15% Positiveness
36% Popularity • 18% Danceability • 3% Energy • 17% Liveness
50% Instrumentalness • 15% Positiveness
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Evelyn Glennie
A Little Prayer
140 bpm • C Maj • 04:48 • -32.27db
10% Popularity • 21% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Constantinople
Rêveries
151 bpm • F min • 05:52 • -16.39db
22% Popularity • 42% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
22% Popularity • 42% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Adnan Joubran
I Wish I Were a Tree
140 bpm • D Maj • 04:32 • -13.96db
16% Popularity • 64% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
16% Popularity • 64% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
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Gunild Keetman
Orff-Schulwerk: Spielstücke für Xyloph...
140 bpm • G min • 01:07 • -24.62db
26% Popularity • 61% Danceability • 4% Energy • 5% Liveness
86% Instrumentalness • 94% Positiveness
26% Popularity • 61% Danceability • 4% Energy • 5% Liveness
86% Instrumentalness • 94% Positiveness
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Ravi Shankar
Tala Rasa Ranga
140 bpm • C# Maj • 02:58 • -17.27db
28% Popularity • 52% Danceability • 55% Energy • 5% Liveness
72% Instrumentalness • 70% Positiveness
28% Popularity • 52% Danceability • 55% Energy • 5% Liveness
72% Instrumentalness • 70% Positiveness
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Jessica Baran-Surel
Laridé
140 bpm • A# Maj • 02:03 • -7db
41% Popularity • 54% Danceability • 48% Energy • 11% Liveness
71% Instrumentalness • 76% Positiveness
41% Popularity • 54% Danceability • 48% Energy • 11% Liveness
71% Instrumentalness • 76% Positiveness
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Bickram Ghosh
Theme For Leela
140 bpm • C# Maj • 01:24 • -8.49db
28% Popularity • 51% Danceability • 42% Energy • 11% Liveness
18% Instrumentalness • 48% Positiveness
28% Popularity • 51% Danceability • 42% Energy • 11% Liveness
18% Instrumentalness • 48% Positiveness
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Golfam Khayam
Parlando
139 bpm • D Maj • 05:40 • -27.11db
9% Popularity • 44% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 15% Positiveness
9% Popularity • 44% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 15% Positiveness
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Toumani Diabaté
Kaira
153 bpm • C# Maj • 08:08 • -20.87db
27% Popularity • 43% Danceability • 6% Energy • 10% Liveness
68% Instrumentalness • 29% Positiveness
27% Popularity • 43% Danceability • 6% Energy • 10% Liveness
68% Instrumentalness • 29% Positiveness
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Dhafer Youssef
Shaouk
139 bpm • C Maj • 02:07 • -22.48db
42% Popularity • 59% Danceability • 1% Energy • 9% Liveness
69% Instrumentalness • 11% Positiveness
42% Popularity • 59% Danceability • 1% Energy • 9% Liveness
69% Instrumentalness • 11% Positiveness
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Ravi Shankar
Shankar: Prabhati (Based on Raga Gunkali...
139 bpm • C# Maj • 04:11 • -17.42db
20% Popularity • 46% Danceability • 16% Energy • 35% Liveness
67% Instrumentalness • 26% Positiveness
20% Popularity • 46% Danceability • 16% Energy • 35% Liveness
67% Instrumentalness • 26% Positiveness
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Soliman Gamil
Sufi Dialogue
139 bpm • C# Maj • 05:26 • -21.61db
9% Popularity • 50% Danceability • 16% Energy • 21% Liveness
85% Instrumentalness • 44% Positiveness
9% Popularity • 50% Danceability • 16% Energy • 21% Liveness
85% Instrumentalness • 44% Positiveness
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Ali Farka Touré
Hawa Dolo
139 bpm • F Maj • 05:00 • -8.87db
33% Popularity • 57% Danceability • 37% Energy • 9% Liveness
83% Instrumentalness • 39% Positiveness
33% Popularity • 57% Danceability • 37% Energy • 9% Liveness
83% Instrumentalness • 39% Positiveness
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Bickram Ghosh
Nat Bhairavi
154 bpm • E min • 06:32 • -18.54db
10% Popularity • 36% Danceability • 40% Energy • 5% Liveness
89% Instrumentalness • 44% Positiveness
10% Popularity • 36% Danceability • 40% Energy • 5% Liveness
89% Instrumentalness • 44% Positiveness
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Vishwa Mohan Bhatt
Dhun in Rag Pilu
139 bpm • D min • 09:18 • -22.42db
15% Popularity • 40% Danceability • 29% Energy • 8% Liveness
95% Instrumentalness • 22% Positiveness
15% Popularity • 40% Danceability • 29% Energy • 8% Liveness
95% Instrumentalness • 22% Positiveness
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Tony Scott
To Drift Like Clouds
154 bpm • C Maj • 01:36 • -28.41db
33% Popularity • 23% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 23% Positiveness
33% Popularity • 23% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 23% Positiveness
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Ravi Shankar
Kafi-Holi (Spring Festival Of Colors) - ...
139 bpm • B Maj • 07:13 • -22.92db
16% Popularity • 58% Danceability • 25% Energy • 14% Liveness
32% Instrumentalness • 37% Positiveness
16% Popularity • 58% Danceability • 25% Energy • 14% Liveness
32% Instrumentalness • 37% Positiveness
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Karim Baggili
Ella & Jad - Instrumentale
154 bpm • G Maj • 05:31 • -14.68db
19% Popularity • 73% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 45% Positiveness
19% Popularity • 73% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 45% Positiveness
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Toumani Diabaté
Ismael Drame
138 bpm • G# min • 05:45 • -15.51db
16% Popularity • 48% Danceability • 16% Energy • 12% Liveness
58% Instrumentalness • 15% Positiveness
16% Popularity • 48% Danceability • 16% Energy • 12% Liveness
58% Instrumentalness • 15% Positiveness
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Traditional
Ichichila
138 bpm • D Maj • 06:30 • -11.9db
4% Popularity • 65% Danceability • 39% Energy • 11% Liveness
50% Instrumentalness • 39% Positiveness
4% Popularity • 65% Danceability • 39% Energy • 11% Liveness
50% Instrumentalness • 39% Positiveness
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Nikhil Banerjee
Surdasi Malhar
137 bpm • D Maj • 05:42 • -17.92db
16% Popularity • 30% Danceability • 36% Energy • 13% Liveness
84% Instrumentalness • 53% Positiveness
16% Popularity • 30% Danceability • 36% Energy • 13% Liveness
84% Instrumentalness • 53% Positiveness
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Rabih Abou-Khalil
Window
137 bpm • C Maj • 08:54 • -23.8db
16% Popularity • 54% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 43% Positiveness
16% Popularity • 54% Danceability • 18% Energy • 7% Liveness
89% Instrumentalness • 43% Positiveness
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Shivkumar Sharma
Raga Bhinna Kauns - Alap
137 bpm • G Maj • 09:48 • -20.9db
26% Popularity • 34% Danceability • 19% Energy • 12% Liveness
44% Instrumentalness • 5% Positiveness
26% Popularity • 34% Danceability • 19% Energy • 12% Liveness
44% Instrumentalness • 5% Positiveness
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Ronu Majumdar
Kashmiri Dhun in Dadra Tal
137 bpm • E Maj • 04:55 • -26.44db
19% Popularity • 50% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 23% Positiveness
19% Popularity • 50% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 23% Positiveness
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Ram Narayan
Raga Madhuvanti - Alap
137 bpm • C Maj • 03:43 • -26db
22% Popularity • 20% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Gaspar Sanz
Marionas
137 bpm • A min • 03:57 • -20.23db
13% Popularity • 54% Danceability • 16% Energy • 8% Liveness
85% Instrumentalness • 21% Positiveness
13% Popularity • 54% Danceability • 16% Energy • 8% Liveness
85% Instrumentalness • 21% Positiveness
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Nikhil Banerjee
Bhimpalasri Fast Tintal
137 bpm • A Maj • 06:38 • -22.07db
22% Popularity • 35% Danceability • 42% Energy • 7% Liveness
32% Instrumentalness • 45% Positiveness
22% Popularity • 35% Danceability • 42% Energy • 7% Liveness
32% Instrumentalness • 45% Positiveness
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Traditional
Alagyeaz & Khnki tsar
137 bpm • D Maj • 05:15 • -22.43db
12% Popularity • 21% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Ali Farka Touré
Machengoidi
137 bpm • B Maj • 05:05 • -12.15db
27% Popularity • 60% Danceability • 26% Energy • 12% Liveness
74% Instrumentalness • 24% Positiveness
27% Popularity • 60% Danceability • 26% Energy • 12% Liveness
74% Instrumentalness • 24% Positiveness
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Jean Barrière
Allegro prestissimo from Sonata for Two ...
137 bpm • D Maj • 02:36 • -28.32db
21% Popularity • 46% Danceability • 6% Energy • 11% Liveness
45% Instrumentalness • 50% Positiveness
21% Popularity • 46% Danceability • 6% Energy • 11% Liveness
45% Instrumentalness • 50% Positiveness
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Vishwa Mohan Bhatt
Dhun in Rag Pahadi
157 bpm • C Maj • 08:29 • -24db
16% Popularity • 38% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
16% Popularity • 38% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Ballaké Sissoko
Yafa Djini Te Djitoyaye
136 bpm • C# Maj • 05:16 • -15.04db
34% Popularity • 47% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
34% Popularity • 47% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Dhafer Youssef
Fuga Hirundinum "Birds Requiem" Suite
136 bpm • B min • 04:19 • -19.27db
33% Popularity • 50% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
33% Popularity • 50% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Traditional
Traditional: Twilight Mood
156 bpm • A Maj • 10:33 • -16.15db
9% Popularity • 49% Danceability • 40% Energy • 18% Liveness
60% Instrumentalness • 50% Positiveness
9% Popularity • 49% Danceability • 40% Energy • 18% Liveness
60% Instrumentalness • 50% Positiveness
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Tarun Bhattacharya
Dhun In Misra Anandi
157 bpm • F# min • 08:19 • -21.5db
19% Popularity • 32% Danceability • 33% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
19% Popularity • 32% Danceability • 33% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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Ali Farka Touré
Kaira
156 bpm • F# min • 06:24 • -11.9db
27% Popularity • 36% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
27% Popularity • 36% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Hamza El Din
Helalisa (Nubian Song)
135 bpm • G Maj • 03:47 • -19.06db
18% Popularity • 58% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 58% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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L. Subramaniam
Raga kirvani : Râgam
135 bpm • E Maj • 08:33 • -18.1db
20% Popularity • 26% Danceability • 18% Energy • 18% Liveness
21% Instrumentalness • 38% Positiveness
20% Popularity • 26% Danceability • 18% Energy • 18% Liveness
21% Instrumentalness • 38% Positiveness
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Georgs Pelēcis
Flowering Jasmine
135 bpm • A min • 06:48 • -30db
27% Popularity • 30% Danceability • 3% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
27% Popularity • 30% Danceability • 3% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
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Bobby McFerrin
Grace
135 bpm • F# min • 03:54 • -31.67db
23% Popularity • 43% Danceability • 1% Energy • 7% Liveness
3% Instrumentalness • 52% Positiveness
23% Popularity • 43% Danceability • 1% Energy • 7% Liveness
3% Instrumentalness • 52% Positiveness
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Bickram Ghosh
The Unvanquished
135 bpm • C# Maj • 02:10 • -7.26db
23% Popularity • 61% Danceability • 49% Energy • 12% Liveness
88% Instrumentalness • 56% Positiveness
23% Popularity • 61% Danceability • 49% Energy • 12% Liveness
88% Instrumentalness • 56% Positiveness
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Man Wu
Green (Vincent's Tune)
135 bpm • A Maj • 04:22 • -8.49db
12% Popularity • 29% Danceability • 51% Energy • 12% Liveness
69% Instrumentalness • 18% Positiveness
12% Popularity • 29% Danceability • 51% Energy • 12% Liveness
69% Instrumentalness • 18% Positiveness
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Talvin Singh
Up To The Sky, Down To The Earth
158 bpm • F# min • 06:29 • -7.74db
11% Popularity • 64% Danceability • 83% Energy • 6% Liveness
88% Instrumentalness • 82% Positiveness
11% Popularity • 64% Danceability • 83% Energy • 6% Liveness
88% Instrumentalness • 82% Positiveness
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Balanescu Quartet
Interlude
135 bpm • B Maj • 01:05 • -20db
38% Popularity • 53% Danceability • 21% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
38% Popularity • 53% Danceability • 21% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
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George Frideric Handel
Handel: Concerto a due cori No. 1 in B-F...
135 bpm • F Maj • 04:47 • -16.58db
25% Popularity • 30% Danceability • 12% Energy • 21% Liveness
92% Instrumentalness • 34% Positiveness
25% Popularity • 30% Danceability • 12% Energy • 21% Liveness
92% Instrumentalness • 34% Positiveness
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Abdullah Ibrahim
Earth Bird
158 bpm • D# Maj • 03:03 • -29.79db
35% Popularity • 52% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 30% Positiveness
35% Popularity • 52% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 30% Positiveness
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Judith Steenbrink
Silk Rondeau (For Maite)
159 bpm • G Maj • 03:10 • -20.93db
31% Popularity • 50% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 66% Positiveness
31% Popularity • 50% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 66% Positiveness
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Constantinople
Traversées
159 bpm • F Maj • 04:12 • -18.66db
32% Popularity • 36% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
32% Popularity • 36% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
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Ronu Majumdar
Rag Bhupali - Alap & Gat in Rupak Tal
134 bpm • E Maj • 10:46 • -22.73db
10% Popularity • 56% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 19% Positiveness
10% Popularity • 56% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 19% Positiveness
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Traditional
Raga Jogeshwari: Gat II (Tala: Ek-tal)
160 bpm • F# Maj • 06:36 • -18.26db
12% Popularity • 42% Danceability • 33% Energy • 17% Liveness
80% Instrumentalness • 61% Positiveness
12% Popularity • 42% Danceability • 33% Energy • 17% Liveness
80% Instrumentalness • 61% Positiveness
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Amjad Ali Khan
Bhairavi
160 bpm • A# Maj • 06:47 • -24db
35% Popularity • 42% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
35% Popularity • 42% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Stephan Micus
Part 9: Words Of Truth
134 bpm • A# min • 05:22 • -32.78db
13% Popularity • 16% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Trilok Gurtu
Peace Of The Five Elements
160 bpm • G Maj • 05:01 • -8.3db
10% Popularity • 50% Danceability • 47% Energy • 7% Liveness
43% Instrumentalness • 4% Positiveness
10% Popularity • 50% Danceability • 47% Energy • 7% Liveness
43% Instrumentalness • 4% Positiveness
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Dawda Jobarteh
(Take My Hand And Let's Go To) The Red D...
160 bpm • B Maj • 03:52 • -12.24db
26% Popularity • 68% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 46% Positiveness
26% Popularity • 68% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 46% Positiveness
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L. Shankar
Song For Everyone
133 bpm • E Maj • 06:18 • -17.41db
14% Popularity • 78% Danceability • 35% Energy • 8% Liveness
7% Instrumentalness • 80% Positiveness
14% Popularity • 78% Danceability • 35% Energy • 8% Liveness
7% Instrumentalness • 80% Positiveness
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Ali Farka Touré
Kala
133 bpm • F Maj • 05:06 • -11.41db
27% Popularity • 60% Danceability • 36% Energy • 8% Liveness
70% Instrumentalness • 60% Positiveness
27% Popularity • 60% Danceability • 36% Energy • 8% Liveness
70% Instrumentalness • 60% Positiveness
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L. Subramaniam
Kṛiti by Saint Tyāgarāja - Rāgam: B...
133 bpm • B Maj • 06:17 • -29.98db
13% Popularity • 23% Danceability • 6% Energy • 16% Liveness
90% Instrumentalness • 11% Positiveness
13% Popularity • 23% Danceability • 6% Energy • 16% Liveness
90% Instrumentalness • 11% Positiveness
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Traditional
Blue Little Flower (Chinese Traditional)
132 bpm • C min • 04:22 • -19.95db
10% Popularity • 57% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 57% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Driss El Maloumi
Tawazoun
132 bpm • C Maj • 04:01 • -12.48db
14% Popularity • 49% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
14% Popularity • 49% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 51% Positiveness
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Bismillah Khan
Banarasi Dhun - Taal Dadra
161 bpm • C# Maj • 07:14 • -17.55db
17% Popularity • 43% Danceability • 49% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
17% Popularity • 43% Danceability • 49% Energy • 23% Liveness
84% Instrumentalness • 86% Positiveness
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Pandit Vibhav Nageshkar
Raga Jansanmohini - Alap Jod Zala - Gat ...
132 bpm • F# min • 06:58 • -21.22db
16% Popularity • 49% Danceability • 30% Energy • 14% Liveness
69% Instrumentalness • 34% Positiveness
16% Popularity • 49% Danceability • 30% Energy • 14% Liveness
69% Instrumentalness • 34% Positiveness
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Joseph Tawadros
Al Andalus
162 bpm • F min • 04:18 • -9.93db
27% Popularity • 42% Danceability • 45% Energy • 10% Liveness
74% Instrumentalness • 63% Positiveness
27% Popularity • 42% Danceability • 45% Energy • 10% Liveness
74% Instrumentalness • 63% Positiveness
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Munir Bashir
Taqsîm en maqâm : Lâmî
131 bpm • G# Maj • 04:05 • -20.74db
21% Popularity • 49% Danceability • 17% Energy • 18% Liveness
60% Instrumentalness • 47% Positiveness
21% Popularity • 49% Danceability • 17% Energy • 18% Liveness
60% Instrumentalness • 47% Positiveness
