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Songs like
Transit
by
Clive Hicks
Based on a tempo of (+/- 10%) and a similar genre
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Jean Claude Pierric
Black Night
99 bpm • G min • 03:12 • -5.71db
11% Popularity • 59% Danceability • 85% Energy • 19% Liveness
60% Instrumentalness • 87% Positiveness
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Rolf Kühn
Playmate
99 bpm • E min • 02:31 • -9db
16% Popularity • 42% Danceability • 65% Energy • 12% Liveness
83% Instrumentalness • 86% Positiveness
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John Cameron
Afro Metropolis
99 bpm • C Maj • 02:43 • -11.57db
10% Popularity • 60% Danceability • 63% Energy • 7% Liveness
94% Instrumentalness • 87% Positiveness
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Cicci Santucci
Eleven
99 bpm • F Maj • 02:18 • -8.49db
16% Popularity • 63% Danceability • 34% Energy • 10% Liveness
90% Instrumentalness • 83% Positiveness
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Azymuth
Caça a Raposa
99 bpm • F Maj • 05:11 • -18.47db
19% Popularity • 60% Danceability • 37% Energy • 13% Liveness
49% Instrumentalness • 27% Positiveness
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The Fabulous Three
Answer Me Softly Pt1
99 bpm • A# min • 03:08 • -7.77db
24% Popularity • 53% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 63% Positiveness
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Keith Mansfield
Hot Property
99 bpm • D min • 01:59 • -10.97db
15% Popularity • 60% Danceability • 51% Energy • 13% Liveness
77% Instrumentalness • 55% Positiveness
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Alan Moorhouse
Soul Skimmer
99 bpm • C Maj • 02:12 • -8.19db
21% Popularity • 57% Danceability • 89% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
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Alan Parker
Ice Breaker
99 bpm • G Maj • 03:54 • -17.49db
10% Popularity • 73% Danceability • 42% Energy • 7% Liveness
95% Instrumentalness • 82% Positiveness
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Incredible Bongo Band
Pipeline
99 bpm • G min • 03:55 • -9db
20% Popularity • 52% Danceability • 48% Energy • 12% Liveness
44% Instrumentalness • 30% Positiveness
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Roy Porter Sound Machine
Party Time
99 bpm • D min • 03:49 • -5.46db
15% Popularity • 79% Danceability • 86% Energy • 14% Liveness
74% Instrumentalness • 96% Positiveness
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Harvey & The Phenomenals
Soul and Sunshine
99 bpm • A# min • 03:59 • -6.85db
27% Popularity • 71% Danceability • 85% Energy • 2% Liveness
82% Instrumentalness • 94% Positiveness
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Clive Hicks
Transit
99 bpm • G Maj • 01:36 • -19.51db
22% Popularity • 83% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 44% Positiveness
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Chico Hamilton
I Can Hear The Grass Grow
100 bpm • A# min • 04:10 • -17.64db
15% Popularity • 77% Danceability • 47% Energy • 15% Liveness
84% Instrumentalness • 50% Positiveness
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John Cameron
Swamp Fever
100 bpm • A min • 02:12 • -14.37db
30% Popularity • 68% Danceability • 58% Energy • 11% Liveness
80% Instrumentalness • 62% Positiveness
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Carleen & The Groovers
The Thing
98 bpm • C Maj • 02:40 • -6.38db
17% Popularity • 78% Danceability • 67% Energy • 8% Liveness
84% Instrumentalness • 67% Positiveness
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The Rugged Nuggets
Tsunami
98 bpm • D min • 03:22 • -12.28db
30% Popularity • 66% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Alessandro Alessandroni
Parata n°2
98 bpm • C# Maj • 02:30 • -6.5db
18% Popularity • 61% Danceability • 65% Energy • 10% Liveness
55% Instrumentalness • 81% Positiveness
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Redd Holt Unlimited
I Shot the Sheriff
100 bpm • C min • 02:20 • -9db
27% Popularity • 72% Danceability • 79% Energy • 8% Liveness
78% Instrumentalness • 94% Positiveness
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Gary Pacific Orchestra
Soft Wind
98 bpm • G min • 02:05 • -8.5db
18% Popularity • 50% Danceability • 42% Energy • 15% Liveness
74% Instrumentalness • 89% Positiveness
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Hysear Don Walker
Poo-Jo
100 bpm • F min • 02:10 • -11.79db
29% Popularity • 60% Danceability • 60% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Lonnie Liston Smith
Cosmic Funk
100 bpm • D Maj • 05:36 • -10.5db
18% Popularity • 55% Danceability • 78% Energy • 12% Liveness
7% Instrumentalness • 92% Positiveness
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Chico Hamilton
Abdullah And Abraham
98 bpm • G Maj • 04:16 • -12db
23% Popularity • 47% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Stelvio Cipriani
Mark il poliziotto - Originale
100 bpm • E min • 02:41 • -16.49db
21% Popularity • 73% Danceability • 49% Energy • 15% Liveness
84% Instrumentalness • 95% Positiveness
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The Brothers Nylon
Slappers Only
98 bpm • C# Maj • 02:09 • -10.28db
31% Popularity • 77% Danceability • 48% Energy • 8% Liveness
78% Instrumentalness • 42% Positiveness
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David Axelrod
Cast Your Fate To The Wind
100 bpm • D# Maj • 03:27 • -14.44db
21% Popularity • 63% Danceability • 32% Energy • 22% Liveness
88% Instrumentalness • 38% Positiveness
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Riz Ortolani
Il ricordo di Serena
98 bpm • A min • 02:41 • -20db
40% Popularity • 65% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 64% Positiveness
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S.S.O.
Faded Lady (Instrumental)
98 bpm • A min • 02:25 • -9.06db
30% Popularity • 63% Danceability • 56% Energy • 22% Liveness
69% Instrumentalness • 79% Positiveness
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The Movers
Give Five or More
100 bpm • C Maj • 02:33 • -11.65db
31% Popularity • 76% Danceability • 48% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
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Bobby Hutcherson
Rain Every Thursday
98 bpm • F Maj • 03:43 • -10db
8% Popularity • 52% Danceability • 68% Energy • 16% Liveness
55% Instrumentalness • 96% Positiveness
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Alberto Baldan Bembo
Pedro come
100 bpm • A# Maj • 02:42 • -10db
30% Popularity • 43% Danceability • 68% Energy • 51% Liveness
78% Instrumentalness • 37% Positiveness
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Roger Webb
Exotica
100 bpm • E min • 03:04 • -11db
19% Popularity • 59% Danceability • 49% Energy • 8% Liveness
37% Instrumentalness • 23% Positiveness
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Weldon Irvine
Walk That Walk, Talk That Talk
98 bpm • F min • 07:50 • -9db
30% Popularity • 66% Danceability • 76% Energy • 7% Liveness
60% Instrumentalness • 95% Positiveness
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Lonnie Liston Smith
Mongotee
100 bpm • G min • 05:42 • -12.77db
9% Popularity • 58% Danceability • 53% Energy • 8% Liveness
14% Instrumentalness • 84% Positiveness
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Clive Hicks
I Came Through the Door Backwards
98 bpm • F Maj • 02:19 • -20.41db
0% Popularity • 78% Danceability • 16% Energy • 8% Liveness
20% Instrumentalness • 28% Positiveness
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Shuggie Otis
XL-30
100 bpm • A# min • 02:08 • -15.08db
21% Popularity • 66% Danceability • 43% Energy • 13% Liveness
90% Instrumentalness • 79% Positiveness
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Piero Piccioni
Psychedelic Mood
98 bpm • E Maj • 02:33 • -12.25db
12% Popularity • 60% Danceability • 71% Energy • 9% Liveness
94% Instrumentalness • 58% Positiveness
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Les Baxter
Hogin' Machine
98 bpm • D# Maj • 01:37 • -5db
28% Popularity • 45% Danceability • 85% Energy • 14% Liveness
77% Instrumentalness • 53% Positiveness
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Riz Ortolani
Il ricordo di Serena - Version 2
98 bpm • A min • 03:34 • -10.64db
15% Popularity • 70% Danceability • 55% Energy • 11% Liveness
91% Instrumentalness • 80% Positiveness
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Klaus Weiss
Drums Around
98 bpm • D# Maj • 01:52 • -14.46db
12% Popularity • 78% Danceability • 89% Energy • 10% Liveness
26% Instrumentalness • 90% Positiveness
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Clive Hicks
High Output
98 bpm • G Maj • 01:29 • -18.46db
0% Popularity • 72% Danceability • 35% Energy • 11% Liveness
44% Instrumentalness • 96% Positiveness
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Joe Thomas
Polarizer
98 bpm • G min • 05:33 • -12.01db
23% Popularity • 79% Danceability • 48% Energy • 6% Liveness
74% Instrumentalness • 96% Positiveness
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Alan Tew
Headlights
100 bpm • E min • 01:10 • -17.76db
32% Popularity • 62% Danceability • 41% Energy • 10% Liveness
87% Instrumentalness • 56% Positiveness
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The Blackbyrds
Reggins
98 bpm • F min • 04:05 • -12db
32% Popularity • 64% Danceability • 51% Energy • 7% Liveness
78% Instrumentalness • 93% Positiveness
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Stephen Gray
Finding My Feet
97 bpm • D min • 03:08 • -14.07db
17% Popularity • 56% Danceability • 56% Energy • 8% Liveness
84% Instrumentalness • 53% Positiveness
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Placebo
Temse
101 bpm • A# min • 03:47 • -8.62db
9% Popularity • 69% Danceability • 80% Energy • 9% Liveness
56% Instrumentalness • 97% Positiveness
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Clive Hicks
Thinks?
100 bpm • C Maj • 02:13 • -21.94db
0% Popularity • 57% Danceability • 21% Energy • 12% Liveness
69% Instrumentalness • 29% Positiveness
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Dave Hamilton
The Deacons
101 bpm • F Maj • 03:54 • -4db
11% Popularity • 70% Danceability • 94% Energy • 33% Liveness
11% Instrumentalness • 69% Positiveness
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Black Heat
Rapid Fire
101 bpm • E Maj • 01:33 • -15db
29% Popularity • 68% Danceability • 48% Energy • 6% Liveness
82% Instrumentalness • 81% Positiveness
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Marva Whitney
In The Middle
101 bpm • G Maj • 02:47 • -12.07db
23% Popularity • 74% Danceability • 44% Energy • 6% Liveness
69% Instrumentalness • 67% Positiveness
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Victor Cavini
Pictures Of Japan XIV
97 bpm • G Maj • 02:42 • -11db
11% Popularity • 77% Danceability • 42% Energy • 11% Liveness
66% Instrumentalness • 86% Positiveness
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Trevor Bastow
Sailing Along
97 bpm • D Maj • 02:52 • -13.38db
10% Popularity • 69% Danceability • 39% Energy • 12% Liveness
93% Instrumentalness • 53% Positiveness
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René Costy
Scrabble
101 bpm • G Maj • 04:12 • -6.34db
24% Popularity • 48% Danceability • 76% Energy • 15% Liveness
41% Instrumentalness • 93% Positiveness
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C.C.P.P.
Joris of Lumina
101 bpm • C Maj • 03:11 • -4.07db
30% Popularity • 69% Danceability • 97% Energy • 12% Liveness
64% Instrumentalness • 68% Positiveness
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Redd Holt Unlimited
Do It Baby
97 bpm • C Maj • 03:10 • -9.91db
19% Popularity • 69% Danceability • 77% Energy • 10% Liveness
69% Instrumentalness • 94% Positiveness
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I Marc 4
Andrè
101 bpm • D# Maj • 02:58 • -14db
39% Popularity • 48% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
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Dave Hamilton
Soul Suite
97 bpm • A# min • 05:16 • -4.28db
15% Popularity • 73% Danceability • 81% Energy • 7% Liveness
61% Instrumentalness • 63% Positiveness
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Michel Sardaby
Welcome New Warmth
101 bpm • A# min • 04:16 • -15db
30% Popularity • 52% Danceability • 48% Energy • 10% Liveness
93% Instrumentalness • 78% Positiveness
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Clive Hicks
Cat and Mouse
97 bpm • A# Maj • 02:26 • -23.41db
0% Popularity • 66% Danceability • 7% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
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Les McCann
Dunbar High School Marching Band
101 bpm • C Maj • 06:06 • -11.23db
14% Popularity • 49% Danceability • 74% Energy • 14% Liveness
3% Instrumentalness • 66% Positiveness
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Idris Muhammad
Say What
101 bpm • G Maj • 03:59 • -7.05db
26% Popularity • 85% Danceability • 66% Energy • 9% Liveness
72% Instrumentalness • 93% Positiveness
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Eddy Senay
Cameo
97 bpm • G Maj • 06:10 • -13.33db
13% Popularity • 77% Danceability • 48% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
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The Fabulous Three
Answer Me Softly Pt2
97 bpm • C min • 02:43 • -9.11db
21% Popularity • 42% Danceability • 62% Energy • 22% Liveness
24% Instrumentalness • 71% Positiveness
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Alain Goraguer
Maquillage de Tiwa
97 bpm • F# min • 01:17 • -10db
32% Popularity • 72% Danceability • 51% Energy • 24% Liveness
90% Instrumentalness • 53% Positiveness
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Clive Hicks
Waking Up
97 bpm • G# Maj • 02:15 • -16.8db
0% Popularity • 43% Danceability • 30% Energy • 6% Liveness
89% Instrumentalness • 34% Positiveness
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Karl-Heinz Schäfer
Kidnapping
96 bpm • F Maj • 01:22 • -14.82db
24% Popularity • 47% Danceability • 48% Energy • 9% Liveness
52% Instrumentalness • 93% Positiveness
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Les McCann
Harlem Buck Dance Strut
97 bpm • C Maj • 05:55 • -14.22db
27% Popularity • 68% Danceability • 49% Energy • 55% Liveness
6% Instrumentalness • 63% Positiveness
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Galt MacDermot
Perfume Bottles
102 bpm • C# Maj • 02:08 • -7.91db
17% Popularity • 46% Danceability • 66% Energy • 7% Liveness
89% Instrumentalness • 97% Positiveness
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Experience
Pink Movement
102 bpm • F Maj • 02:43 • -7.24db
8% Popularity • 72% Danceability • 90% Energy • 9% Liveness
61% Instrumentalness • 96% Positiveness
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The Propositions
Africana
102 bpm • D Maj • 05:37 • -8.17db
29% Popularity • 53% Danceability • 89% Energy • 13% Liveness
87% Instrumentalness • 62% Positiveness
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Jacky Giordano
Don't Be Cool
96 bpm • F min • 02:20 • -16.58db
32% Popularity • 70% Danceability • 44% Energy • 7% Liveness
84% Instrumentalness • 86% Positiveness
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Henry Mancini
Here's Looking at You, Kid
96 bpm • A min • 02:50 • -14.86db
14% Popularity • 66% Danceability • 44% Energy • 44% Liveness
96% Instrumentalness • 50% Positiveness
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Bernard "Pretty" Purdie
Soul Bossa Nova
102 bpm • C Maj • 02:42 • -11.88db
18% Popularity • 60% Danceability • 80% Energy • 9% Liveness
91% Instrumentalness • 86% Positiveness
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Clive Hicks
Product (5)
96 bpm • C Maj • 01:01 • -23.17db
0% Popularity • 48% Danceability • 12% Energy • 12% Liveness
95% Instrumentalness • 74% Positiveness
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John Gregory
Jaguar
102 bpm • F min • 03:41 • -10.52db
11% Popularity • 43% Danceability • 66% Energy • 12% Liveness
68% Instrumentalness • 72% Positiveness
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Manu Dibango
African Pop Session
102 bpm • G# Maj • 02:52 • -10.26db
37% Popularity • 59% Danceability • 82% Energy • 13% Liveness
81% Instrumentalness • 66% Positiveness
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Jack McDuff
Moon Rappin'
96 bpm • F# min • 06:21 • -8db
21% Popularity • 66% Danceability • 86% Energy • 9% Liveness
80% Instrumentalness • 79% Positiveness
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Hysear Don Walker
Children Of The Night
102 bpm • A min • 04:06 • -13.3db
10% Popularity • 51% Danceability • 44% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
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The 3 Pieces
Shortnin' Bread
102 bpm • F min • 04:34 • -8.85db
12% Popularity • 62% Danceability • 77% Energy • 10% Liveness
66% Instrumentalness • 92% Positiveness
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Les Baxter
Hot Wind
102 bpm • F Maj • 01:55 • -7.07db
22% Popularity • 57% Danceability • 88% Energy • 23% Liveness
81% Instrumentalness • 60% Positiveness
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Bobbi Humphrey
Lonely Town, Lonely Street
96 bpm • A# Maj • 04:36 • -12.58db
10% Popularity • 54% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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The Rugged Nuggets
Yo Todo Tu Yo
96 bpm • A min • 02:59 • -6.38db
40% Popularity • 39% Danceability • 80% Energy • 15% Liveness
86% Instrumentalness • 84% Positiveness
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Placebo
Polk
102 bpm • F Maj • 03:24 • -10.2db
17% Popularity • 76% Danceability • 59% Energy • 10% Liveness
83% Instrumentalness • 84% Positiveness
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Keith Mansfield
Incidental Backcloth (3)
96 bpm • C Maj • 02:59 • -18db
18% Popularity • 75% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 85% Positiveness
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Jack McDuff
To Be Named Later
102 bpm • B Maj • 04:31 • -13.92db
8% Popularity • 67% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 70% Positiveness
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Diner Table Jazz
The Elevator - Background Jazz
96 bpm • D Maj • 01:38 • -13.95db
16% Popularity • 54% Danceability • 84% Energy • 10% Liveness
70% Instrumentalness • 52% Positiveness
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Dave Hamilton
Yesterdays
96 bpm • D min • 06:27 • -7.19db
7% Popularity • 47% Danceability • 49% Energy • 37% Liveness
76% Instrumentalness • 17% Positiveness
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Spaghetti Head
Funky Axe
96 bpm • C# Maj • 02:29 • -18.72db
17% Popularity • 71% Danceability • 39% Energy • 7% Liveness
95% Instrumentalness • 85% Positiveness
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Placebo
Humpty Dumpty
103 bpm • A# min • 02:34 • -10.22db
30% Popularity • 67% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
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James Reese & The Progressions
Let's Go (It's Summertime)
103 bpm • A# Maj • 02:51 • -8.64db
12% Popularity • 47% Danceability • 83% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
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Leon Spencer
Superstition
103 bpm • C Maj • 06:48 • -14.41db
14% Popularity • 47% Danceability • 78% Energy • 17% Liveness
71% Instrumentalness • 81% Positiveness
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Diner Table Jazz
Cutlery - Background Jazz
96 bpm • B min • 01:41 • -14.76db
18% Popularity • 59% Danceability • 73% Energy • 11% Liveness
44% Instrumentalness • 49% Positiveness
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Janko Nilovic
Giant Locomotion
103 bpm • G min • 08:16 • -11.53db
9% Popularity • 43% Danceability • 55% Energy • 12% Liveness
74% Instrumentalness • 57% Positiveness
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Jimmy McGriff
The Bird Wave
95 bpm • F min • 04:02 • -7.47db
31% Popularity • 65% Danceability • 87% Energy • 4% Liveness
61% Instrumentalness • 96% Positiveness
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Jeremy Steig
Alias
95 bpm • C# Maj • 04:20 • -14.83db
9% Popularity • 58% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Pete Jolly
Seasons
95 bpm • E min • 03:45 • -17.12db
25% Popularity • 60% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 71% Positiveness
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Yan Tregger
Sunny Wing
95 bpm • A Maj • 02:10 • -7.1db
23% Popularity • 77% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Stelvio Cipriani
Bambole di droga - Originale
95 bpm • G# Maj • 02:16 • -17.89db
21% Popularity • 77% Danceability • 43% Energy • 10% Liveness
85% Instrumentalness • 85% Positiveness
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Janko Nilovic
Funky Tramway
103 bpm • C Maj • 04:43 • -12.28db
13% Popularity • 55% Danceability • 68% Energy • 14% Liveness
66% Instrumentalness • 85% Positiveness
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Mickey & The Soul Generation
Iron Leg
95 bpm • C min • 02:14 • -7db
20% Popularity • 70% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Transit