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Trattado de glosas: Recercada No. 4, "La gamba"
Songs like
Trattado de glosas: Recercada No. 4, "La gamba"
by
Diego Ortiz
Based on a tempo of (+/- 10%) and a similar genre
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Gaspar Sanz
Clarinas y Trompetas
120 bpm • D Maj • 07:06 • -24.78db
8% Popularity • 41% Danceability • 8% Energy • 13% Liveness
62% Instrumentalness • 45% Positiveness
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Luis de Milán
Fantasia II
120 bpm • C min • 01:48 • -33db
21% Popularity • 38% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
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John Dowland
The King of Denmarks Galiard from Lachri...
120 bpm • D# Maj • 01:26 • -25.33db
23% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
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Ronn McFarlane
George Brabazon
120 bpm • E Maj • 01:27 • -22.15db
23% Popularity • 52% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Diego Ortiz
Trattado de glosas: Recercada No. 4, "La...
120 bpm • D# min • 01:39 • -24.32db
14% Popularity • 47% Danceability • 10% Energy • 9% Liveness
46% Instrumentalness • 40% Positiveness
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Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
24% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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John Playford
Dances From the English Dancing Master: ...
119 bpm • G Maj • 01:40 • -22.76db
12% Popularity • 68% Danceability • 15% Energy • 18% Liveness
96% Instrumentalness • 91% Positiveness
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Francis Pilkington
Eccho or Allmane
119 bpm • G Maj • 02:06 • -19db
35% Popularity • 55% Danceability • 16% Energy • 11% Liveness
67% Instrumentalness • 63% Positiveness
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Ensemble Project Ars Nova
Regina gloriosa
119 bpm • D min • 02:19 • -33db
15% Popularity • 44% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 57% Positiveness
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Hopkinson Smith
A Dream
119 bpm • G min • 04:03 • -23.94db
23% Popularity • 43% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Diego Ortiz
Passamezzo moderno: Recercada secunda
121 bpm • B Maj • 01:44 • -16db
18% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
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Ortega
Puesque me tienes, Miguel - Attributed t...
119 bpm • A min • 02:10 • -17.66db
1% Popularity • 28% Danceability • 14% Energy • 6% Liveness
99% Instrumentalness • 28% Positiveness
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Giovanni Girolamo Kapsberger
Doni Lute Book: Canario
121 bpm • G Maj • 01:22 • -24.47db
13% Popularity • 37% Danceability • 26% Energy • 22% Liveness
92% Instrumentalness • 35% Positiveness
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Piffaro
Im Maien
119 bpm • E min • 01:37 • -14db
19% Popularity • 51% Danceability • 40% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
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Alonso Mudarra
Fantasia - Instrumental
119 bpm • F Maj • 01:34 • -24db
33% Popularity • 33% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 92% Positiveness
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Hopkinson Smith
Frogg Galliard
119 bpm • G Maj • 02:44 • -22db
38% Popularity • 36% Danceability • 15% Energy • 17% Liveness
82% Instrumentalness • 44% Positiveness
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Joan Ambrosio Dalza
Calata Al Española
118 bpm • F Maj • 02:31 • -30.54db
9% Popularity • 42% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 78% Positiveness
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Carlo Calvi
Canario
122 bpm • C# Maj • 01:49 • -21.15db
21% Popularity • 68% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
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Gaspar Sanz
Paradetas
121 bpm • D Maj • 02:18 • -21.11db
17% Popularity • 53% Danceability • 20% Energy • 11% Liveness
55% Instrumentalness • 86% Positiveness
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Giovanni Antonio Terzi
Petit Jacquet / Quinta Pars - Medley
122 bpm • F Maj • 09:43 • -22db
6% Popularity • 40% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 54% Positiveness
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Robert de Visée
Suite in G Major: II. Allemande
118 bpm • F Maj • 01:58 • -27.27db
18% Popularity • 40% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 45% Positiveness
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Francisco de la Torre
Adoramus te, Senor
122 bpm • A min • 01:37 • -23.62db
1% Popularity • 22% Danceability • 8% Energy • 15% Liveness
93% Instrumentalness • 56% Positiveness
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Joan Ambrosio Dalza
Piva
122 bpm • G Maj • 01:56 • -27db
29% Popularity • 43% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 79% Positiveness
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Diego Ortiz
Felici Occhi Miei. Recercada 2ª
118 bpm • G min • 01:57 • -23.63db
1% Popularity • 19% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 17% Positiveness
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Claude Gervaise
Allemandes - Arranged by Piffaro
118 bpm • G# Maj • 03:17 • -22db
12% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Tylman Susato
Danserye: Ronde: Il estoit une filette
123 bpm • F Maj • 01:36 • -25db
11% Popularity • 39% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 57% Positiveness
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Robert de Visée
Suite in G Major: VI. Chaconne
117 bpm • F Maj • 08:13 • -27.72db
32% Popularity • 34% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 36% Positiveness
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Hopkinson Smith
Sir John Smith's Almain
118 bpm • F Maj • 02:35 • -23.12db
17% Popularity • 34% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 50% Positiveness
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Francesco de la Torre
Danza alta, sobre "la Spagna": Danza Alt...
117 bpm • A min • 02:04 • -19db
14% Popularity • 64% Danceability • 19% Energy • 10% Liveness
50% Instrumentalness • 72% Positiveness
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Thomas Robinson
A Plaine song for 2 Lutes
117 bpm • G Maj • 01:09 • -20.61db
16% Popularity • 56% Danceability • 12% Energy • 8% Liveness
85% Instrumentalness • 33% Positiveness
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Giovanni Paolo Foscarini
Ciacona
123 bpm • F# Maj • 01:42 • -23.99db
23% Popularity • 68% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 40% Positiveness
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Edward Martin and Paul Berget
Suite for 2 Lutes in Bb (Baron) - Couran...
117 bpm • A Maj • 02:17 • -25db
19% Popularity • 59% Danceability • 9% Energy • 13% Liveness
85% Instrumentalness • 54% Positiveness
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Robert de Visée
Suite in A Major: VI. Menuet
123 bpm • G Maj • 01:37 • -29.41db
12% Popularity • 36% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Ennemond Gaultier
Suite in D Minor: VII. La poste
123 bpm • C min • 01:40 • -21.92db
23% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
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Alonso de Mondéjar
Sospiros, pues que descansa
124 bpm • G Maj • 01:47 • -18.72db
0% Popularity • 18% Danceability • 15% Energy • 17% Liveness
100% Instrumentalness • 19% Positiveness
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Claude Gervaise
Allemande 4 - 1557
117 bpm • G min • 02:22 • -20db
23% Popularity • 57% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 72% Positiveness
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Giovanni Girolamo Kapsberger
Gagliarda 12a
117 bpm • A# min • 01:44 • -20.37db
21% Popularity • 51% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
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anon arr Alan Crumpler
Sellenger's round
116 bpm • C Maj • 02:12 • -24.18db
8% Popularity • 64% Danceability • 6% Energy • 6% Liveness
96% Instrumentalness • 84% Positiveness
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Gaspar Sanz
Chaconne
116 bpm • A Maj • 01:56 • -32.55db
17% Popularity • 36% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 68% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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Luis de Narváez
FantasÃa del cuarto tono
124 bpm • C min • 01:48 • -35.9db
1% Popularity • 36% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Diego Ortiz
Recercada Passamezzo
116 bpm • C Maj • 01:57 • -15db
15% Popularity • 51% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
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Girolamo Frescobaldi
Quinta a 4, Canto Alto Tenor Basse
116 bpm • A# Maj • 03:33 • -17.48db
12% Popularity • 22% Danceability • 18% Energy • 10% Liveness
49% Instrumentalness • 28% Positiveness
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Josquin des Prez
Baisez-moy, ma doulce amye
116 bpm • C Maj • 02:12 • -18db
1% Popularity • 36% Danceability • 13% Energy • 6% Liveness
98% Instrumentalness • 18% Positiveness
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Gaspar Fernandes
Elegit eum Dominus
116 bpm • F min • 02:11 • -18.59db
3% Popularity • 34% Danceability • 17% Energy • 18% Liveness
96% Instrumentalness • 28% Positiveness
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Michael Praetorius
Terpsichore (arr. H. Baumer): Courante
116 bpm • G Maj • 01:39 • -23.55db
23% Popularity • 57% Danceability • 10% Energy • 7% Liveness
81% Instrumentalness • 68% Positiveness
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Biagio Marini
Sinfonia
115 bpm • A min • 01:39 • -24.05db
24% Popularity • 22% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Diego Ortiz
Recercada quarta
116 bpm • F# Maj • 01:26 • -30.68db
4% Popularity • 52% Danceability • 4% Energy • 10% Liveness
10% Instrumentalness • 47% Positiveness
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Alonso Mudarra
Pavana II
115 bpm • B min • 02:11 • -22.05db
24% Popularity • 51% Danceability • 7% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
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William Mundy
In Nomine, "Fantasia": Fantasia
115 bpm • B Maj • 04:02 • -25db
15% Popularity • 17% Danceability • 4% Energy • 17% Liveness
88% Instrumentalness • 16% Positiveness
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
35% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Piffaro
Textless Carmen
115 bpm • D Maj • 01:04 • -20db
21% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
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Francisco Guerrero
Huyd, huyd, o ciegos amadores
115 bpm • G min • 01:47 • -19.62db
1% Popularity • 34% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Diego Ortiz
Folia. Recercada 4ª
115 bpm • D min • 02:38 • -27.31db
1% Popularity • 25% Danceability • 7% Energy • 13% Liveness
86% Instrumentalness • 23% Positiveness
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Johann Daniel Mylius
Courante II
115 bpm • B min • 01:43 • -27db
16% Popularity • 47% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 56% Positiveness
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Capella de Ministrers
Zappay [lo campo]
115 bpm • C Maj • 02:48 • -18.69db
14% Popularity • 54% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Gaspar Sanz
Zarabanda Francesa
115 bpm • A# Maj • 01:44 • -27.13db
14% Popularity • 63% Danceability • 0% Energy • 11% Liveness
69% Instrumentalness • 12% Positiveness
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Robert de Visée
Suite No. 9 en ré mineur: Sarabande
115 bpm • C# Maj • 01:46 • -27.52db
15% Popularity • 62% Danceability • 1% Energy • 8% Liveness
35% Instrumentalness • 35% Positiveness
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Joan Ambrosio Dalza
Calata ala Spagnola
115 bpm • A# Maj • 01:22 • -23db
17% Popularity • 79% Danceability • 25% Energy • 7% Liveness
82% Instrumentalness • 96% Positiveness
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Diego Ortiz
Recercada primera sobre el passamezzo an...
125 bpm • D min • 02:15 • -17.9db
2% Popularity • 36% Danceability • 23% Energy • 9% Liveness
67% Instrumentalness • 61% Positiveness
► Preview
Francesco Corbetta
Folias
115 bpm • B Maj • 03:05 • -33.4db
12% Popularity • 43% Danceability • 3% Energy • 19% Liveness
50% Instrumentalness • 31% Positiveness
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Thomas Morley
Joyne Hands
126 bpm • C Maj • 01:34 • -20.6db
16% Popularity • 53% Danceability • 13% Energy • 8% Liveness
28% Instrumentalness • 68% Positiveness
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Hopkinson Smith
Lachrimae Pavin
115 bpm • G min • 04:10 • -23.88db
24% Popularity • 44% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Juan del Encina
Propiñan de Melyor
115 bpm • A min • 03:05 • -28db
14% Popularity • 37% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Andrea Falconieri
Il Spiritillo Brando
126 bpm • G Maj • 01:00 • -19.24db
21% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
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Diego Ortiz
Romanesca. Recercada 7ª
115 bpm • G Maj • 01:21 • -21.65db
1% Popularity • 52% Danceability • 10% Energy • 8% Liveness
81% Instrumentalness • 47% Positiveness
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Nicola Matteis
Ayres for the Violin (arr. for guitar): ...
114 bpm • F# Maj • 01:21 • -30.81db
27% Popularity • 54% Danceability • 2% Energy • 13% Liveness
46% Instrumentalness • 64% Positiveness
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Alonso Mudarra
Pavana de Alexandre (Gallárda)
126 bpm • E Maj • 03:44 • -22db
13% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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Robert Parsons
The Song Called Trumpets
114 bpm • D# Maj • 02:15 • -14.95db
5% Popularity • 44% Danceability • 18% Energy • 11% Liveness
62% Instrumentalness • 60% Positiveness
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Robert de Visée
Suite in G Major: V. Gavotte - Rondeau
126 bpm • F Maj • 01:27 • -30.69db
18% Popularity • 36% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 66% Positiveness
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Manuel Blasco De Nebra
Versos al organo en duo para chiririmias
114 bpm • C# Maj • 01:10 • -24.8db
2% Popularity • 24% Danceability • 4% Energy • 11% Liveness
100% Instrumentalness • 37% Positiveness
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Diego Ortiz
Passamezzo moderno: Recercada tercera
126 bpm • E Maj • 02:06 • -16.31db
10% Popularity • 56% Danceability • 30% Energy • 14% Liveness
51% Instrumentalness • 65% Positiveness
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Alessandro Piccinini
Toccata cromatica XII
127 bpm • A# Maj • 03:39 • -19.74db
7% Popularity • 44% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
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William Byrd
Pavan
114 bpm • F# Maj • 03:02 • -27db
13% Popularity • 17% Danceability • 2% Energy • 11% Liveness
97% Instrumentalness • 19% Positiveness
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Alonso Mudarra
Romanesca o Guardame las Vacas
113 bpm • E min • 02:58 • -24db
12% Popularity • 48% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 60% Positiveness
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Mateo Flecha I
La guerra
127 bpm • F Maj • 05:51 • -17.38db
2% Popularity • 37% Danceability • 12% Energy • 6% Liveness
95% Instrumentalness • 20% Positiveness
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Claudio Monteverdi
Introduzione al ballo, SV 154:1: Entrata...
113 bpm • G Maj • 02:04 • -19.86db
9% Popularity • 49% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 54% Positiveness
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Diego Ortiz
Folia. Recercada 8ª
126 bpm • C Maj • 03:16 • -18.2db
7% Popularity • 47% Danceability • 43% Energy • 37% Liveness
69% Instrumentalness • 40% Positiveness
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Joan Ambrosio Dalza
Saltarello
128 bpm • C# Maj • 02:43 • -25.03db
22% Popularity • 46% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Hopkinson Smith
Gagliarda
128 bpm • E Maj • 02:04 • -27db
17% Popularity • 40% Danceability • 8% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
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Ensemble Project Ars Nova
Biaute Paree De Valour
128 bpm • C Maj • 02:08 • -27db
16% Popularity • 29% Danceability • 3% Energy • 12% Liveness
80% Instrumentalness • 43% Positiveness
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Filles a marier
Basse Dance Tune: Polyphony On the Tune
128 bpm • D min • 00:44 • -23.6db
8% Popularity • 50% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 50% Positiveness
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John Dowland
My Lord Willoughby's welcome home
128 bpm • C min • 01:38 • -38.7db
15% Popularity • 47% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 65% Positiveness
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Diego Ortiz
La Spagna. Recercada 6ª
114 bpm • D min • 01:00 • -26.84db
2% Popularity • 18% Danceability • 3% Energy • 11% Liveness
29% Instrumentalness • 18% Positiveness
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Luis de Milán
Fantasia I
112 bpm • G min • 01:42 • -34db
28% Popularity • 42% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 44% Positiveness
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Robert Parsons
The Song called Trumpets
112 bpm • E Maj • 02:15 • -25db
28% Popularity • 25% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
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Mattio Rampollini
Bacco, Bacco
112 bpm • F Maj • 01:08 • -16db
22% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Tylman Susato
Ronde
129 bpm • F Maj • 01:22 • -21.31db
9% Popularity • 53% Danceability • 12% Energy • 21% Liveness
96% Instrumentalness • 88% Positiveness
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John Playford
The English Dance Master, Part II: No. 1...
112 bpm • G Maj • 01:58 • -16.52db
18% Popularity • 68% Danceability • 18% Energy • 34% Liveness
97% Instrumentalness • 85% Positiveness
► Preview
Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
114 bpm • D min • 01:26 • -24.55db
18% Popularity • 24% Danceability • 4% Energy • 14% Liveness
75% Instrumentalness • 41% Positiveness
► Preview
Piffaro
Alla Caccia
129 bpm • D Maj • 01:22 • -17db
11% Popularity • 68% Danceability • 5% Energy • 5% Liveness
94% Instrumentalness • 53% Positiveness
► Preview
Francesco da Milano
Fantasia
129 bpm • G min • 02:09 • -24db
9% Popularity • 45% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 51% Positiveness
► Preview
Josquin des Prez
Guillaume se va chaufer
129 bpm • C Maj • 01:03 • -17.59db
14% Popularity • 26% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Juan Arañés
Chacona: "Una sarao de la chacona"
129 bpm • F Maj • 01:19 • -20db
11% Popularity • 64% Danceability • 27% Energy • 26% Liveness
65% Instrumentalness • 63% Positiveness
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Tylman Susato
Susato: 12 Dances from the Danserye: III...
112 bpm • F Maj • 01:34 • -18db
18% Popularity • 56% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 88% Positiveness
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Giovanni Antonio Terzi
Susanne Un Jour / Recercada Settima - Me...
129 bpm • A# Maj • 10:15 • -20.99db
4% Popularity • 39% Danceability • 16% Energy • 10% Liveness
72% Instrumentalness • 30% Positiveness
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Ronn McFarlane
O'Carolan's Dream
129 bpm • G# min • 03:31 • -23db
19% Popularity • 45% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Francisco Guerau
Villanos
129 bpm • C# Maj • 04:55 • -22db
12% Popularity • 44% Danceability • 7% Energy • 11% Liveness
71% Instrumentalness • 44% Positiveness
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Cesare Negri
So ben mi chi ha bon tempo
130 bpm • G min • 01:38 • -22db
20% Popularity • 57% Danceability • 6% Energy • 13% Liveness
58% Instrumentalness • 60% Positiveness
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anon arr Alan Crumpler
Horse's bransle
129 bpm • A min • 01:40 • -27.99db
11% Popularity • 67% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 75% Positiveness
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Trattado de glosas: Recercada No. 4, "La gamba"