Songs like Treat Her Right by Calvin Richardson
Based on a tempo of (+/- 10%) and a similar genre
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Calvin Richardson
More Than A Woman
132 bpm • A# min • 05:21 • -6db
39% Popularity • 74% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 74% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Young Guy
Take Heed
132 bpm • F min • 06:46 • -6.61db
39% Popularity • 73% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 73% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Ledisi
In The Morning
132 bpm • F min • 04:48 • -10.34db
37% Popularity • 70% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 70% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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L.T.D.
Where Did We Go Wrong
132 bpm • C Maj • 04:28 • -14.46db
43% Popularity • 56% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 56% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Kem
Heaven
132 bpm • G# Maj • 06:22 • -7.34db
40% Popularity • 82% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 82% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Angie Stone
More Than A Woman - Duet w/ Calvin
132 bpm • F min • 04:53 • -7.78db
44% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
44% Popularity • 68% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Calvin Richardson
Come Over
132 bpm • G Maj • 04:13 • -6.92db
20% Popularity • 57% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 57% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Tony Terry
With You
132 bpm • G# Maj • 05:05 • -10db
47% Popularity • 62% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 62% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Kelly Price
It's Gonna Rain
132 bpm • F# min • 04:01 • -7.66db
46% Popularity • 57% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
46% Popularity • 57% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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KeKe Wyatt
If Only You Knew
132 bpm • B Maj • 04:33 • -6db
43% Popularity • 64% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 64% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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LeVelle
Don't Play With Love
133 bpm • B min • 03:38 • -8.15db
32% Popularity • 63% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 63% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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LaMorris Williams
Too Late
133 bpm • F Maj • 03:19 • -5.34db
27% Popularity • 83% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 83% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Calvin Richardson
Treat Her Right
132 bpm • D Maj • 03:31 • -6.86db
36% Popularity • 60% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 60% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Big Yayo
Cowgirl
131 bpm • A min • 03:46 • -5db
37% Popularity • 90% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 90% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Terry Wright
Your Love
131 bpm • C# min • 04:26 • -6db
12% Popularity • 46% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 46% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Marvin Sease
Dreaming
133 bpm • G Maj • 04:18 • -12.33db
21% Popularity • 63% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 63% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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II D'Extreme
Cry No More
130 bpm • D# min • 04:42 • -8.66db
34% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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LaMorris Williams
Pretty Lady
134 bpm • A Maj • 04:53 • -6.93db
26% Popularity • 49% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 49% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Peabo Bryson
Love Like Yours And Mine
130 bpm • C Maj • 03:39 • -8.03db
25% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 69% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Calvin Richardson
Break It Down
130 bpm • F min • 04:12 • -6.78db
13% Popularity • 72% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 72% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Miss Lady Blues
Good Woman
130 bpm • F# min • 03:44 • -8.78db
35% Popularity • 68% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 68% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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F.P.J.
Still with her
130 bpm • G Maj • 03:36 • -9.59db
47% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 72% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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H-Town
Ways to Treat a Woman
130 bpm • C Maj • 03:45 • -6db
25% Popularity • 85% Danceability • 35% Energy • 2% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 85% Danceability • 35% Energy • 2% Liveness
0% Instrumentalness • 50% Positiveness
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LaMorris Williams
Impala
134 bpm • F Maj • 04:37 • -6.97db
28% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 75% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Marcellus TheSinger
The Letter
135 bpm • A Maj • 05:44 • -10.55db
39% Popularity • 70% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 70% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jeter Jones
Flashlight
129 bpm • F# Maj • 04:16 • -3.72db
25% Popularity • 87% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 87% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Ann Nesby
Put It On Paper - Album Version/Without ...
129 bpm • C# min • 05:05 • -5.03db
39% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Ledisi
All The Way
129 bpm • A Maj • 05:02 • -5.78db
33% Popularity • 43% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 43% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Johnnie Taylor
Just Because
136 bpm • C# Maj • 04:19 • -5.52db
32% Popularity • 48% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 48% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Vick Allen
Clean House
129 bpm • D min • 04:23 • -8db
14% Popularity • 90% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 90% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Aaron Hall
Don't Be Afraid - Sex You Down Some Mo' ...
136 bpm • A min • 04:31 • -6.75db
40% Popularity • 51% Danceability • 71% Energy • 45% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 51% Danceability • 71% Energy • 45% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Soul Bonds
Scat Cat, Here Kitty, Kitty
136 bpm • A Maj • 04:48 • -7db
27% Popularity • 75% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 75% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Intro
Come Inside
136 bpm • E min • 08:09 • -15.94db
38% Popularity • 74% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 74% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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H-Town
Lick U Up
136 bpm • B min • 05:34 • -15db
40% Popularity • 66% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 66% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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After 7
Runnin' Out
136 bpm • D Maj • 04:20 • -5.5db
32% Popularity • 56% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 56% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Calvin Richardson
Be Your Friend
128 bpm • F Maj • 03:45 • -8.44db
31% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Aaron Hall
All The Places (I Will Kiss You)
136 bpm • C min • 04:00 • -6db
40% Popularity • 72% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 72% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Glenn Jones
I've Been Searchin' (Nobody Like You)
136 bpm • G# Maj • 05:30 • -8.86db
37% Popularity • 67% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 67% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Urban Mystic
Your Portrait
128 bpm • B min • 04:32 • -5db
32% Popularity • 70% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 70% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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LaMorris Williams
On the Way Home
128 bpm • B Maj • 03:45 • -9db
18% Popularity • 77% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 77% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Terry Wright
It's Over
127 bpm • C Maj • 04:08 • -6db
18% Popularity • 67% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 67% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Universal Nubian Vocies
Something's Goin On
127 bpm • G min • 05:40 • -13.31db
36% Popularity • 67% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 67% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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F.P.J.
I'm Sorry
137 bpm • F# Maj • 03:20 • -5.61db
36% Popularity • 43% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 43% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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LSG
All the Times
137 bpm • F# Maj • 04:51 • -6.87db
40% Popularity • 73% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 73% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Shirley Murdock
Husband
138 bpm • G# Maj • 05:05 • -12.88db
30% Popularity • 56% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 56% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Johnnie Taylor
Good Love
138 bpm • C# Maj • 04:06 • -7.67db
41% Popularity • 91% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 91% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Big Bub
Tellin' Me Stories
126 bpm • C# Maj • 05:08 • -13db
25% Popularity • 66% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 66% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Floyd Taylor
Baby, I've Changed
126 bpm • G min • 05:03 • -9db
24% Popularity • 86% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 86% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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O. B. Buchana
Drinking My Problems Away
138 bpm • G Maj • 04:14 • -3.8db
22% Popularity • 74% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 74% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Calvin Richardson
You're So Amazing
138 bpm • A Maj • 03:40 • -7.07db
26% Popularity • 75% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 75% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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After 7
Sara Smile
138 bpm • C min • 04:32 • -6.28db
44% Popularity • 70% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 70% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Vick Allen
Forbidden Love Affair (The Preacher Song...
138 bpm • F min • 04:25 • -8db
23% Popularity • 80% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 80% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Terry Wright
Two Women In Love With Your Husband
138 bpm • B Maj • 03:59 • -5db
14% Popularity • 48% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 48% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Tevin Campbell
Shhh
126 bpm • G min • 04:54 • -12db
38% Popularity • 55% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 55% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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O. B. Buchana
You're the One Baby
138 bpm • G Maj • 03:45 • -8db
43% Popularity • 69% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 69% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Dru Hill
The Love We Had (Stays On My Mind)
138 bpm • G Maj • 05:35 • -4db
46% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 73% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Donell Jones
Where You Are, Pt. 2 (Is Where I Wanna B...
126 bpm • C min • 03:49 • -11.57db
38% Popularity • 57% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 57% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Sheba Potts-Wright
I'll Be the Other Woman
126 bpm • F Maj • 04:58 • -4db
30% Popularity • 69% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 69% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Euricka
On My Own - Dance
126 bpm • A min • 06:39 • -8.73db
0% Popularity • 70% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 70% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Johnnie Taylor
Sending You A Kiss
139 bpm • A Maj • 04:27 • -6.17db
37% Popularity • 80% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 80% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Avail Hollywood
Twenty Five and Up
139 bpm • C Maj • 04:16 • -5db
36% Popularity • 77% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 77% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Dru Hill
Love's Train
139 bpm • F# min • 04:19 • -7db
44% Popularity • 73% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 73% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Avery*Sunshine
Call My Name
125 bpm • E Maj • 04:31 • -9db
38% Popularity • 68% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 68% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Jay Morris Group
Lost My Mind
140 bpm • F min • 05:02 • -3.5db
25% Popularity • 71% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 71% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Leela James
Complicated
140 bpm • G# Maj • 04:04 • -5.29db
43% Popularity • 85% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 85% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Mint Condition
Caught My Eye
140 bpm • C Maj • 03:46 • -6.79db
32% Popularity • 59% Danceability • 47% Energy • 57% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 59% Danceability • 47% Energy • 57% Liveness
0% Instrumentalness • 61% Positiveness
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Terry Wright
I Done Lost My Good Thang
140 bpm • F min • 04:25 • -11.99db
32% Popularity • 76% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 76% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Guy
Smile
140 bpm • B Maj • 04:17 • -14db
33% Popularity • 66% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 66% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Stokley
Organic
124 bpm • G min • 05:26 • -6.15db
32% Popularity • 62% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 62% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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LJ Echols
How Low Can You Go
141 bpm • A Maj • 04:01 • -6.12db
27% Popularity • 88% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
27% Popularity • 88% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Raheem DeVaughn
Believe
124 bpm • D# min • 05:12 • -8db
34% Popularity • 62% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 62% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Floyd Taylor
If You Catch Me Sleepin'
141 bpm • A# Maj • 04:26 • -9.25db
21% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Wilson Meadows
I Promise
142 bpm • C Maj • 04:29 • -7db
19% Popularity • 68% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 68% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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H-Town
Cryin out My Heart to You
123 bpm • A min • 06:05 • -5db
34% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 62% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Mint Condition
Someone To Love
142 bpm • D Maj • 05:20 • -7.16db
38% Popularity • 52% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 52% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 33% Positiveness
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LaMorris Williams
Hold You Now
142 bpm • A min • 03:47 • -5.77db
18% Popularity • 71% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 71% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Chrisette Michele
If I Have My Way
123 bpm • F min • 04:02 • -6db
45% Popularity • 49% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 49% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Jay Morris Group
My Baby Don't Love Me No More
142 bpm • G# Maj • 05:38 • -5.18db
25% Popularity • 78% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 78% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Alyson Williams
Just Call My Name
122 bpm • G# Maj • 06:04 • -15db
35% Popularity • 57% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 57% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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H-Town
A Thin Line Between Love & Hate
122 bpm • C Maj • 05:00 • -8db
43% Popularity • 55% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 55% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 51% Positiveness
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Men At Large
So Alone
122 bpm • A min • 07:27 • -13db
34% Popularity • 63% Danceability • 36% Energy • 3% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 63% Danceability • 36% Energy • 3% Liveness
0% Instrumentalness • 47% Positiveness
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Intro
Ribbon in the Sky
122 bpm • G# Maj • 06:22 • -15db
40% Popularity • 69% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 69% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Men of Vizion
House Keeper
143 bpm • F# min • 04:33 • -7db
37% Popularity • 78% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 78% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Calvin Richardson
Flowers
122 bpm • F# min • 03:32 • -5.04db
13% Popularity • 61% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 61% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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T.K. Soul
Im Looking for a Lady
143 bpm • D min • 04:15 • -6.38db
41% Popularity • 68% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 68% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Urban Mystic
F*ck Song
122 bpm • D# min • 04:12 • -6.45db
31% Popularity • 48% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 48% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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H-Town
Part Time Lover
121 bpm • C Maj • 04:07 • -5.38db
41% Popularity • 63% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 63% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Christopher Williams
All I See
144 bpm • G# min • 04:20 • -9.65db
42% Popularity • 65% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 65% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Marcellus TheSinger
Shot Of Moonshine
144 bpm • A# min • 06:00 • -8.89db
40% Popularity • 68% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 68% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Avail Hollywood
Wasted
121 bpm • C Maj • 03:28 • -8.16db
29% Popularity • 68% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 68% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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West Love
Work It
120 bpm • E min • 04:25 • -5db
39% Popularity • 93% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 93% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Calvin Richardson
I Wansumo
120 bpm • C# Maj • 04:21 • -4.7db
10% Popularity • 84% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 84% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Jackie Neal
Work It in the Middle
145 bpm • G min • 04:03 • -7.21db
27% Popularity • 74% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 74% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Case
Happily Ever After
120 bpm • E min • 04:36 • -6.99db
51% Popularity • 75% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 75% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Men At Large
Um Um Good
120 bpm • C Maj • 04:39 • -10.87db
24% Popularity • 76% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 76% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Urban Mystic
Can't Stop, Won't Stop
120 bpm • G# Maj • 03:47 • -5.5db
30% Popularity • 73% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 73% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Jay Morris Group
Knee Deep
120 bpm • A# Maj • 04:29 • -5.18db
42% Popularity • 84% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 84% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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David Brinston
Somebody's Cuttin' My Cake
120 bpm • A# min • 06:18 • -8.19db
25% Popularity • 77% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 77% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
