Songs like Treated Me Good by Ingrid Andress
Based on a tempo of (+/- 10%) and a similar genre
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Ingrid Andress
Treated Me Good
150 bpm • B Maj • 03:20 • -5.44db
26% Popularity • 50% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 50% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Kaylin Roberson
Die First
150 bpm • D Maj • 03:44 • -8db
21% Popularity • 51% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 51% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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Anna Vaus
Kinda Don't Ever
150 bpm • D Maj • 03:06 • -6.89db
11% Popularity • 59% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 59% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Ella Langley
Excuse The Mess
150 bpm • B Maj • 03:25 • -5.31db
44% Popularity • 52% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 52% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Lauren Weintraub
Before We Knew Too Much
150 bpm • D# Maj • 03:17 • -6.28db
20% Popularity • 56% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 56% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 37% Positiveness
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Marc Scibilia
Good As Gone
150 bpm • B Maj • 03:07 • -4.53db
5% Popularity • 50% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
5% Popularity • 50% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Restless Road
On My Way
152 bpm • D Maj • 02:56 • -5.86db
36% Popularity • 51% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 51% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Caylee Hammack
History Of Repeating
149 bpm • C# Maj • 03:14 • -5.98db
37% Popularity • 56% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 56% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Erin Kinsey
Little More Cowboy
152 bpm • D Maj • 03:14 • -4.59db
33% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 58% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Caitlyn Smith
High
148 bpm • G Maj • 03:47 • -5.31db
32% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Lauren Alaina
Just Wanna Know That You Love Me
152 bpm • B Maj • 03:02 • -6.13db
38% Popularity • 44% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 44% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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MacKenzie Porter
Easy To Miss
148 bpm • F min • 02:49 • -5.39db
57% Popularity • 51% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
57% Popularity • 51% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Chris Ruediger
Takes A Breakup
148 bpm • G# Maj • 02:57 • -8.32db
32% Popularity • 57% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 57% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Leah Mason
Tears Into Diamonds
152 bpm • F Maj • 03:15 • -6.63db
21% Popularity • 36% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 36% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Erin Kinsey
Always Never
152 bpm • D Maj • 03:22 • -6.51db
36% Popularity • 52% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 52% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Jenna Paulette
Anywhere The Wind Blows
148 bpm • B Maj • 02:57 • -4.87db
34% Popularity • 52% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 52% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Lauren Alaina
Don't Judge A Woman
148 bpm • E Maj • 03:25 • -6.37db
28% Popularity • 45% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 45% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Brett Young
You Ain't Here To Kiss Me - 2022
148 bpm • C Maj • 03:37 • -6.97db
36% Popularity • 53% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 53% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Colbie Caillat
Pretend
148 bpm • G Maj • 03:51 • -6.35db
35% Popularity • 64% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 64% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Morgan Evans
All Right Here
148 bpm • G Maj • 03:16 • -5.53db
35% Popularity • 52% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 52% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Seaforth
Queen of Daytona Beach
152 bpm • G# Maj • 03:34 • -4.41db
33% Popularity • 62% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 62% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Ingrid Andress
Seeing Someone Else
148 bpm • F Maj • 03:26 • -4.77db
35% Popularity • 44% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 44% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Lauren Alaina
Like Her
148 bpm • F# Maj • 03:22 • -3.67db
23% Popularity • 46% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 46% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Ella Langley
Where You Left It (Acoustic)
148 bpm • G# Maj • 03:25 • -8db
38% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Kelsey Lamb
In Between Time
152 bpm • C# Maj • 03:07 • -5.4db
37% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 45% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Morgan Evans
Hey Little Mama
152 bpm • D# Maj • 03:10 • -4.99db
39% Popularity • 59% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
39% Popularity • 59% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Callista Clark
Worst Guy Ever
153 bpm • D Maj • 03:08 • -4.49db
14% Popularity • 41% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 41% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Diplo
Heartbroken - Jessie Version
147 bpm • D Maj • 03:17 • -5.77db
58% Popularity • 67% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
58% Popularity • 67% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Walker County
Mirror Mirror
154 bpm • D Maj • 03:28 • -6.74db
25% Popularity • 41% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 41% Danceability • 38% Energy • 22% Liveness
0% Instrumentalness • 41% Positiveness
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Alexandra Kay
I Hate Airplanes
146 bpm • A Maj • 03:05 • -5.75db
46% Popularity • 52% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 52% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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BRELAND
For What It’s Worth
146 bpm • C# Maj • 02:55 • -4.85db
42% Popularity • 66% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 66% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Kelsea Ballerini
How Do I Do This
146 bpm • C# Maj • 02:51 • -4.71db
59% Popularity • 64% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 64% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Tenille Arts
Butterfly Effect
146 bpm • C Maj • 02:28 • -6.69db
35% Popularity • 53% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 53% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Nicolle Galyon
winner.
146 bpm • F Maj • 02:58 • -9db
17% Popularity • 58% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 58% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Priscilla Block
Like A Boy
146 bpm • G# Maj • 03:43 • -5.45db
45% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Mitchell Tenpenny
Good Place
146 bpm • A# Maj • 02:37 • -5db
48% Popularity • 61% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 61% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Megan Moroney
Fix You Too
146 bpm • A# Maj • 03:07 • -7db
50% Popularity • 45% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 45% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Sophia Scott
In Her Shoes
146 bpm • D# Maj • 03:21 • -5db
27% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Tenille Arts
Motel On the Moon
145 bpm • D# Maj • 03:58 • -5db
22% Popularity • 36% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 36% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Shaylen
Do It Right The First Time
155 bpm • D# Maj • 03:05 • -5.36db
43% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Ingrid Andress
Runnin
145 bpm • C Maj • 03:26 • -7db
36% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Priscilla Block
Little Bit
145 bpm • D min • 03:19 • -3db
32% Popularity • 46% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 46% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Madeline Merlo
Same Car
155 bpm • C# min • 03:39 • -4.34db
46% Popularity • 53% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 53% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Avery Anna
Worst In Me
156 bpm • D Maj • 02:29 • -6.36db
42% Popularity • 43% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 43% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Canaan Cox
Break It
156 bpm • D Maj • 03:05 • -4.63db
39% Popularity • 54% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 54% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Hannah Ellis
Wine Country
156 bpm • A Maj • 02:43 • -4.12db
27% Popularity • 49% Danceability • 88% Energy • 92% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 49% Danceability • 88% Energy • 92% Liveness
0% Instrumentalness • 71% Positiveness
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Ingrid Andress
More Hearts Than Mine - The Rosebank Aco...
155 bpm • C Maj • 03:34 • -8.47db
30% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Erin Kinsey
handful 8.30.21
156 bpm • B min • 02:42 • -4.74db
39% Popularity • 63% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 63% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Colbie Caillat
Worth It
156 bpm • C# Maj • 03:03 • -6.78db
50% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Renee Blair
Stronger Than Me
156 bpm • E Maj • 03:09 • -6.36db
18% Popularity • 50% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 50% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Lily Rose
Truth Is
156 bpm • D Maj • 02:44 • -4.64db
40% Popularity • 46% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 46% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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David J
I Wish I Was
144 bpm • D# Maj • 03:15 • -8db
34% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 43% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Ingrid Andress
Feeling Things
156 bpm • C# Maj • 03:10 • -10db
33% Popularity • 38% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 38% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Erin Kinsey
Handful - Acoustic
156 bpm • B min • 02:48 • -5.6db
35% Popularity • 65% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 65% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Jana Kramer
What If Kindness Was The Currency
156 bpm • B Maj • 03:10 • -6.1db
28% Popularity • 47% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 47% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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Tenille Arts
So Do I
156 bpm • E Maj • 02:55 • -6.37db
46% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Lauren Watkins
Ole Miss
156 bpm • A Maj • 02:55 • -4.07db
34% Popularity • 47% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 47% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Troy Cartwright
Unlove You
156 bpm • D Maj • 02:57 • -3.79db
54% Popularity • 43% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
54% Popularity • 43% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Canaan Cox
As You Leave (undone)
156 bpm • C Maj • 02:07 • -5.54db
56% Popularity • 68% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 68% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Leah Mason
Me Or My Hometown
156 bpm • A# Maj • 03:28 • -8.78db
24% Popularity • 52% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 52% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Carter Faith
Late Bloomer
144 bpm • D# Maj • 03:29 • -7.76db
46% Popularity • 51% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 51% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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HunterGirl
Lonely Outta You
144 bpm • E Maj • 03:16 • -7.47db
27% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Madeline Merlo
Tim + Faith
144 bpm • D Maj • 03:50 • -4.54db
46% Popularity • 56% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 56% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Brett Young
Let Go Too Soon
144 bpm • A# Maj • 03:26 • -6.21db
39% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 50% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Morgan Johnston
Like It's His Job
144 bpm • D Maj • 03:29 • -7.71db
28% Popularity • 60% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 60% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Cheat Codes
You Ain't Been In Love
144 bpm • A# Maj • 02:56 • -4.85db
41% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Kyle Clark
You Don't Think About That
144 bpm • D Maj • 03:23 • -7.04db
34% Popularity • 59% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 59% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Shaylen
What If I Don't
144 bpm • E Maj • 03:21 • -5.79db
62% Popularity • 52% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
62% Popularity • 52% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Adam Hambrick
Needed The Rain
144 bpm • A Maj • 03:49 • -5.65db
16% Popularity • 52% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 52% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Robyn Ottolini
Match For My Memory
144 bpm • F Maj • 02:59 • -5db
50% Popularity • 49% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 49% Danceability • 80% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
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Avery Anna
Narcissist - Piano Version
144 bpm • C# Maj • 02:33 • -8db
36% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 58% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Roman Alexander
Can I See My Dog?
157 bpm • B Maj • 03:15 • -6db
35% Popularity • 49% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 49% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Belles
The Leaver
143 bpm • G# Maj • 02:58 • -8db
32% Popularity • 58% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 58% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Shelby Darrall
Three Words
157 bpm • C# min • 02:56 • -4.4db
25% Popularity • 31% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 31% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Mackenzie Carpenter
Can't Nobody
143 bpm • C# Maj • 03:23 • -5db
36% Popularity • 49% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 49% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Chelsea Berman
Where Does That Leave Me?
158 bpm • E Maj • 03:26 • -6.21db
23% Popularity • 46% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 46% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Tyler Rich
I Know You Do
158 bpm • A Maj • 03:15 • -6.25db
31% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 54% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Lauren Alaina
Hangovers
158 bpm • C Maj • 02:54 • -2.77db
22% Popularity • 42% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 42% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Caitlyn Smith
Alaska
158 bpm • A Maj • 03:16 • -7.03db
21% Popularity • 42% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 42% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Mickey Guyton
How You Love Someone
142 bpm • C Maj • 04:25 • -7db
27% Popularity • 44% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 44% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Riley Roth
More or Less
142 bpm • D Maj • 03:09 • -17.37db
32% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 61% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Sophia Scott
Boots, Jeans, & Jesus
142 bpm • B min • 02:37 • -4.07db
44% Popularity • 67% Danceability • 79% Energy • 91% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 67% Danceability • 79% Energy • 91% Liveness
0% Instrumentalness • 83% Positiveness
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Taylor Edwards
Petty
142 bpm • G Maj • 03:07 • -7.21db
15% Popularity • 84% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 97% Positiveness
15% Popularity • 84% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 97% Positiveness
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Shaylen
Cowboys Never Cry
142 bpm • F# Maj • 03:25 • -7.84db
38% Popularity • 50% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 50% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Caitlyn Smith
Mississippi
142 bpm • C# Maj • 03:47 • -8.73db
22% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 54% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Chris Ruediger
Kinda Memory
142 bpm • A# Maj • 03:02 • -5.94db
19% Popularity • 51% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 51% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Harper Grace
Sparkle
142 bpm • A# Maj • 03:01 • -3.55db
23% Popularity • 61% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 61% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Meghan Patrick
Greatest Show On Dirt
142 bpm • C# Maj • 03:14 • -6.39db
29% Popularity • 48% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 48% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Seaforth
What I Get for Loving You
141 bpm • C# Maj • 03:04 • -7.1db
26% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 47% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Karley Scott Collins
Tattoos
159 bpm • C Maj • 03:02 • -5.22db
29% Popularity • 35% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 35% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Caitlyn Smith
Maybe In Another Life
142 bpm • G Maj • 04:07 • -7db
29% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Corey Kent
Better Now
141 bpm • E Maj • 03:48 • -7.41db
37% Popularity • 66% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 66% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Robyn Ottolini
Katie's Song
160 bpm • F Maj • 03:34 • -4.48db
31% Popularity • 42% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 42% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Abby Anderson
The Only Problem Is
160 bpm • C Maj • 03:41 • -8db
32% Popularity • 59% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 59% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Sophia Scott
One Of These Days
160 bpm • E Maj • 03:27 • -7.1db
38% Popularity • 58% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 58% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Belles
Choose Me Then
160 bpm • C Maj • 03:04 • -7.93db
35% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Kaylee Bell
Living Free
160 bpm • D Maj • 03:05 • -5db
35% Popularity • 50% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 50% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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BRELAND
Happy Song
160 bpm • B Maj • 03:17 • -5.75db
28% Popularity • 54% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 54% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
