Songs like Tree of Life Suite: Wild Side by Roberto Cacciapaglia
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Litvinovsky
Le grand cahier: IV. Nos études
85 bpm • D min • 02:48 • -20db
32% Popularity • 35% Danceability • 13% Energy • 15% Liveness
66% Instrumentalness • 26% Positiveness
32% Popularity • 35% Danceability • 13% Energy • 15% Liveness
66% Instrumentalness • 26% Positiveness
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Roberto Cacciapaglia
Tree of Life Suite: Wild Side
85 bpm • B min • 02:57 • -9db
42% Popularity • 12% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
42% Popularity • 12% Danceability • 41% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
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La Brea String Section
Chi Mai
84 bpm • F# min • 02:40 • -14db
27% Popularity • 29% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 14% Positiveness
27% Popularity • 29% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 14% Positiveness
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Nico Cartosio
Melting
86 bpm • C# Maj • 02:38 • -17.17db
29% Popularity • 15% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Music Within
Julichka's Theme (String Quartet)
86 bpm • D# Maj • 02:38 • -11.38db
35% Popularity • 14% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
35% Popularity • 14% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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RIOPY
Golden Gate
84 bpm • D# Maj • 04:47 • -16.49db
38% Popularity • 26% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
38% Popularity • 26% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Sarah Modene
Searching
86 bpm • G min • 02:59 • -24db
27% Popularity • 23% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
27% Popularity • 23% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Roberto Cacciapaglia
Tree of Life Suite: Figlia del Cielo
84 bpm • D Maj • 03:01 • -12.62db
20% Popularity • 14% Danceability • 33% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 33% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Elijah Bossenbroek
A Song Of Simplicity
84 bpm • A min • 03:46 • -19db
36% Popularity • 20% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 42% Positiveness
36% Popularity • 20% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 42% Positiveness
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Ilya Beshevli
Compassion
84 bpm • C min • 03:06 • -14db
42% Popularity • 11% Danceability • 27% Energy • 14% Liveness
92% Instrumentalness • 13% Positiveness
42% Popularity • 11% Danceability • 27% Energy • 14% Liveness
92% Instrumentalness • 13% Positiveness
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Kerry Muzzey
The Heart Wants
84 bpm • G min • 05:45 • -14.15db
37% Popularity • 13% Danceability • 18% Energy • 29% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 13% Danceability • 18% Energy • 29% Liveness
92% Instrumentalness • 4% Positiveness
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Roberto Jonata
Overture II
83 bpm • F# min • 01:35 • -26.32db
25% Popularity • 36% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 36% Danceability • 8% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Dardust
Birth - Acoustic Version
87 bpm • D min • 04:09 • -13db
35% Popularity • 40% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
35% Popularity • 40% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Roberto Cacciapaglia
Tree of Life Suite: Fiamme
86 bpm • C Maj • 02:06 • -11.99db
31% Popularity • 20% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
31% Popularity • 20% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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PHILDEL
Winter Valley
87 bpm • A min • 04:14 • -14.37db
24% Popularity • 41% Danceability • 27% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
24% Popularity • 41% Danceability • 27% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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James Spiteri
A Walk in the Snow
83 bpm • F# min • 05:36 • -17.85db
30% Popularity • 24% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
30% Popularity • 24% Danceability • 8% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
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Manuel Zito
La deriva
83 bpm • E min • 02:51 • -13.85db
24% Popularity • 42% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
24% Popularity • 42% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Frans Bak
Parting
87 bpm • D min • 04:53 • -15.81db
26% Popularity • 22% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
26% Popularity • 22% Danceability • 14% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Luigi Casabona
Ben Varrey's Rhapsody
87 bpm • F Maj • 03:58 • -12.76db
28% Popularity • 30% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
28% Popularity • 30% Danceability • 27% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Roberto Cacciapaglia
Angel Falls
87 bpm • C# min • 05:11 • -16.71db
26% Popularity • 28% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
26% Popularity • 28% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Panu Aaltio
Boys Decide to Stay
82 bpm • F min • 01:34 • -23.55db
46% Popularity • 28% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 12% Positiveness
46% Popularity • 28% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 12% Positiveness
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Philippe Rombi
Une amitié
83 bpm • C Maj • 01:30 • -14.94db
42% Popularity • 17% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 9% Positiveness
42% Popularity • 17% Danceability • 22% Energy • 10% Liveness
46% Instrumentalness • 9% Positiveness
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Dominique Charpentier
Libeccio
82 bpm • F# min • 01:39 • -15.04db
43% Popularity • 42% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
43% Popularity • 42% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Yann Tiersen
Dernière
88 bpm • C Maj • 01:32 • -17.02db
49% Popularity • 37% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
49% Popularity • 37% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 19% Positiveness
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Roberto Cacciapaglia
Fiamme
89 bpm • C Maj • 04:25 • -12.44db
20% Popularity • 19% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
20% Popularity • 19% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Luca D'Alberto
Wait For Me
88 bpm • G min • 04:07 • -13db
40% Popularity • 38% Danceability • 43% Energy • 28% Liveness
84% Instrumentalness • 17% Positiveness
40% Popularity • 38% Danceability • 43% Energy • 28% Liveness
84% Instrumentalness • 17% Positiveness
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Martin Phipps
New Start
81 bpm • G Maj • 03:41 • -17.54db
42% Popularity • 8% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Elijah Bossenbroek
Try To Keep Up
81 bpm • F# min • 03:45 • -18.9db
20% Popularity • 25% Danceability • 18% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
20% Popularity • 25% Danceability • 18% Energy • 14% Liveness
83% Instrumentalness • 4% Positiveness
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Mary Ocher
Approaching Singularity
81 bpm • D Maj • 03:36 • -12.26db
6% Popularity • 60% Danceability • 34% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
6% Popularity • 60% Danceability • 34% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Davide De Angelis
Winter Night
81 bpm • E min • 03:35 • -16.08db
34% Popularity • 18% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
34% Popularity • 18% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Peter Sandberg
A Quiet Place
81 bpm • F# min • 01:48 • -19.61db
27% Popularity • 31% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
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RIOPY
Wyden Down
89 bpm • F# min • 03:27 • -19.45db
43% Popularity • 15% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
43% Popularity • 15% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 34% Positiveness
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Abel Korzeniowski
Charms
90 bpm • G# min • 04:03 • -13.57db
48% Popularity • 24% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
48% Popularity • 24% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 6% Positiveness
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David Tolk
Eternity
81 bpm • A Maj • 05:45 • -15.5db
31% Popularity • 23% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 5% Positiveness
31% Popularity • 23% Danceability • 17% Energy • 9% Liveness
85% Instrumentalness • 5% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
38% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Sarah Modene
Forgetting Yesterday
90 bpm • D# Maj • 03:28 • -25.04db
22% Popularity • 21% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
22% Popularity • 21% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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James Spiteri
February
90 bpm • A# min • 04:50 • -21.29db
33% Popularity • 31% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
33% Popularity • 31% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Luigi Casabona
Monte Ilice
80 bpm • A min • 04:23 • -11.1db
18% Popularity • 28% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 24% Positiveness
18% Popularity • 28% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 24% Positiveness
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Roberto Jonata
Netka
90 bpm • A min • 07:24 • -24.96db
12% Popularity • 19% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
12% Popularity • 19% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Roberto Cacciapaglia
Il salto dell'angelo
80 bpm • C# min • 04:21 • -18.2db
19% Popularity • 29% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
19% Popularity • 29% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Peter Cavallo
Serenade for Violin and Viola
80 bpm • G min • 04:12 • -23.19db
18% Popularity • 17% Danceability • 4% Energy • 12% Liveness
4% Instrumentalness • 5% Positiveness
18% Popularity • 17% Danceability • 4% Energy • 12% Liveness
4% Instrumentalness • 5% Positiveness
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Dardust
Prisma (Acoustic)
80 bpm • E min • 04:05 • -16db
29% Popularity • 20% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
29% Popularity • 20% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
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Laurent Aknin
Constance piano thème
80 bpm • A min • 02:07 • -19.32db
46% Popularity • 43% Danceability • 27% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 43% Danceability • 27% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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RIOPY
Theme Music for a Dream
80 bpm • F# min • 03:29 • -23.95db
41% Popularity • 42% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
41% Popularity • 42% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Mario Viñuela
Los ojos de Alicia
80 bpm • E min • 03:16 • -13db
32% Popularity • 29% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
32% Popularity • 29% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Roberto Cacciapaglia
Floating
80 bpm • A min • 02:52 • -14.36db
20% Popularity • 15% Danceability • 26% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 26% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Alberto Giurioli
Without You
80 bpm • A min • 04:12 • -7.97db
12% Popularity • 11% Danceability • 33% Energy • 9% Liveness
66% Instrumentalness • 7% Positiveness
12% Popularity • 11% Danceability • 33% Energy • 9% Liveness
66% Instrumentalness • 7% Positiveness
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Dardust
Gravity - Piano and String Quintet
80 bpm • G min • 04:18 • -14.1db
25% Popularity • 44% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 19% Positiveness
25% Popularity • 44% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 19% Positiveness
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Sarah Modene
On the Edge
91 bpm • G Maj • 04:35 • -24db
33% Popularity • 22% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
33% Popularity • 22% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Joe Alexander Shepherd
Beautiful Girl
79 bpm • F min • 05:47 • -18.45db
31% Popularity • 23% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
31% Popularity • 23% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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RIOPY
Attraction
91 bpm • C Maj • 03:23 • -13.97db
30% Popularity • 11% Danceability • 61% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
30% Popularity • 11% Danceability • 61% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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Manuel Zito
Fernweh
79 bpm • B min • 02:58 • -16.29db
34% Popularity • 18% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
34% Popularity • 18% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Stephan Moccio
Soleil
79 bpm • D Maj • 01:57 • -15.25db
47% Popularity • 33% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
47% Popularity • 33% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Alexandre Desplat
Extremely Loud and Incredibly Close
79 bpm • A min • 01:57 • -31.11db
53% Popularity • 47% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
53% Popularity • 47% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
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Elijah Bossenbroek
Last Wave
91 bpm • F# min • 04:24 • -8.81db
16% Popularity • 10% Danceability • 57% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
16% Popularity • 10% Danceability • 57% Energy • 12% Liveness
82% Instrumentalness • 8% Positiveness
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Luke Woodapple
Morning Breeze - Piano Solo
79 bpm • C Maj • 03:27 • -15.15db
15% Popularity • 47% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
15% Popularity • 47% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Philip Wesley
Beneath the Same Sky
79 bpm • F Maj • 04:09 • -19.87db
25% Popularity • 23% Danceability • 10% Energy • 16% Liveness
85% Instrumentalness • 7% Positiveness
25% Popularity • 23% Danceability • 10% Energy • 16% Liveness
85% Instrumentalness • 7% Positiveness
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Philippe Paquet
Révérence: II
79 bpm • D min • 06:21 • -12.84db
30% Popularity • 12% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
30% Popularity • 12% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 18% Positiveness
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Charles Bolt
Above the Clouds
92 bpm • G min • 02:27 • -20.13db
35% Popularity • 63% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
35% Popularity • 63% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Evalian Massey
Petrichor
78 bpm • C Maj • 01:19 • -26.64db
57% Popularity • 24% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
57% Popularity • 24% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
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Volker Bertelmann
Salvation
78 bpm • F Maj • 05:25 • -17db
28% Popularity • 8% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
36% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
36% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Philip Wesley
Lamentations of the Heart
78 bpm • E min • 04:08 • -20.44db
38% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
38% Popularity • 31% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 24% Positiveness
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evighet.
Bibo No Aozora
92 bpm • G# min • 03:18 • -15.95db
35% Popularity • 13% Danceability • 15% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
35% Popularity • 13% Danceability • 15% Energy • 12% Liveness
95% Instrumentalness • 8% Positiveness
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William Joseph
Bella's Lullaby
92 bpm • G Maj • 02:38 • -11.87db
39% Popularity • 34% Danceability • 27% Energy • 12% Liveness
18% Instrumentalness • 9% Positiveness
39% Popularity • 34% Danceability • 27% Energy • 12% Liveness
18% Instrumentalness • 9% Positiveness
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Roberto Cacciapaglia
Always Present (Piano Solo Version)
78 bpm • A min • 04:15 • -19.11db
8% Popularity • 44% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 44% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Ashram
Elizabeth
78 bpm • A min • 02:34 • -11db
25% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Matthew Mayer
Beyond
93 bpm • A min • 04:04 • -13db
33% Popularity • 24% Danceability • 46% Energy • 8% Liveness
96% Instrumentalness • 37% Positiveness
33% Popularity • 24% Danceability • 46% Energy • 8% Liveness
96% Instrumentalness • 37% Positiveness
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James Horner
For the Love of a Princess
93 bpm • D min • 04:55 • -11db
38% Popularity • 11% Danceability • 31% Energy • 33% Liveness
93% Instrumentalness • 6% Positiveness
38% Popularity • 11% Danceability • 31% Energy • 33% Liveness
93% Instrumentalness • 6% Positiveness
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Philip Wesley
The Approaching Night
93 bpm • C Maj • 06:39 • -23.88db
54% Popularity • 43% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
54% Popularity • 43% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Piano Novel
Sand Shelter
77 bpm • B min • 02:17 • -25.48db
35% Popularity • 24% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
35% Popularity • 24% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Roberto Cacciapaglia
Atlantis
93 bpm • G min • 03:42 • -15.17db
34% Popularity • 25% Danceability • 32% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 25% Danceability • 32% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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James Spiteri
Hope
77 bpm • F# Maj • 06:17 • -20.34db
23% Popularity • 15% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
23% Popularity • 15% Danceability • 13% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
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Yann Tiersen
Naval
94 bpm • D min • 03:38 • -19db
44% Popularity • 36% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
44% Popularity • 36% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Rachel Currea
Passions
77 bpm • C# Maj • 02:33 • -21db
29% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
29% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Brique a Braq
Rouault
77 bpm • C Maj • 01:41 • -34db
44% Popularity • 30% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 30% Positiveness
44% Popularity • 30% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 30% Positiveness
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RIOPY
Drive
94 bpm • G# Maj • 05:05 • -13.36db
42% Popularity • 30% Danceability • 48% Energy • 10% Liveness
78% Instrumentalness • 42% Positiveness
42% Popularity • 30% Danceability • 48% Energy • 10% Liveness
78% Instrumentalness • 42% Positiveness
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Roberto Cacciapaglia
Luminous Night
78 bpm • B min • 03:50 • -16db
20% Popularity • 36% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
20% Popularity • 36% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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La Brea String Section
A Time for us
77 bpm • A# min • 03:35 • -13.92db
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
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Oskar Schuster
Maribel
77 bpm • C Maj • 02:44 • -20.4db
41% Popularity • 57% Danceability • 17% Energy • 7% Liveness
77% Instrumentalness • 50% Positiveness
41% Popularity • 57% Danceability • 17% Energy • 7% Liveness
77% Instrumentalness • 50% Positiveness
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Clint Mansell
Together We Will Live Forever
76 bpm • G min • 05:01 • -25.5db
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Philip Wesley
Tears of the East
76 bpm • A min • 05:48 • -21.08db
28% Popularity • 25% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
28% Popularity • 25% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Lo Mimieux
Il Reste Du Temps
76 bpm • F# min • 03:13 • -21.26db
39% Popularity • 29% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
39% Popularity • 29% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Roberto Cacciapaglia
Prelude
77 bpm • A min • 02:45 • -20.71db
20% Popularity • 33% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 33% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Remo Anzovino
Nocturne in Tokyo
95 bpm • G min • 03:41 • -21db
48% Popularity • 37% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
48% Popularity • 37% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Oskar Schuster
Singur
76 bpm • E min • 02:53 • -21db
37% Popularity • 36% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
37% Popularity • 36% Danceability • 16% Energy • 13% Liveness
93% Instrumentalness • 55% Positiveness
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Sigimund
The Watchtower
76 bpm • G min • 03:25 • -29db
33% Popularity • 32% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
33% Popularity • 32% Danceability • 3% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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Maurizio Lucchetti
Nuvole Bianche
76 bpm • G# Maj • 05:54 • -27.24db
36% Popularity • 22% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
36% Popularity • 22% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Alberto Giurioli
Beautiful
76 bpm • F Maj • 05:46 • -8.55db
9% Popularity • 8% Danceability • 29% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
9% Popularity • 8% Danceability • 29% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
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Roberto Cacciapaglia
Atlantico (Piano Solo Version)
76 bpm • G Maj • 03:49 • -19.18db
15% Popularity • 30% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
15% Popularity • 30% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 10% Positiveness
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Abel Korzeniowski
Revolving Door
76 bpm • D# Maj • 04:19 • -19db
33% Popularity • 20% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
33% Popularity • 20% Danceability • 7% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
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Gavin Luke
The Gift
76 bpm • C# Maj • 02:38 • -21db
41% Popularity • 16% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
41% Popularity • 16% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Oskar Schuster
Singur
75 bpm • B min • 02:54 • -18.01db
15% Popularity • 38% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 63% Positiveness
15% Popularity • 38% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 63% Positiveness
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Arden Forest
Dark Taupe
96 bpm • C Maj • 02:36 • -20.65db
43% Popularity • 34% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
43% Popularity • 34% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
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Justus Rümenapp
Nebula
75 bpm • G min • 02:30 • -18db
29% Popularity • 36% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
29% Popularity • 36% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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Roberto Cacciapaglia
Outdoor (Piano Solo Version)
95 bpm • F# Maj • 04:15 • -19.98db
14% Popularity • 30% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 30% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Abdication
75 bpm • G min • 05:21 • -17db
32% Popularity • 21% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
