Songs like Tree Song - 2015 Remaster by Bert Jansch
Based on a tempo of (+/- 10%) and a similar genre
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Dillard & Clark
Polly
78 bpm • E min • 04:20 • -15.41db
31% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Judee Sill
The Kiss - Remastered
78 bpm • C Maj • 04:36 • -11.71db
34% Popularity • 19% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 19% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Alexander 'Skip' Spence
Diana
78 bpm • F Maj • 03:29 • -15.96db
17% Popularity • 53% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 52% Positiveness
17% Popularity • 53% Danceability • 29% Energy • 8% Liveness
6% Instrumentalness • 52% Positiveness
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Pearls Before Swine
There Was a Man
78 bpm • A# Maj • 02:57 • -18.92db
24% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Gene Clark
Silver Raven
78 bpm • E min • 04:53 • -17.46db
29% Popularity • 37% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
29% Popularity • 37% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Andy Irvine
Arthur McBride
78 bpm • G Maj • 07:05 • -12.21db
35% Popularity • 55% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 55% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Townes Van Zandt
Colorado Girl/Just Like Tom Thumb - The ...
78 bpm • E Maj • 07:56 • -14.64db
11% Popularity • 52% Danceability • 26% Energy • 69% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 52% Danceability • 26% Energy • 69% Liveness
0% Instrumentalness • 38% Positiveness
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Heron
Upon Reflection
78 bpm • D Maj • 02:38 • -13.67db
11% Popularity • 35% Danceability • 31% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 35% Danceability • 31% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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Janis Ian
On The Train
77 bpm • A# min • 01:36 • -22.94db
37% Popularity • 55% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
37% Popularity • 55% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 25% Positiveness
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David Ackles
Love's Enough
78 bpm • D# Maj • 03:19 • -21.41db
23% Popularity • 45% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 45% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Trees
Snail's Lament
79 bpm • D Maj • 04:39 • -8db
13% Popularity • 45% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 45% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Bert Jansch
Blues Run The Game
77 bpm • D# Maj • 03:26 • -5.73db
11% Popularity • 30% Danceability • 72% Energy • 47% Liveness
16% Instrumentalness • 36% Positiveness
11% Popularity • 30% Danceability • 72% Energy • 47% Liveness
16% Instrumentalness • 36% Positiveness
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Alexander 'Skip' Spence
Cripple Creek
79 bpm • F min • 02:13 • -14db
27% Popularity • 50% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 50% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Trader Horne
Morning Way
77 bpm • F Maj • 04:35 • -15.1db
12% Popularity • 35% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 35% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Max Ochs
Raga Puti
77 bpm • D Maj • 03:20 • -8.67db
14% Popularity • 60% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
14% Popularity • 60% Danceability • 16% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
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Alan Hull
United States Of Mind - 2005 Digital Rem...
79 bpm • D Maj • 03:07 • -17.76db
20% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Trees
The Garden of Jane Delawney
79 bpm • D min • 04:05 • -14.08db
30% Popularity • 42% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 42% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Loudon Wainwright III
Plane, Too
77 bpm • A min • 03:08 • -19.56db
12% Popularity • 70% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 70% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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TÃr na nÓg
So Freely
80 bpm • B Maj • 03:40 • -15.22db
16% Popularity • 50% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
16% Popularity • 50% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
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Steve Tilston
I Really Wanted You
80 bpm • E Maj • 03:55 • -18.7db
12% Popularity • 41% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 41% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Alasdair Roberts
As I Came In By Huntly Town
80 bpm • F# Maj • 04:59 • -8.6db
9% Popularity • 32% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 32% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Steeleye Span
One Night as I Lay on My Bed
80 bpm • F# min • 03:29 • -11.17db
16% Popularity • 58% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 58% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Robbie Basho
The Hajj - Instrumental
80 bpm • G# Maj • 05:17 • -12.97db
11% Popularity • 20% Danceability • 36% Energy • 12% Liveness
98% Instrumentalness • 15% Positiveness
11% Popularity • 20% Danceability • 36% Energy • 12% Liveness
98% Instrumentalness • 15% Positiveness
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Bert Jansch
Cocaine
81 bpm • C# min • 04:25 • -21.75db
15% Popularity • 32% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 33% Positiveness
15% Popularity • 32% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 33% Positiveness
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Pearls Before Swine
From the Movie of the Same Name
81 bpm • G Maj • 02:21 • -13.9db
21% Popularity • 43% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 64% Positiveness
21% Popularity • 43% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 64% Positiveness
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Kevin Ayers
The Lady Rachel - 2003 Remaster
81 bpm • A min • 05:17 • -12db
24% Popularity • 56% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
24% Popularity • 56% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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Nic Jones
Clyde Water
75 bpm • A# Maj • 06:03 • -5db
15% Popularity • 33% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 33% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Roy Harper
Another Day
81 bpm • F Maj • 02:58 • -16.58db
27% Popularity • 50% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
27% Popularity • 50% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Bridget St John
Nice
81 bpm • F Maj • 03:22 • -10db
17% Popularity • 40% Danceability • 52% Energy • 12% Liveness
3% Instrumentalness • 64% Positiveness
17% Popularity • 40% Danceability • 52% Energy • 12% Liveness
3% Instrumentalness • 64% Positiveness
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Family
My Friend The Sun - 2023 Remaster
81 bpm • A min • 04:21 • -16.97db
33% Popularity • 64% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 64% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Pearls Before Swine
The Jeweler
81 bpm • G Maj • 02:48 • -14db
17% Popularity • 41% Danceability • 30% Energy • 10% Liveness
10% Instrumentalness • 22% Positiveness
17% Popularity • 41% Danceability • 30% Energy • 10% Liveness
10% Instrumentalness • 22% Positiveness
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Michael Hurley
Long Journey
81 bpm • E Maj • 02:51 • -13db
32% Popularity • 68% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 68% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Trees
Sally Free and Easy
82 bpm • D min • 10:08 • -11.72db
14% Popularity • 30% Danceability • 49% Energy • 15% Liveness
40% Instrumentalness • 12% Positiveness
14% Popularity • 30% Danceability • 49% Energy • 15% Liveness
40% Instrumentalness • 12% Positiveness
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Maddy Prior & Tim Hart
False Knight on the Road
82 bpm • E Maj • 03:01 • -11db
22% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 47% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Roy Harper
When an Old Cricketer Leaves the Crease
74 bpm • A# Maj • 07:22 • -11db
22% Popularity • 26% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
22% Popularity • 26% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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Michael Chapman
One Time Thing - 2011 Remaster
82 bpm • F# min • 04:51 • -9.71db
10% Popularity • 47% Danceability • 46% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
10% Popularity • 47% Danceability • 46% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
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Kevin Ayers
Champagne Cowboy Blues - 1999 Remaster
74 bpm • C Maj • 03:56 • -12.44db
18% Popularity • 26% Danceability • 26% Energy • 62% Liveness
1% Instrumentalness • 48% Positiveness
18% Popularity • 26% Danceability • 26% Energy • 62% Liveness
1% Instrumentalness • 48% Positiveness
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Michael Hurley
In The Garden
82 bpm • G Maj • 03:13 • -13db
30% Popularity • 66% Danceability • 22% Energy • 10% Liveness
49% Instrumentalness • 23% Positiveness
30% Popularity • 66% Danceability • 22% Energy • 10% Liveness
49% Instrumentalness • 23% Positiveness
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Gene Clark
Lady of the North
83 bpm • D Maj • 06:04 • -15.12db
22% Popularity • 34% Danceability • 27% Energy • 9% Liveness
44% Instrumentalness • 19% Positiveness
22% Popularity • 34% Danceability • 27% Energy • 9% Liveness
44% Instrumentalness • 19% Positiveness
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Loudon Wainwright III
Be Careful There's a Baby in the House
83 bpm • A Maj • 03:16 • -17.67db
16% Popularity • 65% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 65% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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David Crosby
Orleans - 2021 Remaster
84 bpm • D Maj • 02:00 • -16db
27% Popularity • 32% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 32% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 6% Positiveness
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Roy Harper
One Man Rock and Roll Band - Remastered
73 bpm • G Maj • 07:22 • -11.94db
16% Popularity • 42% Danceability • 28% Energy • 17% Liveness
2% Instrumentalness • 26% Positiveness
16% Popularity • 42% Danceability • 28% Energy • 17% Liveness
2% Instrumentalness • 26% Positiveness
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Bridget St John
A Day Away
84 bpm • G Maj • 03:17 • -13.76db
8% Popularity • 40% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
8% Popularity • 40% Danceability • 27% Energy • 8% Liveness
1% Instrumentalness • 49% Positiveness
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Odetta
Long Time Gone
84 bpm • G min • 03:43 • -13.14db
12% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Terry Callier
Oh Dear, What Can The Matter Be - Take 2
84 bpm • F Maj • 02:51 • -19.57db
9% Popularity • 32% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 32% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Loudon Wainwright III
Old Paint
83 bpm • E Maj • 03:48 • -14.72db
12% Popularity • 51% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 51% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Scott Fagan
South Atlantic Blues
84 bpm • D min • 04:48 • -13.02db
8% Popularity • 49% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 49% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Graham Nash
Where Will I Be? - 2006 Remaster
85 bpm • A Maj • 03:20 • -16.68db
11% Popularity • 26% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 26% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Pearls Before Swine
Song About a Rose
84 bpm • G# min • 02:21 • -14.7db
12% Popularity • 54% Danceability • 30% Energy • 7% Liveness
4% Instrumentalness • 39% Positiveness
12% Popularity • 54% Danceability • 30% Energy • 7% Liveness
4% Instrumentalness • 39% Positiveness
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Michael Chapman
Stranger In The Room - 2011 Remaster
85 bpm • F min • 05:36 • -10.52db
15% Popularity • 41% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 41% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Bridget St John
Fly High
85 bpm • F Maj • 03:23 • -15.71db
11% Popularity • 26% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 26% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Loudon Wainwright III
I Am the Way (New York Town)
84 bpm • G Maj • 03:10 • -12.03db
22% Popularity • 40% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 40% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 38% Positiveness
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Judee Sill
There's a Rugged Road - Remastered
85 bpm • A Maj • 03:44 • -13db
32% Popularity • 20% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 20% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Shirley & Dolly Collins
A Beginning
86 bpm • C Maj • 02:02 • -14.22db
8% Popularity • 33% Danceability • 14% Energy • 14% Liveness
3% Instrumentalness • 55% Positiveness
8% Popularity • 33% Danceability • 14% Energy • 14% Liveness
3% Instrumentalness • 55% Positiveness
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Molly Drake
Poor Mum
85 bpm • G Maj • 01:42 • -23db
38% Popularity • 52% Danceability • 1% Energy • 16% Liveness
3% Instrumentalness • 29% Positiveness
38% Popularity • 52% Danceability • 1% Energy • 16% Liveness
3% Instrumentalness • 29% Positiveness
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Scott Walker
30 Century Man
86 bpm • B min • 01:26 • -21.13db
50% Popularity • 50% Danceability • 13% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 50% Danceability • 13% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Pearls Before Swine
Translucent Carriages
86 bpm • G Maj • 04:00 • -15.3db
18% Popularity • 36% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
18% Popularity • 36% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Andy Irvine
Lough Erne Shore
71 bpm • A# Maj • 03:43 • -12.86db
23% Popularity • 55% Danceability • 17% Energy • 16% Liveness
4% Instrumentalness • 64% Positiveness
23% Popularity • 55% Danceability • 17% Energy • 16% Liveness
4% Instrumentalness • 64% Positiveness
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Bert Jansch
Kittiwake
86 bpm • E Maj • 02:47 • -9.74db
14% Popularity • 49% Danceability • 55% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
14% Popularity • 49% Danceability • 55% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
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Duncan Browne
Country Song - 2002 Remaster
86 bpm • D Maj • 03:46 • -13.24db
13% Popularity • 38% Danceability • 29% Energy • 12% Liveness
33% Instrumentalness • 29% Positiveness
13% Popularity • 38% Danceability • 29% Energy • 12% Liveness
33% Instrumentalness • 29% Positiveness
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Michael Hurley
Wildegeeses
87 bpm • E min • 04:19 • -10.69db
25% Popularity • 53% Danceability • 32% Energy • 23% Liveness
2% Instrumentalness • 15% Positiveness
25% Popularity • 53% Danceability • 32% Energy • 23% Liveness
2% Instrumentalness • 15% Positiveness
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Steeleye Span
A Calling-On Song
87 bpm • F Maj • 01:13 • -10.85db
19% Popularity • 59% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 59% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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The Incredible String Band
The Water Song - 2010 Remaster
87 bpm • C Maj • 02:47 • -13db
16% Popularity • 38% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 38% Danceability • 41% Energy • 68% Liveness
0% Instrumentalness • 13% Positiveness
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Loudon Wainwright III
School Days
88 bpm • F Maj • 03:05 • -16.9db
27% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 53% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Lal Waterson
Some Old Salty
89 bpm • A# Maj • 02:47 • -12db
18% Popularity • 39% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 39% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Roy Harper
Feeling All the Saturday
89 bpm • A# Maj • 01:56 • -15.8db
26% Popularity • 66% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 66% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Pearls Before Swine
Suzanne
89 bpm • A Maj • 04:54 • -18.34db
12% Popularity • 33% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
12% Popularity • 33% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Michael Chapman
Caddo Lake
90 bpm • C Maj • 06:43 • -15.31db
11% Popularity • 41% Danceability • 29% Energy • 12% Liveness
62% Instrumentalness • 22% Positiveness
11% Popularity • 41% Danceability • 29% Energy • 12% Liveness
62% Instrumentalness • 22% Positiveness
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The Incredible String Band
October Song - 2010 Remaster
89 bpm • F# Maj • 04:08 • -14db
19% Popularity • 47% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 47% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Bruce Cockburn
Foxglove
90 bpm • G# Maj • 01:29 • -24.04db
32% Popularity • 43% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 43% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Shelagh Mcdonald
Peacock Lady
68 bpm • C min • 03:29 • -14.69db
7% Popularity • 36% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 36% Danceability • 16% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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J.J. Cale
Wish I Had Not Said That
90 bpm • C Maj • 03:22 • -16.69db
41% Popularity • 82% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 71% Positiveness
41% Popularity • 82% Danceability • 22% Energy • 10% Liveness
19% Instrumentalness • 71% Positiveness
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Mimi And Richard Farina
Bold Marauder
68 bpm • F# Maj • 04:07 • -13.2db
11% Popularity • 33% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 33% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Dr. Strangely Strange
Dark Haired Lady
68 bpm • G# Maj • 02:56 • -13.91db
9% Popularity • 57% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 57% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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The Incredible String Band
Job's Tears - 2010 Remaster
89 bpm • E Maj • 06:44 • -13.86db
16% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Michael Chapman
Kodak Ghosts - 2011 Remaster
90 bpm • F min • 03:20 • -12.43db
21% Popularity • 43% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
21% Popularity • 43% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Link Wray
Morning
67 bpm • G Maj • 02:02 • -23.59db
32% Popularity • 58% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 33% Positiveness
32% Popularity • 58% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 33% Positiveness
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Max Ochs
Ain't Nobody High Raga
67 bpm • D Maj • 08:45 • -13.44db
20% Popularity • 34% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
20% Popularity • 34% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Michael Hurley
I Like My Wine
90 bpm • G Maj • 02:26 • -31.39db
22% Popularity • 50% Danceability • 2% Energy • 13% Liveness
3% Instrumentalness • 45% Positiveness
22% Popularity • 50% Danceability • 2% Energy • 13% Liveness
3% Instrumentalness • 45% Positiveness
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Judee Sill
Crayon Angels
91 bpm • A Maj • 02:45 • -16.47db
41% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Townes Van Zandt
Columbine
91 bpm • G Maj • 02:34 • -20.05db
40% Popularity • 50% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 50% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Ry Cooder
Powis Square
91 bpm • D Maj • 02:25 • -20.99db
18% Popularity • 42% Danceability • 9% Energy • 9% Liveness
71% Instrumentalness • 20% Positiveness
18% Popularity • 42% Danceability • 9% Energy • 9% Liveness
71% Instrumentalness • 20% Positiveness
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Kevin Ayers
Town Feeling - 2003 Remaster
91 bpm • C Maj • 04:51 • -11db
21% Popularity • 49% Danceability • 43% Energy • 52% Liveness
86% Instrumentalness • 33% Positiveness
21% Popularity • 49% Danceability • 43% Energy • 52% Liveness
86% Instrumentalness • 33% Positiveness
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Sandy Bull
Little Maggie
92 bpm • B Maj • 04:09 • -18.76db
13% Popularity • 39% Danceability • 31% Energy • 10% Liveness
83% Instrumentalness • 64% Positiveness
13% Popularity • 39% Danceability • 31% Energy • 10% Liveness
83% Instrumentalness • 64% Positiveness
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David Crosby
Song With No Words (Tree With No Leaves)...
92 bpm • E min • 05:55 • -13.64db
18% Popularity • 47% Danceability • 34% Energy • 13% Liveness
17% Instrumentalness • 40% Positiveness
18% Popularity • 47% Danceability • 34% Energy • 13% Liveness
17% Instrumentalness • 40% Positiveness
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Michael Hurley
Eyes Eyes
92 bpm • G Maj • 03:15 • -12db
20% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Townes Van Zandt
Kathleen
92 bpm • C# min • 02:47 • -17.31db
35% Popularity • 43% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 43% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Loudon Wainwright III
Me and My Friend the Cat
93 bpm • A Maj • 03:21 • -13.61db
12% Popularity • 60% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 60% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Paul Kantner
Have You Seen the Stars Tonite
93 bpm • F Maj • 03:42 • -18db
29% Popularity • 49% Danceability • 24% Energy • 22% Liveness
54% Instrumentalness • 27% Positiveness
29% Popularity • 49% Danceability • 24% Energy • 22% Liveness
54% Instrumentalness • 27% Positiveness
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Bridget St John
Autumn Lullaby
93 bpm • D Maj • 03:01 • -18.32db
25% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 58% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Bert Jansch
Moonshine
93 bpm • G min • 04:56 • -12.59db
15% Popularity • 56% Danceability • 27% Energy • 12% Liveness
44% Instrumentalness • 37% Positiveness
15% Popularity • 56% Danceability • 27% Energy • 12% Liveness
44% Instrumentalness • 37% Positiveness
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Dando Shaft
In The Country
93 bpm • D# min • 06:47 • -14.03db
8% Popularity • 37% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
8% Popularity • 37% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Alexander 'Skip' Spence
Little Hands
93 bpm • G# min • 03:41 • -11.4db
25% Popularity • 33% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
25% Popularity • 33% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Pearls Before Swine
Rocket Man
94 bpm • C Maj • 03:06 • -17.02db
16% Popularity • 43% Danceability • 18% Energy • 11% Liveness
60% Instrumentalness • 11% Positiveness
16% Popularity • 43% Danceability • 18% Energy • 11% Liveness
60% Instrumentalness • 11% Positiveness
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Terry Callier
Spin, Spin, Spin
94 bpm • D Maj • 03:09 • -22.9db
22% Popularity • 47% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 47% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Roy Harper
I Hate the White Man
94 bpm • B min • 08:04 • -12.61db
19% Popularity • 40% Danceability • 34% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 40% Danceability • 34% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
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Bert Jansch
October Song
94 bpm • B Maj • 03:42 • -13.98db
14% Popularity • 62% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 62% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Mimi And Richard Farina
Tommy Makem Fantasy - Instrumental
94 bpm • C# min • 01:33 • -13.66db
23% Popularity • 31% Danceability • 59% Energy • 7% Liveness
70% Instrumentalness • 80% Positiveness
23% Popularity • 31% Danceability • 59% Energy • 7% Liveness
70% Instrumentalness • 80% Positiveness
