Songs like Treefingers - Extended Version by Radiohead
Based on a tempo of (+/- 10%) and a similar genre
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Radiohead
Treefingers - Extended Version
79 bpm • F# Maj • 04:45 • -21db
32% Popularity • 8% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 8% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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The Dead Texan
Girth Rides A (Horse) +
79 bpm • E Maj • 02:33 • -19.96db
31% Popularity • 16% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 9% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Set Fire To Flames
Your Guts Are Like Mine
79 bpm • F min • 02:15 • -19.3db
32% Popularity • 30% Danceability • 20% Energy • 79% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 30% Danceability • 20% Energy • 79% Liveness
93% Instrumentalness • 4% Positiveness
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Fennesz
City of Light
79 bpm • A min • 06:34 • -30.4db
25% Popularity • 7% Danceability • 3% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
25% Popularity • 7% Danceability • 3% Energy • 9% Liveness
99% Instrumentalness • 3% Positiveness
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Nine Inch Nails
The Frail
80 bpm • C Maj • 01:54 • -34.88db
44% Popularity • 14% Danceability • 0% Energy • 24% Liveness
90% Instrumentalness • 20% Positiveness
44% Popularity • 14% Danceability • 0% Energy • 24% Liveness
90% Instrumentalness • 20% Positiveness
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Boards of Canada
Wildlife Analysis
80 bpm • E min • 01:15 • -31db
54% Popularity • 16% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 28% Positiveness
54% Popularity • 16% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 28% Positiveness
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Radiohead
Pyramid Strings
79 bpm • F# min • 01:18 • -25.33db
36% Popularity • 15% Danceability • 22% Energy • 61% Liveness
70% Instrumentalness • 17% Positiveness
36% Popularity • 15% Danceability • 22% Energy • 61% Liveness
70% Instrumentalness • 17% Positiveness
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HVAD
Zhao Hua
80 bpm • E Maj • 06:46 • -18db
23% Popularity • 8% Danceability • 27% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 27% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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William Basinski
Melancholia I
80 bpm • E Maj • 03:23 • -26db
31% Popularity • 45% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
31% Popularity • 45% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Oneohtrix Point Never
Grief and Repetition
78 bpm • B Maj • 02:38 • -20.97db
23% Popularity • 21% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Nine Inch Nails
Letting Go While Holding On
80 bpm • E Maj • 09:38 • -20.03db
36% Popularity • 12% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
36% Popularity • 12% Danceability • 13% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Harold Budd
Steal Away - Remastered 2004
80 bpm • A# Maj • 01:29 • -37.57db
49% Popularity • 49% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
49% Popularity • 49% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
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Radiohead
A Reminder - Remastered
79 bpm • A Maj • 03:52 • -9.84db
40% Popularity • 32% Danceability • 50% Energy • 23% Liveness
43% Instrumentalness • 14% Positiveness
40% Popularity • 32% Danceability • 50% Energy • 23% Liveness
43% Instrumentalness • 14% Positiveness
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Blithe Field
Milkshakes in the Rain
78 bpm • F Maj • 03:39 • -13.46db
32% Popularity • 17% Danceability • 17% Energy • 20% Liveness
93% Instrumentalness • 6% Positiveness
32% Popularity • 17% Danceability • 17% Energy • 20% Liveness
93% Instrumentalness • 6% Positiveness
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Robin Guthrie
Autochromes
80 bpm • F min • 02:39 • -22.76db
16% Popularity • 31% Danceability • 6% Energy • 10% Liveness
98% Instrumentalness • 9% Positiveness
16% Popularity • 31% Danceability • 6% Energy • 10% Liveness
98% Instrumentalness • 9% Positiveness
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Aphex Twin
#2
80 bpm • B Maj • 06:34 • -21.08db
38% Popularity • 35% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 15% Positiveness
38% Popularity • 35% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 15% Positiveness
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Team Sleep
Delorian
80 bpm • D# Maj • 01:34 • -17db
40% Popularity • 45% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
40% Popularity • 45% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Sheltered
Rhubarb - Aphex Twin Cover
78 bpm • F# min • 03:21 • -30.9db
32% Popularity • 29% Danceability • 0% Energy • 32% Liveness
87% Instrumentalness • 5% Positiveness
32% Popularity • 29% Danceability • 0% Energy • 32% Liveness
87% Instrumentalness • 5% Positiveness
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Radiohead
MK 1
80 bpm • C# min • 01:02 • -27db
43% Popularity • 22% Danceability • 10% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
43% Popularity • 22% Danceability • 10% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Silver Mt. Zion
This Gentle Hearts Like Shot Bird’s Fa...
78 bpm • F# Maj • 05:47 • -16db
20% Popularity • 11% Danceability • 23% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 23% Energy • 13% Liveness
84% Instrumentalness • 4% Positiveness
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Robin Guthrie
How Distant Your Heart
80 bpm • A# Maj • 04:03 • -24.73db
25% Popularity • 37% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
25% Popularity • 37% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Belong
October Language
80 bpm • A Maj • 05:29 • -9db
23% Popularity • 14% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 42% Positiveness
23% Popularity • 14% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 42% Positiveness
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David Bowie
Moss Garden - 2017 Remaster
78 bpm • C# Maj • 05:05 • -18.13db
38% Popularity • 16% Danceability • 20% Energy • 16% Liveness
89% Instrumentalness • 18% Positiveness
38% Popularity • 16% Danceability • 20% Energy • 16% Liveness
89% Instrumentalness • 18% Positiveness
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Valium Aggelein
Trial By Fire
81 bpm • A Maj • 01:56 • -15.24db
28% Popularity • 30% Danceability • 32% Energy • 30% Liveness
83% Instrumentalness • 27% Positiveness
28% Popularity • 30% Danceability • 32% Energy • 30% Liveness
83% Instrumentalness • 27% Positiveness
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Harold Budd
A Stream With Bright Fish - 2005 Digital...
81 bpm • D# Maj • 03:56 • -33.4db
44% Popularity • 8% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
44% Popularity • 8% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Swans
Mellothumb
78 bpm • C# min • 02:45 • -12.76db
23% Popularity • 8% Danceability • 61% Energy • 12% Liveness
84% Instrumentalness • 24% Positiveness
23% Popularity • 8% Danceability • 61% Energy • 12% Liveness
84% Instrumentalness • 24% Positiveness
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Robin Guthrie
Turn On the Moon
80 bpm • A Maj • 04:21 • -22.67db
17% Popularity • 44% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
17% Popularity • 44% Danceability • 12% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Good Night & Good Morning
Abroad & Neutral
77 bpm • A Maj • 09:54 • -20.48db
19% Popularity • 10% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Jefre Cantu-Ledesma
River Like Spine
81 bpm • G Maj • 04:53 • -12.43db
18% Popularity • 7% Danceability • 40% Energy • 19% Liveness
79% Instrumentalness • 10% Positiveness
18% Popularity • 7% Danceability • 40% Energy • 19% Liveness
79% Instrumentalness • 10% Positiveness
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Fog Lake
Fading Away
81 bpm • G min • 01:54 • -17.28db
18% Popularity • 14% Danceability • 52% Energy • 11% Liveness
98% Instrumentalness • 7% Positiveness
18% Popularity • 14% Danceability • 52% Energy • 11% Liveness
98% Instrumentalness • 7% Positiveness
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Tim Hecker
Spectral
77 bpm • G min • 08:09 • -16.22db
28% Popularity • 21% Danceability • 29% Energy • 41% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 21% Danceability • 29% Energy • 41% Liveness
96% Instrumentalness • 4% Positiveness
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Boards of Canada
Kaini Industries
77 bpm • F# Maj • 00:59 • -30.35db
49% Popularity • 34% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 72% Positiveness
49% Popularity • 34% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 72% Positiveness
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Robin Guthrie
Turn Off the Sun
80 bpm • G Maj • 04:58 • -24.73db
16% Popularity • 34% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
16% Popularity • 34% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 10% Positiveness
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Set Fire To Flames
And the Birds Are About to Bust Their Gu...
81 bpm • A min • 04:51 • -23db
18% Popularity • 35% Danceability • 5% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
18% Popularity • 35% Danceability • 5% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Imagine Drowning
I See It Coming Back to Me, Performances...
77 bpm • B Maj • 02:33 • -35.74db
13% Popularity • 22% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 6% Positiveness
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Radiohead
Give Up The Ghost
77 bpm • G Maj • 04:50 • -12db
49% Popularity • 30% Danceability • 26% Energy • 19% Liveness
8% Instrumentalness • 16% Positiveness
49% Popularity • 30% Danceability • 26% Energy • 19% Liveness
8% Instrumentalness • 16% Positiveness
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Godspeed You! Black Emperor
Lambs’ Breath
81 bpm • F Maj • 09:52 • -17db
24% Popularity • 17% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Argo Nuff
margot's room
77 bpm • G min • 02:08 • -17.23db
23% Popularity • 14% Danceability • 40% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 40% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Aphex Twin
I
77 bpm • D Maj • 01:17 • -27.54db
57% Popularity • 18% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
57% Popularity • 18% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Have A Nice Life
The Future
77 bpm • E min • 03:48 • -13.43db
40% Popularity • 20% Danceability • 43% Energy • 66% Liveness
95% Instrumentalness • 21% Positiveness
40% Popularity • 20% Danceability • 43% Energy • 66% Liveness
95% Instrumentalness • 21% Positiveness
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Elliott Smith
Bye
81 bpm • A# min • 01:53 • -31db
45% Popularity • 30% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
45% Popularity • 30% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
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Radiohead
How to Disappear into Strings
77 bpm • B min • 05:32 • -14.54db
42% Popularity • 7% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
42% Popularity • 7% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Silver Mt. Zion
Broken Chords Can Sing A Little
77 bpm • D Maj • 08:39 • -12.83db
32% Popularity • 17% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
32% Popularity • 17% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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2003 Toyota Corolla
2004 Toyota Corolla
76 bpm • A# min • 05:24 • -35.02db
33% Popularity • 15% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
33% Popularity • 15% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Good Night & Good Morning
Median II
76 bpm • F# min • 07:28 • -17.37db
20% Popularity • 13% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
20% Popularity • 13% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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William Basinski
dlp 1.1.1
82 bpm • F Maj • 03:30 • -26.12db
34% Popularity • 22% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
34% Popularity • 22% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Valium Aggelein
Frequency Converter
82 bpm • G# Maj • 05:59 • -23.92db
22% Popularity • 19% Danceability • 22% Energy • 33% Liveness
97% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 22% Energy • 33% Liveness
97% Instrumentalness • 4% Positiveness
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salvia palth
melanchole
82 bpm • F Maj • 02:51 • -15.96db
46% Popularity • 11% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
46% Popularity • 11% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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The Smile
Open The Floodgates
82 bpm • C Maj • 04:29 • -12.18db
46% Popularity • 42% Danceability • 20% Energy • 17% Liveness
91% Instrumentalness • 5% Positiveness
46% Popularity • 42% Danceability • 20% Energy • 17% Liveness
91% Instrumentalness • 5% Positiveness
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2003 Toyota Corolla
2017 Toyota Corolla
76 bpm • F# Maj • 09:36 • -37.68db
17% Popularity • 14% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Vincent Gallo
A Cold And Grey Summer Day
76 bpm • A min • 04:29 • -22.76db
13% Popularity • 30% Danceability • 1% Energy • 27% Liveness
82% Instrumentalness • 15% Positiveness
13% Popularity • 30% Danceability • 1% Energy • 27% Liveness
82% Instrumentalness • 15% Positiveness
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Hrsta
Entre la mer et l'eau douce
76 bpm • A# Maj • 03:50 • -13db
18% Popularity • 7% Danceability • 21% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
18% Popularity • 7% Danceability • 21% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
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Robin Guthrie
The Girl With The Little Wings
82 bpm • F Maj • 02:58 • -16.85db
17% Popularity • 42% Danceability • 34% Energy • 14% Liveness
97% Instrumentalness • 23% Positiveness
17% Popularity • 42% Danceability • 34% Energy • 14% Liveness
97% Instrumentalness • 23% Positiveness
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Jon Brion
Piano Two
76 bpm • C min • 01:40 • -35.78db
26% Popularity • 22% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
26% Popularity • 22% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
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Mirrorring
Drowning the Call
82 bpm • D Maj • 06:53 • -21.28db
22% Popularity • 16% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
22% Popularity • 16% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Imagine Drowning
Grit
76 bpm • G# Maj • 05:30 • -26.74db
16% Popularity • 12% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Set Fire To Flames
When Sorrow Shoots Her Darts
76 bpm • C# Maj • 03:11 • -15.76db
23% Popularity • 14% Danceability • 17% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 17% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Gigi Masin
Your Name Is My Infinite
82 bpm • G# Maj • 03:02 • -24.82db
27% Popularity • 29% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
27% Popularity • 29% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
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Robin Guthrie
How Close Your Soul
76 bpm • E min • 07:36 • -27.66db
23% Popularity • 9% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
23% Popularity • 9% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Weyes Blood
Titanic Rising
82 bpm • A min • 01:36 • -19.14db
45% Popularity • 16% Danceability • 29% Energy • 8% Liveness
100% Instrumentalness • 3% Positiveness
45% Popularity • 16% Danceability • 29% Energy • 8% Liveness
100% Instrumentalness • 3% Positiveness
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Sea Oleena
Calvisius
82 bpm • B Maj • 04:47 • -18.03db
26% Popularity • 20% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Imagine Drowning
Disruption in the Thoughts, I Always Fel...
76 bpm • C min • 01:27 • -24.77db
7% Popularity • 7% Danceability • 15% Energy • 17% Liveness
83% Instrumentalness • 6% Positiveness
7% Popularity • 7% Danceability • 15% Energy • 17% Liveness
83% Instrumentalness • 6% Positiveness
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The Dead Texan
Beatrice Part 2
83 bpm • G# min • 04:04 • -22.78db
27% Popularity • 15% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
27% Popularity • 15% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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GAS
Pop 1
83 bpm • F Maj • 05:11 • -18.58db
39% Popularity • 7% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 43% Positiveness
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Tim Hecker
Radiance
83 bpm • G# min • 03:22 • -12.9db
23% Popularity • 8% Danceability • 38% Energy • 31% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 38% Energy • 31% Liveness
93% Instrumentalness • 4% Positiveness
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Aphex Twin
Btoum-Roumada
75 bpm • F min • 01:58 • -16.33db
35% Popularity • 16% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
35% Popularity • 16% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Brian Eno
Like I Was A Spectator
75 bpm • C Maj • 04:23 • -21.07db
21% Popularity • 7% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
21% Popularity • 7% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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MONO
Where Am I
83 bpm • E Maj • 02:41 • -22.02db
28% Popularity • 30% Danceability • 4% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
28% Popularity • 30% Danceability • 4% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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EOB
Santa Teresa
75 bpm • A# Maj • 05:25 • -11.75db
20% Popularity • 26% Danceability • 31% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 26% Danceability • 31% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Jefre Cantu-Ledesma
Where You End & I Begin
83 bpm • C Maj • 05:14 • -8.17db
17% Popularity • 15% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 11% Positiveness
17% Popularity • 15% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 11% Positiveness
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Robin Guthrie
Waiting By The Carousel
83 bpm • B min • 04:19 • -13.57db
18% Popularity • 32% Danceability • 24% Energy • 15% Liveness
93% Instrumentalness • 11% Positiveness
18% Popularity • 32% Danceability • 24% Energy • 15% Liveness
93% Instrumentalness • 11% Positiveness
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Duster
Topical Solution
75 bpm • A Maj • 05:00 • -12.45db
56% Popularity • 68% Danceability • 62% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
56% Popularity • 68% Danceability • 62% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Radiohead
I Want None of This
75 bpm • D min • 03:13 • -13.35db
39% Popularity • 23% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
39% Popularity • 23% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Jon Brion
Transposition
75 bpm • E min • 02:01 • -33.37db
20% Popularity • 39% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
20% Popularity • 39% Danceability • 1% Energy • 9% Liveness
61% Instrumentalness • 4% Positiveness
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múm
Faraway Swimming Pool
84 bpm • C Maj • 02:55 • -18.82db
27% Popularity • 23% Danceability • 35% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 23% Danceability • 35% Energy • 6% Liveness
92% Instrumentalness • 3% Positiveness
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Inca Ore
Vista Maria
84 bpm • G Maj • 03:13 • -24.87db
23% Popularity • 21% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Robin Guthrie
Outside, Silence
83 bpm • G# min • 04:25 • -32.11db
21% Popularity • 8% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
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Have A Nice Life
A Quick One Before the Eternal Worm Devo...
75 bpm • A Maj • 07:52 • -19.39db
66% Popularity • 36% Danceability • 17% Energy • 30% Liveness
93% Instrumentalness • 4% Positiveness
66% Popularity • 36% Danceability • 17% Energy • 30% Liveness
93% Instrumentalness • 4% Positiveness
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How to Disappear Completely
Seraph III
74 bpm • D# Maj • 07:47 • -33.29db
33% Popularity • 7% Danceability • 12% Energy • 34% Liveness
75% Instrumentalness • 39% Positiveness
33% Popularity • 7% Danceability • 12% Energy • 34% Liveness
75% Instrumentalness • 39% Positiveness
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Argo Nuff
as that kid flew...
84 bpm • C# Maj • 01:36 • -22.26db
37% Popularity • 28% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
37% Popularity • 28% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Aix Em Klemm
Prue Lewarne
74 bpm • D Maj • 07:19 • -19.35db
14% Popularity • 7% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 7% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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The Dead Texan
La Ballade D'alain Georges
74 bpm • E Maj • 06:23 • -24.02db
25% Popularity • 9% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Robin Guthrie
Little Big Fish
75 bpm • E Maj • 05:26 • -16.08db
17% Popularity • 7% Danceability • 32% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 32% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Have A Nice Life
There Is No Food
84 bpm • G# Maj • 04:00 • -18.61db
43% Popularity • 10% Danceability • 21% Energy • 11% Liveness
36% Instrumentalness • 9% Positiveness
43% Popularity • 10% Danceability • 21% Energy • 11% Liveness
36% Instrumentalness • 9% Positiveness
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Clint Mansell
Ghosts of Things to Come
84 bpm • D Maj • 01:33 • -27db
36% Popularity • 18% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
36% Popularity • 18% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Cocteau Twins
Why Do You Love Me?
74 bpm • C# Maj • 04:51 • -22db
45% Popularity • 8% Danceability • 15% Energy • 5% Liveness
78% Instrumentalness • 18% Positiveness
45% Popularity • 8% Danceability • 15% Energy • 5% Liveness
78% Instrumentalness • 18% Positiveness
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Pan-American
Skylight
74 bpm • D min • 05:40 • -16.04db
12% Popularity • 32% Danceability • 16% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
12% Popularity • 32% Danceability • 16% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
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Tim Hecker
Live Room Out
85 bpm • C# min • 02:37 • -20.81db
25% Popularity • 8% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Robin Guthrie
Freefall
75 bpm • C Maj • 06:08 • -21.7db
11% Popularity • 25% Danceability • 16% Energy • 8% Liveness
83% Instrumentalness • 6% Positiveness
11% Popularity • 25% Danceability • 16% Energy • 8% Liveness
83% Instrumentalness • 6% Positiveness
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Mogwai
Moses? I Amn't
85 bpm • C min • 03:01 • -17.69db
33% Popularity • 14% Danceability • 30% Energy • 65% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 30% Energy • 65% Liveness
81% Instrumentalness • 4% Positiveness
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Imagine Drowning
Con
74 bpm • C# Maj • 02:22 • -24.74db
25% Popularity • 13% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
25% Popularity • 13% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
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GAS
Pop 3
85 bpm • D min • 11:01 • -20.05db
30% Popularity • 20% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
30% Popularity • 20% Danceability • 35% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Have A Nice Life
The Parhelic Circle
74 bpm • A min • 06:02 • -17.74db
23% Popularity • 7% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
23% Popularity • 7% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Duster
Moon Age
74 bpm • B Maj • 01:06 • -13db
55% Popularity • 48% Danceability • 47% Energy • 28% Liveness
26% Instrumentalness • 20% Positiveness
55% Popularity • 48% Danceability • 47% Energy • 28% Liveness
26% Instrumentalness • 20% Positiveness
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Broadcast
Microtronics 20
74 bpm • F Maj • 01:35 • -12.49db
29% Popularity • 30% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 30% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Belong
Red Velvet or Nothing
73 bpm • G Maj • 05:40 • -14.42db
21% Popularity • 14% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Tim Hecker
Harmony in Blue I
73 bpm • G# min • 01:31 • -27.04db
39% Popularity • 18% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
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Aphex Twin
Petiatil Cx Htdui
73 bpm • C min • 02:11 • -29.68db
44% Popularity • 42% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 14% Positiveness
44% Popularity • 42% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 14% Positiveness
