Songs like Três Sem Parar by Rosinha
Based on a tempo of (+/- 10%) and a similar genre
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Maria Lisboa
Põe a Mãozinha
135 bpm • D min • 03:00 • -4.21db
18% Popularity • 77% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 77% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Victor Rodrigues
Mexe o Teu Corpinho
135 bpm • G Maj • 03:22 • -5.48db
19% Popularity • 69% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 69% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Tayti
Pula, Pula, Mexe, Mexe (Esse Teu Corpinh...
135 bpm • C# min • 03:50 • -8.07db
15% Popularity • 71% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 71% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Ruth Marlene
Tu Queres É Facebook
135 bpm • B min • 03:34 • -5.29db
22% Popularity • 77% Danceability • 92% Energy • 94% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 77% Danceability • 92% Energy • 94% Liveness
0% Instrumentalness • 85% Positiveness
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Miguel Azevedo
Bailando Kuduro
135 bpm • B min • 03:42 • -4.55db
29% Popularity • 76% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 76% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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José Reza
Sou português (sou português)
135 bpm • A# min • 03:20 • -7.76db
20% Popularity • 75% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 75% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Agrupamento Musical Diapasão
Viva as Mulheres
135 bpm • D# Maj • 03:38 • -7db
18% Popularity • 58% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 58% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Bandalusa
Se a Casa Cair
135 bpm • D Maj • 02:52 • -4.94db
33% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Quim Barreiros
A Garagem Da Vizinha
135 bpm • C Maj • 03:39 • -4.24db
41% Popularity • 66% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
41% Popularity • 66% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Rosinha
Três Sem Parar
135 bpm • C Maj • 03:08 • -3.6db
7% Popularity • 74% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 74% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Miguel Azevedo
Fazer Contigo
135 bpm • E min • 03:42 • -4.24db
37% Popularity • 76% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 76% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Maria Lisboa
Bota Calor
135 bpm • G# Maj • 03:16 • -4.38db
24% Popularity • 63% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 63% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Toka & Dança
Vira para Cá e para Lá
135 bpm • G Maj • 03:47 • -5.5db
25% Popularity • 66% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 66% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Bandalusa
Levo-te P'ra Casa
135 bpm • D Maj • 03:20 • -9.29db
25% Popularity • 74% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 74% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Quim Barreiros
Mestre De Culinária
135 bpm • E Maj • 03:49 • -4.65db
35% Popularity • 63% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 63% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Rosinha
Eu Chupo
135 bpm • D Maj • 03:15 • -3.99db
30% Popularity • 72% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 72% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Jorge Guerreiro
Vai Haver Cambalacho
135 bpm • F Maj • 03:49 • -4.14db
33% Popularity • 78% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 78% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Nelson Costa
Chegou o Verão
135 bpm • C# Maj • 03:43 • -4.21db
15% Popularity • 63% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 63% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Ruth Marlene
Quanto Mais Melhor, Quanto Mais Melhor
135 bpm • G# Maj • 03:32 • -3.03db
20% Popularity • 79% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 79% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Bandalusa
Ela É Safada
135 bpm • E Maj • 03:04 • -5.76db
17% Popularity • 76% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
17% Popularity • 76% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 98% Positiveness
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Toka & Dança
Braços no Ar
135 bpm • A# Maj • 03:26 • -7.01db
27% Popularity • 92% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 92% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Quim Barreiros
Será Porca Ou Parafuso
135 bpm • G# Maj • 02:31 • -6.13db
26% Popularity • 71% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 71% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Rosinha
Os Anos São Todos Iguais
135 bpm • F Maj • 03:11 • -2.75db
1% Popularity • 76% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
1% Popularity • 76% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Ágata
Comunhão de Bens
136 bpm • F min • 04:02 • -9.38db
30% Popularity • 72% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 72% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Saül
Tu És Capaz
136 bpm • G Maj • 03:43 • -5.46db
16% Popularity • 77% Danceability • 99% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 77% Danceability • 99% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Bandalusa
Meu Barraco Caiu
134 bpm • G Maj • 03:00 • -6.09db
21% Popularity • 71% Danceability • 87% Energy • 81% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 71% Danceability • 87% Energy • 81% Liveness
0% Instrumentalness • 96% Positiveness
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Zé do Pipo
Cachupa Dela
136 bpm • A Maj • 03:29 • -0.6db
24% Popularity • 80% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 80% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Quim Barreiros
O Pau Caiu Na Panela
135 bpm • G Maj • 03:16 • -4.68db
29% Popularity • 73% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 73% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Augusto Canário & Amigos
Vai de Roda Em Roda - Instrumental
136 bpm • G Maj • 01:55 • -8.09db
26% Popularity • 59% Danceability • 63% Energy • 21% Liveness
34% Instrumentalness • 96% Positiveness
26% Popularity • 59% Danceability • 63% Energy • 21% Liveness
34% Instrumentalness • 96% Positiveness
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Agrupamento Musical Diapasão
A Pombinha da Maria
134 bpm • F Maj • 03:28 • -5.56db
20% Popularity • 65% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 65% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Saül
A Dança da Mãozinha
134 bpm • F Maj • 03:36 • -4.76db
29% Popularity • 73% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 73% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Ruth Marlene
Mexe, Mexe Que Eu Gosto
136 bpm • C min • 03:23 • -5.71db
29% Popularity • 84% Danceability • 100% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 84% Danceability • 100% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Rosinha
Fica Sempre no Coador
136 bpm • E Maj • 03:43 • -2.34db
26% Popularity • 76% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 76% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Quim Barreiros
Comer, Comer
136 bpm • F Maj • 03:52 • -5.8db
30% Popularity • 83% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 83% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Zimbro
Apita o Comboio
134 bpm • D Maj • 03:19 • -4.49db
12% Popularity • 70% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 70% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Sérgio Rossi
Menina Top
136 bpm • C# min • 04:12 • -4.22db
25% Popularity • 65% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 65% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Bombocas
Tu que falas português
136 bpm • G min • 03:06 • -7.84db
16% Popularity • 76% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 76% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Jorge Guerreiro
Tu Estás Lé Lé Lé
136 bpm • G min • 03:10 • -7.58db
26% Popularity • 70% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 70% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Bandalusa
Chapéu de Palha
136 bpm • C# Maj • 03:23 • -3.75db
19% Popularity • 74% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 74% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Toka & Dança
Mamãe eu quero
136 bpm • G Maj • 03:23 • -4.95db
24% Popularity • 80% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 80% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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4 Mens
Dei Mal a Martelada
134 bpm • G Maj • 03:52 • -5.16db
20% Popularity • 80% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 80% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Dino Meira
Mas Sou Português
136 bpm • E min • 03:52 • -10.26db
20% Popularity • 74% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 74% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 97% Positiveness
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Bombocas
Baila Comigo, Baila Amor
134 bpm • D min • 02:51 • -1.53db
31% Popularity • 77% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 77% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Sons do Minho
Juntos
136 bpm • A# Maj • 04:03 • -4.49db
25% Popularity • 67% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 67% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Chiquita
O Rapaz dos Meus Sonhos
136 bpm • D Maj • 02:58 • -13.74db
26% Popularity • 76% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 76% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Sérgio Rossi
Paranóia de Amor
137 bpm • F Maj • 04:31 • -4.49db
9% Popularity • 68% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 68% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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José Reza
És uma Brasa
133 bpm • C Maj • 03:29 • -3.56db
15% Popularity • 62% Danceability • 98% Energy • 55% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 62% Danceability • 98% Energy • 55% Liveness
0% Instrumentalness • 83% Positiveness
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Luís Filipe Reis
Despedida (De Solteiro), Esquece o Meu N...
136 bpm • B Maj • 04:02 • -2.62db
20% Popularity • 51% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 51% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Fernando Correia Marques
Fazer o Tcha Tcha Tcha
133 bpm • B Maj • 03:30 • -5.42db
22% Popularity • 64% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
22% Popularity • 64% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 91% Positiveness
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Mundo Novo
Apita o Comboio
133 bpm • C# Maj • 03:43 • -8.31db
33% Popularity • 82% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 82% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Eduardo Sant'ana
Eh! Carapau
137 bpm • A Maj • 03:05 • -3db
24% Popularity • 86% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 86% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Henrique Matos
Quero-Te Provar (Meu Amor)
137 bpm • F# Maj • 03:20 • -4.79db
14% Popularity • 68% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 68% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Maria Lisboa
Viver a Vida Louca
137 bpm • F# min • 03:34 • -5.84db
27% Popularity • 64% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 64% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Luís Filipe Reis
Namorada Portuguesa
137 bpm • E Maj • 04:02 • -3.82db
19% Popularity • 70% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 70% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Fernando Correia Marques
A Minha Gata
137 bpm • B Maj • 03:30 • -4.25db
18% Popularity • 60% Danceability • 98% Energy • 35% Liveness
1% Instrumentalness • 92% Positiveness
18% Popularity • 60% Danceability • 98% Energy • 35% Liveness
1% Instrumentalness • 92% Positiveness
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Ana Malhoa
Sube la Temperatura
137 bpm • C# Maj • 02:56 • -5.68db
26% Popularity • 69% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 69% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Ruth Marlene
É Show De Bola
137 bpm • F Maj • 03:55 • -4.31db
23% Popularity • 78% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 78% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Agrupamento Musical Diapasão
Mulher Chorona
133 bpm • B Maj • 03:02 • -3.63db
28% Popularity • 69% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 69% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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Rosinha
Eu Vou Capar Os Tomates Ao Meu Amor
137 bpm • G# Maj • 03:38 • -3.85db
3% Popularity • 78% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
3% Popularity • 78% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Rebeca
Meu Nome É Rebeca
137 bpm • F Maj • 03:53 • -3.61db
36% Popularity • 78% Danceability • 100% Energy • 39% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 78% Danceability • 100% Energy • 39% Liveness
0% Instrumentalness • 91% Positiveness
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Ruizinho De Penacova
Vida de Teso
137 bpm • G Maj • 03:35 • -3.51db
12% Popularity • 80% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 80% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Eduardo Sant'ana
Se Te Portal Mal
133 bpm • G# Maj • 03:43 • -3.95db
28% Popularity • 85% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 85% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Ruth Marlene
Queres É Festa
137 bpm • E Maj • 04:02 • -4.68db
30% Popularity • 76% Danceability • 100% Energy • 49% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 76% Danceability • 100% Energy • 49% Liveness
0% Instrumentalness • 79% Positiveness
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Agrupamento Musical Diapasão
Eu Vou Amá-La
133 bpm • C Maj • 03:11 • -8.33db
28% Popularity • 85% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 85% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Joana
Eu Fui À Tropa
138 bpm • D Maj • 03:08 • -4.9db
25% Popularity • 86% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
25% Popularity • 86% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 98% Positiveness
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Emanuel
Baby, És uma Bomba
132 bpm • G min • 03:53 • -5.84db
37% Popularity • 72% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 72% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Chave D'ouro
Mãe da criança
138 bpm • G Maj • 03:50 • -5.84db
17% Popularity • 83% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 83% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Bombocas
Põe a Mãozinha
132 bpm • F# min • 03:44 • -6.37db
18% Popularity • 64% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 64% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Ruth Marlene
É Brutal
133 bpm • E min • 03:42 • -4.22db
19% Popularity • 70% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 70% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Agrupamento Musical Diapasão
Mar de Rosas
132 bpm • G Maj • 03:19 • -10.08db
21% Popularity • 67% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 67% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Maria Lisboa
Kizomba e Reggaeton
138 bpm • F min • 03:43 • -5.78db
21% Popularity • 64% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 64% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Eduardo Sant'ana
Frango Vaidoso
138 bpm • A Maj • 03:08 • -7.11db
19% Popularity • 80% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 80% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Iran Costa
O Bicho - Remake
138 bpm • B Maj • 04:10 • -3.13db
30% Popularity • 68% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 68% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Saül
Estica a Bunda
138 bpm • C# Maj • 03:14 • -5.56db
30% Popularity • 77% Danceability • 99% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 77% Danceability • 99% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Chave D'ouro
Pai da criança (quem será) - Radio Edi...
138 bpm • G Maj • 03:38 • -6.64db
15% Popularity • 76% Danceability • 97% Energy • 30% Liveness
13% Instrumentalness • 92% Positiveness
15% Popularity • 76% Danceability • 97% Energy • 30% Liveness
13% Instrumentalness • 92% Positiveness
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Joey Medeiros
Bacalhau à Mariazinha
138 bpm • G# Maj • 03:19 • -5.87db
25% Popularity • 74% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 74% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Quim Barreiros
Fui Acudir
132 bpm • A Maj • 03:28 • -3.43db
29% Popularity • 70% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 70% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Ruth Marlene
Coisinha Sexy - Coisinha Sexy
138 bpm • G Maj • 04:18 • -3.96db
33% Popularity • 70% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 70% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Rosinha
Tenho Sempre o Pito Depenado
138 bpm • D Maj • 03:35 • -3.26db
19% Popularity • 73% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 73% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Emanuel
Portugal, É a Nossa Seleção
132 bpm • A# Maj • 03:16 • -5.25db
21% Popularity • 71% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 71% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Chave D'ouro
Pai da criança (quem será)
138 bpm • G Maj • 03:50 • -7.96db
38% Popularity • 81% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 81% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Elena Correia
Fim de Semana Chegou
138 bpm • E Maj • 03:29 • -5.3db
17% Popularity • 71% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 71% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Fernando Correia Marques
Não Mexa, Não Mexa
138 bpm • C min • 03:08 • -4.42db
20% Popularity • 78% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 78% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Bandalusa
Eu Quero Bem À Minha Sogra
132 bpm • C# Maj • 03:56 • -7.35db
28% Popularity • 83% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 83% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Agrupamento Musical Diapasão
Carta para um Emigrante
132 bpm • F Maj • 03:09 • -9.19db
21% Popularity • 58% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 58% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Quim Barreiros
Dar Ao Apito
138 bpm • A Maj • 03:35 • -3.09db
24% Popularity • 79% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 79% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Quina Barreiros
Eu Fui Comer Com Ele
138 bpm • C Maj • 03:39 • -1.67db
13% Popularity • 77% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 77% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Emanuel
Hino à alegria (let's go)
132 bpm • A# Maj • 03:49 • -4.09db
29% Popularity • 59% Danceability • 96% Energy • 7% Liveness
4% Instrumentalness • 92% Positiveness
29% Popularity • 59% Danceability • 96% Energy • 7% Liveness
4% Instrumentalness • 92% Positiveness
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Fernando Correia Marques
Borboletas do Amor
132 bpm • G# Maj • 03:41 • -6.12db
21% Popularity • 72% Danceability • 88% Energy • 34% Liveness
1% Instrumentalness • 80% Positiveness
21% Popularity • 72% Danceability • 88% Energy • 34% Liveness
1% Instrumentalness • 80% Positiveness
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Rebeca
Teu Coração Em Meu Nome
138 bpm • G min • 03:34 • -5.77db
20% Popularity • 66% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 66% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Agrupamento Musical Diapasão
Uma Festa á Portuguesa
132 bpm • D Maj • 03:27 • -10.58db
25% Popularity • 64% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 64% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Chave D'ouro
Anda Cá Ao Pai
138 bpm • G# Maj • 03:26 • -5.44db
19% Popularity • 72% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 72% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Joana
A barraca abana, abana
138 bpm • G# Maj • 03:41 • -2.62db
12% Popularity • 77% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 77% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Dino Meira
Cantigas De Portugal
132 bpm • F min • 03:25 • -9.21db
15% Popularity • 72% Danceability • 58% Energy • 70% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 72% Danceability • 58% Energy • 70% Liveness
0% Instrumentalness • 93% Positiveness
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Quim Barreiros
O Melhor Dia P'Ra Casar
132 bpm • A# Maj • 04:09 • -4.97db
32% Popularity • 59% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 59% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Nel Monteiro
24 Amores
132 bpm • F Maj • 03:18 • -4.71db
32% Popularity • 76% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 76% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Iran Costa
O Bicho
138 bpm • B Maj • 04:22 • -9db
36% Popularity • 70% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 70% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Sons do Minho
Ser Feliz
132 bpm • F min • 03:42 • -5.74db
18% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
