Songs like Tribute To A Slave by Nat Turner Rebellion
Based on a tempo of (+/- 10%) and a similar genre
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Sweet Charles
Hang Out & Hustle
91 bpm • F Maj • 04:08 • -6.91db
16% Popularity • 81% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 81% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Baby Huey
Mighty Mighty
91 bpm • E Maj • 02:49 • -6db
25% Popularity • 44% Danceability • 90% Energy • 47% Liveness
1% Instrumentalness • 82% Positiveness
25% Popularity • 44% Danceability • 90% Energy • 47% Liveness
1% Instrumentalness • 82% Positiveness
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The Dells
Free And Easy
91 bpm • F Maj • 05:00 • -12.04db
11% Popularity • 55% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 55% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Ikettes
I'm Just Not Ready For Love - Remastered
91 bpm • D Maj • 02:15 • -6.78db
17% Popularity • 68% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 68% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Renaldo Domino
Let Me Come Within
91 bpm • D Maj • 02:29 • -8.57db
21% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 82% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Nat Turner Rebellion
Tribute To A Slave
91 bpm • F min • 03:04 • -12.8db
16% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 58% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Betty and Angel
Honey Coated
91 bpm • F Maj • 03:13 • -6.1db
12% Popularity • 63% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 63% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Syl Johnson
Concrete Reservation
90 bpm • A min • 02:27 • -7db
42% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 59% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Mike James Kirkland
Your're Gonna Share Your Love
92 bpm • G Maj • 02:29 • -10.26db
8% Popularity • 59% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 59% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 88% Positiveness
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Swamp Dogg
Sal-A-Faster
92 bpm • C Maj • 02:38 • -11.93db
9% Popularity • 80% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 80% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Elvin Spencer
Lift This Hurt
92 bpm • F min • 02:41 • -9db
21% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 51% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Funk Inc.
Goodbye, So Long
92 bpm • A min • 04:25 • -9.4db
18% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Joyce Williams
The First Thing I Do in the Morning
92 bpm • G min • 02:55 • -7.64db
21% Popularity • 66% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 66% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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The Natural Four
This Is What's Happening Now
92 bpm • A min • 04:11 • -13.68db
9% Popularity • 51% Danceability • 65% Energy • 48% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 51% Danceability • 65% Energy • 48% Liveness
0% Instrumentalness • 84% Positiveness
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The Deacons
A Drop in the Bucket
92 bpm • G Maj • 02:56 • -6.39db
15% Popularity • 58% Danceability • 94% Energy • 34% Liveness
21% Instrumentalness • 72% Positiveness
15% Popularity • 58% Danceability • 94% Energy • 34% Liveness
21% Instrumentalness • 72% Positiveness
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George Jackson
All In My Mind
92 bpm • C Maj • 02:59 • -8.29db
21% Popularity • 70% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 78% Positiveness
21% Popularity • 70% Danceability • 63% Energy • 10% Liveness
2% Instrumentalness • 78% Positiveness
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Final Solution
Gotta Get Through to You
92 bpm • F# min • 04:44 • -7.43db
18% Popularity • 58% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 58% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Ann Peebles
Somebody's on Your Case
92 bpm • G Maj • 02:24 • -7.61db
40% Popularity • 87% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 87% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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The South Side Movement
Love Turned Me Loose
90 bpm • C# Maj • 02:08 • -8.54db
10% Popularity • 71% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 71% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Fugi
Mary, Don't Take Me on No Bad Trip
92 bpm • B Maj • 06:30 • -13.07db
10% Popularity • 73% Danceability • 54% Energy • 7% Liveness
6% Instrumentalness • 75% Positiveness
10% Popularity • 73% Danceability • 54% Energy • 7% Liveness
6% Instrumentalness • 75% Positiveness
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Sugar Pie DeSanto
Git Back
90 bpm • G# Maj • 03:01 • -8db
22% Popularity • 72% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 72% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Willie West
Fairchild
92 bpm • D Maj • 03:24 • -8.77db
14% Popularity • 72% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 72% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Clarence Reid
Till I Get My Share
90 bpm • A# min • 02:27 • -4.63db
31% Popularity • 70% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
31% Popularity • 70% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Irma Thomas
In Between Tears
92 bpm • F Maj • 02:36 • -5.95db
37% Popularity • 62% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 62% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Little Beaver
I Like the Way You Do Your Thing
92 bpm • C Maj • 04:12 • -6.02db
24% Popularity • 55% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 55% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Skull Snaps
I'm Falling out of Love - Remastered
92 bpm • D Maj • 02:43 • -7.78db
13% Popularity • 51% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 51% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Bobby Patterson
How Do You Spell Love
90 bpm • A# min • 02:20 • -10.61db
31% Popularity • 75% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 96% Positiveness
31% Popularity • 75% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 96% Positiveness
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Marvin Gaye
You're The Man - Parts 1 & 2
92 bpm • C# Maj • 05:46 • -9.88db
25% Popularity • 64% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
25% Popularity • 64% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Clarence Reid
Masterpiece
92 bpm • D# Maj • 02:52 • -2.36db
33% Popularity • 52% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 52% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Tami Lynn
Mojo Hannah
92 bpm • D# Maj • 03:25 • -8.25db
12% Popularity • 70% Danceability • 79% Energy • 64% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 70% Danceability • 79% Energy • 64% Liveness
0% Instrumentalness • 80% Positiveness
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Irma Thomas
In Between Tears
92 bpm • F Maj • 02:33 • -10.59db
22% Popularity • 60% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 60% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Dyke & The Blazers
It's Your Thing
89 bpm • F# Maj • 02:30 • -11db
25% Popularity • 72% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 72% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Congress Alley
Are You Looking?
93 bpm • F min • 03:48 • -12.94db
19% Popularity • 43% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 43% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Shelley Fisher
I'll Leave You Girl
93 bpm • G# Maj • 02:38 • -5.1db
9% Popularity • 56% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 56% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The Impressions
You're Really Something Sadie
93 bpm • A# Maj • 03:42 • -5.51db
11% Popularity • 69% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 69% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Cookie Thomas
Black Velvet Soul, Pt. 1
93 bpm • G# Maj • 02:51 • -8.25db
9% Popularity • 64% Danceability • 32% Energy • 26% Liveness
1% Instrumentalness • 76% Positiveness
9% Popularity • 64% Danceability • 32% Energy • 26% Liveness
1% Instrumentalness • 76% Positiveness
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Samson & Delilah
There's a DJ In Your Town
93 bpm • A min • 02:33 • -10db
11% Popularity • 76% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 76% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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Ohio Players
Here Today And Gone Tomorrow
93 bpm • C Maj • 03:32 • -11.11db
25% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Manuel B. Holcolm
I Stayed Away Too Long
93 bpm • D Maj • 02:30 • -4.83db
9% Popularity • 70% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 70% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Billy Garner
I Got Some, Pt. 1
93 bpm • A Maj • 02:53 • -7db
24% Popularity • 64% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 64% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Mack Rice
Three People In Love
93 bpm • F min • 03:23 • -8.91db
15% Popularity • 80% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 80% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Ann Peebles
Bip Bam Thank You Mam
89 bpm • A# min • 03:13 • -11.42db
19% Popularity • 69% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 69% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Hot Chocolate
Good For The Gander
89 bpm • G Maj • 05:47 • -9.9db
8% Popularity • 63% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 87% Positiveness
8% Popularity • 63% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 87% Positiveness
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Allen Toussaint
All I Want Is You - Remastered
93 bpm • G Maj • 02:11 • -4.58db
29% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Barbara Howard
I Don't Want Your Love
94 bpm • F# Maj • 02:37 • -6.6db
10% Popularity • 60% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 60% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Clarence Reid
Nobody But You Babe
94 bpm • A# Maj • 02:45 • -3.47db
18% Popularity • 62% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 62% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Master Plan Inc
Try It, You'€™ll Like It
94 bpm • D Maj • 02:23 • -15.29db
20% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Apple & The Three Oranges
Gotta Stand for Something Pt. 2
88 bpm • C# Maj • 02:59 • -7.81db
10% Popularity • 53% Danceability • 77% Energy • 48% Liveness
24% Instrumentalness • 78% Positiveness
10% Popularity • 53% Danceability • 77% Energy • 48% Liveness
24% Instrumentalness • 78% Positiveness
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O.V. Wright
I Don't Do Windows
94 bpm • D Maj • 02:24 • -11.83db
22% Popularity • 70% Danceability • 56% Energy • 6% Liveness
2% Instrumentalness • 90% Positiveness
22% Popularity • 70% Danceability • 56% Energy • 6% Liveness
2% Instrumentalness • 90% Positiveness
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Ike & Tina Turner
Bold Soul Sister
94 bpm • D# Maj • 02:38 • -13db
33% Popularity • 78% Danceability • 69% Energy • 12% Liveness
4% Instrumentalness • 93% Positiveness
33% Popularity • 78% Danceability • 69% Energy • 12% Liveness
4% Instrumentalness • 93% Positiveness
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Little Beaver
Everbody Has Some Dues To Pay
94 bpm • A Maj • 02:20 • -2.52db
31% Popularity • 66% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 66% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Darondo
Do You Really Love Me
94 bpm • G min • 02:58 • -7.65db
28% Popularity • 61% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 61% Danceability • 62% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
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Master Plan Inc
Try It (You'll Like It)
94 bpm • D Maj • 02:23 • -9.9db
29% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Jimmy Norman
Gangster of Love (Pt. 1 & 2)
94 bpm • G Maj • 04:09 • -6db
9% Popularity • 60% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 60% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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O.V. Wright
I've Been Searching
88 bpm • F# Maj • 02:39 • -10.6db
23% Popularity • 75% Danceability • 46% Energy • 8% Liveness
4% Instrumentalness • 66% Positiveness
23% Popularity • 75% Danceability • 46% Energy • 8% Liveness
4% Instrumentalness • 66% Positiveness
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Gwen McCrae
Mechanical Body
94 bpm • A# Maj • 02:51 • -3db
32% Popularity • 54% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 54% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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The Impressions
Seven Years
95 bpm • B Maj • 02:24 • -9.97db
23% Popularity • 57% Danceability • 64% Energy • 48% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 57% Danceability • 64% Energy • 48% Liveness
0% Instrumentalness • 94% Positiveness
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Etta James
You Give Me What I Want
95 bpm • C# Maj • 03:40 • -8db
13% Popularity • 72% Danceability • 74% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
13% Popularity • 72% Danceability • 74% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
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The Main Ingredient
California My Way
95 bpm • G Maj • 04:37 • -7.68db
24% Popularity • 63% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
24% Popularity • 63% Danceability • 78% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
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Clarence Reid
Nobody but You Babe
95 bpm • A# Maj • 02:49 • -8.57db
30% Popularity • 67% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 67% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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O.V. Wright
Don't Let My Baby Ride
88 bpm • C min • 03:04 • -13.1db
24% Popularity • 67% Danceability • 40% Energy • 22% Liveness
19% Instrumentalness • 53% Positiveness
24% Popularity • 67% Danceability • 40% Energy • 22% Liveness
19% Instrumentalness • 53% Positiveness
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Barbara Mason
World In a Crisis
95 bpm • C# min • 03:25 • -14.19db
13% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Pharaohs
The Pharaohs Love Y'all
87 bpm • F min • 05:09 • -11db
11% Popularity • 56% Danceability • 76% Energy • 6% Liveness
3% Instrumentalness • 75% Positiveness
11% Popularity • 56% Danceability • 76% Energy • 6% Liveness
3% Instrumentalness • 75% Positiveness
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Boscoe
He Keeps You
95 bpm • G min • 04:25 • -9db
13% Popularity • 77% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 77% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Junior Parker
The Outside Man
95 bpm • A Maj • 03:15 • -20db
15% Popularity • 63% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 63% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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The Honey Drippers
Roy C's Theme
95 bpm • A# min • 03:51 • -5db
10% Popularity • 60% Danceability • 91% Energy • 75% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 60% Danceability • 91% Energy • 75% Liveness
0% Instrumentalness • 74% Positiveness
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The Hesitations
Is This the Way to Treat a Girl (You Bet...
95 bpm • F# Maj • 02:57 • -9db
12% Popularity • 49% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 49% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Procedures
Give Me One More Chance
95 bpm • A min • 04:58 • -8db
9% Popularity • 43% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 43% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 79% Positiveness
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Little Beaver
Everybody Has Some Dues to Pay, Pt. I & ...
95 bpm • A Maj • 04:19 • -13db
12% Popularity • 66% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 77% Positiveness
12% Popularity • 66% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 77% Positiveness
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Turner Brothers
Sweetest Thing in the World
96 bpm • B min • 02:22 • -6.72db
11% Popularity • 46% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 46% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Voices Of East Harlem
Little People
96 bpm • C# Maj • 03:31 • -6db
11% Popularity • 48% Danceability • 93% Energy • 29% Liveness
4% Instrumentalness • 72% Positiveness
11% Popularity • 48% Danceability • 93% Energy • 29% Liveness
4% Instrumentalness • 72% Positiveness
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O.V. Wright
You Must Believe In Yourself
95 bpm • F min • 02:42 • -10.79db
9% Popularity • 88% Danceability • 50% Energy • 24% Liveness
11% Instrumentalness • 92% Positiveness
9% Popularity • 88% Danceability • 50% Energy • 24% Liveness
11% Instrumentalness • 92% Positiveness
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Ohio Players
Mother-In-Law
96 bpm • D Maj • 03:06 • -8.18db
8% Popularity • 48% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 48% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Willie Hutch
Keep on Doin' What You Do
96 bpm • C# Maj • 02:20 • -6.23db
10% Popularity • 59% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 59% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Naomi Shelton
Forty First Street Breakdowne
86 bpm • C# Maj • 03:25 • -5.25db
9% Popularity • 51% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 51% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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The Charmels
Lovin' Feeling
96 bpm • G# Maj • 02:52 • -10.01db
19% Popularity • 67% Danceability • 45% Energy • 7% Liveness
8% Instrumentalness • 64% Positiveness
19% Popularity • 67% Danceability • 45% Energy • 7% Liveness
8% Instrumentalness • 64% Positiveness
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Honey Cone
Sunday Morning People
96 bpm • A# min • 02:45 • -9.42db
12% Popularity • 53% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 53% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Richard Levitt
Hit and Run Lover
96 bpm • D Maj • 02:32 • -7.17db
10% Popularity • 58% Danceability • 83% Energy • 35% Liveness
1% Instrumentalness • 95% Positiveness
10% Popularity • 58% Danceability • 83% Energy • 35% Liveness
1% Instrumentalness • 95% Positiveness
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Little Ann
Possession
96 bpm • F Maj • 03:11 • -6db
16% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Pieces of Peace
Pass It On (Pt. 1)
96 bpm • D Maj • 05:15 • -10.69db
8% Popularity • 55% Danceability • 72% Energy • 18% Liveness
56% Instrumentalness • 88% Positiveness
8% Popularity • 55% Danceability • 72% Energy • 18% Liveness
56% Instrumentalness • 88% Positiveness
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Theron & Darrell
I Was Made to Love Her
96 bpm • E Maj • 02:54 • -7.5db
15% Popularity • 52% Danceability • 55% Energy • 73% Liveness
1% Instrumentalness • 89% Positiveness
15% Popularity • 52% Danceability • 55% Energy • 73% Liveness
1% Instrumentalness • 89% Positiveness
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Rufus Thomas
Git On Up And Do It
96 bpm • A# min • 02:51 • -10.39db
11% Popularity • 71% Danceability • 66% Energy • 11% Liveness
39% Instrumentalness • 92% Positiveness
11% Popularity • 71% Danceability • 66% Energy • 11% Liveness
39% Instrumentalness • 92% Positiveness
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Chocolate Snow
Inflation
96 bpm • A min • 04:09 • -8.52db
20% Popularity • 60% Danceability • 80% Energy • 33% Liveness
63% Instrumentalness • 66% Positiveness
20% Popularity • 60% Danceability • 80% Energy • 33% Liveness
63% Instrumentalness • 66% Positiveness
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Harvey Scales
What's Good For You (Don't Have To Be Go...
97 bpm • B Maj • 02:25 • -11.17db
12% Popularity • 65% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 65% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Jody & The Individuals
Soul Streak
86 bpm • F# min • 03:10 • -12db
7% Popularity • 77% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 80% Positiveness
7% Popularity • 77% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 80% Positiveness
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Charlie Whitehead
Between the Lines
97 bpm • C# Maj • 02:11 • -8.22db
25% Popularity • 68% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 68% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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James Knight and The Butlers
Fantasy World
86 bpm • F Maj • 04:30 • -9.67db
7% Popularity • 39% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 39% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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The Whatnauts
Why Can't People Be Colors Too
97 bpm • F min • 04:58 • -12.85db
18% Popularity • 70% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 70% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Clarence Reid
Nobody But You Babe
97 bpm • C min • 02:41 • -5.01db
5% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
5% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Skull Snaps
I Turn My Back on Love - Remastered
86 bpm • C Maj • 02:40 • -7.93db
14% Popularity • 58% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 58% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Jimmy "Bo" Horne
Clean Up Man
85 bpm • G min • 02:30 • -12.22db
31% Popularity • 75% Danceability • 37% Energy • 6% Liveness
25% Instrumentalness • 68% Positiveness
31% Popularity • 75% Danceability • 37% Energy • 6% Liveness
25% Instrumentalness • 68% Positiveness
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The Sylvers
What's It All About
85 bpm • F Maj • 02:37 • -7.64db
11% Popularity • 58% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 58% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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The Rollers
Knockin' at the Wrong Door
85 bpm • F min • 02:12 • -8db
23% Popularity • 68% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 68% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Wah Wah Watson
My Love for You Comes and Goes
97 bpm • B min • 04:38 • -12.59db
9% Popularity • 57% Danceability • 46% Energy • 13% Liveness
7% Instrumentalness • 29% Positiveness
9% Popularity • 57% Danceability • 46% Energy • 13% Liveness
7% Instrumentalness • 29% Positiveness
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Universal Togetherness Band
Missing You
98 bpm • C min • 03:43 • -9.35db
21% Popularity • 67% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 67% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Skull Snaps
Didn't I Do It to You - Remastered
98 bpm • A min • 03:14 • -7.77db
12% Popularity • 54% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 54% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Dynamic Tints & Pieces of Peace
Be My Lady
85 bpm • A# min • 02:54 • -9.73db
8% Popularity • 59% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 59% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Milton Wright
Let's Take a Break
98 bpm • D Maj • 01:45 • -11.82db
34% Popularity • 80% Danceability • 43% Energy • 6% Liveness
8% Instrumentalness • 84% Positiveness
34% Popularity • 80% Danceability • 43% Energy • 6% Liveness
8% Instrumentalness • 84% Positiveness
