Songs like Trio for Clarinet, Viola & Piano, Op. 79 by Robin Holloway
Based on a tempo of (+/- 10%) and a similar genre
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Lili Boulanger
D'un matin de printemps
142 bpm • C Maj • 06:35 • -18.37db
8% Popularity • 22% Danceability • 12% Energy • 7% Liveness
77% Instrumentalness • 6% Positiveness
8% Popularity • 22% Danceability • 12% Energy • 7% Liveness
77% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C Major, Op. 26:...
142 bpm • C Maj • 09:01 • -18.9db
8% Popularity • 31% Danceability • 25% Energy • 6% Liveness
86% Instrumentalness • 13% Positiveness
8% Popularity • 31% Danceability • 25% Energy • 6% Liveness
86% Instrumentalness • 13% Positiveness
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Robin Holloway
Horn Concerto, Op. 43: III. Rondo
142 bpm • G min • 09:43 • -23.82db
0% Popularity • 27% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 8% Positiveness
0% Popularity • 27% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 8% Positiveness
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Béla Bartók
Music for Strings, Percussion and Celest...
142 bpm • C# Maj • 07:21 • -23.16db
15% Popularity • 37% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 33% Positiveness
15% Popularity • 37% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 33% Positiveness
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Bohuslav Martinů
Rhapsody-Concerto, H. 337: I. Moderato
141 bpm • A# Maj • 09:19 • -19.81db
8% Popularity • 21% Danceability • 11% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
8% Popularity • 21% Danceability • 11% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
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Arthur Honegger
Symphony No. 3 - "Liturgique": 1. "Dies ...
143 bpm • C Maj • 07:03 • -13db
11% Popularity • 29% Danceability • 57% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
11% Popularity • 29% Danceability • 57% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Leonard Bernstein
Symphony No. 2 "The Age of Anxiety" / Pa...
140 bpm • A Maj • 01:26 • -26.53db
14% Popularity • 14% Danceability • 6% Energy • 15% Liveness
96% Instrumentalness • 7% Positiveness
14% Popularity • 14% Danceability • 6% Energy • 15% Liveness
96% Instrumentalness • 7% Positiveness
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Sergei Prokofiev
Flute Sonata in D Major, Op. 94: II. Sch...
141 bpm • A Maj • 04:42 • -23.84db
7% Popularity • 46% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 46% Positiveness
7% Popularity • 46% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 46% Positiveness
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Dmitri Shostakovich
Shostakovich: Piano Concerto No. 2 in F ...
144 bpm • A# Maj • 07:27 • -14.21db
1% Popularity • 47% Danceability • 32% Energy • 6% Liveness
89% Instrumentalness • 31% Positiveness
1% Popularity • 47% Danceability • 32% Energy • 6% Liveness
89% Instrumentalness • 31% Positiveness
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Robin Holloway
Serenade in C Major, Op. 41: IV. Menuett...
144 bpm • C min • 05:28 • -19.86db
0% Popularity • 35% Danceability • 2% Energy • 8% Liveness
61% Instrumentalness • 15% Positiveness
0% Popularity • 35% Danceability • 2% Energy • 8% Liveness
61% Instrumentalness • 15% Positiveness
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Béla Bartók
Concerto for Orchestra, BB 123: V. Final...
144 bpm • D Maj • 10:04 • -19.38db
9% Popularity • 25% Danceability • 16% Energy • 5% Liveness
87% Instrumentalness • 6% Positiveness
9% Popularity • 25% Danceability • 16% Energy • 5% Liveness
87% Instrumentalness • 6% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: IV. Frolicsome F...
144 bpm • G Maj • 03:08 • -18.22db
9% Popularity • 30% Danceability • 24% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
9% Popularity • 30% Danceability • 24% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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Karsten Masch
Opus No. 5 Karsten Masch - Tubae Spei - ...
140 bpm • C# min • 03:12 • -16.48db
20% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
20% Popularity • 37% Danceability • 24% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
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Igor Stravinsky
Capriccio for Piano and Orchestra: I. Pr...
140 bpm • G min • 06:31 • -19.87db
4% Popularity • 34% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
4% Popularity • 34% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Aaron Copland
Hear Ye! Hear Ye! - Ballet in One Act (1...
139 bpm • G# Maj • 01:37 • -25.69db
10% Popularity • 44% Danceability • 10% Energy • 31% Liveness
93% Instrumentalness • 19% Positiveness
10% Popularity • 44% Danceability • 10% Energy • 31% Liveness
93% Instrumentalness • 19% Positiveness
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Robin Holloway
Gilded Goldbergs, Op. 86 (After Bach), P...
140 bpm • F# min • 03:01 • -37.21db
0% Popularity • 24% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 55% Positiveness
0% Popularity • 24% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 55% Positiveness
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Béla Bartók
Sonata For 2 Pianos And Percussion, Sz. ...
140 bpm • A Maj • 06:15 • -22db
13% Popularity • 41% Danceability • 30% Energy • 23% Liveness
78% Instrumentalness • 35% Positiveness
13% Popularity • 41% Danceability • 30% Energy • 23% Liveness
78% Instrumentalness • 35% Positiveness
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Benjamin Britten
Violin Concerto in D Minor, Op. 15: I. M...
144 bpm • G min • 09:47 • -23db
7% Popularity • 26% Danceability • 10% Energy • 14% Liveness
61% Instrumentalness • 4% Positiveness
7% Popularity • 26% Danceability • 10% Energy • 14% Liveness
61% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 1 in C Minor, Op. 35:...
139 bpm • C min • 05:57 • -17db
4% Popularity • 35% Danceability • 31% Energy • 15% Liveness
84% Instrumentalness • 22% Positiveness
4% Popularity • 35% Danceability • 31% Energy • 15% Liveness
84% Instrumentalness • 22% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 7 in C Major, Op....
146 bpm • C Maj • 06:58 • -21.07db
12% Popularity • 13% Danceability • 8% Energy • 21% Liveness
89% Instrumentalness • 3% Positiveness
12% Popularity • 13% Danceability • 8% Energy • 21% Liveness
89% Instrumentalness • 3% Positiveness
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Aaron Copland
Humoristic Scherzo: The Cat and the Mous...
138 bpm • A Maj • 03:29 • -23.26db
9% Popularity • 37% Danceability • 7% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 37% Danceability • 7% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Robin Holloway
Gilded Goldbergs, Op. 86 (After Bach), P...
140 bpm • G Maj • 02:45 • -38.72db
0% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 48% Positiveness
0% Popularity • 34% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 48% Positiveness
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Frederick Delius
Scherzo
138 bpm • B Maj • 05:44 • -32db
8% Popularity • 18% Danceability • 3% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
137 bpm • A min • 00:59 • -38.07db
32% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
32% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Dmitri Shostakovich
Symphony No. 4 in C Minor, Op. 43: II. M...
138 bpm • C Maj • 09:02 • -25.31db
10% Popularity • 27% Danceability • 2% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
10% Popularity • 27% Danceability • 2% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
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Paul Hindemith
Kammermusik No. 1, Op.24 No.1: I. Sehr s...
137 bpm • B Maj • 01:06 • -19db
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
33% Popularity • 53% Danceability • 45% Energy • 34% Liveness
88% Instrumentalness • 83% Positiveness
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Gustav Holst
Brook Green Suite: Prelude
137 bpm • C Maj • 01:26 • -19.52db
11% Popularity • 25% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
11% Popularity • 25% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
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Béla Bartók
Magyar kepek (Hungarian Sketches), BB 10...
137 bpm • D Maj • 02:18 • -26db
14% Popularity • 29% Danceability • 2% Energy • 8% Liveness
33% Instrumentalness • 6% Positiveness
14% Popularity • 29% Danceability • 2% Energy • 8% Liveness
33% Instrumentalness • 6% Positiveness
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Robin Holloway
Concerto No. 2, Op. 40: IIb. Pesante con...
136 bpm • C# Maj • 03:52 • -17.71db
0% Popularity • 37% Danceability • 28% Energy • 16% Liveness
10% Instrumentalness • 7% Positiveness
0% Popularity • 37% Danceability • 28% Energy • 16% Liveness
10% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Roman Festivals: II. Il giubileo
136 bpm • D min • 06:50 • -21db
11% Popularity • 15% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
11% Popularity • 15% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
146 bpm • A# Maj • 07:13 • -12.49db
6% Popularity • 48% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
6% Popularity • 48% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Francis Poulenc
Sextet, FP 100: Finale: Prestissimo
136 bpm • C Maj • 05:29 • -20db
11% Popularity • 28% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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Samuel Barber
First Essay for Orchestra, Op. 12
136 bpm • D min • 08:10 • -26.81db
3% Popularity • 20% Danceability • 3% Energy • 12% Liveness
49% Instrumentalness • 4% Positiveness
3% Popularity • 20% Danceability • 3% Energy • 12% Liveness
49% Instrumentalness • 4% Positiveness
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Alberto Ginastera
Variaciones Concertantes, Op. 23: III. V...
136 bpm • E min • 01:03 • -25.93db
8% Popularity • 32% Danceability • 6% Energy • 23% Liveness
91% Instrumentalness • 15% Positiveness
8% Popularity • 32% Danceability • 6% Energy • 23% Liveness
91% Instrumentalness • 15% Positiveness
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Robin Holloway
Violin Concerto: 2nd Scherzo, Pt. 2
136 bpm • C Maj • 02:34 • -23.6db
0% Popularity • 27% Danceability • 7% Energy • 71% Liveness
76% Instrumentalness • 9% Positiveness
0% Popularity • 27% Danceability • 7% Energy • 71% Liveness
76% Instrumentalness • 9% Positiveness
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Aaron Copland
Symphony No. 1: II. Scherzo: Molto alleg...
149 bpm • G Maj • 08:02 • -19.99db
9% Popularity • 28% Danceability • 10% Energy • 6% Liveness
92% Instrumentalness • 7% Positiveness
9% Popularity • 28% Danceability • 10% Energy • 6% Liveness
92% Instrumentalness • 7% Positiveness
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Milo Paulus
Proving the Existence of Folkloric Creat...
135 bpm • A min • 03:17 • -21.72db
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
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Leonard Bernstein
Clarinet Sonata: I. Grazioso
134 bpm • D Maj • 03:54 • -19.21db
7% Popularity • 33% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
7% Popularity • 33% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Béla Bartók
Piano Concerto No. 3, BB 127, Sz. 119: I...
150 bpm • B Maj • 06:46 • -15db
13% Popularity • 42% Danceability • 24% Energy • 16% Liveness
89% Instrumentalness • 25% Positiveness
13% Popularity • 42% Danceability • 24% Energy • 16% Liveness
89% Instrumentalness • 25% Positiveness
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Cécile Chaminade
Callirhoé, suite de ballet: IV. Pas des...
134 bpm • G Maj • 05:48 • -19db
9% Popularity • 42% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
9% Popularity • 42% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 26% Positiveness
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Robin Holloway
Gilded Goldbergs, Op. 86 (After Bach), P...
150 bpm • G Maj • 03:43 • -33.01db
0% Popularity • 21% Danceability • 7% Energy • 18% Liveness
90% Instrumentalness • 42% Positiveness
0% Popularity • 21% Danceability • 7% Energy • 18% Liveness
90% Instrumentalness • 42% Positiveness
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Carl Nielsen
Symphony No. 1 in G Minor, Op. 7: IV. Al...
134 bpm • A# Maj • 08:57 • -16.37db
7% Popularity • 23% Danceability • 15% Energy • 5% Liveness
92% Instrumentalness • 7% Positiveness
7% Popularity • 23% Danceability • 15% Energy • 5% Liveness
92% Instrumentalness • 7% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Variation ...
134 bpm • C Maj • 08:07 • -25db
11% Popularity • 23% Danceability • 3% Energy • 38% Liveness
57% Instrumentalness • 5% Positiveness
11% Popularity • 23% Danceability • 3% Energy • 38% Liveness
57% Instrumentalness • 5% Positiveness
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Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
133 bpm • G Maj • 02:53 • -31.12db
20% Popularity • 20% Danceability • 3% Energy • 8% Liveness
53% Instrumentalness • 15% Positiveness
20% Popularity • 20% Danceability • 3% Energy • 8% Liveness
53% Instrumentalness • 15% Positiveness
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Béla Bartók
Four Orchestral Pieces Op. 12 (Sz 51): I...
151 bpm • G# Maj • 06:12 • -15.4db
14% Popularity • 29% Danceability • 28% Energy • 7% Liveness
91% Instrumentalness • 16% Positiveness
14% Popularity • 29% Danceability • 28% Energy • 7% Liveness
91% Instrumentalness • 16% Positiveness
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Igor Stravinsky
Pulcinella Suite: IX. Finale. Allegro as...
151 bpm • C Maj • 01:57 • -12.33db
11% Popularity • 51% Danceability • 40% Energy • 21% Liveness
88% Instrumentalness • 67% Positiveness
11% Popularity • 51% Danceability • 40% Energy • 21% Liveness
88% Instrumentalness • 67% Positiveness
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Lili Boulanger
D'un matin de printemps
151 bpm • C Maj • 04:49 • -24db
19% Popularity • 22% Danceability • 7% Energy • 7% Liveness
52% Instrumentalness • 14% Positiveness
19% Popularity • 22% Danceability • 7% Energy • 7% Liveness
52% Instrumentalness • 14% Positiveness
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Dmitri Shostakovich
Symphony No. 9 in E-Flat Major, Op. 70: ...
133 bpm • A Maj • 04:18 • -28.01db
20% Popularity • 16% Danceability • 0% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 0% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Francis Poulenc
Organ Concerto in G Minor, FP 93: I. And...
133 bpm • D min • 03:10 • -21.04db
10% Popularity • 16% Danceability • 3% Energy • 84% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 84% Liveness
93% Instrumentalness • 4% Positiveness
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Gustav Holst
Symphony in F Major, Op. 8, "The Cotswol...
133 bpm • G Maj • 08:34 • -20.26db
17% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
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Frederick Delius
Orchestral Suite No. 1, RT VI/6: II. Ber...
133 bpm • G Maj • 03:05 • -31.26db
8% Popularity • 16% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 3% Positiveness
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Richard Strauss
Alpine Symphony: Night
133 bpm • A# min • 03:19 • -24.11db
8% Popularity • 16% Danceability • 2% Energy • 55% Liveness
85% Instrumentalness • 9% Positiveness
8% Popularity • 16% Danceability • 2% Energy • 55% Liveness
85% Instrumentalness • 9% Positiveness
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Samuel Barber
Barber: Excursions, Op. 20: III. Allegre...
133 bpm • F# Maj • 03:19 • -26db
1% Popularity • 35% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 27% Positiveness
1% Popularity • 35% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 27% Positiveness
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Henri Dutilleux
Dutilleux: Oboe Sonata: II. Scherzo (Vif...
152 bpm • A Maj • 03:43 • -20.94db
9% Popularity • 37% Danceability • 21% Energy • 7% Liveness
89% Instrumentalness • 17% Positiveness
9% Popularity • 37% Danceability • 21% Energy • 7% Liveness
89% Instrumentalness • 17% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: IV. Scherzo. ...
132 bpm • C min • 05:04 • -16db
15% Popularity • 29% Danceability • 33% Energy • 20% Liveness
90% Instrumentalness • 12% Positiveness
15% Popularity • 29% Danceability • 33% Energy • 20% Liveness
90% Instrumentalness • 12% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Tuba Concerto in F Min...
131 bpm • G Maj • 05:10 • -25.37db
10% Popularity • 16% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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Robin Holloway
Violin Concerto: Opening
132 bpm • F Maj • 02:13 • -28.94db
1% Popularity • 24% Danceability • 7% Energy • 45% Liveness
99% Instrumentalness • 7% Positiveness
1% Popularity • 24% Danceability • 7% Energy • 45% Liveness
99% Instrumentalness • 7% Positiveness
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Andre Caplet
Children's Corner (arr. A. Caplet for or...
131 bpm • C# min • 03:04 • -31db
19% Popularity • 22% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 6% Positiveness
19% Popularity • 22% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 6% Positiveness
► Preview
Witold Lutosławski
Lutoslawski : Symphony No.3 : I Vivo - L...
131 bpm • C Maj • 01:09 • -41db
10% Popularity • 16% Danceability • 1% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Graźnya Bacewicz
Concerto for String Orchestra: III. Vivo
130 bpm • A min • 04:20 • -17.79db
18% Popularity • 37% Danceability • 42% Energy • 15% Liveness
95% Instrumentalness • 50% Positiveness
18% Popularity • 37% Danceability • 42% Energy • 15% Liveness
95% Instrumentalness • 50% Positiveness
► Preview
Dmitri Shostakovich
Piano Concerto No. 1 For Piano, Trumpet ...
130 bpm • G# Maj • 01:16 • -21db
16% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
16% Popularity • 22% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 10% Positiveness
► Preview
Alexander Scriabin
24 Preludes, Op. 11: Prelude in C-Sharp ...
130 bpm • C# min • 01:29 • -26.95db
14% Popularity • 17% Danceability • 1% Energy • 10% Liveness
71% Instrumentalness • 12% Positiveness
14% Popularity • 17% Danceability • 1% Energy • 10% Liveness
71% Instrumentalness • 12% Positiveness
► Preview
Olivier Messiaen
Turangalîla Symphonie: 10. Final
155 bpm • C# Maj • 07:44 • -17db
12% Popularity • 29% Danceability • 38% Energy • 9% Liveness
46% Instrumentalness • 13% Positiveness
12% Popularity • 29% Danceability • 38% Energy • 9% Liveness
46% Instrumentalness • 13% Positiveness
► Preview
Richard Strauss
Strauss, R: Der Bürger als Edelmann Sui...
130 bpm • C Maj • 04:03 • -26.25db
12% Popularity • 38% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
12% Popularity • 38% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Witold Lutosławski
Dance Preludes *: No. 5. Allegro molto
131 bpm • A# Maj • 01:46 • -17db
8% Popularity • 55% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
8% Popularity • 55% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
► Preview
Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
129 bpm • G Maj • 09:26 • -26.97db
11% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Robin Holloway
Divertimento No. 5 for Brass Quintet, Op...
129 bpm • D Maj • 05:28 • -21.53db
0% Popularity • 22% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
0% Popularity • 22% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Gustav Mahler
Symphony No. 4 in G Major: II. In gemäc...
129 bpm • C Maj • 09:31 • -31.26db
12% Popularity • 30% Danceability • 2% Energy • 9% Liveness
31% Instrumentalness • 8% Positiveness
12% Popularity • 30% Danceability • 2% Energy • 9% Liveness
31% Instrumentalness • 8% Positiveness
► Preview
Claude Debussy
String Quartet in G Minor, Op. 10, L. 85...
128 bpm • C Maj • 07:08 • -15.54db
9% Popularity • 33% Danceability • 24% Energy • 9% Liveness
39% Instrumentalness • 14% Positiveness
9% Popularity • 33% Danceability • 24% Energy • 9% Liveness
39% Instrumentalness • 14% Positiveness
► Preview
Max Reger
Variations and Fugue on a Theme of Mozar...
128 bpm • A Maj • 09:56 • -14.78db
8% Popularity • 38% Danceability • 15% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
8% Popularity • 38% Danceability • 15% Energy • 15% Liveness
66% Instrumentalness • 19% Positiveness
► Preview
Witold Lutosławski
Lutoslawski : Concerto for Orchestra : I...
128 bpm • F# min • 07:17 • -26db
13% Popularity • 25% Danceability • 8% Energy • 9% Liveness
30% Instrumentalness • 11% Positiveness
13% Popularity • 25% Danceability • 8% Energy • 9% Liveness
30% Instrumentalness • 11% Positiveness
► Preview
Jean Françaix
Clarinet Concerto: I. Allegro
128 bpm • A Maj • 07:33 • -19db
11% Popularity • 38% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
11% Popularity • 38% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
► Preview
Robin Holloway
Gilded Goldbergs, Op. 86 (After Bach), P...
157 bpm • G Maj • 02:27 • -30.77db
0% Popularity • 29% Danceability • 8% Energy • 15% Liveness
86% Instrumentalness • 59% Positiveness
0% Popularity • 29% Danceability • 8% Energy • 15% Liveness
86% Instrumentalness • 59% Positiveness
► Preview
Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 2 "T...
127 bpm • E Maj • 01:36 • -14.09db
6% Popularity • 49% Danceability • 47% Energy • 32% Liveness
85% Instrumentalness • 15% Positiveness
6% Popularity • 49% Danceability • 47% Energy • 32% Liveness
85% Instrumentalness • 15% Positiveness
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Johannes Brahms
Clarinet Sonata in E-Flat Major, Op. 120...
127 bpm • B Maj • 04:58 • -22.21db
15% Popularity • 30% Danceability • 4% Energy • 11% Liveness
71% Instrumentalness • 11% Positiveness
15% Popularity • 30% Danceability • 4% Energy • 11% Liveness
71% Instrumentalness • 11% Positiveness
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Manuel de Falla
El sombrero de tres picos, Pt. 1: II. La...
127 bpm • G min • 05:31 • -28db
9% Popularity • 32% Danceability • 2% Energy • 35% Liveness
67% Instrumentalness • 14% Positiveness
9% Popularity • 32% Danceability • 2% Energy • 35% Liveness
67% Instrumentalness • 14% Positiveness
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Witold Lutosławski
Lutoslawski : Concerto for Orchestra : I...
158 bpm • A# min • 05:56 • -29.19db
10% Popularity • 22% Danceability • 7% Energy • 35% Liveness
16% Instrumentalness • 8% Positiveness
10% Popularity • 22% Danceability • 7% Energy • 35% Liveness
16% Instrumentalness • 8% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
126 bpm • D min • 04:08 • -26.36db
16% Popularity • 18% Danceability • 4% Energy • 18% Liveness
59% Instrumentalness • 9% Positiveness
16% Popularity • 18% Danceability • 4% Energy • 18% Liveness
59% Instrumentalness • 9% Positiveness
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Robin Holloway
Divertimento No. 5 for Brass Quintet, Op...
127 bpm • E Maj • 03:55 • -21.59db
0% Popularity • 32% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 32% Danceability • 4% Energy • 15% Liveness
91% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Symphony No. 15 in A Major, Op. 141: I. ...
125 bpm • C# Maj • 08:18 • -20.19db
11% Popularity • 44% Danceability • 24% Energy • 6% Liveness
66% Instrumentalness • 23% Positiveness
11% Popularity • 44% Danceability • 24% Energy • 6% Liveness
66% Instrumentalness • 23% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: II. Scherzo: Prestissi...
125 bpm • A# Maj • 04:09 • -18.83db
9% Popularity • 32% Danceability • 14% Energy • 11% Liveness
78% Instrumentalness • 30% Positiveness
9% Popularity • 32% Danceability • 14% Energy • 11% Liveness
78% Instrumentalness • 30% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Maggiore
125 bpm • F Maj • 01:08 • -33.06db
13% Popularity • 32% Danceability • 1% Energy • 20% Liveness
84% Instrumentalness • 20% Positiveness
13% Popularity • 32% Danceability • 1% Energy • 20% Liveness
84% Instrumentalness • 20% Positiveness
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Stanisław Moniuszko
Verbum nobile: Overture
125 bpm • G Maj • 05:14 • -20.58db
4% Popularity • 37% Danceability • 11% Energy • 22% Liveness
91% Instrumentalness • 46% Positiveness
4% Popularity • 37% Danceability • 11% Energy • 22% Liveness
91% Instrumentalness • 46% Positiveness
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Grażyna Bacewicz
Concerto for String Orchestra: I. Allegr...
125 bpm • C Maj • 04:49 • -18db
11% Popularity • 40% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
11% Popularity • 40% Danceability • 22% Energy • 6% Liveness
92% Instrumentalness • 21% Positiveness
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Robin Holloway
Gilded Goldbergs, Op. 86 (After Bach), P...
126 bpm • C Maj • 02:23 • -40.81db
0% Popularity • 34% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 35% Positiveness
0% Popularity • 34% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 35% Positiveness
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Dmitri Shostakovich
Symphony No. 1 in F Minor, Op. 10: I. Al...
125 bpm • A# min • 09:27 • -23.95db
15% Popularity • 38% Danceability • 4% Energy • 8% Liveness
42% Instrumentalness • 4% Positiveness
15% Popularity • 38% Danceability • 4% Energy • 8% Liveness
42% Instrumentalness • 4% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
124 bpm • B Maj • 04:01 • -26.85db
18% Popularity • 31% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
18% Popularity • 31% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Michael Tippett
Tippett: Little Music for String Orchest...
124 bpm • F Maj • 01:32 • -21.4db
16% Popularity • 25% Danceability • 12% Energy • 33% Liveness
83% Instrumentalness • 15% Positiveness
16% Popularity • 25% Danceability • 12% Energy • 33% Liveness
83% Instrumentalness • 15% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 1 in E Minor, Op....
124 bpm • G Maj • 05:00 • -24.47db
1% Popularity • 34% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
1% Popularity • 34% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Étienne Marcel, R. 209, Act III, The Ni...
124 bpm • D# Maj • 01:54 • -15.97db
12% Popularity • 42% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 47% Positiveness
12% Popularity • 42% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 47% Positiveness
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Robin Holloway
Trumpet Sonata: II. Melody
125 bpm • G Maj • 05:10 • -26.31db
0% Popularity • 28% Danceability • 0% Energy • 5% Liveness
93% Instrumentalness • 30% Positiveness
0% Popularity • 28% Danceability • 0% Energy • 5% Liveness
93% Instrumentalness • 30% Positiveness
► Preview
Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 2 "T...
124 bpm • D min • 04:54 • -14.14db
8% Popularity • 53% Danceability • 42% Energy • 32% Liveness
71% Instrumentalness • 20% Positiveness
8% Popularity • 53% Danceability • 42% Energy • 32% Liveness
71% Instrumentalness • 20% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, H. 48: Vc. Songe ...
123 bpm • G Maj • 02:46 • -18db
18% Popularity • 33% Danceability • 37% Energy • 57% Liveness
87% Instrumentalness • 26% Positiveness
18% Popularity • 33% Danceability • 37% Energy • 57% Liveness
87% Instrumentalness • 26% Positiveness
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Franz Schmidt
Notre Dame, Op. 2: Intermezzo. Sehr zur�...
123 bpm • C# Maj • 03:38 • -24.31db
7% Popularity • 17% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 10% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
Symphony No. 1 in E Minor, Op. 39: III. ...
124 bpm • E min • 05:17 • -21.06db
15% Popularity • 33% Danceability • 18% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
15% Popularity • 33% Danceability • 18% Energy • 9% Liveness
85% Instrumentalness • 7% Positiveness
► Preview
Leonard Bernstein
Serenade: I. Phaedrus - Pausanias: Lento...
164 bpm • C min • 06:59 • -22.03db
10% Popularity • 33% Danceability • 9% Energy • 16% Liveness
38% Instrumentalness • 12% Positiveness
10% Popularity • 33% Danceability • 9% Energy • 16% Liveness
38% Instrumentalness • 12% Positiveness
► Preview
Maurice Ravel
Ravel: Miroirs, M. 43: IV. Alborada del ...
123 bpm • D Maj • 08:12 • -20.57db
2% Popularity • 31% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 9% Positiveness
2% Popularity • 31% Danceability • 6% Energy • 8% Liveness
41% Instrumentalness • 9% Positiveness
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Ralph Vaughan Williams
Violin Concerto in D Minor "Accademico":...
164 bpm • G Maj • 04:08 • -19.92db
9% Popularity • 27% Danceability • 26% Energy • 18% Liveness
80% Instrumentalness • 34% Positiveness
9% Popularity • 27% Danceability • 26% Energy • 18% Liveness
80% Instrumentalness • 34% Positiveness
