Songs like Trio in A Minor: I. Allegro con spirito by Harold Truscott
Based on a tempo of (+/- 10%) and a similar genre
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Franz Schubert
Impromptu, Op. 142, No.3 - Duca 759
113 bpm • A# Maj • 06:26 • -21.26db
11% Popularity • 37% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
11% Popularity • 37% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Concerto No. 1 in B-Flat Minor, Op...
113 bpm • G# Maj • 06:33 • -21.05db
9% Popularity • 30% Danceability • 14% Energy • 21% Liveness
90% Instrumentalness • 10% Positiveness
9% Popularity • 30% Danceability • 14% Energy • 21% Liveness
90% Instrumentalness • 10% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
113 bpm • C Maj • 01:16 • -18.23db
20% Popularity • 44% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
20% Popularity • 44% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 33% Positiveness
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Harold Truscott
Trio in A Minor: I. Allegro con spirito
113 bpm • D Maj • 05:36 • -19.27db
0% Popularity • 39% Danceability • 15% Energy • 13% Liveness
74% Instrumentalness • 28% Positiveness
0% Popularity • 39% Danceability • 15% Energy • 13% Liveness
74% Instrumentalness • 28% Positiveness
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Camille Saint-Saëns
6 Etudes pour la main gauche seule, Op. ...
113 bpm • G min • 03:42 • -29.02db
3% Popularity • 45% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 69% Positiveness
3% Popularity • 45% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 69% Positiveness
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Misha Fomin
Variations and Fugue in E-Flat Major, Op...
113 bpm • F min • 01:18 • -22.85db
20% Popularity • 52% Danceability • 15% Energy • 20% Liveness
89% Instrumentalness • 46% Positiveness
20% Popularity • 52% Danceability • 15% Energy • 20% Liveness
89% Instrumentalness • 46% Positiveness
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Franz Schubert
Piano Sonata in E-Flat Major, D. 568: I....
112 bpm • A# Maj • 10:48 • -25.83db
8% Popularity • 32% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
8% Popularity • 32% Danceability • 8% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
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Robert Schumann
Toccata in C Major, Op. 7
114 bpm • C Maj • 07:03 • -19.04db
2% Popularity • 50% Danceability • 31% Energy • 8% Liveness
92% Instrumentalness • 44% Positiveness
2% Popularity • 50% Danceability • 31% Energy • 8% Liveness
92% Instrumentalness • 44% Positiveness
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Louise Farrenc
30 Piano études, Op. 26: No. 6 in D Maj...
114 bpm • D Maj • 01:38 • -19.7db
19% Popularity • 32% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 45% Positiveness
19% Popularity • 32% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 45% Positiveness
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Harold Truscott
Meditation for Solo Cello from Emmanuel ...
113 bpm • G Maj • 05:33 • -24.54db
0% Popularity • 27% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
0% Popularity • 27% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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Claude Debussy
Preludes, Deuxième livre, L.123: No. 3,...
114 bpm • G# Maj • 03:38 • -23.84db
8% Popularity • 42% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
8% Popularity • 42% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Eugen d'Albert
Tiefland Scenes - Welte-Mignon 2961
112 bpm • F Maj • 06:31 • -20.8db
8% Popularity • 40% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
8% Popularity • 40% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Petit souvenir
112 bpm • A Maj • 04:14 • -17.17db
14% Popularity • 36% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
14% Popularity • 36% Danceability • 26% Energy • 12% Liveness
89% Instrumentalness • 15% Positiveness
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Antonio Capuzzi
Concerto for Double Bass 1st Movement
115 bpm • D# Maj • 06:07 • -26.9db
32% Popularity • 52% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 57% Positiveness
32% Popularity • 52% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 57% Positiveness
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Felix Mendelssohn
Piano Piece in G Major, MWV U 38
111 bpm • D Maj • 02:17 • -28.42db
18% Popularity • 48% Danceability • 8% Energy • 16% Liveness
86% Instrumentalness • 90% Positiveness
18% Popularity • 48% Danceability • 8% Energy • 16% Liveness
86% Instrumentalness • 90% Positiveness
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Johannes Brahms
Händel Variations & Fugue, Op. 24: Vari...
115 bpm • A# Maj • 01:18 • -27.37db
14% Popularity • 54% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 31% Positiveness
14% Popularity • 54% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 31% Positiveness
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Erik Satie
Embryons desséchés, IES 17: I. d'Holot...
115 bpm • G Maj • 02:07 • -27.95db
8% Popularity • 40% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
8% Popularity • 40% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D Major, Op. 25 “Cla...
115 bpm • A Maj • 03:53 • -29.26db
9% Popularity • 38% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 16% Positiveness
9% Popularity • 38% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 16% Positiveness
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John Field
Nocturne No. 7 in C Major, H 45
111 bpm • C Maj • 06:05 • -27.58db
8% Popularity • 35% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
8% Popularity • 35% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Franz Liszt
4 Valses oubliées, S. 215: No. 3, —
115 bpm • F# min • 05:22 • -20.6db
12% Popularity • 31% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 31% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Franz Schubert
Schubert Piano Sonata No. 20 in A Major,...
116 bpm • D Maj • 05:13 • -20.84db
9% Popularity • 44% Danceability • 18% Energy • 9% Liveness
82% Instrumentalness • 20% Positiveness
9% Popularity • 44% Danceability • 18% Energy • 9% Liveness
82% Instrumentalness • 20% Positiveness
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Carl Maria von Weber
7 Variations on an original theme, Op. 9...
116 bpm • F Maj • 00:58 • -22.9db
26% Popularity • 49% Danceability • 16% Energy • 20% Liveness
91% Instrumentalness • 81% Positiveness
26% Popularity • 49% Danceability • 16% Energy • 20% Liveness
91% Instrumentalness • 81% Positiveness
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Johann Nepomuk Hummel
Cello Sonata in A Major, Op. 104: III. R...
116 bpm • A min • 06:07 • -21.9db
14% Popularity • 36% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
14% Popularity • 36% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
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Ludwig van Beethoven
33 Piano Variations In C, Op. 120 On A W...
110 bpm • C Maj • 02:04 • -26.63db
0% Popularity • 45% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
0% Popularity • 45% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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loncho brabo
pertenece a mi tentacion
110 bpm • F min • 02:00 • -21.72db
8% Popularity • 62% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
8% Popularity • 62% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Edvard Grieg
Norwegian Peasant Dances, Op. 72: No. 5,...
116 bpm • D Maj • 01:23 • -21.68db
12% Popularity • 48% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 26% Positiveness
12% Popularity • 48% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 26% Positiveness
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Switch Blue
Hard Times
110 bpm • C min • 02:55 • -24.86db
8% Popularity • 69% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
8% Popularity • 69% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Johannes Brahms
Brahms: Thema
110 bpm • D# Maj • 01:37 • -33.39db
17% Popularity • 57% Danceability • 0% Energy • 13% Liveness
96% Instrumentalness • 54% Positiveness
17% Popularity • 57% Danceability • 0% Energy • 13% Liveness
96% Instrumentalness • 54% Positiveness
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John Field
Nocturne No. 6 in F Major, H 40
110 bpm • F Maj • 04:26 • -25.72db
12% Popularity • 39% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
12% Popularity • 39% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Sonata in F-Sharp Minor, Wq. 52...
110 bpm • A Maj • 04:44 • -23.52db
11% Popularity • 40% Danceability • 11% Energy • 13% Liveness
91% Instrumentalness • 34% Positiveness
11% Popularity • 40% Danceability • 11% Energy • 13% Liveness
91% Instrumentalness • 34% Positiveness
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Ludwig van Beethoven
33 Piano Variations In C, Op. 120 On A W...
110 bpm • F min • 01:31 • -30.37db
0% Popularity • 51% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 29% Positiveness
0% Popularity • 51% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 29% Positiveness
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Johann Sebastian Bach
The Art of Fugue, BWV 1080: Contrapunctu...
117 bpm • D min • 02:37 • -28.06db
4% Popularity • 55% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 51% Positiveness
4% Popularity • 55% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 51% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 3 ...
109 bpm • D Maj • 02:43 • -34.98db
10% Popularity • 23% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 23% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 1 in C...
117 bpm • C min • 08:21 • -21.86db
15% Popularity • 38% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
15% Popularity • 38% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 6% Positiveness
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Domenico Scarlatti
Keyboard Sonata in E-Flat Major, Kk. 508
109 bpm • C min • 05:16 • -26.25db
8% Popularity • 49% Danceability • 9% Energy • 18% Liveness
80% Instrumentalness • 42% Positiveness
8% Popularity • 49% Danceability • 9% Energy • 18% Liveness
80% Instrumentalness • 42% Positiveness
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Carl Philipp Emanuel Bach
Rondo in B-Flat Major, Wq. 58/5, H. 267
109 bpm • A# Maj • 04:51 • -21.52db
10% Popularity • 41% Danceability • 13% Energy • 20% Liveness
91% Instrumentalness • 67% Positiveness
10% Popularity • 41% Danceability • 13% Energy • 20% Liveness
91% Instrumentalness • 67% Positiveness
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Erik Satie
Avant-dernieres pensées, IES 4: I. Idyl...
109 bpm • G Maj • 01:00 • -36.81db
11% Popularity • 31% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 26% Positiveness
11% Popularity • 31% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 26% Positiveness
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Gabriel Fauré
3 Nocturnes, Op. 33: I. Nocturne in E-Fl...
109 bpm • D# min • 07:14 • -28.55db
16% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Catharinus Elling
Svundne Dage: Det spøger!
109 bpm • E min • 01:11 • -26.73db
17% Popularity • 47% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 79% Positiveness
17% Popularity • 47% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 79% Positiveness
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Maya Badian
Suite on Romanian Themes: II. Giocoso - ...
117 bpm • C min • 01:30 • -21.67db
8% Popularity • 44% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 59% Positiveness
8% Popularity • 44% Danceability • 19% Energy • 9% Liveness
89% Instrumentalness • 59% Positiveness
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Leoš Janáček
In the Mists: II. Molto adagio
109 bpm • G# Maj • 05:05 • -23.66db
11% Popularity • 47% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
11% Popularity • 47% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Joseph Haydn
Haydn: The Seven Last Words of Christ, H...
118 bpm • C min • 01:42 • -12.97db
9% Popularity • 52% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 55% Positiveness
9% Popularity • 52% Danceability • 44% Energy • 13% Liveness
86% Instrumentalness • 55% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Minor, Kk. 73: III....
118 bpm • F min • 00:59 • -23.64db
8% Popularity • 61% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 52% Positiveness
8% Popularity • 61% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 52% Positiveness
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Louise Farrenc
30 Piano études, Op. 26: No. 7 in D Maj...
118 bpm • D Maj • 01:44 • -21.12db
24% Popularity • 39% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 15% Positiveness
24% Popularity • 39% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 15% Positiveness
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Charles-Valentin Alkan
48 Esquisses, Op. 63, Book 2: No. 19, Gr...
109 bpm • F# Maj • 01:43 • -39.64db
18% Popularity • 36% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
18% Popularity • 36% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Piano Sonata No. 11 in A Major, ...
118 bpm • A Maj • 06:33 • -20.46db
21% Popularity • 36% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 42% Positiveness
21% Popularity • 36% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 42% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Trio in A Minor, Op. 50: II. Varia...
118 bpm • G# Maj • 01:43 • -16.03db
17% Popularity • 45% Danceability • 25% Energy • 27% Liveness
77% Instrumentalness • 36% Positiveness
17% Popularity • 45% Danceability • 25% Energy • 27% Liveness
77% Instrumentalness • 36% Positiveness
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Jean Sibelius
10 Pieces, Op. 58: No. 3. Air varie
108 bpm • C# min • 03:49 • -23.12db
10% Popularity • 39% Danceability • 16% Energy • 8% Liveness
85% Instrumentalness • 21% Positiveness
10% Popularity • 39% Danceability • 16% Energy • 8% Liveness
85% Instrumentalness • 21% Positiveness
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Modest Mussorgsky
キエフの大門
107 bpm • D# Maj • 07:06 • -16.41db
11% Popularity • 60% Danceability • 16% Energy • 16% Liveness
79% Instrumentalness • 11% Positiveness
11% Popularity • 60% Danceability • 16% Energy • 16% Liveness
79% Instrumentalness • 11% Positiveness
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Alexander Scriabin
Piano Sonata No. 2 in G-Sharp Minor, Op....
108 bpm • G# min • 04:04 • -18.9db
11% Popularity • 37% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
11% Popularity • 37% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 17% Positiveness
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Franz Schubert
6 Moments musicaux, Op. 94, D. 780: No. ...
107 bpm • C# Maj • 02:01 • -22.87db
1% Popularity • 44% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
1% Popularity • 44% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
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Robert Schumann
Album for the Young, Op. 68: No. 16 'Ers...
107 bpm • C Maj • 01:08 • -25.95db
29% Popularity • 43% Danceability • 5% Energy • 14% Liveness
87% Instrumentalness • 53% Positiveness
29% Popularity • 43% Danceability • 5% Energy • 14% Liveness
87% Instrumentalness • 53% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
107 bpm • A Maj • 01:20 • -25.64db
20% Popularity • 62% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 18% Positiveness
20% Popularity • 62% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 18% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons, Violin Concerto No. 1 ...
107 bpm • C# min • 02:14 • -30.71db
17% Popularity • 40% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
17% Popularity • 40% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 12% Positiveness
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Frédéric Chopin
Scherzo No. 3 in C-Sharp Minor, Op.39
120 bpm • C# Maj • 07:04 • -23.69db
8% Popularity • 36% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
8% Popularity • 36% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Lazar Berman
Suonata II in si bemolle maggiore : Alle...
120 bpm • A# Maj • 05:19 • -39db
11% Popularity • 33% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 47% Positiveness
11% Popularity • 33% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 47% Positiveness
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Rainy Baby
Endless Sleep
120 bpm • F# Maj • 01:26 • -34.8db
11% Popularity • 69% Danceability • 3% Energy • 10% Liveness
64% Instrumentalness • 75% Positiveness
11% Popularity • 69% Danceability • 3% Energy • 10% Liveness
64% Instrumentalness • 75% Positiveness
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Jonas Schneider
Just The Way You Are
120 bpm • F min • 01:56 • -26.28db
14% Popularity • 58% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 37% Positiveness
14% Popularity • 58% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 37% Positiveness
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George Frideric Handel
Suite in B-Flat Major, HWV 434: I. Prél...
120 bpm • A# Maj • 01:55 • -18.8db
12% Popularity • 30% Danceability • 22% Energy • 16% Liveness
85% Instrumentalness • 15% Positiveness
12% Popularity • 30% Danceability • 22% Energy • 16% Liveness
85% Instrumentalness • 15% Positiveness
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Andrea Vicari
West Hollywood Avenue
120 bpm • D min • 01:24 • -19.36db
9% Popularity • 89% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 52% Positiveness
9% Popularity • 89% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 52% Positiveness
► Preview
Florence Beatrice Price
String Quartet No. 2 in A Minor: IV. Fin...
106 bpm • A min • 06:09 • -15.5db
8% Popularity • 37% Danceability • 29% Energy • 32% Liveness
57% Instrumentalness • 16% Positiveness
8% Popularity • 37% Danceability • 29% Energy • 32% Liveness
57% Instrumentalness • 16% Positiveness
► Preview
Antonín Dvořák
Silhouette Op. 8 No. 2
106 bpm • C# Maj • 01:37 • -25.17db
13% Popularity • 54% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
13% Popularity • 54% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
► Preview
Harold Truscott
Piano Sonata No. 5 in B Minor, RC 62 ‘...
121 bpm • A# Maj • 06:27 • -24.11db
0% Popularity • 47% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
0% Popularity • 47% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Louis Glass
Vignet til Pierretten. Scherzando
105 bpm • C Maj • 01:02 • -23.58db
15% Popularity • 52% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
15% Popularity • 52% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
► Preview
Joseph Haydn
Sonata in B-Flat Major, Hob. XVI: 2: III...
105 bpm • A# Maj • 04:28 • -22.35db
8% Popularity • 47% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 42% Positiveness
8% Popularity • 47% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 42% Positiveness
► Preview
Beethoven
Sonata No. 30 in E Major, Op. 109 - I. V...
105 bpm • E Maj • 03:43 • -24.96db
8% Popularity • 40% Danceability • 5% Energy • 22% Liveness
92% Instrumentalness • 6% Positiveness
8% Popularity • 40% Danceability • 5% Energy • 22% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Franz Schubert
Piano Sonata in E Minor, D. 769a
121 bpm • C Maj • 01:09 • -22.21db
8% Popularity • 47% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 42% Positiveness
8% Popularity • 47% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 42% Positiveness
► Preview
Carl Maria von Weber
Gran duo concertant in E-Flat Major, Op....
105 bpm • D# Maj • 08:52 • -14.09db
8% Popularity • 39% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 27% Positiveness
8% Popularity • 39% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 27% Positiveness
► Preview
Robert Schumann
Piano Quintet in E-Flat Major, Op. 44: I...
104 bpm • D# Maj • 03:26 • -15.66db
21% Popularity • 39% Danceability • 36% Energy • 13% Liveness
92% Instrumentalness • 63% Positiveness
21% Popularity • 39% Danceability • 36% Energy • 13% Liveness
92% Instrumentalness • 63% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in D Major, Kk. 122
122 bpm • A Maj • 03:22 • -24.16db
10% Popularity • 51% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 58% Positiveness
10% Popularity • 51% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 58% Positiveness
► Preview
Johannes Brahms
Variations on a Theme by Robert Schumann...
104 bpm • C# Maj • 01:01 • -20.81db
9% Popularity • 32% Danceability • 27% Energy • 18% Liveness
85% Instrumentalness • 29% Positiveness
9% Popularity • 32% Danceability • 27% Energy • 18% Liveness
85% Instrumentalness • 29% Positiveness
► Preview
Harold Truscott
Piano Sonata No. 13, RC 104: I. Allegret...
123 bpm • D min • 03:26 • -16.35db
0% Popularity • 52% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
0% Popularity • 52% Danceability • 17% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Ramberto Ciammarughi
Vortivelox
104 bpm • B min • 05:50 • -17.46db
14% Popularity • 55% Danceability • 31% Energy • 10% Liveness
74% Instrumentalness • 13% Positiveness
14% Popularity • 55% Danceability • 31% Energy • 10% Liveness
74% Instrumentalness • 13% Positiveness
► Preview
Gabriel Fauré
3 Nocturnes, Op. 33: II. Nocturne in B M...
104 bpm • B Maj • 05:49 • -24.34db
15% Popularity • 29% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 29% Danceability • 7% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 18, Aveu
122 bpm • G# Maj • 01:22 • -34db
9% Popularity • 45% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
9% Popularity • 45% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 22% Positiveness
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Olive the Otter Dog
Pirate Sherry for a Pirate King
104 bpm • C Maj • 02:27 • -26.18db
17% Popularity • 64% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
17% Popularity • 64% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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John Field
Nocturne No. 11 in E-Flat Major, H 56
104 bpm • D# Maj • 04:54 • -29.36db
9% Popularity • 30% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 17% Positiveness
9% Popularity • 30% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 17% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Piano Sonata No. 8 in A Minor, K...
123 bpm • A min • 08:50 • -15.53db
21% Popularity • 31% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 35% Positiveness
21% Popularity • 31% Danceability • 26% Energy • 6% Liveness
90% Instrumentalness • 35% Positiveness
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Philipp Scharwenka
Suite for Violin & Piano in G Minor, Op....
123 bpm • A# Maj • 04:02 • -23.35db
10% Popularity • 57% Danceability • 19% Energy • 9% Liveness
83% Instrumentalness • 77% Positiveness
10% Popularity • 57% Danceability • 19% Energy • 9% Liveness
83% Instrumentalness • 77% Positiveness
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Mini
Herald of spring
123 bpm • C# min • 01:45 • -22.74db
18% Popularity • 54% Danceability • 1% Energy • 7% Liveness
77% Instrumentalness • 10% Positiveness
18% Popularity • 54% Danceability • 1% Energy • 7% Liveness
77% Instrumentalness • 10% Positiveness
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Harold Truscott
Piano Sonata No. 12 in C Major, RC 103: ...
124 bpm • C Maj • 02:43 • -18.29db
0% Popularity • 40% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 30% Positiveness
0% Popularity • 40% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 30% Positiveness
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Muzio Clementi
Keyboard Sonata in F Major, Op. 1 No. 4:...
124 bpm • F Maj • 04:35 • -26.91db
17% Popularity • 51% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 51% Positiveness
17% Popularity • 51% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 51% Positiveness
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Frédéric Chopin
Chopin: 24 Preludes, Op. 28: No. 6 in B ...
103 bpm • G Maj • 01:56 • -29.13db
22% Popularity • 41% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
22% Popularity • 41% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
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Edward Elgar
Enigma Variations, Op. 36 (Arr. 4 Hands ...
103 bpm • C min • 08:46 • -18.47db
1% Popularity • 42% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
1% Popularity • 42% Danceability • 9% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
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Claude Debussy
Debussy: Children's Corner, CD 119, L. 1...
124 bpm • A Maj • 03:00 • -32.43db
1% Popularity • 48% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 27% Positiveness
1% Popularity • 48% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 27% Positiveness
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Ian Tang
Sonatina First Movement
103 bpm • C Maj • 01:39 • -27.53db
18% Popularity • 46% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
18% Popularity • 46% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
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Harold Truscott
Piano Sonata No. 15 in B Minor, RC 122: ...
103 bpm • E min • 03:25 • -15.97db
0% Popularity • 42% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
0% Popularity • 42% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Nastasia Khrustcheva
Russian Dead Ends: 36
103 bpm • G min • 01:03 • -14.99db
18% Popularity • 41% Danceability • 42% Energy • 22% Liveness
86% Instrumentalness • 80% Positiveness
18% Popularity • 41% Danceability • 42% Energy • 22% Liveness
86% Instrumentalness • 80% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Piano Sonata No. 11 in A Major, ...
124 bpm • A Maj • 01:52 • -23.35db
26% Popularity • 51% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
26% Popularity • 51% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D Major, Op. 25 “Cla...
125 bpm • D Maj • 01:43 • -24.75db
9% Popularity • 59% Danceability • 6% Energy • 16% Liveness
91% Instrumentalness • 32% Positiveness
9% Popularity • 59% Danceability • 6% Energy • 16% Liveness
91% Instrumentalness • 32% Positiveness
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Jean-Philippe Rameau
Troisième livre de pièces de clavecin,...
125 bpm • A min • 01:43 • -30.89db
18% Popularity • 48% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
18% Popularity • 48% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 83% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata No.1 in F Minor, Op. 2: IV....
102 bpm • G# Maj • 08:06 • -21.49db
9% Popularity • 42% Danceability • 16% Energy • 24% Liveness
91% Instrumentalness • 24% Positiveness
9% Popularity • 42% Danceability • 16% Energy • 24% Liveness
91% Instrumentalness • 24% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Minor, Kk. 56
102 bpm • C min • 03:36 • -29.68db
15% Popularity • 47% Danceability • 8% Energy • 17% Liveness
91% Instrumentalness • 68% Positiveness
15% Popularity • 47% Danceability • 8% Energy • 17% Liveness
91% Instrumentalness • 68% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 1 ...
125 bpm • E Maj • 03:00 • -20.81db
14% Popularity • 42% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
14% Popularity • 42% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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Max Bruch
Schwedische Tänze Op. 63, Heft II: No. ...
102 bpm • E min • 01:02 • -16.65db
11% Popularity • 62% Danceability • 16% Energy • 16% Liveness
95% Instrumentalness • 55% Positiveness
11% Popularity • 62% Danceability • 16% Energy • 16% Liveness
95% Instrumentalness • 55% Positiveness
► Preview
Sergei Prokofiev
Symphony No. 1 in D Major, Op. 25 “Cla...
102 bpm • G Maj • 04:11 • -19.75db
10% Popularity • 53% Danceability • 17% Energy • 8% Liveness
92% Instrumentalness • 40% Positiveness
10% Popularity • 53% Danceability • 17% Energy • 8% Liveness
92% Instrumentalness • 40% Positiveness
► Preview
Louise Farrenc
Theme & Variations in F Major
126 bpm • F Maj • 02:47 • -24.79db
15% Popularity • 37% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 50% Positiveness
15% Popularity • 37% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 50% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata No. 32 in C Minor, Op. 111:...
125 bpm • F min • 08:26 • -17.49db
10% Popularity • 46% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
10% Popularity • 46% Danceability • 21% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
