Songs like Trio Sonata in B-Flat Major, H. 584, Wq. 158: III. Allegro by Carl Philipp Emanuel Bach
Based on a tempo of (+/- 10%) and a similar genre
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Carl Philipp Emanuel Bach
Symphony No. 1 in D major, Wq. 183/1: Sy...
149 bpm • C# Maj • 06:17 • -18db
24% Popularity • 29% Danceability • 16% Energy • 18% Liveness
3% Instrumentalness • 28% Positiveness
24% Popularity • 29% Danceability • 16% Energy • 18% Liveness
3% Instrumentalness • 28% Positiveness
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Domenico Scarlatti
Keyboard Sonata in B-Flat Major, K.266/L...
151 bpm • A# Maj • 05:28 • -29.68db
26% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
26% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Jean-Philippe Rameau
Tambourin
148 bpm • E min • 00:56 • -22.81db
41% Popularity • 36% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
41% Popularity • 36% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
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Vladimir Horowitz
Carmen Variations
148 bpm • E Maj • 03:33 • -20db
40% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
40% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: I. ...
147 bpm • C min • 01:15 • -18db
55% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
55% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
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Carl Philipp Emanuel Bach
La Caroline
147 bpm • A min • 02:30 • -27.24db
18% Popularity • 42% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 27% Positiveness
18% Popularity • 42% Danceability • 3% Energy • 8% Liveness
86% Instrumentalness • 27% Positiveness
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Niccolò Paganini
Sonata for Violin and Guitar in A Minor,...
147 bpm • A min • 01:38 • -16.74db
61% Popularity • 56% Danceability • 15% Energy • 8% Liveness
57% Instrumentalness • 73% Positiveness
61% Popularity • 56% Danceability • 15% Energy • 8% Liveness
57% Instrumentalness • 73% Positiveness
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Robert Schumann
Spanish Romance, Op. 74: The Smuggler (T...
147 bpm • G min • 02:00 • -26db
38% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
38% Popularity • 30% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
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Arcangelo Corelli
Concerto grosso No. 1 in D Major, Op. 6:...
146 bpm • C# Maj • 02:24 • -14db
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
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Frédéric Chopin
Waltz No. 10 in B Minor, Op. 69, No. 2
155 bpm • B min • 03:58 • -32db
50% Popularity • 33% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 30% Positiveness
50% Popularity • 33% Danceability • 2% Energy • 12% Liveness
97% Instrumentalness • 30% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
146 bpm • G min • 01:31 • -15db
52% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
52% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 3 in...
144 bpm • G Maj • 01:14 • -25db
52% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
52% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
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Antonio Vivaldi
Cello Concerto in E Minor, RV 409: II. A...
145 bpm • E min • 01:01 • -19db
60% Popularity • 40% Danceability • 23% Energy • 15% Liveness
64% Instrumentalness • 83% Positiveness
60% Popularity • 40% Danceability • 23% Energy • 15% Liveness
64% Instrumentalness • 83% Positiveness
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Joseph Haydn
Symphony No. 45 in F-Sharp Minor, Hob.I:...
156 bpm • F# min • 05:40 • -17.03db
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: I....
144 bpm • G Maj • 03:44 • -21.35db
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Solfegietto in C Minor, Wq. 1...
143 bpm • F min • 01:04 • -28.06db
51% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
51% Popularity • 21% Danceability • 14% Energy • 15% Liveness
90% Instrumentalness • 56% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
142 bpm • G min • 02:55 • -18.66db
48% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
48% Popularity • 26% Danceability • 24% Energy • 35% Liveness
93% Instrumentalness • 47% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
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Carl Maria von Weber
Concertino for Clarinet and Orchestra in...
157 bpm • D# Maj • 01:58 • -20db
38% Popularity • 36% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 43% Positiveness
38% Popularity • 36% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 43% Positiveness
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Georg Philipp Telemann
Recorder Concerto in C Major, TWV 51:C1:...
141 bpm • B Maj • 05:42 • -16db
40% Popularity • 40% Danceability • 24% Energy • 11% Liveness
25% Instrumentalness • 47% Positiveness
40% Popularity • 40% Danceability • 24% Energy • 11% Liveness
25% Instrumentalness • 47% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 1 Esquisse
141 bpm • A Maj • 00:55 • -25.06db
53% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
53% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
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Carl Philipp Emanuel Bach
Concerto in D Minor, Wq. 23: I. Allegro
141 bpm • D min • 07:54 • -23db
21% Popularity • 37% Danceability • 18% Energy • 7% Liveness
81% Instrumentalness • 30% Positiveness
21% Popularity • 37% Danceability • 18% Energy • 7% Liveness
81% Instrumentalness • 30% Positiveness
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Luigi Boccherini
Boccherini: Cello Concerto No. 9 in B-Fl...
141 bpm • A# Maj • 06:08 • -16.83db
29% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
29% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
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Muzio Clementi
Keyboard Sonata in D Major, Op. 25, No. ...
140 bpm • D Maj • 02:28 • -25.65db
44% Popularity • 40% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 60% Positiveness
44% Popularity • 40% Danceability • 11% Energy • 10% Liveness
87% Instrumentalness • 60% Positiveness
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Antonio Vivaldi
Concerto for 2 Oboes in A Minor, RV 536:...
139 bpm • A min • 01:38 • -17db
49% Popularity • 59% Danceability • 24% Energy • 20% Liveness
31% Instrumentalness • 56% Positiveness
49% Popularity • 59% Danceability • 24% Energy • 20% Liveness
31% Instrumentalness • 56% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 2 in D Major, ...
139 bpm • D Maj • 04:50 • -15.87db
29% Popularity • 37% Danceability • 17% Energy • 11% Liveness
66% Instrumentalness • 56% Positiveness
29% Popularity • 37% Danceability • 17% Energy • 11% Liveness
66% Instrumentalness • 56% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
59% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
59% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Johann Nepomuk Hummel
Recollections of Paganini, WoO 8, S190: ...
138 bpm • A min • 01:41 • -20.9db
37% Popularity • 43% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 45% Positiveness
37% Popularity • 43% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 45% Positiveness
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Domenico Scarlatti
Sonata in G Major, KK. 455
139 bpm • G Maj • 01:44 • -30db
43% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
43% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
45% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
45% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
138 bpm • A Maj • 02:45 • -20db
37% Popularity • 42% Danceability • 14% Energy • 8% Liveness
50% Instrumentalness • 39% Positiveness
37% Popularity • 42% Danceability • 14% Energy • 8% Liveness
50% Instrumentalness • 39% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
47% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Carl Philipp Emanuel Bach
Divertimento in G Major, H.642: I. Alleg...
137 bpm • B min • 03:27 • -23.26db
3% Popularity • 47% Danceability • 6% Energy • 17% Liveness
10% Instrumentalness • 36% Positiveness
3% Popularity • 47% Danceability • 6% Energy • 17% Liveness
10% Instrumentalness • 36% Positiveness
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Nikolai Rimsky-Korsakov
Shéhérazade, Op. 35: I. The Sea and Si...
136 bpm • E Maj • 09:55 • -23db
34% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 6% Energy • 11% Liveness
39% Instrumentalness • 4% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir de Florence, Op. 70
136 bpm • D min • 06:53 • -14.93db
19% Popularity • 42% Danceability • 27% Energy • 7% Liveness
57% Instrumentalness • 36% Positiveness
19% Popularity • 42% Danceability • 27% Energy • 7% Liveness
57% Instrumentalness • 36% Positiveness
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Maria João Pires
Sonata No. 15 in C Major, I. Allegro
136 bpm • C Maj • 03:05 • -24db
36% Popularity • 31% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
36% Popularity • 31% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 60% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 1 in G Major, Wq. 1...
136 bpm • F# Maj • 04:11 • -16.93db
6% Popularity • 41% Danceability • 24% Energy • 9% Liveness
84% Instrumentalness • 57% Positiveness
6% Popularity • 41% Danceability • 24% Energy • 9% Liveness
84% Instrumentalness • 57% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
166 bpm • F# min • 02:17 • -29db
50% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
50% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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Charles-Valentin Alkan
Premier Nocturne, Op. 22
135 bpm • B Maj • 06:09 • -31.53db
42% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Antonio Vivaldi
Vivaldi: L'estro armonico, Concerto for ...
135 bpm • A min • 02:53 • -16.92db
45% Popularity • 40% Danceability • 23% Energy • 15% Liveness
89% Instrumentalness • 60% Positiveness
45% Popularity • 40% Danceability • 23% Energy • 15% Liveness
89% Instrumentalness • 60% Positiveness
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![Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] cover art](https://i.scdn.co/image/ab67616d00001e02b03d3ef34d5769b0e3f94feb)
Carl Philipp Emanuel Bach
Notebook for Anna Magdalena Bach (1725) ...
166 bpm • G Maj • 01:04 • -25db
45% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
45% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness
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Emmanuel Pahud
Molino: Duo No. 3, Op. 16: I. Andantino
167 bpm • G Maj • 01:38 • -25.18db
44% Popularity • 24% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
44% Popularity • 24% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
134 bpm • D Maj • 01:06 • -26db
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Carl Philipp Emanuel Bach
Rondo in D Minor, Wq. 61/4, H. 290
135 bpm • A# Maj • 04:05 • -22db
43% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
43% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Zdeněk Fibich
Moods, Impressions and Reminiscences, Op...
133 bpm • C# Maj • 01:41 • -26db
45% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
45% Popularity • 47% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 21% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 2 ...
133 bpm • C# Maj • 02:00 • -31.22db
43% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
43% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Franz Schubert
Variations on an Original Theme in A-Fla...
133 bpm • D# Maj • 02:03 • -36.8db
44% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
133 bpm • C# Maj • 02:54 • -18.11db
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
► Preview
Carl Philipp Emanuel Bach
Sinfonia In G Major, Wq. 183/4, H. 666: ...
135 bpm • G Maj • 02:16 • -22db
45% Popularity • 59% Danceability • 18% Energy • 22% Liveness
90% Instrumentalness • 75% Positiveness
45% Popularity • 59% Danceability • 18% Energy • 22% Liveness
90% Instrumentalness • 75% Positiveness
► Preview
Johann Christian Bach
Viola Concerto in C Minor: II. Adagio mo...
133 bpm • G# Maj • 05:05 • -19.1db
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Tomaso Albinoni
Concerto a cinque No. 2, Op. 9: I. Alleg...
169 bpm • C# min • 03:54 • -14db
41% Popularity • 33% Danceability • 26% Energy • 5% Liveness
77% Instrumentalness • 51% Positiveness
41% Popularity • 33% Danceability • 26% Energy • 5% Liveness
77% Instrumentalness • 51% Positiveness
► Preview
Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
► Preview
Franz Liszt
Mephisto Waltz No. 1, S. 514
132 bpm • E Maj • 11:02 • -20.16db
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 36% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Carl Philipp Emanuel Bach
Duo for Two Clarinets in C Major, H.636:...
134 bpm • A Maj • 02:04 • -23.69db
4% Popularity • 29% Danceability • 1% Energy • 15% Liveness
92% Instrumentalness • 22% Positiveness
4% Popularity • 29% Danceability • 1% Energy • 15% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Muzio Clementi
Keyboard Sonatina In C Major, Op. 36, No...
170 bpm • G Maj • 01:32 • -28db
47% Popularity • 38% Danceability • 3% Energy • 17% Liveness
93% Instrumentalness • 82% Positiveness
47% Popularity • 38% Danceability • 3% Energy • 17% Liveness
93% Instrumentalness • 82% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
► Preview
Frédéric Chopin
Nocturne No. 6 in G Minor, Op. 15 No. 3
132 bpm • D min • 03:56 • -25.61db
50% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
50% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
59% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: Flute Concerto in D Major, RV 4...
131 bpm • D Maj • 01:49 • -25.17db
47% Popularity • 33% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 33% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Carl Philipp Emanuel Bach
Hamburg Symphony No. 6 in E Major, Wq. 1...
169 bpm • A# min • 03:06 • -21.52db
7% Popularity • 13% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 7% Positiveness
7% Popularity • 13% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 7% Positiveness
► Preview
Muzio Clementi
Keyboard Sonatina In F Major, Op. 36, No...
132 bpm • A# Maj • 01:30 • -28.05db
51% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
51% Popularity • 40% Danceability • 7% Energy • 16% Liveness
90% Instrumentalness • 59% Positiveness
► Preview
Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
44% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
57% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
57% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Piano Concerto No. 2 in D Minor, Op. 40,...
131 bpm • A# Maj • 07:44 • -30.09db
35% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
35% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Concerto in D Minor, Wq. 23, H....
133 bpm • D min • 08:14 • -20.49db
19% Popularity • 41% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
19% Popularity • 41% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
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Niccolò Paganini
Cantabile, MS 109/Op. 17 (Arr. for Cello...
172 bpm • D Maj • 03:25 • -11.12db
39% Popularity • 16% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
39% Popularity • 16% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
48% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
48% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
173 bpm • C min • 06:14 • -28.78db
49% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
49% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Oboe Concerto in C Major, RV 452: II. Ad...
130 bpm • A min • 02:03 • -18db
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Sonata in A Major, Wq. 55/4, H....
131 bpm • F# min • 04:10 • -29db
21% Popularity • 38% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 26% Positiveness
21% Popularity • 38% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 26% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
59% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
59% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
60% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
60% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
50% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
50% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
129 bpm • F# min • 02:08 • -20.34db
50% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
50% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Carl Philipp Emanuel Bach
Harpsichord Concerto No. 1 in F Major, W...
131 bpm • E Maj • 05:35 • -15.93db
7% Popularity • 26% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
7% Popularity • 26% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
54% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
54% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
52% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
52% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Antonio Vivaldi
Oboe Concerto in D Minor, Op. 8, No. 9, ...
129 bpm • D min • 02:52 • -18db
48% Popularity • 38% Danceability • 13% Energy • 85% Liveness
76% Instrumentalness • 47% Positiveness
48% Popularity • 38% Danceability • 13% Energy • 85% Liveness
76% Instrumentalness • 47% Positiveness
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Johann Rosenmüller
Trio Sonata in E Minor: I. Grave
175 bpm • E min • 01:03 • -27db
45% Popularity • 10% Danceability • 3% Energy • 23% Liveness
94% Instrumentalness • 8% Positiveness
45% Popularity • 10% Danceability • 3% Energy • 23% Liveness
94% Instrumentalness • 8% Positiveness
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Carl Philipp Emanuel Bach
Symphony No. 4 in A Major, Wq. 182: II. ...
172 bpm • A Maj • 03:16 • -20.7db
7% Popularity • 14% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
7% Popularity • 14% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
175 bpm • C Maj • 03:14 • -23.21db
50% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): IV...
176 bpm • D Maj • 02:01 • -36.55db
61% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
61% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
