Songs like Triptych: II. Intermezzo by Ian Hare
Based on a tempo of (+/- 10%) and a similar genre
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Grayston Ives
Listen sweet Dove
72 bpm • D# Maj • 03:01 • -23db
8% Popularity • 9% Danceability • 14% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 14% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Alleluia: III. Night
72 bpm • E min • 03:30 • -35db
24% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
24% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
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Charles Gounod
Messe brève No. 7: I. Kyrie
72 bpm • C Maj • 02:41 • -27db
12% Popularity • 17% Danceability • 2% Energy • 10% Liveness
52% Instrumentalness • 5% Positiveness
12% Popularity • 17% Danceability • 2% Energy • 10% Liveness
52% Instrumentalness • 5% Positiveness
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Ian Hare
Triptych: II. Intermezzo
72 bpm • D Maj • 05:18 • -23.68db
0% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
0% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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John Stainer
The Agony
73 bpm • C# min • 06:31 • -23.2db
12% Popularity • 29% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 29% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Villiers Stanford
St. Patrick's Breastplate "I Bind unto M...
72 bpm • G min • 07:39 • -18db
17% Popularity • 12% Danceability • 24% Energy • 10% Liveness
50% Instrumentalness • 10% Positiveness
17% Popularity • 12% Danceability • 24% Energy • 10% Liveness
50% Instrumentalness • 10% Positiveness
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Gerald Finzi
7 Partsongs, Op. 17: No. 3, My Spirit Sa...
71 bpm • G min • 01:49 • -15.92db
9% Popularity • 30% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 30% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
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Mikhail Ippolitov-Ivanov
Vespers, Op. 43 O Gentle Light o Holy Gl...
71 bpm • B Maj • 03:08 • -24.23db
4% Popularity • 22% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
4% Popularity • 22% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Jeremiah Clarke
The Prince Of Denmark's March
73 bpm • D Maj • 01:25 • -16.57db
15% Popularity • 29% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 39% Positiveness
15% Popularity • 29% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 39% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
71 bpm • D# Maj • 02:06 • -23.97db
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Louis Vierne
Messe solennelle, Op. 16: I. Kyrie
73 bpm • C# min • 05:37 • -20.81db
10% Popularity • 7% Danceability • 14% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 14% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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MÃ¥rten Jansson
Missa Popularis: III. Credo
73 bpm • F Maj • 07:28 • -22.12db
9% Popularity • 9% Danceability • 8% Energy • 7% Liveness
20% Instrumentalness • 5% Positiveness
9% Popularity • 9% Danceability • 8% Energy • 7% Liveness
20% Instrumentalness • 5% Positiveness
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Francis Poulenc
7 Chansons, FP 81: No. 1. La blanche nei...
73 bpm • E min • 01:22 • -31.06db
15% Popularity • 24% Danceability • 5% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 5% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Psalmen Davids samt etlichen Moteten und...
73 bpm • G min • 08:07 • -23.77db
13% Popularity • 22% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
4 Quartette, Op. 92: I. O schöne Nacht
71 bpm • E Maj • 03:37 • -28.07db
6% Popularity • 12% Danceability • 3% Energy • 8% Liveness
50% Instrumentalness • 6% Positiveness
6% Popularity • 12% Danceability • 3% Energy • 8% Liveness
50% Instrumentalness • 6% Positiveness
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Josef Rheinberger
Wie Lieblich Sind Deine Wohnungen, Op. 3...
73 bpm • A# Maj • 05:43 • -26.28db
11% Popularity • 16% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
73 bpm • C# min • 05:37 • -18db
17% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
17% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
73 bpm • A min • 02:56 • -24db
8% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Josu Elberdin
Cantate Domino (Motette): 2011
73 bpm • F Maj • 04:06 • -21.75db
9% Popularity • 20% Danceability • 16% Energy • 5% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 20% Danceability • 16% Energy • 5% Liveness
0% Instrumentalness • 10% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: Die Himmel...
73 bpm • C Maj • 04:07 • -22db
12% Popularity • 29% Danceability • 9% Energy • 6% Liveness
58% Instrumentalness • 18% Positiveness
12% Popularity • 29% Danceability • 9% Energy • 6% Liveness
58% Instrumentalness • 18% Positiveness
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Johannes Brahms
Wie lieblich sind deine Wohnungen
73 bpm • D# Maj • 04:50 • -21.35db
10% Popularity • 12% Danceability • 14% Energy • 13% Liveness
97% Instrumentalness • 8% Positiveness
10% Popularity • 12% Danceability • 14% Energy • 13% Liveness
97% Instrumentalness • 8% Positiveness
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Jan Pieterszoon Sweelinck
Mon Dieu, j’ai en toi esperance (Psalm...
71 bpm • F min • 04:38 • -22.88db
8% Popularity • 16% Danceability • 9% Energy • 8% Liveness
9% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 9% Energy • 8% Liveness
9% Instrumentalness • 4% Positiveness
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Cecil Armstrong Gibbs
6 Sketches: No. 1, Lyric Melody
73 bpm • C min • 03:14 • -30.95db
0% Popularity • 20% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
0% Popularity • 20% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Bob Chilcott
A Little Jazz Mass (version for mixed ch...
70 bpm • D min • 02:57 • -15.95db
19% Popularity • 23% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 23% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Magn...
70 bpm • A# Maj • 07:19 • -27.41db
16% Popularity • 13% Danceability • 5% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 5% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi, WAB 30
74 bpm • C Maj • 05:07 • -28.94db
12% Popularity • 7% Danceability • 4% Energy • 7% Liveness
17% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 4% Energy • 7% Liveness
17% Instrumentalness • 3% Positiveness
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Johannes Brahms
Brahms : 7 Lieder Op.62 : III Waldesnach...
73 bpm • D Maj • 05:09 • -24db
8% Popularity • 10% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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BYU Singers
I Thank You God for Most This Amazing Da...
70 bpm • C Maj • 06:51 • -22.03db
13% Popularity • 20% Danceability • 15% Energy • 12% Liveness
7% Instrumentalness • 3% Positiveness
13% Popularity • 20% Danceability • 15% Energy • 12% Liveness
7% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe solennelle, Op. 16: II. Gloria
70 bpm • A Maj • 07:56 • -23db
9% Popularity • 16% Danceability • 9% Energy • 31% Liveness
33% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 9% Energy • 31% Liveness
33% Instrumentalness • 4% Positiveness
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Hubert Parry
Crossing the Bar
70 bpm • D Maj • 02:40 • -27.74db
15% Popularity • 21% Danceability • 10% Energy • 15% Liveness
69% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 10% Energy • 15% Liveness
69% Instrumentalness • 7% Positiveness
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Joseph Haydn
Missa Brevis Sancti Joannis de Deo, Hob....
74 bpm • A# Maj • 03:11 • -22.13db
0% Popularity • 13% Danceability • 6% Energy • 14% Liveness
64% Instrumentalness • 7% Positiveness
0% Popularity • 13% Danceability • 6% Energy • 14% Liveness
64% Instrumentalness • 7% Positiveness
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Anton Bruckner
Anton Bruckner: Ave Maria
74 bpm • F Maj • 03:19 • -24db
18% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Samuel Sebastian Wesley
Andante in E Minor
74 bpm • E min • 04:35 • -23.21db
0% Popularity • 11% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
0% Popularity • 11% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Johannes Brahms
O Schöne Nacht, Op. 92, No. 1
70 bpm • E Maj • 03:29 • -18.59db
16% Popularity • 16% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
16% Popularity • 16% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Kyrie
70 bpm • C# min • 05:54 • -14.16db
13% Popularity • 6% Danceability • 18% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
13% Popularity • 6% Danceability • 18% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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Hubert Parry
Blest Pair of Sirens
74 bpm • C min • 10:22 • -21.18db
10% Popularity • 7% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Joseph Haydn
Te Deum In C Major - Hob. XXIIIc:2: "Te ...
70 bpm • C Maj • 01:11 • -30.45db
23% Popularity • 9% Danceability • 2% Energy • 11% Liveness
64% Instrumentalness • 3% Positiveness
23% Popularity • 9% Danceability • 2% Energy • 11% Liveness
64% Instrumentalness • 3% Positiveness
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Sydney Guillaume
Kalinda
74 bpm • F min • 03:36 • -23.64db
11% Popularity • 18% Danceability • 21% Energy • 87% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 18% Danceability • 21% Energy • 87% Liveness
0% Instrumentalness • 14% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Chamber Choir Ireland
Stanford: The Blue Bird
70 bpm • F# Maj • 03:28 • -36db
14% Popularity • 7% Danceability • 1% Energy • 6% Liveness
25% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 1% Energy • 6% Liveness
25% Instrumentalness • 3% Positiveness
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The Chapel Choir of University College, Hurham
Stainer: God so loved the world
75 bpm • D Maj • 03:36 • -30db
13% Popularity • 15% Danceability • 6% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 6% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
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St. Albans Cathedral Choir
Brahms: Geistliches lied Op. 30
70 bpm • D# Maj • 05:49 • -25db
8% Popularity • 9% Danceability • 6% Energy • 13% Liveness
72% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 6% Energy • 13% Liveness
72% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 4, Ver...
75 bpm • G# min • 02:13 • -19.96db
18% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
18% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
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Hubert Parry
7 Chorale Preludes, Set 1: No. 2, Rockin...
69 bpm • D# Maj • 02:33 • -41.2db
0% Popularity • 6% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 26% Positiveness
0% Popularity • 6% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 26% Positiveness
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AntonÃn Dvořák
Mass in D Major, Op. 86 / Kyrie: Ic. Kyr...
75 bpm • D Maj • 01:34 • -21.14db
12% Popularity • 18% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus Iste, WAB 23: Locus iste, WAB 23
75 bpm • C Maj • 03:12 • -31db
22% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: IV. Ave Regina
69 bpm • C# Maj • 03:54 • -26.83db
9% Popularity • 8% Danceability • 9% Energy • 8% Liveness
42% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 9% Energy • 8% Liveness
42% Instrumentalness • 3% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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Arthur Somervell
Air in C Major (Arr. A.G. Matthew for Or...
69 bpm • C Maj • 04:00 • -32.79db
0% Popularity • 21% Danceability • 1% Energy • 11% Liveness
47% Instrumentalness • 29% Positiveness
0% Popularity • 21% Danceability • 1% Energy • 11% Liveness
47% Instrumentalness • 29% Positiveness
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Sir David Willcocks
Variations on "Breslau"
69 bpm • A# Maj • 09:44 • -21.43db
0% Popularity • 12% Danceability • 3% Energy • 20% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 3% Energy • 20% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Louis Vierne
Messe solennelle pour deux orgues et cho...
69 bpm • E Maj • 02:16 • -17db
14% Popularity • 16% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Mass No. 2 in E Minor, WAB 27: III. Cred...
69 bpm • C Maj • 09:41 • -19db
12% Popularity • 15% Danceability • 4% Energy • 21% Liveness
39% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 4% Energy • 21% Liveness
39% Instrumentalness • 4% Positiveness
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Herbert Sumsion
Nunc dimittis in A Major
69 bpm • F# min • 03:05 • -24.02db
9% Popularity • 9% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
9% Popularity • 9% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Thomas Attwood Walmisley
Magnificat in D Minor
75 bpm • D min • 05:44 • -27db
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Alfred Schnittke
Three Sacred Hymns: III. Vater unser
75 bpm • D# Maj • 03:21 • -21.78db
8% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Otto Olsson
Psalmus CXX
69 bpm • D Maj • 03:03 • -28db
14% Popularity • 11% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Les Chansons Des Roses: V. Dirait-On (Mo...
75 bpm • C# Maj • 05:01 • -28.06db
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
► Preview
Anton Bruckner
Vexilla regis, WAB 51
75 bpm • F Maj • 04:59 • -28.35db
12% Popularity • 12% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Engelbert Humperdinck
Hansel and Gretel: Evening Prayer
69 bpm • E min • 02:00 • -22.06db
10% Popularity • 20% Danceability • 5% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 5% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Alfred Schnittke
3 Sacred Hymns: No. 1. Bogoroditse devo,...
69 bpm • D# Maj • 02:04 • -32.16db
27% Popularity • 20% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Déodat de Séverac
Tantum ergo
76 bpm • A min • 03:15 • -34.97db
30% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Under the Willow Tree
76 bpm • A Maj • 03:09 • -27.79db
7% Popularity • 25% Danceability • 5% Energy • 16% Liveness
48% Instrumentalness • 14% Positiveness
7% Popularity • 25% Danceability • 5% Energy • 16% Liveness
48% Instrumentalness • 14% Positiveness
► Preview
Adrian Self
Cartmel Priory Suite: II. Berceuse
68 bpm • C Maj • 02:08 • -34.03db
0% Popularity • 17% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
0% Popularity • 17% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
André Campra
Rigaudon
68 bpm • A Maj • 02:15 • -12db
10% Popularity • 18% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
10% Popularity • 18% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Frederick Delius
To Be Sung Of A Summer Night On The Wate...
76 bpm • A# Maj • 02:41 • -36.87db
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
AntonÃn Dvořák
Stabat Mater, Op. 58: II. Quis est homo,...
68 bpm • E min • 09:27 • -25.15db
21% Popularity • 20% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Heinrich Schütz
Geistliche Chormusik, Op. 11: Herr, auf ...
76 bpm • G Maj • 03:16 • -25db
10% Popularity • 15% Danceability • 6% Energy • 7% Liveness
22% Instrumentalness • 9% Positiveness
10% Popularity • 15% Danceability • 6% Energy • 7% Liveness
22% Instrumentalness • 9% Positiveness
► Preview
Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
22% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Charles Villiers Stanford
Fantasia & Toccata in D Minor, Op. 57
68 bpm • D min • 12:05 • -20.72db
0% Popularity • 10% Danceability • 4% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
0% Popularity • 10% Danceability • 4% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Trois chansons de Charles d'Orléans, L....
68 bpm • F# min • 02:33 • -31db
10% Popularity • 17% Danceability • 5% Energy • 26% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 5% Energy • 26% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Louis Vierne
Messe solennelle pour deux orgues et cho...
76 bpm • A Maj • 07:06 • -18db
12% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Adrian Self
Cartmel Priory Suite: III. Dance
76 bpm • C Maj • 02:46 • -23.47db
0% Popularity • 25% Danceability • 5% Energy • 11% Liveness
49% Instrumentalness • 5% Positiveness
0% Popularity • 25% Danceability • 5% Energy • 11% Liveness
49% Instrumentalness • 5% Positiveness
► Preview
T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
76 bpm • D# Maj • 04:52 • -25db
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: VII. Seli...
76 bpm • F Maj • 09:24 • -28.36db
9% Popularity • 7% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Sancta Maria, mater Dei, K. 273
77 bpm • F Maj • 04:02 • -24db
10% Popularity • 16% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 12% Liveness
77% Instrumentalness • 14% Positiveness
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Henry Purcell
Funeral Sentences for the death of Queen...
77 bpm • A# Maj • 02:12 • -27db
13% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Cecil Armstrong Gibbs
6 Sketches: No. 2, Elegy
77 bpm • E Maj • 02:12 • -35.62db
0% Popularity • 18% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
0% Popularity • 18% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23, Act V Scene 10: Pinse...
68 bpm • E min • 01:15 • -37.42db
17% Popularity • 13% Danceability • 0% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 0% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
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Hubert Parry
I Was Glad
67 bpm • A# Maj • 07:28 • -15.27db
11% Popularity • 8% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
11% Popularity • 8% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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John Stainer
When Jesus Therefore Saw His Mother
67 bpm • G Maj • 02:52 • -23.23db
9% Popularity • 14% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
9% Popularity • 14% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus
77 bpm • D Maj • 03:30 • -31.28db
11% Popularity • 7% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 7% Danceability • 2% Energy • 32% Liveness
96% Instrumentalness • 3% Positiveness
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Martin Luther
A Mighty Fortress Is Our God: A mighty f...
77 bpm • C Maj • 03:36 • -26db
16% Popularity • 11% Danceability • 11% Energy • 15% Liveness
1% Instrumentalness • 14% Positiveness
16% Popularity • 11% Danceability • 11% Energy • 15% Liveness
1% Instrumentalness • 14% Positiveness
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Cecil Armstrong Gibbs
6 Sketches: No. 5, Folk-Song
68 bpm • C Maj • 02:02 • -32.94db
0% Popularity • 13% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
0% Popularity • 13% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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David German
Festive Trumpet Tune (German): Festive T...
67 bpm • F Maj • 02:08 • -9db
9% Popularity • 21% Danceability • 22% Energy • 16% Liveness
90% Instrumentalness • 25% Positiveness
9% Popularity • 21% Danceability • 22% Energy • 16% Liveness
90% Instrumentalness • 25% Positiveness
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Henry Purcell
O God, thou art my God, Z. 35
67 bpm • A# Maj • 04:25 • -24.58db
16% Popularity • 12% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 12% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Richard Farrant
Lord, for Thy Tender Mercy's Sake
77 bpm • G# Maj • 02:36 • -28db
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Bob Chilcott
The lily and the rose (version for mixed...
77 bpm • A min • 04:08 • -29.26db
16% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
16% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
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Johannes Brahms
4 Gesange, Op. 17: Es tont ein voller Ha...
67 bpm • G min • 03:15 • -25.92db
15% Popularity • 20% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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The Concordia Choir
Abendlied
77 bpm • C# Maj • 03:47 • -21.92db
18% Popularity • 24% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
18% Popularity • 24% Danceability • 14% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Bernard Rose
Versicles and Responses I
78 bpm • A Maj • 01:21 • -29db
13% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Henry Purcell
Thou Knowest, Lord, The Secrets of Our H...
78 bpm • B Maj • 02:44 • -26.88db
18% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
18% Popularity • 25% Danceability • 5% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
19% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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Franz Schubert
Deutsche Messe, D. 872: III. Zum Evangel...
67 bpm • G Maj • 05:15 • -24.46db
10% Popularity • 11% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
10% Popularity • 11% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Edward Bairstow
Jesu, the Very Thought of Thee
78 bpm • D# Maj • 02:01 • -34.06db
9% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 2% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: II. Dextera Domini
78 bpm • D Maj • 02:57 • -24.41db
10% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
