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Triptych
Songs like
Triptych
by
Samia
Based on a tempo of (+/- 10%) and a similar genre
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Samia
Triptych
111 bpm • B Maj • 03:06 • -9db
19% Popularity • 65% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Boyish
Superstar
111 bpm • D# Maj • 02:52 • -7.88db
33% Popularity • 66% Danceability • 63% Energy • 22% Liveness
3% Instrumentalness • 50% Positiveness
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Liza Anne
Desire
111 bpm • G Maj • 02:59 • -5db
20% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Jensen McRae
Wolves
111 bpm • B min • 03:53 • -10.16db
42% Popularity • 78% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Sarah Kinsley
The Giver
111 bpm • D Maj • 03:47 • -10.99db
52% Popularity • 44% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
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Julien Baker
Tokyo
111 bpm • A Maj • 03:43 • -8.19db
38% Popularity • 51% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Tomberlin
You Are Here
110 bpm • A# Maj • 03:44 • -13.93db
28% Popularity • 35% Danceability • 22% Energy • 15% Liveness
2% Instrumentalness • 29% Positiveness
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Etta Marcus
View from the Bridge
111 bpm • F# Maj • 02:47 • -12.68db
24% Popularity • 34% Danceability • 13% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Florist
White Light Doorway
112 bpm • A# Maj • 02:00 • -11db
51% Popularity • 59% Danceability • 55% Energy • 8% Liveness
41% Instrumentalness • 12% Positiveness
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girlpuppy
Miniature Furniture
112 bpm • C Maj • 02:44 • -9.07db
26% Popularity • 68% Danceability • 62% Energy • 27% Liveness
2% Instrumentalness • 85% Positiveness
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Haley Blais
Be Your Own Muse
112 bpm • D Maj • 04:01 • -7.88db
37% Popularity • 44% Danceability • 48% Energy • 6% Liveness
11% Instrumentalness • 34% Positiveness
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Samia
Country
110 bpm • F# Maj • 01:40 • -10.14db
27% Popularity • 40% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Alix Page
25
112 bpm • C# Maj • 03:35 • -9db
37% Popularity • 58% Danceability • 55% Energy • 6% Liveness
4% Instrumentalness • 21% Positiveness
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Charlie Hickey
Ten Feet Tall
110 bpm • C Maj • 03:44 • -7db
21% Popularity • 69% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Briston Maroney
Fool's Gold
112 bpm • A Maj • 04:38 • -10.96db
51% Popularity • 74% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Long Beard
Sweetheart
112 bpm • D Maj • 05:34 • -5.43db
30% Popularity • 51% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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BEL
Big City
112 bpm • E Maj • 02:42 • -8.17db
38% Popularity • 72% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Skullcrusher
Steps
110 bpm • G# Maj • 01:51 • -8db
33% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Haley Blais
Seventeen
110 bpm • G Maj • 03:28 • -5db
34% Popularity • 55% Danceability • 82% Energy • 31% Liveness
49% Instrumentalness • 60% Positiveness
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Barrie
Jenny
112 bpm • A Maj • 03:40 • -7.56db
27% Popularity • 62% Danceability • 52% Energy • 12% Liveness
11% Instrumentalness • 39% Positiveness
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Babygirl
I Wish I Never Met You
110 bpm • C# Maj • 03:31 • -9.15db
54% Popularity • 82% Danceability • 49% Energy • 15% Liveness
4% Instrumentalness • 91% Positiveness
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Hannah Jadagu
All My Time Is Wasted
110 bpm • F# Maj • 03:20 • -8db
36% Popularity • 64% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Samia
Winnebago - Charlie Hickey Version
113 bpm • G Maj • 02:37 • -13db
23% Popularity • 46% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Lucy Dacus
Nonbeliever
109 bpm • D Maj • 03:40 • -6.79db
47% Popularity • 36% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Ratboys
I Go Out at Night
109 bpm • C Maj • 03:07 • -6.6db
40% Popularity • 52% Danceability • 53% Energy • 30% Liveness
60% Instrumentalness • 35% Positiveness
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Claud
Cuff Your Jeans
113 bpm • D Maj • 02:55 • -6db
36% Popularity • 66% Danceability • 76% Energy • 19% Liveness
8% Instrumentalness • 96% Positiveness
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boygenius
Souvenir
109 bpm • F# min • 03:32 • -11.19db
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
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Annie DiRusso
Don't Swerve
109 bpm • G Maj • 02:56 • -8.93db
39% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Samia
Sea Lions
109 bpm • G Maj • 05:19 • -10.42db
32% Popularity • 63% Danceability • 51% Energy • 22% Liveness
1% Instrumentalness • 7% Positiveness
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Tommy Lefroy
Vampires
114 bpm • C Maj • 03:15 • -10.99db
41% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Rachel Bobbitt
More
114 bpm • G# Maj • 04:46 • -10.15db
31% Popularity • 51% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Haley Blais
Small Foreign Faction
114 bpm • G Maj • 03:33 • -8.48db
37% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
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Ethan Tasch
Room
114 bpm • G Maj • 03:30 • -9.23db
46% Popularity • 83% Danceability • 48% Energy • 14% Liveness
5% Instrumentalness • 67% Positiveness
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Lala Lala
Siren 042
108 bpm • B Maj • 02:41 • -7.37db
47% Popularity • 60% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Samia
Is There Something In The Movies? - Full...
108 bpm • G Maj • 04:00 • -8.76db
8% Popularity • 49% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Julien Baker
Heatwave
108 bpm • G Maj • 02:44 • -6.44db
43% Popularity • 59% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Tommy Lefroy
Northern Towns
114 bpm • C Maj • 02:56 • -11db
34% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Florist
Vacation
108 bpm • C Maj • 03:47 • -13.94db
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Haley Blais
Beginner's guide to birdwatching
108 bpm • B Maj • 04:29 • -17.4db
31% Popularity • 34% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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boygenius
Anti-Curse
115 bpm • C Maj • 03:18 • -9.92db
57% Popularity • 53% Danceability • 60% Energy • 11% Liveness
23% Instrumentalness • 14% Positiveness
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Samia
Welcome To Eden - The Wild Honey Pie Buz...
114 bpm • F Maj • 03:38 • -9.42db
19% Popularity • 50% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Eliza McLamb
Irish Exit
115 bpm • C Maj • 04:47 • -11.62db
30% Popularity • 51% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Charlie Hickey
No Good at Lying
107 bpm • C Maj • 02:59 • -6db
27% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Lala Lala
Plates
115 bpm • A Maj • 02:50 • -10.91db
24% Popularity • 48% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
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Petey
California - Prius Edition
115 bpm • D Maj • 03:58 • -14db
28% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Snail Mail
Headlock
115 bpm • A Maj • 03:12 • -7.38db
38% Popularity • 58% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Samia
The Promise
115 bpm • C Maj • 03:45 • -7.72db
38% Popularity • 70% Danceability • 85% Energy • 6% Liveness
6% Instrumentalness • 54% Positiveness
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Ethel Cain
Hard Times
107 bpm • A# Maj • 05:03 • -10.64db
58% Popularity • 49% Danceability • 36% Energy • 27% Liveness
1% Instrumentalness • 15% Positiveness
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Field Medic
bundle of hyacinths
107 bpm • F# Maj • 03:03 • -11db
31% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Japanese Breakfast
Boyish
107 bpm • D Maj • 03:33 • -7.46db
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Lomelda
Nervous Driver
116 bpm • A# Maj • 02:24 • -20db
48% Popularity • 62% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Julien Baker
Repeat
116 bpm • E Maj • 02:55 • -8.02db
39% Popularity • 48% Danceability • 53% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Samia
Charm You
115 bpm • D Maj • 02:41 • -8.76db
43% Popularity • 74% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Tommy Lefroy
The Cause
116 bpm • C Maj • 03:05 • -6.76db
44% Popularity • 67% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Lunar Vacation
Mold
116 bpm • D Maj • 03:45 • -6.96db
11% Popularity • 61% Danceability • 56% Energy • 49% Liveness
0% Instrumentalness • 36% Positiveness
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Japanese Breakfast
In Hell
116 bpm • E Maj • 02:38 • -7db
43% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Katy Kirby
Juniper
116 bpm • G# Maj • 02:39 • -9db
45% Popularity • 70% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Chappell Roan
Good Luck, Babe!
117 bpm • B min • 03:38 • -5.86db
77% Popularity • 70% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Samia
Welcome to Eden
115 bpm • F Maj • 03:36 • -6.5db
30% Popularity • 56% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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fanclubwallet
Car Crash in G Major
105 bpm • G Maj • 02:12 • -8db
47% Popularity • 71% Danceability • 52% Energy • 48% Liveness
12% Instrumentalness • 43% Positiveness
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Babygirl
You Were in My Dream Last Night
117 bpm • G# Maj • 04:01 • -8.26db
38% Popularity • 75% Danceability • 54% Energy • 11% Liveness
5% Instrumentalness • 65% Positiveness
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Japanese Breakfast
Posing For Cars
116 bpm • G Maj • 06:38 • -9.11db
47% Popularity • 30% Danceability • 27% Energy • 13% Liveness
5% Instrumentalness • 13% Positiveness
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Snail Mail
Full Control
117 bpm • B Maj • 02:55 • -4.69db
42% Popularity • 55% Danceability • 75% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
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Miel
Tourist Season
105 bpm • E Maj • 02:42 • -9.62db
29% Popularity • 64% Danceability • 66% Energy • 10% Liveness
5% Instrumentalness • 37% Positiveness
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Samia
Maps
117 bpm • G Maj • 03:27 • -8.36db
32% Popularity • 62% Danceability • 68% Energy • 35% Liveness
32% Instrumentalness • 33% Positiveness
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Jensen McRae
Dead Girl Walking
105 bpm • A Maj • 03:19 • -5db
49% Popularity • 71% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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boygenius
Ketchum, ID
118 bpm • C Maj • 03:35 • -12.15db
55% Popularity • 39% Danceability • 10% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
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Japanese Breakfast
Posing In Bondage
105 bpm • C# Maj • 04:04 • -7.53db
45% Popularity • 58% Danceability • 65% Energy • 12% Liveness
6% Instrumentalness • 20% Positiveness
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Leith Ross
Too Much Time In My House Alone
105 bpm • B Maj • 04:04 • -11.14db
37% Popularity • 39% Danceability • 53% Energy • 9% Liveness
4% Instrumentalness • 51% Positiveness
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Marika Hackman
any human friend
118 bpm • E Maj • 03:12 • -11.08db
23% Popularity • 57% Danceability • 52% Energy • 10% Liveness
83% Instrumentalness • 47% Positiveness
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Samia
Born on a Train
117 bpm • C# Maj • 03:47 • -7.41db
28% Popularity • 57% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Snail Mail
Stick
118 bpm • D# Maj • 05:13 • -5.85db
36% Popularity • 53% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Miya Folick
Ordinary
118 bpm • B min • 02:52 • -9.79db
29% Popularity • 65% Danceability • 44% Energy • 12% Liveness
19% Instrumentalness • 12% Positiveness
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Tommy Lefroy
Worst Case Kid
118 bpm • D Maj • 02:32 • -4.52db
53% Popularity • 60% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Hannah Jadagu
What Is Going On?
118 bpm • E Maj • 03:27 • -6.34db
38% Popularity • 67% Danceability • 75% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
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Eliza McLamb
Playhouse
118 bpm • F Maj • 03:48 • -11.04db
29% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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boygenius
$20
118 bpm • G Maj • 03:20 • -6.9db
64% Popularity • 56% Danceability • 61% Energy • 18% Liveness
3% Instrumentalness • 41% Positiveness
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Snail Mail
Glory
118 bpm • B min • 02:20 • -4.97db
46% Popularity • 61% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Susannah Joffe
Your Mother's Name
118 bpm • C# Maj • 03:51 • -9.73db
46% Popularity • 48% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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TOLEDO
Crane Song
118 bpm • A Maj • 04:49 • -12db
39% Popularity • 46% Danceability • 36% Energy • 16% Liveness
3% Instrumentalness • 10% Positiveness
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Ratboys
The Stanza
118 bpm • A# Maj • 03:28 • -10.18db
32% Popularity • 72% Danceability • 50% Energy • 15% Liveness
26% Instrumentalness • 34% Positiveness
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Sarah Kinsley
Over + Under
104 bpm • F# Maj • 03:56 • -11.14db
33% Popularity • 44% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Samia
Winnebago
118 bpm • A Maj • 02:44 • -10.9db
10% Popularity • 63% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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girlhouse
the fatalist
104 bpm • G Maj • 04:27 • -11.88db
36% Popularity • 56% Danceability • 50% Energy • 11% Liveness
20% Instrumentalness • 17% Positiveness
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Julien Baker
Favor
104 bpm • F Maj • 04:38 • -9db
48% Popularity • 49% Danceability • 58% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
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Sun June
Everything I had
104 bpm • A Maj • 04:06 • -11.33db
42% Popularity • 75% Danceability • 34% Energy • 9% Liveness
53% Instrumentalness • 19% Positiveness
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Wild Pink
Ohio
104 bpm • F Maj • 03:43 • -9.14db
19% Popularity • 44% Danceability • 63% Energy • 21% Liveness
88% Instrumentalness • 21% Positiveness
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Wilma Laverne Miner
Used To
119 bpm • B Maj • 04:59 • -10db
28% Popularity • 65% Danceability • 68% Energy • 12% Liveness
50% Instrumentalness • 76% Positiveness
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Samia
Lasting Friend
118 bpm • E Maj • 03:25 • -3.7db
5% Popularity • 46% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Better Oblivion Community Center
Sleepwalkin'
119 bpm • C# min • 03:12 • -7.51db
46% Popularity • 40% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Rachael Jenkins
untitled
119 bpm • C# Maj • 03:45 • -13db
40% Popularity • 37% Danceability • 24% Energy • 10% Liveness
42% Instrumentalness • 10% Positiveness
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quinnie
promised
103 bpm • C# Maj • 03:58 • -6.51db
45% Popularity • 39% Danceability • 58% Energy • 6% Liveness
4% Instrumentalness • 72% Positiveness
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Haley Blais
Survivor's Guilt
103 bpm • B Maj • 03:30 • -10.8db
40% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Laura Elliott
Fever Dreams
103 bpm • C Maj • 03:26 • -8db
20% Popularity • 78% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Samia
Amelia
103 bpm • E Maj • 03:41 • -7.91db
36% Popularity • 77% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Clairo
Alewife
103 bpm • D# Maj • 03:33 • -13.29db
59% Popularity • 43% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
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girlpuppy
Cheerleader
120 bpm • C Maj • 03:21 • -9.52db
19% Popularity • 64% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 43% Positiveness
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Runnner
Monochrome
120 bpm • A min • 03:19 • -9.24db
22% Popularity • 69% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Maggie Rogers
New Song
120 bpm • E Maj • 06:22 • -7.44db
56% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Boyish
anxious butterball
120 bpm • D# Maj • 03:38 • -12.37db
25% Popularity • 60% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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Triptych