Songs like Tristan und Isolde, WWV 90 / Act II: "O sink hernieder, Nacht der Liebe" - Live at Bayreuther Festspiele / 1966 by Richard Wagner
Based on a tempo of (+/- 10%) and a similar genre
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Richard Wagner
Lohengrin, WWV 75, Act II Scene 3: Des K...
88 bpm • D Maj • 06:03 • -14.16db
5% Popularity • 26% Danceability • 33% Energy • 59% Liveness
2% Instrumentalness • 18% Positiveness
5% Popularity • 26% Danceability • 33% Energy • 59% Liveness
2% Instrumentalness • 18% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59 / Act 1: Intro...
88 bpm • E Maj • 03:31 • -15.31db
12% Popularity • 10% Danceability • 17% Energy • 31% Liveness
79% Instrumentalness • 6% Positiveness
12% Popularity • 10% Danceability • 17% Energy • 31% Liveness
79% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Fileu...
88 bpm • G Maj • 02:35 • -28db
33% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
33% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 / Act I: "Zu dir wal...
88 bpm • G min • 05:57 • -28db
10% Popularity • 14% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 14% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
87 bpm • C min • 06:30 • -24db
27% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
27% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 2 in C minor - "Resurrectio...
87 bpm • D# Maj • 02:25 • -14.07db
33% Popularity • 19% Danceability • 26% Energy • 38% Liveness
50% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 26% Energy • 38% Liveness
50% Instrumentalness • 6% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
88 bpm • D# Maj • 06:52 • -12.43db
4% Popularity • 17% Danceability • 36% Energy • 32% Liveness
42% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 36% Energy • 32% Liveness
42% Instrumentalness • 4% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: Der He...
88 bpm • D# Maj • 04:28 • -16.72db
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: I. I pin...
90 bpm • F Maj • 02:34 • -17db
14% Popularity • 24% Danceability • 36% Energy • 40% Liveness
92% Instrumentalness • 41% Positiveness
14% Popularity • 24% Danceability • 36% Energy • 40% Liveness
92% Instrumentalness • 41% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
35% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Richard Wagner
Parsifal, WWV 111 / Act 1: "He! Ho! Wald...
88 bpm • G# Maj • 05:12 • -26.52db
6% Popularity • 18% Danceability • 6% Energy • 17% Liveness
4% Instrumentalness • 10% Positiveness
6% Popularity • 18% Danceability • 6% Energy • 17% Liveness
4% Instrumentalness • 10% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The St...
90 bpm • G Maj • 03:21 • -21.89db
29% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
29% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
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Richard Strauss
Elektra, Op. 58, TrV 223: "Allein! Weh, ...
90 bpm • F min • 09:28 • -16db
9% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: II. Un ba...
86 bpm • A Maj • 06:26 • -22.19db
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
18% Popularity • 20% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: The Tale of Tsar Saltan...
86 bpm • G Maj • 01:26 • -33db
38% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
38% Popularity • 37% Danceability • 3% Energy • 30% Liveness
91% Instrumentalness • 45% Positiveness
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Richard Wagner
Der fliegende Holländer, WWV 63 / Act I...
88 bpm • A# Maj • 08:09 • -20.09db
3% Popularity • 22% Danceability • 12% Energy • 71% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 22% Danceability • 12% Energy • 71% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620: Overture
85 bpm • D# Maj • 06:05 • -20.46db
30% Popularity • 32% Danceability • 9% Energy • 31% Liveness
88% Instrumentalness • 26% Positiveness
30% Popularity • 32% Danceability • 9% Energy • 31% Liveness
88% Instrumentalness • 26% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 4: "Ah! Ich habe ...
85 bpm • C# Maj • 04:36 • -15.27db
17% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
17% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
27% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
27% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: II. Un bal...
84 bpm • A Maj • 05:59 • -23db
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: V. Seguedille...
92 bpm • D Maj • 01:53 • -27db
44% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
44% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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Richard Wagner
Rienzi, WWV 49: Overture
87 bpm • D Maj • 11:42 • -13.44db
17% Popularity • 19% Danceability • 31% Energy • 5% Liveness
91% Instrumentalness • 8% Positiveness
17% Popularity • 19% Danceability • 31% Energy • 5% Liveness
91% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 40 in G Minor, K. 550: 1. M...
92 bpm • G min • 08:55 • -16.76db
28% Popularity • 33% Danceability • 21% Energy • 18% Liveness
91% Instrumentalness • 22% Positiveness
28% Popularity • 33% Danceability • 21% Energy • 18% Liveness
91% Instrumentalness • 22% Positiveness
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Johannes Brahms
Symphony No. 4 in E Minor, Op. 98: IV. A...
84 bpm • E min • 09:11 • -19.19db
37% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
37% Popularity • 18% Danceability • 11% Energy • 11% Liveness
61% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24, H. 111, P...
92 bpm • A Maj • 04:53 • -20db
16% Popularity • 36% Danceability • 14% Energy • 6% Liveness
76% Instrumentalness • 39% Positiveness
16% Popularity • 36% Danceability • 14% Energy • 6% Liveness
76% Instrumentalness • 39% Positiveness
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Richard Wagner
Die Walküre / Erster Aufzug: Siegmund h...
87 bpm • E min • 03:42 • -9.94db
0% Popularity • 21% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 21% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: The Young Prince A...
84 bpm • G Maj • 10:02 • -24.24db
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 9% Energy • 5% Liveness
76% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
53% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Mikhail Glinka
Ruslan and Lyudmila: Overture
83 bpm • D Maj • 04:56 • -17.01db
13% Popularity • 32% Danceability • 31% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 32% Danceability • 31% Energy • 16% Liveness
90% Instrumentalness • 35% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90 / Act II: "Do...
87 bpm • G# Maj • 02:11 • -21db
6% Popularity • 20% Danceability • 17% Energy • 14% Liveness
10% Instrumentalness • 4% Positiveness
6% Popularity • 20% Danceability • 17% Energy • 14% Liveness
10% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45: II. Andante co...
83 bpm • C min • 09:07 • -25db
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Egmont Overture, Op. 84 - Remastered
83 bpm • F min • 08:35 • -16.16db
41% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
41% Popularity • 29% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 9% Positiveness
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Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia: Overtu...
94 bpm • E Maj • 06:55 • -19db
10% Popularity • 34% Danceability • 14% Energy • 28% Liveness
88% Instrumentalness • 38% Positiveness
10% Popularity • 34% Danceability • 14% Energy • 28% Liveness
88% Instrumentalness • 38% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act II, Scen...
87 bpm • A# Maj • 10:24 • -10.11db
1% Popularity • 19% Danceability • 48% Energy • 18% Liveness
15% Instrumentalness • 10% Positiveness
1% Popularity • 19% Danceability • 48% Energy • 18% Liveness
15% Instrumentalness • 10% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: IV. A...
83 bpm • C Maj • 10:50 • -13.36db
29% Popularity • 25% Danceability • 35% Energy • 28% Liveness
86% Instrumentalness • 33% Positiveness
29% Popularity • 25% Danceability • 35% Energy • 28% Liveness
86% Instrumentalness • 33% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
82 bpm • D# Maj • 02:41 • -18db
35% Popularity • 16% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
35% Popularity • 16% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
94 bpm • G# Maj • 02:44 • -29.68db
38% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
38% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Richard Wagner
Siegfried, WWV 86C, Act III: Ewig war ic...
87 bpm • E min • 04:35 • -20db
18% Popularity • 21% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
34% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
34% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: III. ...
82 bpm • G# Maj • 05:09 • -20.73db
38% Popularity • 28% Danceability • 8% Energy • 25% Liveness
54% Instrumentalness • 21% Positiveness
38% Popularity • 28% Danceability • 8% Energy • 25% Liveness
54% Instrumentalness • 21% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Turandot / Act 3: "Diecimile anni al nos...
81 bpm • D Maj • 02:24 • -10.01db
16% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 20% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Violin Concerto In D, Op. 35, TH. 59: 3....
81 bpm • D Maj • 10:19 • -20db
29% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
29% Popularity • 39% Danceability • 16% Energy • 14% Liveness
25% Instrumentalness • 25% Positiveness
► Preview
Richard Wagner
Parsifal: Prelude to Act I
87 bpm • G# Maj • 10:24 • -23db
25% Popularity • 9% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
25% Popularity • 9% Danceability • 5% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Mikhail Glinka
Ruslan and Ludmila: Overture
81 bpm • F Maj • 05:05 • -16.6db
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
21% Popularity • 29% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Gustav Mahler
Symphony No. 4: IV. Sehr behaglich
80 bpm • E min • 09:26 • -22.36db
23% Popularity • 22% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 22% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
► Preview
Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
80 bpm • C# Maj • 10:10 • -31db
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Richard Wagner
Die Walküre, WWV 86B / Act 3: "Hojotoho...
89 bpm • G Maj • 06:19 • -14.35db
13% Popularity • 26% Danceability • 33% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
13% Popularity • 26% Danceability • 33% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
► Preview
Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: II. A...
80 bpm • C Maj • 04:57 • -14db
33% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
33% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
80 bpm • F Maj • 03:59 • -23db
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 15% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
► Preview
Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
80 bpm • D# Maj • 04:46 • -13db
27% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
27% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
80 bpm • G# Maj • 00:55 • -35db
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 4 in F Minor, ...
80 bpm • F min • 09:35 • -15db
35% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
35% Popularity • 24% Danceability • 41% Energy • 71% Liveness
81% Instrumentalness • 8% Positiveness
► Preview
Richard Wagner
Der fliegende Hollander (the Flying Dutc...
89 bpm • A min • 10:59 • -18.33db
17% Popularity • 14% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • E min • 01:17 • -19db
35% Popularity • 35% Danceability • 36% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
35% Popularity • 35% Danceability • 36% Energy • 12% Liveness
81% Instrumentalness • 49% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
15% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
15% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
43% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: IV. A...
80 bpm • A Maj • 08:01 • -16db
39% Popularity • 26% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
39% Popularity • 26% Danceability • 39% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620: Overtu...
80 bpm • D# Maj • 07:03 • -21.29db
24% Popularity • 31% Danceability • 8% Energy • 16% Liveness
91% Instrumentalness • 13% Positiveness
24% Popularity • 31% Danceability • 8% Energy • 16% Liveness
91% Instrumentalness • 13% Positiveness
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Richard Wagner
Tannhauser: Venusberg Music
89 bpm • E min • 12:20 • -19.81db
22% Popularity • 11% Danceability • 16% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
22% Popularity • 11% Danceability • 16% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Romeo and Juliet, Fantasy O...
79 bpm • B min • 05:04 • -18.9db
31% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Beethoven: Symphony No. 6 in F Major, Op...
79 bpm • F Maj • 10:23 • -24db
22% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
22% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III Scene 3: In f...
89 bpm • A Maj • 05:35 • -20.99db
8% Popularity • 21% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 21% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
100 bpm • A min • 05:20 • -19db
22% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
38% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
38% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: I. Al...
98 bpm • C min • 07:22 • -15.61db
63% Popularity • 25% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
63% Popularity • 25% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Richard Wagner
Wagner: Rienzi, WWV 49: Overture
89 bpm • D Maj • 11:38 • -14db
8% Popularity • 17% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
8% Popularity • 17% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Hector Berlioz
Béatrice et Bénédict, Op. 27, H 138: ...
101 bpm • G Maj • 08:13 • -23.12db
13% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
13% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Bydlo
101 bpm • A Maj • 02:39 • -21.77db
25% Popularity • 17% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
25% Popularity • 17% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
► Preview
Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
76 bpm • D# Maj • 04:11 • -33.32db
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
31% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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Richard Wagner
Die Walküre, Act III Scene 1: Hojotoho!...
90 bpm • G Maj • 06:08 • -14.42db
6% Popularity • 29% Danceability • 34% Energy • 23% Liveness
2% Instrumentalness • 11% Positiveness
6% Popularity • 29% Danceability • 34% Energy • 23% Liveness
2% Instrumentalness • 11% Positiveness
► Preview
Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
102 bpm • C Maj • 06:15 • -18db
20% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
20% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
