Songs like Tristan und Isolde, WWV 90, Act III: Prelude – Hirtenreigen - Live by Richard Wagner
Based on a tempo of (+/- 10%) and a similar genre
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Romeo and Juliet, Fantasy O...
79 bpm • B min • 05:04 • -18.9db
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
30% Popularity • 14% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90: Prelude to A...
79 bpm • A min • 10:35 • -22.29db
28% Popularity • 7% Danceability • 8% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
28% Popularity • 7% Danceability • 8% Energy • 15% Liveness
78% Instrumentalness • 3% Positiveness
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Maurice Ravel
Une barque sur l'océan: Très souple de...
79 bpm • A Maj • 07:59 • -29db
23% Popularity • 7% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
23% Popularity • 7% Danceability • 4% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Aaron Copland
Appalachian Spring: I. Very Slowly
78 bpm • A Maj • 02:42 • -31db
36% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30, TrV 176...
78 bpm • G# Maj • 03:28 • -22db
33% Popularity • 12% Danceability • 4% Energy • 72% Liveness
87% Instrumentalness • 3% Positiveness
33% Popularity • 12% Danceability • 4% Energy • 72% Liveness
87% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66: Panorama
80 bpm • G Maj • 02:59 • -26.41db
40% Popularity • 10% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
40% Popularity • 10% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
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Richard Wagner
Siegfried, WWV 86C, Act I: Prelude
79 bpm • A# min • 04:07 • -33.16db
22% Popularity • 10% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
22% Popularity • 10% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
78 bpm • E Maj • 04:56 • -25db
20% Popularity • 14% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 4 in G Major, Op. 58:...
78 bpm • E min • 05:37 • -28.69db
11% Popularity • 30% Danceability • 0% Energy • 15% Liveness
14% Instrumentalness • 6% Positiveness
11% Popularity • 30% Danceability • 0% Energy • 15% Liveness
14% Instrumentalness • 6% Positiveness
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Leonard Bernstein
Symphony No. 1 "Jeremiah": I. Prophecy
78 bpm • E Maj • 07:38 • -19db
4% Popularity • 18% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
4% Popularity • 18% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Richard Strauss
Eine Alpensinfonie, Op. 64, TrV 233: Aus...
80 bpm • D# Maj • 06:05 • -24.95db
11% Popularity • 8% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 12% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Gustav Mahler
Symphony No. 2 In C Minor - "Resurrectio...
80 bpm • C min • 02:30 • -19.35db
42% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
42% Popularity • 28% Danceability • 8% Energy • 39% Liveness
91% Instrumentalness • 24% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
80 bpm • G# Maj • 00:55 • -35db
47% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
47% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
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Aaron Copland
Appalachian Spring: VII. Doppio moviment...
78 bpm • C# Maj • 03:03 • -15.27db
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30, TrV 176...
80 bpm • B Maj • 04:03 • -27.38db
9% Popularity • 8% Danceability • 4% Energy • 64% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 4% Energy • 64% Liveness
86% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Phaéton, Op. 39
80 bpm • D# Maj • 09:06 • -23db
30% Popularity • 14% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Richard Wagner
Das Rheingold: Scene II: Einleitung
78 bpm • C# Maj • 01:07 • -33db
31% Popularity • 19% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
31% Popularity • 19% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: II. A...
80 bpm • C Maj • 04:57 • -14db
32% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
32% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
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Leonard Bernstein
Symphony No. 2 "The Age of Anxiety" / Pa...
78 bpm • G# min • 01:29 • -23.62db
21% Popularity • 20% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
21% Popularity • 20% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
La forza del destino: Overture (Sinfonia...
80 bpm • E min • 07:21 • -15.07db
32% Popularity • 15% Danceability • 16% Energy • 4% Liveness
75% Instrumentalness • 12% Positiveness
32% Popularity • 15% Danceability • 16% Energy • 4% Liveness
75% Instrumentalness • 12% Positiveness
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Aaron Copland
Appalachian Spring: Variations on a Shak...
78 bpm • C# Maj • 03:01 • -14.59db
17% Popularity • 19% Danceability • 9% Energy • 31% Liveness
83% Instrumentalness • 22% Positiveness
17% Popularity • 19% Danceability • 9% Energy • 31% Liveness
83% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
80 bpm • C# Maj • 10:10 • -31db
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
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Jean Sibelius
Valse triste, Op. 44
78 bpm • G Maj • 06:08 • -25.09db
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Richard Wagner
Götterdämmerung / Prologue: Siegfrieds...
80 bpm • A# Maj • 04:47 • -16.39db
9% Popularity • 16% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620: Overtu...
80 bpm • D# Maj • 07:33 • -21db
33% Popularity • 22% Danceability • 9% Energy • 19% Liveness
88% Instrumentalness • 8% Positiveness
33% Popularity • 22% Danceability • 9% Energy • 19% Liveness
88% Instrumentalness • 8% Positiveness
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Alexander Borodin
Prince Igor: Polovtsian Dances (Remaster...
78 bpm • A Maj • 02:23 • -23.28db
28% Popularity • 17% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Symphony No. 1 "Jeremiah": II. Profanati...
81 bpm • A Maj • 06:39 • -15.28db
7% Popularity • 38% Danceability • 39% Energy • 69% Liveness
83% Instrumentalness • 28% Positiveness
7% Popularity • 38% Danceability • 39% Energy • 69% Liveness
83% Instrumentalness • 28% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
81 bpm • C Maj • 01:13 • -27.75db
28% Popularity • 47% Danceability • 5% Energy • 26% Liveness
92% Instrumentalness • 30% Positiveness
28% Popularity • 47% Danceability • 5% Energy • 26% Liveness
92% Instrumentalness • 30% Positiveness
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Richard Wagner
Wagner: Die Meistersinger von Nürnberg,...
80 bpm • G Maj • 05:45 • -34.54db
18% Popularity • 12% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 12% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Jean Sibelius
Belshazzar's Feast, JS 48: Act II: Prelu...
81 bpm • C# Maj • 03:48 • -37db
25% Popularity • 10% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 1% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Max Bruch
Kol Nidrei - Adagio For Cello, Opus 47
81 bpm • D Maj • 10:49 • -21.28db
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 11% Danceability • 13% Energy • 37% Liveness
87% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
81 bpm • C min • 06:37 • -30db
29% Popularity • 23% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
29% Popularity • 23% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act I: Prelude
81 bpm • A Maj • 08:28 • -29db
15% Popularity • 8% Danceability • 3% Energy • 17% Liveness
94% Instrumentalness • 3% Positiveness
15% Popularity • 8% Danceability • 3% Energy • 17% Liveness
94% Instrumentalness • 3% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: III. ...
77 bpm • F# Maj • 05:56 • -21.74db
9% Popularity • 15% Danceability • 14% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 14% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 2 in C Minor "Resurrection"...
77 bpm • G# Maj • 11:41 • -22db
21% Popularity • 18% Danceability • 9% Energy • 8% Liveness
70% Instrumentalness • 12% Positiveness
21% Popularity • 18% Danceability • 9% Energy • 8% Liveness
70% Instrumentalness • 12% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
46% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Die Meistersinger von Nürnberg,...
81 bpm • G Maj • 03:58 • -19db
15% Popularity • 36% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 36% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Claude Debussy
Prelude a l'apres-midi d'un faune, L. 86
77 bpm • C# Maj • 11:45 • -32.94db
47% Popularity • 7% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 2% Energy • 9% Liveness
78% Instrumentalness • 3% Positiveness
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Gustav Mahler
Symphony No. 1 in D Major "Titan": IIIa....
77 bpm • D min • 02:09 • -34db
23% Popularity • 19% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
23% Popularity • 19% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
81 bpm • B Maj • 08:23 • -26db
42% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Carl Orff
Carmina Burana / 1. Primo vere: "Veris l...
82 bpm • D Maj • 05:19 • -39.09db
2% Popularity • 13% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 7% Positiveness
2% Popularity • 13% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 7% Positiveness
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Anton Arensky
Egipetskiye nochi (Egyptian Nights), Op....
82 bpm • C min • 03:45 • -33.15db
25% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
25% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Richard Wagner
Tristan & Isolde: Isoldes Liebesverlange...
77 bpm • A# Maj • 07:46 • -23.5db
13% Popularity • 11% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 12. Anda...
82 bpm • A# Maj • 03:29 • -29db
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 2% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Modest Mussorgsky
Khovantchina: Dawn Over the Moscow River...
77 bpm • F# min • 05:42 • -26db
8% Popularity • 9% Danceability • 4% Energy • 7% Liveness
66% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 4% Energy • 7% Liveness
66% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74 "Path�...
82 bpm • G Maj • 08:36 • -12.97db
19% Popularity • 49% Danceability • 46% Energy • 31% Liveness
92% Instrumentalness • 19% Positiveness
19% Popularity • 49% Danceability • 46% Energy • 31% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Henry Purcell
Purcell: March and Canzona for Queen Mar...
82 bpm • C min • 02:17 • -24.6db
30% Popularity • 19% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Richard Wagner
Lohengrin, WWV 75 / Act 3: Mein lieber S...
81 bpm • D Maj • 08:27 • -16db
14% Popularity • 23% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Anton Arensky
Egyptian Nights, Op. 50: Charmeuse des s...
76 bpm • G# Maj • 01:15 • -25db
22% Popularity • 31% Danceability • 6% Energy • 50% Liveness
82% Instrumentalness • 8% Positiveness
22% Popularity • 31% Danceability • 6% Energy • 50% Liveness
82% Instrumentalness • 8% Positiveness
► Preview
Gustav Mahler
Symphony No. 5 In C Sharp Minor: 4. Adag...
82 bpm • F Maj • 10:45 • -27.86db
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
37% Popularity • 14% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
► Preview
Hector Berlioz
Symphonie fantastique, Op. 14: IV. March...
76 bpm • A# Maj • 04:57 • -16.71db
1% Popularity • 39% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
1% Popularity • 39% Danceability • 23% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: IV....
82 bpm • D Maj • 10:03 • -21db
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Violin Concerto, Op. 14: II. Andante
82 bpm • E Maj • 08:42 • -29db
20% Popularity • 10% Danceability • 3% Energy • 10% Liveness
45% Instrumentalness • 3% Positiveness
20% Popularity • 10% Danceability • 3% Energy • 10% Liveness
45% Instrumentalness • 3% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90, Act III: Lie...
82 bpm • B Maj • 06:43 • -21.91db
13% Popularity • 13% Danceability • 10% Energy • 19% Liveness
92% Instrumentalness • 3% Positiveness
13% Popularity • 13% Danceability • 10% Energy • 19% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Leonard Bernstein
Candide: Overture
82 bpm • D# Maj • 04:10 • -16.3db
32% Popularity • 24% Danceability • 41% Energy • 33% Liveness
66% Instrumentalness • 42% Positiveness
32% Popularity • 24% Danceability • 41% Energy • 33% Liveness
66% Instrumentalness • 42% Positiveness
► Preview
Giuseppe Verdi
Messa da Requiem: Dies irae: Lacrymosa
76 bpm • A# min • 05:56 • -24.74db
2% Popularity • 13% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 13% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Aaron Copland
Appalachian Spring: II. Allegro
82 bpm • F Maj • 02:42 • -13db
32% Popularity • 43% Danceability • 38% Energy • 19% Liveness
83% Instrumentalness • 20% Positiveness
32% Popularity • 43% Danceability • 38% Energy • 19% Liveness
83% Instrumentalness • 20% Positiveness
► Preview
Dmitri Shostakovich
The Gadfly Suite, Op. 97: VIII. Romance
76 bpm • C# Maj • 06:33 • -29.13db
30% Popularity • 9% Danceability • 4% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 4% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
► Preview
Bedřich Smetana
Charakterstücke, Op. 3, JB 1:65: No. 3,...
76 bpm • G# min • 01:49 • -23db
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90, Act II Scene...
76 bpm • D Maj • 02:00 • -31.39db
27% Popularity • 20% Danceability • 4% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 4% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Béla Bartók
Concerto for Orchestra, Sz. 116: IV. Int...
76 bpm • F Maj • 04:23 • -25.57db
0% Popularity • 12% Danceability • 7% Energy • 33% Liveness
88% Instrumentalness • 6% Positiveness
0% Popularity • 12% Danceability • 7% Energy • 33% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 2 in B-Flat Major, Op...
83 bpm • A# Maj • 06:11 • -25.64db
0% Popularity • 33% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 52% Positiveness
0% Popularity • 33% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 52% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Igor Stravinsky
The Firebird Suite (1919 Version): Infer...
83 bpm • E min • 03:56 • -13.05db
16% Popularity • 35% Danceability • 53% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
16% Popularity • 35% Danceability • 53% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
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Richard Wagner
Die Walküre, WWV 86B / Act 1: "Du bist ...
76 bpm • C# Maj • 06:53 • -21db
15% Popularity • 16% Danceability • 11% Energy • 76% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 16% Danceability • 11% Energy • 76% Liveness
0% Instrumentalness • 5% Positiveness
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Jean Sibelius
The Swan of Tuonela, Op. 22, No. 3
75 bpm • A min • 09:53 • -28db
23% Popularity • 12% Danceability • 6% Energy • 14% Liveness
43% Instrumentalness • 3% Positiveness
23% Popularity • 12% Danceability • 6% Energy • 14% Liveness
43% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45: II. Andante co...
83 bpm • C min • 09:07 • -25db
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
String Quartet No. 14 in C-Sharp Minor, ...
83 bpm • G# min • 02:44 • -24.53db
22% Popularity • 19% Danceability • 7% Energy • 15% Liveness
95% Instrumentalness • 3% Positiveness
22% Popularity • 19% Danceability • 7% Energy • 15% Liveness
95% Instrumentalness • 3% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 5. Moder...
83 bpm • C min • 02:32 • -28.97db
33% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
33% Popularity • 8% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Richard Wagner
Das Rheingold: Einzug der Götter in Wal...
76 bpm • C# Maj • 08:43 • -20.73db
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Gerard Schwarz
Parsifal Wagner - Good Friday Spell
75 bpm • D Maj • 11:12 • -29.05db
31% Popularity • 11% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
83 bpm • E Maj • 04:17 • -18.28db
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 13% Energy • 27% Liveness
87% Instrumentalness • 6% Positiveness
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Joseph Haydn
Die Schopfung (The Creation), Hob.XXI:2:...
83 bpm • A Maj • 04:02 • -20.23db
0% Popularity • 30% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 30% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 35 in D Major, K. 385 "Haff...
75 bpm • D Maj • 03:35 • -17.75db
31% Popularity • 39% Danceability • 21% Energy • 11% Liveness
81% Instrumentalness • 53% Positiveness
31% Popularity • 39% Danceability • 21% Energy • 11% Liveness
81% Instrumentalness • 53% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 8. Alleg...
84 bpm • G Maj • 02:30 • -29.72db
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
34% Popularity • 8% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Richard Addinsell
Warsaw Concerto
74 bpm • B Maj • 09:00 • -19db
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
► Preview
Richard Wagner
Parsifal, WWV 111 / Act I: "He! Ho! Wald...
83 bpm • G# Maj • 07:28 • -21.32db
7% Popularity • 21% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 21% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Pines Of Rome, P. 141: 3. The Pines Of T...
84 bpm • E Maj • 06:48 • -31.27db
21% Popularity • 8% Danceability • 4% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 4% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
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Aaron Copland
Symphony No. 3: I. Molto moderato
84 bpm • A Maj • 11:03 • -20.46db
9% Popularity • 12% Danceability • 6% Energy • 17% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 6% Energy • 17% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Eine Alpensinfonie, Op. 64, TrV 233: Vis...
84 bpm • G# min • 03:36 • -15.87db
12% Popularity • 10% Danceability • 23% Energy • 48% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 23% Energy • 48% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Violin Concerto in D Major, Op. 77: III....
84 bpm • D Maj • 08:30 • -17db
29% Popularity • 31% Danceability • 21% Energy • 39% Liveness
7% Instrumentalness • 35% Positiveness
29% Popularity • 31% Danceability • 21% Energy • 39% Liveness
7% Instrumentalness • 35% Positiveness
