Songs like Triumph - Amazing Grace Original Score by David Arnold
Based on a tempo of (+/- 10%) and a similar genre
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Mark Knopfler
Guide My Sword
74 bpm • A min • 05:09 • -12.3db
24% Popularity • 21% Danceability • 19% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 21% Danceability • 19% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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David Arnold
Triumph - Amazing Grace Original Score
74 bpm • A# Maj • 03:12 • -15.95db
16% Popularity • 18% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Cliff Eidelman
One True Thing
74 bpm • A Maj • 02:20 • -31db
33% Popularity • 8% Danceability • 2% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
33% Popularity • 8% Danceability • 2% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
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Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Nick Glennie-Smith
Jack's Death
74 bpm • D# min • 01:38 • -17.99db
23% Popularity • 14% Danceability • 20% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 20% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Knighting Peter
74 bpm • C Maj • 03:48 • -23.93db
35% Popularity • 7% Danceability • 5% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
35% Popularity • 7% Danceability • 5% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
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George Fenton
A Sepulchre
74 bpm • A Maj • 02:56 • -28.09db
22% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Harald Kloser
Sam!
74 bpm • G# Maj • 01:18 • -28db
39% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
39% Popularity • 20% Danceability • 7% Energy • 8% Liveness
70% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Austenland Symphony: II. Romanze
74 bpm • G Maj • 06:04 • -17.84db
26% Popularity • 7% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 7% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Craig Armstrong
Corn Exchange
74 bpm • G Maj • 01:26 • -18.43db
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
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Carter Burwell
I Will Carry You
74 bpm • G Maj • 01:57 • -23.13db
26% Popularity • 13% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Cliff Eidelman
Birth
74 bpm • D Maj • 03:06 • -16.61db
14% Popularity • 8% Danceability • 14% Energy • 21% Liveness
82% Instrumentalness • 5% Positiveness
14% Popularity • 8% Danceability • 14% Energy • 21% Liveness
82% Instrumentalness • 5% Positiveness
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Michael Giacchino
Jupiter Ascending - 2nd Movement
74 bpm • G min • 03:25 • -25.23db
12% Popularity • 8% Danceability • 3% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 3% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Bear McCreary
The Key to Lallybroch
74 bpm • D Maj • 07:09 • -23.05db
31% Popularity • 7% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Mark McKenzie
Dragon Heaven
73 bpm • C Maj • 01:21 • -32.67db
44% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Amendment
75 bpm • D# Maj • 01:22 • -22.53db
47% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
47% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Harry Gregson-Williams
From Western Woods to Beaversdam
75 bpm • F min • 03:34 • -23.76db
44% Popularity • 9% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 9% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Anne Dudley
The Harvest
73 bpm • F Maj • 02:20 • -12.49db
17% Popularity • 8% Danceability • 26% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
17% Popularity • 8% Danceability • 26% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Angelo Badalamenti
Stalingrad Overture (Universal Theme)
75 bpm • A Maj • 03:18 • -19.54db
17% Popularity • 7% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
17% Popularity • 7% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Craig Armstrong
Oak Leaves
73 bpm • D min • 01:10 • -19.74db
44% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
44% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Patrick Cassidy
Calvary Theme
75 bpm • A# Maj • 02:58 • -17.48db
18% Popularity • 7% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
18% Popularity • 7% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Carter Burwell
Father's Gun
73 bpm • G Maj • 01:20 • -21.85db
21% Popularity • 20% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
21% Popularity • 20% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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An Eligible Quartet
Mr. Knightley Returns
75 bpm • G min • 01:52 • -16.99db
27% Popularity • 25% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
27% Popularity • 25% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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David Arnold
#SherlockLives
75 bpm • E min • 02:49 • -17db
25% Popularity • 11% Danceability • 23% Energy • 25% Liveness
77% Instrumentalness • 7% Positiveness
25% Popularity • 11% Danceability • 23% Energy • 25% Liveness
77% Instrumentalness • 7% Positiveness
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Mark Isham
The Wild Ride
75 bpm • C min • 02:29 • -12.29db
16% Popularity • 22% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Craig Armstrong
Time Moves On
75 bpm • A Maj • 01:08 • -20.72db
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Michael Kamen
Boy Eats Chocolate - Instrumental
72 bpm • C Maj • 01:16 • -24.15db
30% Popularity • 27% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 27% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Dan Redfeld & Elizabeth Hedman
The Patriot: Main Theme
76 bpm • C Maj • 04:20 • -17db
25% Popularity • 20% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
25% Popularity • 20% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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David Arnold
Suite from "Independence Day" (Orch. N. ...
75 bpm • G Maj • 05:45 • -17.08db
6% Popularity • 11% Danceability • 35% Energy • 34% Liveness
87% Instrumentalness • 16% Positiveness
6% Popularity • 11% Danceability • 35% Energy • 34% Liveness
87% Instrumentalness • 16% Positiveness
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Bear McCreary
Leave the Past Behind
76 bpm • D min • 05:12 • -22.22db
28% Popularity • 14% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Stephen Warbeck
Princess of Nowhere
76 bpm • G min • 03:51 • -21.54db
29% Popularity • 18% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
29% Popularity • 18% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Michael Kamen
Preparing For Patrol - Instrumental
72 bpm • F min • 02:29 • -25db
14% Popularity • 17% Danceability • 7% Energy • 16% Liveness
65% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 7% Energy • 16% Liveness
65% Instrumentalness • 3% Positiveness
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B.S.O. Varios
The Miracle of the Bread
76 bpm • F# min • 04:22 • -19.85db
18% Popularity • 7% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Craig Armstrong
Armstrong: Love Theme
72 bpm • G Maj • 02:51 • -18db
18% Popularity • 7% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 7% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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David Arnold
Market Forces
76 bpm • A# min • 01:53 • -12.42db
21% Popularity • 27% Danceability • 48% Energy • 48% Liveness
95% Instrumentalness • 10% Positiveness
21% Popularity • 27% Danceability • 48% Energy • 48% Liveness
95% Instrumentalness • 10% Positiveness
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Mark Isham
Three Fisherman
76 bpm • C Maj • 01:57 • -15.44db
19% Popularity • 16% Danceability • 12% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 12% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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J.A.C. Redford, The Moscow Symphony Orchestra & Konstantin Krimets
Beguiled
76 bpm • C Maj • 03:32 • -20.89db
8% Popularity • 14% Danceability • 12% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 12% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
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Joseph Vitarelli
The White House
76 bpm • D# Maj • 03:04 • -15.18db
9% Popularity • 15% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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George Fenton
Angel Falls
76 bpm • D min • 02:18 • -16.51db
3% Popularity • 13% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
3% Popularity • 13% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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James Gosling
Freya
76 bpm • C# Maj • 06:32 • -20.18db
24% Popularity • 14% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
24% Popularity • 14% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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David Arnold
Nothing Sinister
76 bpm • C Maj • 01:27 • -28.88db
26% Popularity • 8% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 8% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Milo Paulus
A Simple Gift
77 bpm • B Maj • 04:15 • -20.79db
9% Popularity • 13% Danceability • 11% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
9% Popularity • 13% Danceability • 11% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
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Rob Lane
The Burdens of Duty
72 bpm • C min • 02:11 • -24db
41% Popularity • 19% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 19% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Bear McCreary
A Fraser Officer Survived
77 bpm • D min • 04:15 • -16.73db
28% Popularity • 13% Danceability • 15% Energy • 5% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 15% Energy • 5% Liveness
88% Instrumentalness • 4% Positiveness
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Mark Mancina
Piano Lullaby
77 bpm • C Maj • 02:07 • -23.37db
22% Popularity • 46% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
22% Popularity • 46% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
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Jan A.P. Kaczmarek
Andrew and Natasha in Love
77 bpm • C Maj • 07:41 • -19.6db
22% Popularity • 7% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 5% Positiveness
22% Popularity • 7% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 5% Positiveness
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David Arnold
War
76 bpm • C min • 03:18 • -25.57db
30% Popularity • 18% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Anne Dudley
Luck of the Devil
71 bpm • C# min • 04:11 • -16.91db
6% Popularity • 14% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
6% Popularity • 14% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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Klaus Badelt
Time Travel
77 bpm • D Maj • 04:35 • -17.97db
17% Popularity • 16% Danceability • 15% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 15% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Michael Kamen
Winters On Subway - Instrumental
71 bpm • G Maj • 01:54 • -36db
28% Popularity • 16% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
28% Popularity • 16% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Jan A.P. Kaczmarek
Geppetto Creates
71 bpm • C Maj • 01:17 • -26db
49% Popularity • 24% Danceability • 7% Energy • 12% Liveness
19% Instrumentalness • 9% Positiveness
49% Popularity • 24% Danceability • 7% Energy • 12% Liveness
19% Instrumentalness • 9% Positiveness
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George Fenton
Planet Earth Prelude
71 bpm • A# min • 01:53 • -17.14db
9% Popularity • 14% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Anne Dudley
A Blood Red Moon
77 bpm • A Maj • 03:49 • -14.69db
6% Popularity • 9% Danceability • 14% Energy • 33% Liveness
41% Instrumentalness • 3% Positiveness
6% Popularity • 9% Danceability • 14% Energy • 33% Liveness
41% Instrumentalness • 3% Positiveness
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David Arnold
1st Sword
77 bpm • C Maj • 01:17 • -26.34db
23% Popularity • 7% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
23% Popularity • 7% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 5% Positiveness
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J.A.C. Redford, The Moscow Symphony Orchestra & Konstantin Krimets
The Story of Gilgamesh
78 bpm • A min • 01:22 • -24.3db
10% Popularity • 7% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
10% Popularity • 7% Danceability • 5% Energy • 11% Liveness
84% Instrumentalness • 11% Positiveness
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Rupert Gregson-Williams
Historical Footage
78 bpm • G Maj • 04:59 • -14.59db
24% Popularity • 7% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
24% Popularity • 7% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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Bear McCreary
John Grey
70 bpm • E min • 04:04 • -19.1db
27% Popularity • 16% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Beach and the Past
70 bpm • G min • 02:52 • -20.21db
24% Popularity • 11% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
24% Popularity • 11% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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David Arnold
Death of Vesper
77 bpm • E min • 02:50 • -24.41db
27% Popularity • 10% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
27% Popularity • 10% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Rob Lane
Guinevere
70 bpm • G Maj • 01:31 • -31.74db
44% Popularity • 16% Danceability • 2% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
44% Popularity • 16% Danceability • 2% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
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Rupert Gregson-Williams
Togetherness
78 bpm • F# min • 01:44 • -18.38db
25% Popularity • 16% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
25% Popularity • 16% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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J.A.C. Redford, Konstantin Krimets & The Moscow Symphony Orchestra
For Such a Time As This
70 bpm • D min • 04:24 • -16.87db
7% Popularity • 9% Danceability • 18% Energy • 24% Liveness
88% Instrumentalness • 6% Positiveness
7% Popularity • 9% Danceability • 18% Energy • 24% Liveness
88% Instrumentalness • 6% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Carlo Savina
Love Theme Of Ben-Hur
78 bpm • F Maj • 02:51 • -21.83db
10% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
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Randy Newman
A Nice Ride
70 bpm • F Maj • 03:16 • -15.71db
14% Popularity • 15% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Zbigniew Preisner
Walking Through The Garden
70 bpm • G Maj • 01:53 • -20.34db
36% Popularity • 24% Danceability • 14% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
36% Popularity • 24% Danceability • 14% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
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Mark Mancina
Wine Glass Suite
78 bpm • F Maj • 03:10 • -22.21db
21% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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David Arnold
Liliandil and Dark Island
70 bpm • G min • 01:30 • -23.4db
19% Popularity • 10% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
19% Popularity • 10% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Rob Lane
Letter To Jefferson
79 bpm • G Maj • 03:51 • -17.75db
11% Popularity • 8% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Harry Gregson-Williams
The White Witch
79 bpm • G# Maj • 05:30 • -23.05db
35% Popularity • 7% Danceability • 7% Energy • 23% Liveness
83% Instrumentalness • 3% Positiveness
35% Popularity • 7% Danceability • 7% Energy • 23% Liveness
83% Instrumentalness • 3% Positiveness
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Marc Shaiman
End Credits
70 bpm • B Maj • 03:54 • -14.49db
22% Popularity • 20% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
22% Popularity • 20% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Jan A.P. Kaczmarek
The Hope
70 bpm • D min • 03:43 • -19.46db
22% Popularity • 23% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Mark Mancina
Looking At You
70 bpm • A Maj • 04:29 • -18db
11% Popularity • 15% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
53% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
53% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
► Preview
Harry Gregson-Williams
The Door in the Air - Score
79 bpm • C Maj • 07:50 • -22.54db
36% Popularity • 8% Danceability • 8% Energy • 28% Liveness
81% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 8% Energy • 28% Liveness
81% Instrumentalness • 3% Positiveness
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Carter Burwell
A Great Adventure
79 bpm • F Maj • 00:55 • -15.75db
24% Popularity • 21% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
24% Popularity • 21% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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David Arnold
Duel
69 bpm • E min • 01:44 • -16.04db
28% Popularity • 48% Danceability • 28% Energy • 18% Liveness
94% Instrumentalness • 21% Positiveness
28% Popularity • 48% Danceability • 28% Energy • 18% Liveness
94% Instrumentalness • 21% Positiveness
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Gabriel Yared
Ada Plays
79 bpm • D Maj • 03:18 • -21.92db
31% Popularity • 25% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
31% Popularity • 25% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Roque Baños
Homecoming
69 bpm • F Maj • 07:32 • -21.31db
19% Popularity • 15% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
19% Popularity • 15% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 3% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
46% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
46% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Rob Simonsen
Adaline Bowman
79 bpm • E min • 01:51 • -19.56db
33% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
33% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Robin Speaks
79 bpm • D Maj • 02:33 • -19.82db
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
45% Popularity • 7% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
80 bpm • A# Maj • 01:49 • -25.21db
30% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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Carter Burwell
The Hanging Man
69 bpm • F Maj • 01:56 • -28db
21% Popularity • 13% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 13% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Marcel Barsotti
Die Schatzkarte
69 bpm • F Maj • 01:23 • -21.24db
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
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Rob Lane
Abigail
80 bpm • C# Maj • 01:35 • -26.71db
16% Popularity • 24% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 7% Positiveness
16% Popularity • 24% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 7% Positiveness
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Mark Isham
In Half-Light of the Canyon
80 bpm • F Maj • 02:47 • -15db
28% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
28% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Harry Gregson-Williams
Return of the Lion - Score
80 bpm • B Maj • 04:11 • -10.89db
33% Popularity • 18% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
33% Popularity • 18% Danceability • 56% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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William Ross
Lonely Roscuro
68 bpm • A min • 01:15 • -36db
55% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
55% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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David Arnold
Aslan Appears
80 bpm • A min • 00:49 • -37.73db
24% Popularity • 19% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Mark McKenzie
The Lost Child Orchestral Suite
68 bpm • D Maj • 04:31 • -20db
14% Popularity • 16% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Rob Lane
Gwen & Arthur
68 bpm • D# min • 00:55 • -25db
52% Popularity • 15% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 4% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness