Songs like Trois chansons de Shakespeare, Op. 28: I. Chanson de clown by Ernest Chausson
Based on a tempo of (+/- 10%) and a similar genre
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto
168 bpm • C# Maj • 03:07 • -26.52db
15% Popularity • 14% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
15% Popularity • 14% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Amy Beach
3 Compositions, Op. 40 (version for cell...
168 bpm • D Maj • 03:15 • -33db
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
71% Instrumentalness • 13% Positiveness
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
71% Instrumentalness • 13% Positiveness
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Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
168 bpm • D# Maj • 05:43 • -25.03db
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Francis Poulenc
Piano Concerto, FP 146: 3. Rondo à la F...
168 bpm • C# Maj • 03:51 • -22.03db
9% Popularity • 36% Danceability • 13% Energy • 16% Liveness
93% Instrumentalness • 41% Positiveness
9% Popularity • 36% Danceability • 13% Energy • 16% Liveness
93% Instrumentalness • 41% Positiveness
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César Franck
Violin Sonata in A Major, FWV 8: II. All...
167 bpm • G min • 07:53 • -18.87db
9% Popularity • 18% Danceability • 15% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 9% Liveness
28% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 13. Der Dichter sp...
169 bpm • G Maj • 02:12 • -37db
35% Popularity • 34% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
35% Popularity • 34% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 30: No. 6. Allegr...
169 bpm • F# min • 02:56 • -33db
36% Popularity • 26% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
36% Popularity • 26% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Franz Liszt
Sonata in B Minor, S. 178: II. Andante s...
167 bpm • F# Maj • 07:22 • -23.36db
13% Popularity • 32% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 32% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Ernest Chausson
4 Mélodies, Op. 13: 4. La cigale
170 bpm • E min • 01:52 • -19.07db
4% Popularity • 22% Danceability • 11% Energy • 9% Liveness
10% Instrumentalness • 10% Positiveness
4% Popularity • 22% Danceability • 11% Energy • 9% Liveness
10% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir de Florence, Op. 70
171 bpm • D min • 06:17 • -16.03db
9% Popularity • 36% Danceability • 22% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
9% Popularity • 36% Danceability • 22% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
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Christian Sinding
Suite im alten Stil, Op. 10: Presto
170 bpm • A min • 01:52 • -19db
19% Popularity • 28% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
19% Popularity • 28% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 57% Positiveness
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Franz Schubert
Adagio and Allegro, Op. 70 (version for ...
164 bpm • G# Maj • 04:16 • -27.79db
31% Popularity • 13% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
164 bpm • F Maj • 05:17 • -19.3db
25% Popularity • 40% Danceability • 31% Energy • 7% Liveness
85% Instrumentalness • 38% Positiveness
25% Popularity • 40% Danceability • 31% Energy • 7% Liveness
85% Instrumentalness • 38% Positiveness
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Clara Schumann
3 Romances For Violin And Piano, Op. 22:...
164 bpm • C# Maj • 02:57 • -25.2db
9% Popularity • 16% Danceability • 4% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 16% Danceability • 4% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Ernest Chausson
Serres chaudes, Op. 24: IV. Fauves las
169 bpm • C Maj • 01:51 • -13.05db
5% Popularity • 25% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
5% Popularity • 25% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Orpheus' Lament & Dance of the Blessed S...
172 bpm • D min • 04:40 • -28.27db
21% Popularity • 34% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
21% Popularity • 34% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Partita for Violin Solo No. 3 in E Major...
163 bpm • E Maj • 02:44 • -27.04db
18% Popularity • 34% Danceability • 8% Energy • 12% Liveness
87% Instrumentalness • 44% Positiveness
18% Popularity • 34% Danceability • 8% Energy • 12% Liveness
87% Instrumentalness • 44% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: II. ...
173 bpm • A# Maj • 08:26 • -24db
28% Popularity • 11% Danceability • 8% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
28% Popularity • 11% Danceability • 8% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
String Quartet No. 1 In D Major, Op. 11,...
173 bpm • A# Maj • 06:48 • -31.14db
11% Popularity • 9% Danceability • 3% Energy • 10% Liveness
27% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 3% Energy • 10% Liveness
27% Instrumentalness • 4% Positiveness
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Mstislav Rostropovich
Rostropovitch: Humoresque, Op. 5
173 bpm • C Maj • 02:05 • -21.43db
25% Popularity • 34% Danceability • 26% Energy • 15% Liveness
90% Instrumentalness • 60% Positiveness
25% Popularity • 34% Danceability • 26% Energy • 15% Liveness
90% Instrumentalness • 60% Positiveness
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Ernest Chausson
Chausson: Les heures, Op. 27 No. 1
172 bpm • G min • 03:05 • -29.84db
4% Popularity • 20% Danceability • 0% Energy • 5% Liveness
0% Instrumentalness • 6% Positiveness
4% Popularity • 20% Danceability • 0% Energy • 5% Liveness
0% Instrumentalness • 6% Positiveness
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Gustav Mahler
Symphony No. 2 in C Minor "Resurrection"...
174 bpm • C# Maj • 05:29 • -28db
21% Popularity • 11% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
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Henri Duparc
L'invitation au voyage
174 bpm • A Maj • 03:56 • -19db
12% Popularity • 21% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Cello Sonata, FP 143: I. Allegr...
174 bpm • F min • 05:58 • -24.07db
11% Popularity • 30% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 13% Positiveness
11% Popularity • 30% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 13% Positiveness
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Erich Wolfgang Korngold
Violin Concerto In D Major, Op. 35: I. M...
175 bpm • E min • 08:39 • -19.58db
8% Popularity • 19% Danceability • 19% Energy • 10% Liveness
28% Instrumentalness • 8% Positiveness
8% Popularity • 19% Danceability • 19% Energy • 10% Liveness
28% Instrumentalness • 8% Positiveness
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Max Reger
Variation 2: Poco agitato
176 bpm • F Maj • 01:39 • -24db
35% Popularity • 8% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
35% Popularity • 8% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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Ernest Chausson
Deux Duos op 11 - 1. La Nuit (Thédore d...
173 bpm • C min • 03:33 • -21.48db
5% Popularity • 17% Danceability • 6% Energy • 7% Liveness
50% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 6% Energy • 7% Liveness
50% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
160 bpm • A# Maj • 06:53 • -16db
28% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
28% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
176 bpm • G# Maj • 04:56 • -28.37db
12% Popularity • 24% Danceability • 3% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 3% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Piano Concerto in C-Sharp Minor...
175 bpm • D# Maj • 05:35 • -23.6db
14% Popularity • 12% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 4 in G minor, Op. 40:...
177 bpm • G Maj • 09:13 • -16.57db
19% Popularity • 29% Danceability • 21% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
19% Popularity • 29% Danceability • 21% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Gustav Mahler
Symphony No. 2 in C Minor "Resurrection"...
181 bpm • C Maj • 10:08 • -21db
21% Popularity • 17% Danceability • 16% Energy • 6% Liveness
85% Instrumentalness • 20% Positiveness
21% Popularity • 17% Danceability • 16% Energy • 6% Liveness
85% Instrumentalness • 20% Positiveness
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Ernest Chausson
Sept mélodies, Op. 2: I. Nanny
173 bpm • C Maj • 02:30 • -14.9db
6% Popularity • 26% Danceability • 19% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
6% Popularity • 26% Danceability • 19% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Moderato in A Minor for Cello and Piano,...
176 bpm • D min • 03:22 • -26db
20% Popularity • 12% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Clara Schumann
Piano Trio in G minor, Op. 17: 3. Andant...
180 bpm • G Maj • 04:45 • -25db
15% Popularity • 15% Danceability • 4% Energy • 8% Liveness
74% Instrumentalness • 7% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 8% Liveness
74% Instrumentalness • 7% Positiveness
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Domenico Scarlatti
Keyboard Sonata in E Major, Kk. 135 (L. ...
181 bpm • E Maj • 04:16 • -26.93db
29% Popularity • 35% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 42% Positiveness
29% Popularity • 35% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 42% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir de Florence, Op. 70, TH 118: II...
181 bpm • D Maj • 09:58 • -19.87db
8% Popularity • 15% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 6% Positiveness
8% Popularity • 15% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Rondo Capriccioso In e Minor Opus 14
182 bpm • E Maj • 06:15 • -24db
30% Popularity • 29% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
30% Popularity • 29% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
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Ernest Chausson
Chanson Perpetuelle, Op. 37
162 bpm • F# min • 06:45 • -22db
2% Popularity • 21% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 21% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
IIIa. Passacaglia. Andante
178 bpm • C# Maj • 09:24 • -24.95db
20% Popularity • 11% Danceability • 9% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 9% Energy • 13% Liveness
40% Instrumentalness • 4% Positiveness
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Franz Schubert
Piano Trio No. 2 in E-Flat Major, D. 929...
183 bpm • G# Maj • 06:47 • -25.32db
15% Popularity • 44% Danceability • 8% Energy • 24% Liveness
34% Instrumentalness • 31% Positiveness
15% Popularity • 44% Danceability • 8% Energy • 24% Liveness
34% Instrumentalness • 31% Positiveness
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Henryk Wieniawski
Violin Concerto No. 2 in D Minor, Op. 22...
154 bpm • D Maj • 05:55 • -18db
16% Popularity • 38% Danceability • 23% Energy • 12% Liveness
39% Instrumentalness • 40% Positiveness
16% Popularity • 38% Danceability • 23% Energy • 12% Liveness
39% Instrumentalness • 40% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 3. Vit...
151 bpm • C# Maj • 02:21 • -25db
17% Popularity • 32% Danceability • 9% Energy • 16% Liveness
80% Instrumentalness • 25% Positiveness
17% Popularity • 32% Danceability • 9% Energy • 16% Liveness
80% Instrumentalness • 25% Positiveness
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Vladimir Horowitz
Carmen Variations
148 bpm • E Maj • 03:33 • -20db
42% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
42% Popularity • 36% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Ernest Chausson
Concert for Violin, Piano and String Qua...
149 bpm • F min • 10:10 • -19.16db
0% Popularity • 26% Danceability • 16% Energy • 10% Liveness
12% Instrumentalness • 8% Positiveness
0% Popularity • 26% Danceability • 16% Energy • 10% Liveness
12% Instrumentalness • 8% Positiveness
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Jean Sibelius
Sibelius: Lemminkäinen Suite, Op. 22: I...
145 bpm • G Maj • 09:49 • -34.71db
2% Popularity • 13% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
2% Popularity • 13% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
151 bpm • C Maj • 05:37 • -15.99db
17% Popularity • 40% Danceability • 44% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
17% Popularity • 40% Danceability • 44% Energy • 9% Liveness
89% Instrumentalness • 52% Positiveness
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Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33, TH...
147 bpm • A Maj • 02:13 • -19.32db
16% Popularity • 38% Danceability • 24% Energy • 13% Liveness
95% Instrumentalness • 36% Positiveness
16% Popularity • 38% Danceability • 24% Energy • 13% Liveness
95% Instrumentalness • 36% Positiveness
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Sergei Prokofiev
Violin Concerto No. 1 In D Major, Op. 19...
145 bpm • A min • 03:52 • -24.68db
20% Popularity • 49% Danceability • 23% Energy • 6% Liveness
77% Instrumentalness • 52% Positiveness
20% Popularity • 49% Danceability • 23% Energy • 6% Liveness
77% Instrumentalness • 52% Positiveness
