Songs like TROLL by Dean Blunt
Based on a tempo of (+/- 10%) and a similar genre
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Eartheater
Homonyms
151 bpm • A Maj • 04:06 • -15.15db
30% Popularity • 45% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 37% Positiveness
30% Popularity • 45% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 37% Positiveness
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Dean Blunt
TROLL
151 bpm • D# Maj • 03:47 • -3.79db
27% Popularity • 37% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 43% Positiveness
27% Popularity • 37% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 43% Positiveness
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Sporting Life
Ashla
150 bpm • C Maj • 01:17 • -11.69db
26% Popularity • 67% Danceability • 64% Energy • 18% Liveness
25% Instrumentalness • 75% Positiveness
26% Popularity • 67% Danceability • 64% Energy • 18% Liveness
25% Instrumentalness • 75% Positiveness
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Inga Copeland
Speak
150 bpm • E min • 02:38 • -8.24db
13% Popularity • 71% Danceability • 74% Energy • 25% Liveness
1% Instrumentalness • 75% Positiveness
13% Popularity • 71% Danceability • 74% Energy • 25% Liveness
1% Instrumentalness • 75% Positiveness
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Locust
Your Selfish Ways
150 bpm • F# Maj • 03:07 • -11.09db
34% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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TWEAKS
It's Between (Me n U)
152 bpm • C# Maj • 01:41 • -28.69db
38% Popularity • 58% Danceability • 6% Energy • 13% Liveness
19% Instrumentalness • 23% Positiveness
38% Popularity • 58% Danceability • 6% Energy • 13% Liveness
19% Instrumentalness • 23% Positiveness
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James K
Ultra Facial!
153 bpm • F# min • 03:47 • -10db
39% Popularity • 29% Danceability • 64% Energy • 25% Liveness
83% Instrumentalness • 16% Positiveness
39% Popularity • 29% Danceability • 64% Energy • 25% Liveness
83% Instrumentalness • 16% Positiveness
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The Crying Nudes
Unabomber II
153 bpm • B min • 01:21 • -12.1db
42% Popularity • 60% Danceability • 51% Energy • 13% Liveness
83% Instrumentalness • 48% Positiveness
42% Popularity • 60% Danceability • 51% Energy • 13% Liveness
83% Instrumentalness • 48% Positiveness
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Blue Iverson
Brown Grrl
148 bpm • A min • 04:31 • -6.03db
31% Popularity • 38% Danceability • 79% Energy • 8% Liveness
84% Instrumentalness • 32% Positiveness
31% Popularity • 38% Danceability • 79% Energy • 8% Liveness
84% Instrumentalness • 32% Positiveness
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Dean Blunt
Y3
148 bpm • G# min • 01:31 • -11.78db
30% Popularity • 15% Danceability • 42% Energy • 16% Liveness
91% Instrumentalness • 7% Positiveness
30% Popularity • 15% Danceability • 42% Energy • 16% Liveness
91% Instrumentalness • 7% Positiveness
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![Find something cool to do with it [74 BPM] cover art](https://i.scdn.co/image/ab67616d00001e02137388ab32d9a9e9cc11b7e7)
Vegyn
Find something cool to do with it [74 BP...
148 bpm • G min • 03:21 • -11.54db
20% Popularity • 57% Danceability • 69% Energy • 14% Liveness
35% Instrumentalness • 53% Positiveness
20% Popularity • 57% Danceability • 69% Energy • 14% Liveness
35% Instrumentalness • 53% Positiveness
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Babyfather
Freeze
148 bpm • C Maj • 01:30 • -8.76db
28% Popularity • 74% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 74% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Eyedress
Jealous - King Krule Nothing Special Rem...
148 bpm • C# min • 02:32 • -13.04db
32% Popularity • 49% Danceability • 58% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
32% Popularity • 49% Danceability • 58% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
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Jadasea
days
148 bpm • B Maj • 02:40 • -15.28db
25% Popularity • 58% Danceability • 44% Energy • 18% Liveness
2% Instrumentalness • 58% Positiveness
25% Popularity • 58% Danceability • 44% Energy • 18% Liveness
2% Instrumentalness • 58% Positiveness
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the fertile crescent
cant let you live again
148 bpm • D# min • 03:06 • -12.8db
15% Popularity • 42% Danceability • 31% Energy • 11% Liveness
53% Instrumentalness • 20% Positiveness
15% Popularity • 42% Danceability • 31% Energy • 11% Liveness
53% Instrumentalness • 20% Positiveness
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Dean Blunt
War Report
148 bpm • B Maj • 02:23 • -6.54db
26% Popularity • 62% Danceability • 95% Energy • 55% Liveness
21% Instrumentalness • 67% Positiveness
26% Popularity • 62% Danceability • 95% Energy • 55% Liveness
21% Instrumentalness • 67% Positiveness
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SebastiAn
Doorman - Vegyn Remix
147 bpm • G Maj • 02:28 • -10.67db
35% Popularity • 37% Danceability • 71% Energy • 37% Liveness
1% Instrumentalness • 41% Positiveness
35% Popularity • 37% Danceability • 71% Energy • 37% Liveness
1% Instrumentalness • 41% Positiveness
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Vegyn
Cowboy ALLSTAR
155 bpm • C# Maj • 04:07 • -12.27db
28% Popularity • 44% Danceability • 47% Energy • 41% Liveness
87% Instrumentalness • 22% Positiveness
28% Popularity • 44% Danceability • 47% Energy • 41% Liveness
87% Instrumentalness • 22% Positiveness
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Locust
Summer Rain
155 bpm • B Maj • 04:14 • -13.59db
31% Popularity • 55% Danceability • 57% Energy • 7% Liveness
38% Instrumentalness • 77% Positiveness
31% Popularity • 55% Danceability • 57% Energy • 7% Liveness
38% Instrumentalness • 77% Positiveness
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King Krule
Airport Antenatal Airplane
147 bpm • A# min • 02:15 • -14.02db
37% Popularity • 44% Danceability • 38% Energy • 19% Liveness
87% Instrumentalness • 9% Positiveness
37% Popularity • 44% Danceability • 38% Energy • 19% Liveness
87% Instrumentalness • 9% Positiveness
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The Crying Nudes
Suzuki Rhythm Boy
156 bpm • F# Maj • 01:49 • -10.28db
34% Popularity • 53% Danceability • 28% Energy • 9% Liveness
16% Instrumentalness • 23% Positiveness
34% Popularity • 53% Danceability • 28% Energy • 9% Liveness
16% Instrumentalness • 23% Positiveness
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Dean Blunt
XXX
146 bpm • C Maj • 01:41 • -2.84db
25% Popularity • 50% Danceability • 87% Energy • 29% Liveness
23% Instrumentalness • 52% Positiveness
25% Popularity • 50% Danceability • 87% Energy • 29% Liveness
23% Instrumentalness • 52% Positiveness
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John FM
Holster
156 bpm • G# min • 04:28 • -6.7db
13% Popularity • 54% Danceability • 89% Energy • 47% Liveness
1% Instrumentalness • 43% Positiveness
13% Popularity • 54% Danceability • 89% Energy • 47% Liveness
1% Instrumentalness • 43% Positiveness
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Loukeman
Won't U
146 bpm • A# min • 01:14 • -13.34db
47% Popularity • 55% Danceability • 44% Energy • 11% Liveness
52% Instrumentalness • 8% Positiveness
47% Popularity • 55% Danceability • 44% Energy • 11% Liveness
52% Instrumentalness • 8% Positiveness
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Locust
Just Like You
146 bpm • C# Maj • 04:26 • -13.18db
28% Popularity • 64% Danceability • 26% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
28% Popularity • 64% Danceability • 26% Energy • 12% Liveness
77% Instrumentalness • 22% Positiveness
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Archy Marshall
Swell
146 bpm • F# min • 02:08 • -6.93db
36% Popularity • 58% Danceability • 65% Energy • 56% Liveness
63% Instrumentalness • 52% Positiveness
36% Popularity • 58% Danceability • 65% Energy • 56% Liveness
63% Instrumentalness • 52% Positiveness
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Hype Williams
Businessline
146 bpm • C Maj • 03:35 • -11.67db
26% Popularity • 59% Danceability • 56% Energy • 30% Liveness
83% Instrumentalness • 75% Positiveness
26% Popularity • 59% Danceability • 56% Energy • 30% Liveness
83% Instrumentalness • 75% Positiveness
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Dean Blunt
Johnny cash hurt type beat
146 bpm • F Maj • 02:39 • -8.52db
41% Popularity • 43% Danceability • 58% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
41% Popularity • 43% Danceability • 58% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
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Vegyn
Blue Verb
157 bpm • C# Maj • 02:22 • -9.55db
33% Popularity • 61% Danceability • 43% Energy • 39% Liveness
24% Instrumentalness • 82% Positiveness
33% Popularity • 61% Danceability • 43% Energy • 39% Liveness
24% Instrumentalness • 82% Positiveness
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mark william lewis
Painkillers
145 bpm • F# Maj • 01:36 • -9.26db
33% Popularity • 48% Danceability • 57% Energy • 23% Liveness
5% Instrumentalness • 45% Positiveness
33% Popularity • 48% Danceability • 57% Energy • 23% Liveness
5% Instrumentalness • 45% Positiveness
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Babyfather
Bubble
158 bpm • F min • 03:52 • -6.15db
31% Popularity • 42% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 42% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Inga Copeland
Obsession 2
145 bpm • A min • 03:57 • -11.42db
33% Popularity • 37% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
33% Popularity • 37% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Forma Norte
Cap
158 bpm • E Maj • 01:27 • -9.52db
36% Popularity • 31% Danceability • 81% Energy • 7% Liveness
80% Instrumentalness • 17% Positiveness
36% Popularity • 31% Danceability • 81% Energy • 7% Liveness
80% Instrumentalness • 17% Positiveness
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Smerz
Rain
144 bpm • A# Maj • 04:14 • -11db
20% Popularity • 50% Danceability • 42% Energy • 14% Liveness
16% Instrumentalness • 13% Positiveness
20% Popularity • 50% Danceability • 42% Energy • 14% Liveness
16% Instrumentalness • 13% Positiveness
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HTRK
Devil Do
158 bpm • E min • 02:27 • -18.92db
31% Popularity • 59% Danceability • 26% Energy • 10% Liveness
76% Instrumentalness • 68% Positiveness
31% Popularity • 59% Danceability • 26% Energy • 10% Liveness
76% Instrumentalness • 68% Positiveness
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TWEAKS
Older Now
158 bpm • G# Maj • 02:02 • -30.43db
40% Popularity • 27% Danceability • 1% Energy • 11% Liveness
69% Instrumentalness • 11% Positiveness
40% Popularity • 27% Danceability • 1% Energy • 11% Liveness
69% Instrumentalness • 11% Positiveness
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Connan Mockasin
It’s Just Wind
159 bpm • B min • 03:36 • -5.1db
17% Popularity • 39% Danceability • 77% Energy • 12% Liveness
80% Instrumentalness • 66% Positiveness
17% Popularity • 39% Danceability • 77% Energy • 12% Liveness
80% Instrumentalness • 66% Positiveness
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Delroy Edwards
Audio Track 01
144 bpm • A Maj • 02:46 • -7.91db
17% Popularity • 32% Danceability • 58% Energy • 26% Liveness
89% Instrumentalness • 43% Positiveness
17% Popularity • 32% Danceability • 58% Energy • 26% Liveness
89% Instrumentalness • 43% Positiveness
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Hype Williams
Ital
144 bpm • D Maj • 03:12 • -5.8db
22% Popularity • 43% Danceability • 47% Energy • 19% Liveness
69% Instrumentalness • 40% Positiveness
22% Popularity • 43% Danceability • 47% Energy • 19% Liveness
69% Instrumentalness • 40% Positiveness
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Chanel Beads
Urn
144 bpm • A Maj • 04:33 • -10.07db
28% Popularity • 56% Danceability • 50% Energy • 43% Liveness
55% Instrumentalness • 24% Positiveness
28% Popularity • 56% Danceability • 50% Energy • 43% Liveness
55% Instrumentalness • 24% Positiveness
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Vegyn
Last Night I Dreamt I Was Alone
143 bpm • G min • 03:26 • -9.57db
41% Popularity • 67% Danceability • 58% Energy • 34% Liveness
25% Instrumentalness • 15% Positiveness
41% Popularity • 67% Danceability • 58% Energy • 34% Liveness
25% Instrumentalness • 15% Positiveness
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Space Afrika
B£E
160 bpm • C# min • 02:59 • -13.33db
18% Popularity • 46% Danceability • 53% Energy • 14% Liveness
10% Instrumentalness • 46% Positiveness
18% Popularity • 46% Danceability • 53% Energy • 14% Liveness
10% Instrumentalness • 46% Positiveness
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Babyfather
For Shakilus
160 bpm • C Maj • 01:04 • -10.02db
30% Popularity • 54% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 54% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Cities Aviv
How We Began
160 bpm • F Maj • 01:33 • -1.44db
15% Popularity • 10% Danceability • 76% Energy • 58% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 10% Danceability • 76% Energy • 58% Liveness
0% Instrumentalness • 10% Positiveness
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TWEAKS
Happy Birthday King!
160 bpm • A min • 03:12 • -12.41db
12% Popularity • 57% Danceability • 39% Energy • 31% Liveness
17% Instrumentalness • 62% Positiveness
12% Popularity • 57% Danceability • 39% Energy • 31% Liveness
17% Instrumentalness • 62% Positiveness
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Loukeman
Snoopy
160 bpm • E Maj • 02:00 • -7.32db
49% Popularity • 72% Danceability • 41% Energy • 21% Liveness
40% Instrumentalness • 42% Positiveness
49% Popularity • 72% Danceability • 41% Energy • 21% Liveness
40% Instrumentalness • 42% Positiveness
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Headache
Miss Understood - Instrumental
160 bpm • G# Maj • 03:39 • -4.81db
34% Popularity • 50% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 36% Positiveness
34% Popularity • 50% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 36% Positiveness
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Vegyn
Outtt
142 bpm • D# Maj • 02:54 • -14.02db
20% Popularity • 49% Danceability • 47% Energy • 11% Liveness
54% Instrumentalness • 13% Positiveness
20% Popularity • 49% Danceability • 47% Energy • 11% Liveness
54% Instrumentalness • 13% Positiveness
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LUCY (Cooper B. Handy)
Rock, The
160 bpm • G Maj • 01:28 • -7.1db
18% Popularity • 82% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 82% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Sporting Life
Nothing to Hide (Babyfather Honeytrap Mi...
160 bpm • C Maj • 03:24 • -7.36db
21% Popularity • 60% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 60% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Liv.e
Mtume Snap
160 bpm • F Maj • 01:49 • -11.02db
26% Popularity • 49% Danceability • 42% Energy • 15% Liveness
33% Instrumentalness • 28% Positiveness
26% Popularity • 49% Danceability • 42% Energy • 15% Liveness
33% Instrumentalness • 28% Positiveness
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John Glacier
FRIENDLY FIRE
142 bpm • C# Maj • 01:50 • -9.67db
39% Popularity • 65% Danceability • 59% Energy • 27% Liveness
11% Instrumentalness • 18% Positiveness
39% Popularity • 65% Danceability • 59% Energy • 27% Liveness
11% Instrumentalness • 18% Positiveness
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Headache
Miss Understood
160 bpm • G# Maj • 03:39 • -4.28db
39% Popularity • 55% Danceability • 77% Energy • 15% Liveness
12% Instrumentalness • 29% Positiveness
39% Popularity • 55% Danceability • 77% Energy • 15% Liveness
12% Instrumentalness • 29% Positiveness
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Voice Actor
U Projected 2
142 bpm • G# Maj • 02:06 • -13.08db
36% Popularity • 63% Danceability • 33% Energy • 11% Liveness
55% Instrumentalness • 29% Positiveness
36% Popularity • 63% Danceability • 33% Energy • 11% Liveness
55% Instrumentalness • 29% Positiveness
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Cities Aviv
Kiss of Death Forever
142 bpm • G Maj • 02:44 • -6.64db
14% Popularity • 26% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 26% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Chanel Beads
Ef
141 bpm • D Maj • 02:58 • -7.74db
42% Popularity • 71% Danceability • 57% Energy • 23% Liveness
3% Instrumentalness • 55% Positiveness
42% Popularity • 71% Danceability • 57% Energy • 23% Liveness
3% Instrumentalness • 55% Positiveness
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LA Timpa
Wicked
141 bpm • F min • 04:03 • -27.31db
10% Popularity • 44% Danceability • 13% Energy • 23% Liveness
74% Instrumentalness • 36% Positiveness
10% Popularity • 44% Danceability • 13% Energy • 23% Liveness
74% Instrumentalness • 36% Positiveness
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Lil Ugly Mane
smokeclears
141 bpm • C Maj • 04:03 • -5.88db
19% Popularity • 34% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 34% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Dean Blunt
The Pedigree
141 bpm • G# Maj • 02:27 • -12.74db
30% Popularity • 36% Danceability • 18% Energy • 28% Liveness
4% Instrumentalness • 34% Positiveness
30% Popularity • 36% Danceability • 18% Energy • 28% Liveness
4% Instrumentalness • 34% Positiveness
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Voice Actor
U Projected 2
142 bpm • G# Maj • 02:06 • -18.99db
41% Popularity • 61% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 35% Positiveness
41% Popularity • 61% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 35% Positiveness
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draag me
There Is a Party Where I'm Going
140 bpm • G Maj • 02:45 • -10.28db
28% Popularity • 51% Danceability • 47% Energy • 13% Liveness
20% Instrumentalness • 26% Positiveness
28% Popularity • 51% Danceability • 47% Energy • 13% Liveness
20% Instrumentalness • 26% Positiveness
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Why Be
Dragged
140 bpm • C Maj • 04:27 • -7.41db
12% Popularity • 26% Danceability • 61% Energy • 71% Liveness
8% Instrumentalness • 6% Positiveness
12% Popularity • 26% Danceability • 61% Energy • 71% Liveness
8% Instrumentalness • 6% Positiveness
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bar italia
angels
140 bpm • A# min • 02:03 • -5.88db
32% Popularity • 70% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 70% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Stina Nordenstam
Under Your Command
140 bpm • G# Maj • 05:19 • -15.01db
34% Popularity • 61% Danceability • 24% Energy • 16% Liveness
42% Instrumentalness • 20% Positiveness
34% Popularity • 61% Danceability • 24% Energy • 16% Liveness
42% Instrumentalness • 20% Positiveness
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ML Buch
Can't Get Over You With You
140 bpm • C# Maj • 02:34 • -11.78db
42% Popularity • 69% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 69% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Pretty V
Better island
140 bpm • A min • 02:03 • -1.72db
35% Popularity • 66% Danceability • 96% Energy • 87% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 66% Danceability • 96% Energy • 87% Liveness
0% Instrumentalness • 65% Positiveness
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draag me
Running Instead
140 bpm • C Maj • 02:44 • -8.67db
24% Popularity • 56% Danceability • 51% Energy • 14% Liveness
20% Instrumentalness • 51% Positiveness
24% Popularity • 56% Danceability • 51% Energy • 14% Liveness
20% Instrumentalness • 51% Positiveness
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Oli XL
Go Oli Go!
139 bpm • G# Maj • 04:22 • -11.75db
27% Popularity • 55% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 55% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Inga Copeland
So Far so Clean
140 bpm • D Maj • 03:52 • -12.83db
11% Popularity • 28% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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John Glacier
Green Elephants Freestyle
139 bpm • G Maj • 02:02 • -7.14db
23% Popularity • 55% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 72% Positiveness
23% Popularity • 55% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 72% Positiveness
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Pram
Chrysalis
139 bpm • D Maj • 03:57 • -14.67db
28% Popularity • 51% Danceability • 46% Energy • 10% Liveness
32% Instrumentalness • 25% Positiveness
28% Popularity • 51% Danceability • 46% Energy • 10% Liveness
32% Instrumentalness • 25% Positiveness
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Florence Sinclair
White Horse
164 bpm • B Maj • 01:45 • -12.81db
31% Popularity • 45% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 45% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 29% Positiveness
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OTTO
Spirit Theme
139 bpm • F Maj • 02:46 • -5.16db
23% Popularity • 78% Danceability • 83% Energy • 9% Liveness
89% Instrumentalness • 90% Positiveness
23% Popularity • 78% Danceability • 83% Energy • 9% Liveness
89% Instrumentalness • 90% Positiveness
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Arthur Russell
Being It
139 bpm • C Maj • 05:16 • -15.8db
26% Popularity • 26% Danceability • 25% Energy • 24% Liveness
1% Instrumentalness • 6% Positiveness
26% Popularity • 26% Danceability • 25% Energy • 24% Liveness
1% Instrumentalness • 6% Positiveness
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Toro y Moi
1-27-17_intro_function_wifi_v3
139 bpm • F Maj • 01:39 • -7.76db
33% Popularity • 67% Danceability • 38% Energy • 30% Liveness
39% Instrumentalness • 22% Positiveness
33% Popularity • 67% Danceability • 38% Energy • 30% Liveness
39% Instrumentalness • 22% Positiveness
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Dean Blunt
SOMALIA PARK
165 bpm • C Maj • 01:11 • -7.1db
47% Popularity • 37% Danceability • 52% Energy • 11% Liveness
56% Instrumentalness • 14% Positiveness
47% Popularity • 37% Danceability • 52% Energy • 11% Liveness
56% Instrumentalness • 14% Positiveness
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Operelly
Encyclopedia
138 bpm • D# min • 02:18 • -9.56db
36% Popularity • 69% Danceability • 58% Energy • 20% Liveness
83% Instrumentalness • 74% Positiveness
36% Popularity • 69% Danceability • 58% Energy • 20% Liveness
83% Instrumentalness • 74% Positiveness
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Oneohtrix Point Never
Auto & Allo
138 bpm • C Maj • 03:21 • -7.95db
26% Popularity • 33% Danceability • 40% Energy • 45% Liveness
21% Instrumentalness • 34% Positiveness
26% Popularity • 33% Danceability • 40% Energy • 45% Liveness
21% Instrumentalness • 34% Positiveness
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Ssaliva
5ever
138 bpm • D Maj • 02:05 • -7.07db
27% Popularity • 24% Danceability • 85% Energy • 10% Liveness
84% Instrumentalness • 24% Positiveness
27% Popularity • 24% Danceability • 85% Energy • 10% Liveness
84% Instrumentalness • 24% Positiveness
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Arthur Russell
You Did It Yourself
138 bpm • E min • 03:06 • -8.64db
33% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Delroy Edwards
Audio Track 04
137 bpm • F# min • 03:21 • -9.46db
16% Popularity • 61% Danceability • 50% Energy • 12% Liveness
88% Instrumentalness • 27% Positiveness
16% Popularity • 61% Danceability • 50% Energy • 12% Liveness
88% Instrumentalness • 27% Positiveness
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Dean Blunt
moët lean
137 bpm • G Maj • 02:52 • -8.22db
23% Popularity • 27% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 27% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Joanne Robertson
hit
137 bpm • A min • 03:08 • -16.87db
28% Popularity • 39% Danceability • 20% Energy • 13% Liveness
74% Instrumentalness • 20% Positiveness
28% Popularity • 39% Danceability • 20% Energy • 13% Liveness
74% Instrumentalness • 20% Positiveness
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bar italia
how did you get into the building did so...
166 bpm • F# min • 02:00 • -7.44db
25% Popularity • 59% Danceability • 61% Energy • 10% Liveness
40% Instrumentalness • 51% Positiveness
25% Popularity • 59% Danceability • 61% Energy • 10% Liveness
40% Instrumentalness • 51% Positiveness
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Standing On The Corner
G-E-T-O-U-T!! The Ghetto - Pt.I
167 bpm • C Maj • 03:32 • -4.65db
16% Popularity • 30% Danceability • 88% Energy • 24% Liveness
43% Instrumentalness • 35% Positiveness
16% Popularity • 30% Danceability • 88% Energy • 24% Liveness
43% Instrumentalness • 35% Positiveness
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African-American Sound Recordings
Products Of Our Imagination
168 bpm • A Maj • 02:53 • -8.84db
16% Popularity • 36% Danceability • 51% Energy • 33% Liveness
23% Instrumentalness • 47% Positiveness
16% Popularity • 36% Danceability • 51% Energy • 33% Liveness
23% Instrumentalness • 47% Positiveness
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Babyfather
Skywalker
136 bpm • G Maj • 03:33 • -2.37db
40% Popularity • 35% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 35% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Dean Blunt
The Redeemer
137 bpm • D min • 03:32 • -12.01db
32% Popularity • 52% Danceability • 48% Energy • 62% Liveness
80% Instrumentalness • 59% Positiveness
32% Popularity • 52% Danceability • 48% Energy • 62% Liveness
80% Instrumentalness • 59% Positiveness
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Joanne Robertson
am i grief
136 bpm • G min • 04:39 • -16.19db
23% Popularity • 63% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 63% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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bar italia
Mangelica
166 bpm • A min • 01:42 • -4.22db
26% Popularity • 47% Danceability • 87% Energy • 39% Liveness
40% Instrumentalness • 48% Positiveness
26% Popularity • 47% Danceability • 87% Energy • 39% Liveness
40% Instrumentalness • 48% Positiveness
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Vegyn
In the Front
136 bpm • E Maj • 03:47 • -7.02db
45% Popularity • 39% Danceability • 70% Energy • 88% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 39% Danceability • 70% Energy • 88% Liveness
0% Instrumentalness • 14% Positiveness
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African-American Sound Recordings
Extended Stay
168 bpm • G# min • 01:46 • -7.33db
30% Popularity • 58% Danceability • 85% Energy • 14% Liveness
40% Instrumentalness • 69% Positiveness
30% Popularity • 58% Danceability • 85% Energy • 14% Liveness
40% Instrumentalness • 69% Positiveness
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The Crying Nudes
Unabomber
136 bpm • C Maj • 01:38 • -7.64db
36% Popularity • 64% Danceability • 58% Energy • 20% Liveness
32% Instrumentalness • 52% Positiveness
36% Popularity • 64% Danceability • 58% Energy • 20% Liveness
32% Instrumentalness • 52% Positiveness
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Dean Blunt
NITRO GIRLS 2
167 bpm • C# Maj • 01:46 • -14.19db
35% Popularity • 62% Danceability • 45% Energy • 6% Liveness
62% Instrumentalness • 87% Positiveness
35% Popularity • 62% Danceability • 45% Energy • 6% Liveness
62% Instrumentalness • 87% Positiveness
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HTRK
Fast Friend
135 bpm • G# min • 03:06 • -14.63db
28% Popularity • 62% Danceability • 44% Energy • 14% Liveness
73% Instrumentalness • 44% Positiveness
28% Popularity • 62% Danceability • 44% Energy • 14% Liveness
73% Instrumentalness • 44% Positiveness
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Delroy Edwards
Audio Track 19
135 bpm • A Maj • 01:52 • -14.84db
28% Popularity • 50% Danceability • 40% Energy • 15% Liveness
88% Instrumentalness • 24% Positiveness
28% Popularity • 50% Danceability • 40% Energy • 15% Liveness
88% Instrumentalness • 24% Positiveness
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Voice Actor
Daydream
169 bpm • D Maj • 02:20 • -12.79db
27% Popularity • 27% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
27% Popularity • 27% Danceability • 20% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Vegyn
Ch---- Pa------- V2 (169.706 BPM)
169 bpm • F# Maj • 01:00 • -17.82db
49% Popularity • 44% Danceability • 17% Energy • 18% Liveness
96% Instrumentalness • 35% Positiveness
49% Popularity • 44% Danceability • 17% Energy • 18% Liveness
96% Instrumentalness • 35% Positiveness
