Songs like Trouble (with a Capital T) by Horslips
Based on a tempo of (+/- 10%) and a similar genre
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The Mary Wallopers
Building Up And Tearing England Down
90 bpm • C Maj • 04:50 • -13.66db
40% Popularity • 66% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 66% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Horslips
Trouble (With a Capital T)
90 bpm • D Maj • 03:27 • -7db
38% Popularity • 49% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 49% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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John Spillane
The Dunnes Stores Girl
90 bpm • G Maj • 03:35 • -8.7db
27% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Dominic Behan
The Patriot Game
91 bpm • F# Maj • 03:53 • -11db
11% Popularity • 49% Danceability • 13% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 49% Danceability • 13% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Paul Brady
Nothing but the Same Old Story
90 bpm • F# min • 06:03 • -10db
34% Popularity • 55% Danceability • 66% Energy • 72% Liveness
1% Instrumentalness • 18% Positiveness
34% Popularity • 55% Danceability • 66% Energy • 72% Liveness
1% Instrumentalness • 18% Positiveness
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Sharon Shannon
Say You Love Me
91 bpm • G Maj • 04:28 • -6db
30% Popularity • 35% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 35% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Old Blind Dogs
Bennachie
89 bpm • E Maj • 02:54 • -12.46db
26% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 66% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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The Waterboys
And a Bang on the Ear - Extended
91 bpm • G Maj • 09:14 • -5db
36% Popularity • 57% Danceability • 84% Energy • 19% Liveness
3% Instrumentalness • 88% Positiveness
36% Popularity • 57% Danceability • 84% Energy • 19% Liveness
3% Instrumentalness • 88% Positiveness
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Moving Hearts
Lake of Shadows - Live
89 bpm • C Maj • 04:49 • -10.08db
10% Popularity • 45% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 45% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
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Brier
The Galway Shawl
91 bpm • G Maj • 03:56 • -17db
31% Popularity • 41% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
31% Popularity • 41% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Horslips
Nighttown Boy
92 bpm • E min • 05:06 • -7.89db
7% Popularity • 41% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
7% Popularity • 41% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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The Bad Shepherds
Down in the Tube Station at Midnight
92 bpm • G Maj • 04:27 • -7.06db
14% Popularity • 36% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 36% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Levellers
Men-An-Tol - Remastered Version
92 bpm • C Maj • 04:34 • -9.33db
21% Popularity • 30% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 30% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Capercaillie
Four Stone Walls
92 bpm • C Maj • 03:17 • -10db
22% Popularity • 57% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 57% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Moving Hearts
Mcbrides
91 bpm • A Maj • 08:21 • -11.71db
13% Popularity • 38% Danceability • 48% Energy • 70% Liveness
16% Instrumentalness • 77% Positiveness
13% Popularity • 38% Danceability • 48% Energy • 70% Liveness
16% Instrumentalness • 77% Positiveness
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Lindisfarne
Meet Me On The Corner
93 bpm • A Maj • 02:40 • -14.44db
40% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Horslips
Green Star Liner
92 bpm • D Maj • 03:26 • -7.13db
7% Popularity • 48% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 48% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 71% Positiveness
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Clannad
Two Sisters
93 bpm • C Maj • 04:13 • -13.47db
28% Popularity • 70% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 70% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Martin Carthy
The Bedmaking
93 bpm • D# min • 03:15 • -15.02db
12% Popularity • 85% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 85% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Adam McNaughtan
The Jeely Piece Song
93 bpm • C Maj • 03:46 • -10.52db
7% Popularity • 75% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 76% Positiveness
7% Popularity • 75% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 76% Positiveness
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The Mary Wallopers
Eileen Og
87 bpm • D# min • 03:01 • -7.13db
51% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
51% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Stockton's Wing
Walk Away
87 bpm • C Maj • 03:36 • -9db
28% Popularity • 74% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 74% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Dick Gaughan
Tom Paine's Bones
93 bpm • D Maj • 03:45 • -12.98db
21% Popularity • 50% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 50% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Aslan
Crazy World
94 bpm • D Maj • 03:46 • -7db
35% Popularity • 46% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 46% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Jimmy Crowley
Boys of Fairhill
94 bpm • D Maj • 03:09 • -8.3db
13% Popularity • 52% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 52% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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The Saw Doctors
Clare Island - Radio Edit
94 bpm • B Maj • 04:01 • -9.35db
39% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 58% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Harvey Andrews
Hey! Sandy
94 bpm • A Maj • 04:25 • -9.03db
12% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 58% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Daoirà Farrell
Boozing
94 bpm • F# Maj • 03:41 • -7.9db
18% Popularity • 61% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 61% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The Sensational Alex Harvey Band
Boston Tea Party - Remastered 2002
86 bpm • G Maj • 04:36 • -12db
25% Popularity • 45% Danceability • 59% Energy • 44% Liveness
17% Instrumentalness • 40% Positiveness
25% Popularity • 45% Danceability • 59% Energy • 44% Liveness
17% Instrumentalness • 40% Positiveness
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The Stunning
Town for Sale
94 bpm • G Maj • 03:45 • -6.23db
14% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Patrick Street
William Taylor
94 bpm • G# Maj • 03:09 • -14db
14% Popularity • 67% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 67% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Mundy
Galway Girl
94 bpm • E Maj • 03:50 • -10db
32% Popularity • 26% Danceability • 90% Energy • 45% Liveness
1% Instrumentalness • 55% Positiveness
32% Popularity • 26% Danceability • 90% Energy • 45% Liveness
1% Instrumentalness • 55% Positiveness
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Rita Connolly
Ripples In The Rockpools
95 bpm • A Maj • 03:28 • -14db
14% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Lindisfarne
Sunderland Boys
85 bpm • D Maj • 03:35 • -10.39db
10% Popularity • 60% Danceability • 74% Energy • 5% Liveness
20% Instrumentalness • 50% Positiveness
10% Popularity • 60% Danceability • 74% Energy • 5% Liveness
20% Instrumentalness • 50% Positiveness
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The Oldham Tinkers
A Mon Like Thee
85 bpm • G Maj • 03:54 • -17db
15% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Dick Gaughan
Song for Ireland
95 bpm • D# Maj • 05:08 • -12.93db
24% Popularity • 42% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 42% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Pecker Dunne
Portlaoise Jail
85 bpm • G Maj • 02:11 • -14.31db
27% Popularity • 42% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 42% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Clannad
Nil se ina la
95 bpm • A min • 05:58 • -8.3db
39% Popularity • 35% Danceability • 71% Energy • 75% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 35% Danceability • 71% Energy • 75% Liveness
0% Instrumentalness • 50% Positiveness
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Horslips
Rescue Me
95 bpm • C# min • 03:23 • -12db
12% Popularity • 64% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 64% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Stockton's Wing
The Golden Stud
95 bpm • B min • 06:27 • -11.34db
9% Popularity • 48% Danceability • 51% Energy • 16% Liveness
16% Instrumentalness • 45% Positiveness
9% Popularity • 48% Danceability • 51% Energy • 16% Liveness
16% Instrumentalness • 45% Positiveness
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John Spillane
Ireland and Australia
85 bpm • E Maj • 03:20 • -10.24db
18% Popularity • 75% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 75% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Full English
Stand by Your Guns
96 bpm • G# Maj • 03:32 • -13db
15% Popularity • 52% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 56% Positiveness
15% Popularity • 52% Danceability • 44% Energy • 11% Liveness
10% Instrumentalness • 56% Positiveness
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Billy Bragg
Between the Wars
96 bpm • D Maj • 02:30 • -8.66db
31% Popularity • 60% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 60% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Sweeney's Men
Waxies Dargle
96 bpm • D Maj • 03:26 • -11.9db
15% Popularity • 55% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 55% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Dominic Behan
The Boys from the County Cork
97 bpm • D Maj • 01:45 • -11.19db
16% Popularity • 62% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 62% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Hamish Imlach
Whisky You're the Devil (Live)
96 bpm • D Maj • 04:06 • -9.27db
18% Popularity • 56% Danceability • 45% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 56% Danceability • 45% Energy • 71% Liveness
0% Instrumentalness • 76% Positiveness
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John Spillane
Hey Dreamer
96 bpm • D Maj • 03:02 • -9.26db
27% Popularity • 50% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 50% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Horslips
Charolais
97 bpm • F Maj • 04:03 • -14.76db
16% Popularity • 56% Danceability • 39% Energy • 15% Liveness
7% Instrumentalness • 80% Positiveness
16% Popularity • 56% Danceability • 39% Energy • 15% Liveness
7% Instrumentalness • 80% Positiveness
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Goats Don’t Shave
John Cherokee
97 bpm • E min • 02:03 • -10.81db
23% Popularity • 77% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 77% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Dessie O'Halloran
I'll Fly Away
97 bpm • D Maj • 03:48 • -10.29db
24% Popularity • 56% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 56% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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The Sensational Alex Harvey Band
Tomorrow Belongs To Me - Remastered 2002
97 bpm • E Maj • 03:46 • -10.83db
12% Popularity • 44% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 44% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Levellers
The Lowlands of Holland - Remastered Ver...
97 bpm • C Maj • 05:06 • -10.21db
14% Popularity • 61% Danceability • 64% Energy • 35% Liveness
10% Instrumentalness • 66% Positiveness
14% Popularity • 61% Danceability • 64% Energy • 35% Liveness
10% Instrumentalness • 66% Positiveness
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John Spillane
The Madwoman Of Cork
96 bpm • E min • 03:39 • -8.59db
9% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Dolores Keane
Caledonia
97 bpm • C Maj • 04:38 • -16db
38% Popularity • 69% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 69% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Horslips
March Into Trouble
83 bpm • E min • 00:51 • -18.28db
22% Popularity • 45% Danceability • 23% Energy • 63% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 45% Danceability • 23% Energy • 63% Liveness
0% Instrumentalness • 96% Positiveness
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Dick Gaughan
Both Side The Tweed
97 bpm • A min • 03:42 • -14.71db
17% Popularity • 45% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 45% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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The Stunning
Roll and Tumble
97 bpm • G Maj • 04:23 • -8.87db
22% Popularity • 55% Danceability • 56% Energy • 41% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 55% Danceability • 56% Energy • 41% Liveness
0% Instrumentalness • 17% Positiveness
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Daoirà Farrell
The Little Drummer
97 bpm • C# Maj • 03:05 • -10.62db
18% Popularity • 74% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 74% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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John Spillane
An SpailpÃn Fánach
96 bpm • D Maj • 02:31 • -11.38db
16% Popularity • 60% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 60% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Levellers
The Boatman - Remastered Version
83 bpm • B min • 05:57 • -10.36db
31% Popularity • 30% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 30% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Horslips
Sword of Light
98 bpm • D Maj • 05:02 • -8db
20% Popularity • 54% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 54% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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The Fureys & Davey Arthur
Clare to Here
83 bpm • B min • 04:14 • -15.02db
18% Popularity • 40% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 40% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Clannad
Nil Se Ina La
98 bpm • D min • 05:00 • -13.73db
13% Popularity • 52% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 52% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Daoirà Farrell
The Creggan White Hare
98 bpm • B Maj • 04:52 • -9db
29% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Harvey Andrews
Soldier
98 bpm • A Maj • 04:57 • -8.88db
22% Popularity • 55% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 55% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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John Spillane
An Poc Ar Buile
97 bpm • C Maj • 03:05 • -9.36db
20% Popularity • 72% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 72% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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The Waterboys
In Search of a Rose - 2008 Remaster
82 bpm • E Maj • 01:20 • -14.84db
46% Popularity • 58% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 58% Danceability • 6% Energy • 28% Liveness
0% Instrumentalness • 68% Positiveness
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Mic Christopher
Heyday
82 bpm • A Maj • 03:52 • -9db
44% Popularity • 47% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 47% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Lindisfarne
Clear White Light
99 bpm • F Maj • 04:01 • -14.96db
24% Popularity • 48% Danceability • 51% Energy • 52% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 48% Danceability • 51% Energy • 52% Liveness
0% Instrumentalness • 50% Positiveness
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Horslips
The Unfortunate Cup of Tea
99 bpm • D Maj • 01:14 • -10.76db
19% Popularity • 65% Danceability • 55% Energy • 11% Liveness
26% Instrumentalness • 97% Positiveness
19% Popularity • 65% Danceability • 55% Energy • 11% Liveness
26% Instrumentalness • 97% Positiveness
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Gordon Giltrap
Lucifer's Cage - 2013 Remaster
82 bpm • B Maj • 04:06 • -13.86db
8% Popularity • 40% Danceability • 47% Energy • 8% Liveness
87% Instrumentalness • 42% Positiveness
8% Popularity • 40% Danceability • 47% Energy • 8% Liveness
87% Instrumentalness • 42% Positiveness
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The Fureys
From Clare to Here
82 bpm • B min • 03:46 • -15.41db
35% Popularity • 36% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 36% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Calum Kennedy
The Dark Island
99 bpm • A# Maj • 04:01 • -15.26db
16% Popularity • 21% Danceability • 35% Energy • 96% Liveness
6% Instrumentalness • 20% Positiveness
16% Popularity • 21% Danceability • 35% Energy • 96% Liveness
6% Instrumentalness • 20% Positiveness
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Stockton's Wing
Beneath The Shade
99 bpm • G Maj • 04:08 • -9.25db
14% Popularity • 53% Danceability • 65% Energy • 47% Liveness
1% Instrumentalness • 36% Positiveness
14% Popularity • 53% Danceability • 65% Energy • 47% Liveness
1% Instrumentalness • 36% Positiveness
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Lindisfarne
Marshall Riley's Army
82 bpm • G Maj • 03:39 • -10.05db
11% Popularity • 60% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 60% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Horslips
Time to Kill!
82 bpm • D Maj • 05:03 • -9.06db
8% Popularity • 36% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 36% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Jim McCann
Spancil Hill
82 bpm • C Maj • 04:37 • -12.64db
13% Popularity • 42% Danceability • 42% Energy • 80% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 42% Danceability • 42% Energy • 80% Liveness
0% Instrumentalness • 60% Positiveness
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The Fureys
Poem To The Lonesome Boatman / The Lones...
99 bpm • A min • 07:58 • -13db
17% Popularity • 32% Danceability • 43% Energy • 88% Liveness
1% Instrumentalness • 38% Positiveness
17% Popularity • 32% Danceability • 43% Energy • 88% Liveness
1% Instrumentalness • 38% Positiveness
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Jack Lukeman
Georgie Boy
100 bpm • C# Maj • 04:16 • -8db
24% Popularity • 27% Danceability • 56% Energy • 23% Liveness
19% Instrumentalness • 38% Positiveness
24% Popularity • 27% Danceability • 56% Energy • 23% Liveness
19% Instrumentalness • 38% Positiveness
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Bob Fox
Doodle Let Me Go
100 bpm • E Maj • 03:24 • -13db
12% Popularity • 61% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 61% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Lindisfarne
Clear White Light (Part 2) - 2003 Digita...
99 bpm • G min • 04:04 • -15db
14% Popularity • 50% Danceability • 53% Energy • 52% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 50% Danceability • 53% Energy • 52% Liveness
0% Instrumentalness • 49% Positiveness
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Stockton's Wing
Beautiful Affair
81 bpm • G Maj • 03:35 • -9.63db
39% Popularity • 55% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 55% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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John Spillane
The Dance Of The Cherry Tree
81 bpm • F Maj • 03:15 • -9.53db
31% Popularity • 53% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 53% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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The Fureys
Oro, Oro
81 bpm • A Maj • 03:17 • -9.68db
39% Popularity • 44% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 44% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Moving Hearts
The Titanic
81 bpm • B min • 06:30 • -12db
14% Popularity • 50% Danceability • 54% Energy • 88% Liveness
59% Instrumentalness • 55% Positiveness
14% Popularity • 50% Danceability • 54% Energy • 88% Liveness
59% Instrumentalness • 55% Positiveness
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The Copper Family
Good Ale
80 bpm • G# Maj • 02:42 • -16.1db
16% Popularity • 64% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 64% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Lindisfarne
Fog On the Tyne
81 bpm • C Maj • 03:24 • -13.9db
16% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Sweeney's Men
Willy O'Winsbury
101 bpm • G# Maj • 04:54 • -17.32db
14% Popularity • 58% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 58% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Stockton's Wing
Take A Chance
101 bpm • A Maj • 05:33 • -16.14db
18% Popularity • 47% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 47% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Matt McGinn
The Dundee Ghost
101 bpm • F# min • 02:42 • -12.05db
15% Popularity • 72% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 72% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Horslips
The Blind Can't Lead the Blind
80 bpm • G Maj • 05:20 • -13.06db
7% Popularity • 34% Danceability • 47% Energy • 22% Liveness
16% Instrumentalness • 48% Positiveness
7% Popularity • 34% Danceability • 47% Energy • 22% Liveness
16% Instrumentalness • 48% Positiveness
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a lazarus soul
Funeral Sessions
80 bpm • D min • 03:38 • -8.02db
18% Popularity • 42% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 42% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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The Mary Wallopers
The Hot Asphalt
80 bpm • D Maj • 02:57 • -6.59db
38% Popularity • 65% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 65% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Seán Ó Riada
Marcshlua Uà Néill (O'Neill's Cavalry ...
102 bpm • A# min • 03:28 • -11.6db
31% Popularity • 34% Danceability • 72% Energy • 70% Liveness
55% Instrumentalness • 28% Positiveness
31% Popularity • 34% Danceability • 72% Energy • 70% Liveness
55% Instrumentalness • 28% Positiveness
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Dominic Behan
Biddy Mulligan
102 bpm • A Maj • 03:23 • -15.15db
22% Popularity • 82% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 82% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Gilmore & Roberts
Doctor James
79 bpm • G# Maj • 04:27 • -6.91db
14% Popularity • 66% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 66% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Horslips
Dusk
102 bpm • C Maj • 00:38 • -14.13db
12% Popularity • 37% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 37% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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The Humblebums
Close Your Eyes
103 bpm • G Maj • 01:24 • -10.14db
8% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 55% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
