Songs like Trouble by The Burns Unit
Based on a tempo of (+/- 10%) and a similar genre
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King Creosote
Something To Believe In
121 bpm • D Maj • 03:14 • -10db
36% Popularity • 24% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 24% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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The Stands
Here She Comes Again
121 bpm • D Maj • 02:18 • -5.58db
15% Popularity • 50% Danceability • 78% Energy • 13% Liveness
2% Instrumentalness • 67% Positiveness
15% Popularity • 50% Danceability • 78% Energy • 13% Liveness
2% Instrumentalness • 67% Positiveness
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The Burns Unit
Trouble
121 bpm • D Maj • 03:27 • -7db
14% Popularity • 64% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 64% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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I Am Kloot
86 TVs
121 bpm • C# Maj • 03:04 • -11.29db
12% Popularity • 66% Danceability • 34% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
12% Popularity • 66% Danceability • 34% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
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Teenage Fanclub
Your Love Is the Place Where I Come From
121 bpm • F min • 03:30 • -8.47db
25% Popularity • 43% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 43% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Bell X1
Alphabet Soup
120 bpm • A Maj • 04:50 • -5.01db
25% Popularity • 55% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 55% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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Echobelly
Heroes In June
122 bpm • C Maj • 02:39 • -11.7db
11% Popularity • 42% Danceability • 33% Energy • 9% Liveness
12% Instrumentalness • 18% Positiveness
11% Popularity • 42% Danceability • 33% Energy • 9% Liveness
12% Instrumentalness • 18% Positiveness
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The echo of the Big Bang
Nowhere Man
120 bpm • E Maj • 02:44 • -5.6db
9% Popularity • 59% Danceability • 73% Energy • 45% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 59% Danceability • 73% Energy • 45% Liveness
0% Instrumentalness • 77% Positiveness
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A.S. Fanning
Song to the Moon
122 bpm • C Maj • 04:31 • -8.36db
14% Popularity • 54% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 54% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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I Am Kloot
Untitled #1
120 bpm • G# Maj • 04:18 • -5.61db
16% Popularity • 64% Danceability • 94% Energy • 8% Liveness
52% Instrumentalness • 96% Positiveness
16% Popularity • 64% Danceability • 94% Energy • 8% Liveness
52% Instrumentalness • 96% Positiveness
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Per-Arnt
The Rain
120 bpm • F min • 03:09 • -16.52db
10% Popularity • 57% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 22% Positiveness
10% Popularity • 57% Danceability • 31% Energy • 11% Liveness
12% Instrumentalness • 22% Positiveness
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Hamish Hawk
Mudchute
120 bpm • D Maj • 02:59 • -16.06db
15% Popularity • 69% Danceability • 19% Energy • 16% Liveness
1% Instrumentalness • 28% Positiveness
15% Popularity • 69% Danceability • 19% Energy • 16% Liveness
1% Instrumentalness • 28% Positiveness
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The Burns Unit
What Is Life?
122 bpm • F min • 03:45 • -5.62db
1% Popularity • 67% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
1% Popularity • 67% Danceability • 82% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Q
Space Witch
120 bpm • E Maj • 03:16 • -9.35db
16% Popularity • 70% Danceability • 54% Energy • 37% Liveness
1% Instrumentalness • 19% Positiveness
16% Popularity • 70% Danceability • 54% Energy • 37% Liveness
1% Instrumentalness • 19% Positiveness
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David Kitt
Private Dance
120 bpm • E min • 02:35 • -12db
13% Popularity • 68% Danceability • 54% Energy • 16% Liveness
77% Instrumentalness • 45% Positiveness
13% Popularity • 68% Danceability • 54% Energy • 16% Liveness
77% Instrumentalness • 45% Positiveness
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Gruff Rhys
Walk into the Wilderness
120 bpm • C Maj • 03:49 • -4.41db
8% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Teenage Fanclub
It's All In My Mind
122 bpm • F Maj • 03:41 • -8db
25% Popularity • 68% Danceability • 87% Energy • 13% Liveness
23% Instrumentalness • 92% Positiveness
25% Popularity • 68% Danceability • 87% Energy • 13% Liveness
23% Instrumentalness • 92% Positiveness
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John Grant
Chicken Bones
120 bpm • F Maj • 03:38 • -7.9db
24% Popularity • 79% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 79% Danceability • 69% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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The Burns Unit
Send Them Kids to War
122 bpm • C Maj • 04:02 • -6.33db
4% Popularity • 72% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
4% Popularity • 72% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Sea Power
North Hanging Rock
122 bpm • D Maj • 04:26 • -9.3db
11% Popularity • 33% Danceability • 53% Energy • 23% Liveness
40% Instrumentalness • 17% Positiveness
11% Popularity • 33% Danceability • 53% Energy • 23% Liveness
40% Instrumentalness • 17% Positiveness
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Badly Drawn Boy
Camping Next to Water
123 bpm • D Maj • 03:50 • -8.92db
29% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 65% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Gorky's Zygotic Mynci
Fresher Than the Sweetness in Water
123 bpm • A Maj • 02:25 • -9db
19% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
19% Popularity • 66% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Teenage Fanclub
The World'll Be OK
120 bpm • G Maj • 04:27 • -8.54db
10% Popularity • 65% Danceability • 68% Energy • 11% Liveness
24% Instrumentalness • 84% Positiveness
10% Popularity • 65% Danceability • 68% Energy • 11% Liveness
24% Instrumentalness • 84% Positiveness
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Gruff Rhys
100 Unread Messages
119 bpm • F# min • 04:31 • -4.71db
13% Popularity • 46% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 46% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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The Burns Unit
Helpless to Turn
122 bpm • D min • 05:11 • -11.21db
1% Popularity • 58% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 58% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Sea Power
Canvey Island
122 bpm • E Maj • 03:41 • -6.41db
18% Popularity • 26% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 26% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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RM Hubbert
Car Song
119 bpm • B Maj • 04:09 • -9.63db
13% Popularity • 60% Danceability • 54% Energy • 10% Liveness
31% Instrumentalness • 50% Positiveness
13% Popularity • 60% Danceability • 54% Energy • 10% Liveness
31% Instrumentalness • 50% Positiveness
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Bad Love Junkie
My Alter Ego Says Hello
119 bpm • C# Maj • 02:58 • -7.33db
16% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 50% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Gorky's Zygotic Mynci
Stood On Gold
119 bpm • F# Maj • 02:54 • -11db
25% Popularity • 61% Danceability • 37% Energy • 15% Liveness
85% Instrumentalness • 65% Positiveness
25% Popularity • 61% Danceability • 37% Energy • 15% Liveness
85% Instrumentalness • 65% Positiveness
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I Am Kloot
Titanic - Remastered
119 bpm • B min • 03:13 • -12.12db
11% Popularity • 67% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 67% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Duckworth Lewis Method
It's Just Not Cricket
119 bpm • C Maj • 03:24 • -6.5db
9% Popularity • 67% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 67% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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The Frames
Rent Day Blues
119 bpm • D Maj • 03:44 • -11.66db
13% Popularity • 73% Danceability • 58% Energy • 7% Liveness
88% Instrumentalness • 67% Positiveness
13% Popularity • 73% Danceability • 58% Energy • 7% Liveness
88% Instrumentalness • 67% Positiveness
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Hefner
I Took Her Love For Granted
119 bpm • B min • 02:35 • -6.81db
18% Popularity • 42% Danceability • 66% Energy • 8% Liveness
13% Instrumentalness • 66% Positiveness
18% Popularity • 42% Danceability • 66% Energy • 8% Liveness
13% Instrumentalness • 66% Positiveness
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Liam Frost
The Mourner's Of St Paul's
119 bpm • E Maj • 04:31 • -8.25db
12% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 60% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Gorky's Zygotic Mynci
Poodle Rockin'
123 bpm • C Maj • 02:56 • -7db
17% Popularity • 45% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 45% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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I Am Kloot
Over My Shoulder - Remastered
123 bpm • E Maj • 02:59 • -10.05db
15% Popularity • 97% Danceability • 37% Energy • 11% Liveness
25% Instrumentalness • 89% Positiveness
15% Popularity • 97% Danceability • 37% Energy • 11% Liveness
25% Instrumentalness • 89% Positiveness
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Joel Dobbins
Don't Upset The Applecart
119 bpm • C Maj • 05:48 • -10.41db
7% Popularity • 66% Danceability • 59% Energy • 19% Liveness
2% Instrumentalness • 60% Positiveness
7% Popularity • 66% Danceability • 59% Energy • 19% Liveness
2% Instrumentalness • 60% Positiveness
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The Lucksmiths
A Hiccup In Your Happiness
119 bpm • C Maj • 02:48 • -7.04db
11% Popularity • 71% Danceability • 50% Energy • 7% Liveness
6% Instrumentalness • 57% Positiveness
11% Popularity • 71% Danceability • 50% Energy • 7% Liveness
6% Instrumentalness • 57% Positiveness
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Teenage Fanclub
Cells
119 bpm • A# Maj • 03:20 • -9.46db
22% Popularity • 56% Danceability • 55% Energy • 15% Liveness
93% Instrumentalness • 44% Positiveness
22% Popularity • 56% Danceability • 55% Energy • 15% Liveness
93% Instrumentalness • 44% Positiveness
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Emma Pollock
Dark Skies
124 bpm • A Maj • 03:29 • -9.78db
7% Popularity • 42% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
7% Popularity • 42% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Sea Power
Open the Door
124 bpm • E Maj • 04:56 • -5.71db
14% Popularity • 40% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 40% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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I Am Kloot
86 TV's - Remastered
124 bpm • G# Maj • 02:55 • -9.08db
14% Popularity • 69% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
14% Popularity • 69% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Field Music
Them That Do Nothing
118 bpm • A Maj • 03:08 • -8db
3% Popularity • 75% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
3% Popularity • 75% Danceability • 57% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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The Divine Comedy
Come Home Billy Bird
124 bpm • B min • 04:08 • -8.52db
30% Popularity • 60% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 60% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Shack
Cup Of Tea
118 bpm • D Maj • 03:35 • -4.7db
2% Popularity • 48% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
2% Popularity • 48% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Anna Calvi
Desire
124 bpm • G# Maj • 03:51 • -5db
27% Popularity • 43% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 43% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Group of Divine
I Am Yours
124 bpm • B Maj • 05:02 • -16.19db
16% Popularity • 70% Danceability • 14% Energy • 22% Liveness
1% Instrumentalness • 28% Positiveness
16% Popularity • 70% Danceability • 14% Energy • 22% Liveness
1% Instrumentalness • 28% Positiveness
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King Creosote
Coast On By
118 bpm • A# Maj • 03:32 • -8.03db
9% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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The Crimea
White Russian Galaxy
124 bpm • D Maj • 03:14 • -4.7db
10% Popularity • 59% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 59% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Martin Stephenson
Great Star Of Fraternity
124 bpm • E Maj • 03:22 • -11.31db
8% Popularity • 61% Danceability • 49% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
8% Popularity • 61% Danceability • 49% Energy • 8% Liveness
2% Instrumentalness • 32% Positiveness
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Rimu
Mobile Noise
118 bpm • G Maj • 04:57 • -4.01db
13% Popularity • 37% Danceability • 77% Energy • 27% Liveness
7% Instrumentalness • 33% Positiveness
13% Popularity • 37% Danceability • 77% Energy • 27% Liveness
7% Instrumentalness • 33% Positiveness
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Hamish Hawk
Jackie O
124 bpm • D Maj • 04:22 • -16.02db
12% Popularity • 48% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
12% Popularity • 48% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Gorky's Zygotic Mynci
Patio Song
118 bpm • C# Maj • 02:43 • -8db
34% Popularity • 34% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 34% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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King Creosote
Cockle Shell
118 bpm • F Maj • 02:28 • -9.67db
20% Popularity • 74% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 74% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Delgados
Reasons For Silence (Ed's Song)
125 bpm • E Maj • 03:28 • -9.76db
9% Popularity • 39% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 39% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Trashcan Sinatras
Twisted And Bent
125 bpm • C Maj • 03:20 • -6.37db
19% Popularity • 56% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 56% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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The Frames
The Dancer
117 bpm • F Maj • 03:22 • -12.24db
9% Popularity • 36% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 36% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Malcolm Middleton
Love Is a Momentary Lapse in Self-Loathi...
125 bpm • C# Maj • 05:15 • -7.83db
12% Popularity • 40% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 40% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Beth Orton
Shopping Trolley
125 bpm • A Maj • 02:51 • -15.71db
12% Popularity • 54% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 54% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Lookout For Foxes
Coffee
125 bpm • A# min • 02:37 • -11.72db
9% Popularity • 82% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 82% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Rilo Kiley
It's a Hit
117 bpm • C Maj • 04:28 • -5.5db
34% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Adem
Everything You Need
125 bpm • C Maj • 04:03 • -9.58db
7% Popularity • 54% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 23% Positiveness
7% Popularity • 54% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 23% Positiveness
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BLAZER
Black Swan
125 bpm • D min • 03:00 • -5.19db
17% Popularity • 64% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 64% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Malcolm Middleton
Fuck It I Love You
117 bpm • F# Maj • 03:48 • -5.87db
16% Popularity • 57% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
16% Popularity • 57% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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King Creosote
One Floor Down
117 bpm • D# Maj • 03:05 • -7.24db
19% Popularity • 57% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
19% Popularity • 57% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Elbow
Not A Job
117 bpm • G Maj • 04:23 • -8.79db
32% Popularity • 62% Danceability • 50% Energy • 20% Liveness
10% Instrumentalness • 13% Positiveness
32% Popularity • 62% Danceability • 50% Energy • 20% Liveness
10% Instrumentalness • 13% Positiveness
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Cashier No. 9
Lost at Sea
117 bpm • E Maj • 04:07 • -5.84db
7% Popularity • 50% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 50% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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The Stands
I've Waited So Long
117 bpm • C Maj • 02:52 • -6.1db
9% Popularity • 60% Danceability • 82% Energy • 10% Liveness
19% Instrumentalness • 98% Positiveness
9% Popularity • 60% Danceability • 82% Energy • 10% Liveness
19% Instrumentalness • 98% Positiveness
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Willy Mason
Oxygen
117 bpm • A Maj • 04:57 • -11.66db
36% Popularity • 66% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 66% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Lou Barlow
Holding Back the Year
116 bpm • A Maj • 03:30 • -7.63db
19% Popularity • 73% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 73% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Teenage Fanclub
Did I Say
126 bpm • A# Maj • 02:25 • -8.1db
21% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Roddy Woomble
Act IV
116 bpm • B Maj • 04:25 • -8.41db
9% Popularity • 28% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 8% Positiveness
9% Popularity • 28% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 8% Positiveness
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The Cake Sale
Aliens
126 bpm • C Maj • 06:31 • -7.26db
14% Popularity • 40% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 40% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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The Burns Unit
Ringing In My Ears
126 bpm • C min • 03:41 • -6.54db
0% Popularity • 56% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 56% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Cosmic Rough Riders
The Gun Isn't Loaded
126 bpm • F Maj • 02:51 • -7.01db
8% Popularity • 50% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 50% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Ballboy
Where Do The Nights Of Sleep Go To When ...
116 bpm • B min • 04:16 • -7.83db
11% Popularity • 42% Danceability • 80% Energy • 21% Liveness
2% Instrumentalness • 48% Positiveness
11% Popularity • 42% Danceability • 80% Energy • 21% Liveness
2% Instrumentalness • 48% Positiveness
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The Wedding Present
Perfect Blue
116 bpm • A Maj • 05:31 • -5.5db
10% Popularity • 51% Danceability • 76% Energy • 15% Liveness
5% Instrumentalness • 32% Positiveness
10% Popularity • 51% Danceability • 76% Energy • 15% Liveness
5% Instrumentalness • 32% Positiveness
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Badly Drawn Boy
Journey from a to B
116 bpm • C Maj • 03:48 • -5.37db
19% Popularity • 55% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 55% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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The Divine Comedy
At The Indie Disco
116 bpm • F# min • 03:18 • -10db
28% Popularity • 84% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 84% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Burns Unit
Future Pilot a. K. C.
126 bpm • D# Maj • 04:17 • -8.06db
1% Popularity • 63% Danceability • 72% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
1% Popularity • 63% Danceability • 72% Energy • 16% Liveness
1% Instrumentalness • 59% Positiveness
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The Pale
Butterfly
126 bpm • C Maj • 04:07 • -6.32db
28% Popularity • 57% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 57% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Sea Power
Carrion
126 bpm • G Maj • 04:06 • -4.81db
26% Popularity • 46% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 46% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
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Gorky's Zygotic Mynci
How I Long
126 bpm • A# Maj • 04:08 • -12db
13% Popularity • 38% Danceability • 24% Energy • 21% Liveness
20% Instrumentalness • 7% Positiveness
13% Popularity • 38% Danceability • 24% Energy • 21% Liveness
20% Instrumentalness • 7% Positiveness
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Camera Obscura
The Sweetest Thing - Richard Hawley Remi...
126 bpm • C# Maj • 04:12 • -7db
11% Popularity • 51% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 51% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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I Am Kloot
Morning Rain - Remastered
116 bpm • C# min • 03:22 • -8db
21% Popularity • 73% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 73% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Low
California
116 bpm • D Maj • 03:23 • -7.12db
25% Popularity • 40% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 40% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Fight Like Apes
Pretty Keen on Centrefolds
127 bpm • F# Maj • 03:14 • -5db
20% Popularity • 70% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 70% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Lars Palmér
Sweetheart Like You
115 bpm • C Maj • 04:50 • -11.45db
17% Popularity • 69% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 69% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Withered Hand
Horseshoe - 2022 Remaster
127 bpm • E Maj • 04:03 • -8db
15% Popularity • 51% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 51% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Howling Bells
The Bell Hit
115 bpm • B min • 03:15 • -7.51db
3% Popularity • 56% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
3% Popularity • 56% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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I Am Kloot
Dark Star - Remastered
115 bpm • G min • 02:22 • -8.28db
20% Popularity • 58% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 58% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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The Lucksmiths
Young And Dumb
115 bpm • A Maj • 03:27 • -5.59db
7% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 64% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Darren Hayman
Boy, Look at What You Can't Have Now
115 bpm • F min • 03:41 • -5.69db
8% Popularity • 56% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 56% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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The Burns Unit
In The End
127 bpm • C# Maj • 03:54 • -7.79db
0% Popularity • 47% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 47% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Cinerama
Hate
115 bpm • C Maj • 03:20 • -9.51db
11% Popularity • 72% Danceability • 52% Energy • 30% Liveness
4% Instrumentalness • 90% Positiveness
11% Popularity • 72% Danceability • 52% Energy • 30% Liveness
4% Instrumentalness • 90% Positiveness
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My Latest Novel
I Declare a Ceasefire
115 bpm • F Maj • 04:46 • -8.43db
10% Popularity • 47% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 47% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Slow Riders
Traveling Fever
115 bpm • F Maj • 02:54 • -12.6db
11% Popularity • 64% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 64% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Kristin Hersh
The Cuckoo
115 bpm • E min • 02:12 • -14.58db
18% Popularity • 41% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 41% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness