Songs like True Nature by Jim James
Based on a tempo of (+/- 10%) and a similar genre
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Poolside
Drifting
154 bpm • E Maj • 04:30 • -9.99db
34% Popularity • 67% Danceability • 60% Energy • 14% Liveness
74% Instrumentalness • 75% Positiveness
34% Popularity • 67% Danceability • 60% Energy • 14% Liveness
74% Instrumentalness • 75% Positiveness
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Jim James
True Nature
154 bpm • G min • 03:40 • -6.99db
28% Popularity • 38% Danceability • 88% Energy • 28% Liveness
67% Instrumentalness • 60% Positiveness
28% Popularity • 38% Danceability • 88% Energy • 28% Liveness
67% Instrumentalness • 60% Positiveness
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The Shouting Matches
Gallup, NM
154 bpm • F# min • 05:33 • -9.67db
35% Popularity • 36% Danceability • 62% Energy • 24% Liveness
26% Instrumentalness • 78% Positiveness
35% Popularity • 36% Danceability • 62% Energy • 24% Liveness
26% Instrumentalness • 78% Positiveness
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Damien Jurado
Sweetness
155 bpm • A Maj • 04:03 • -10.16db
14% Popularity • 38% Danceability • 47% Energy • 22% Liveness
84% Instrumentalness • 32% Positiveness
14% Popularity • 38% Danceability • 47% Energy • 22% Liveness
84% Instrumentalness • 32% Positiveness
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The Arcs
Cold Companion
153 bpm • G Maj • 03:55 • -9.57db
35% Popularity • 58% Danceability • 52% Energy • 40% Liveness
1% Instrumentalness • 54% Positiveness
35% Popularity • 58% Danceability • 52% Energy • 40% Liveness
1% Instrumentalness • 54% Positiveness
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The Cactus Channel
Storefront
152 bpm • G# min • 05:11 • -9.5db
30% Popularity • 46% Danceability • 54% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
30% Popularity • 46% Danceability • 54% Energy • 12% Liveness
4% Instrumentalness • 50% Positiveness
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LAKE
Madagascar
152 bpm • A min • 03:13 • -9db
30% Popularity • 66% Danceability • 53% Energy • 6% Liveness
4% Instrumentalness • 86% Positiveness
30% Popularity • 66% Danceability • 53% Energy • 6% Liveness
4% Instrumentalness • 86% Positiveness
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Childhood
Cameo - Original
152 bpm • G# min • 04:13 • -10db
28% Popularity • 39% Danceability • 73% Energy • 12% Liveness
20% Instrumentalness • 63% Positiveness
28% Popularity • 39% Danceability • 73% Energy • 12% Liveness
20% Instrumentalness • 63% Positiveness
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Cotton Jones
Somehow to Keep it Going
151 bpm • C Maj • 04:36 • -6.86db
29% Popularity • 42% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 42% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Twin Peaks
We Will Not Make It (Not Without You)
150 bpm • D Maj • 06:28 • -7.5db
30% Popularity • 45% Danceability • 61% Energy • 23% Liveness
91% Instrumentalness • 24% Positiveness
30% Popularity • 45% Danceability • 61% Energy • 23% Liveness
91% Instrumentalness • 24% Positiveness
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The Arcs
Young
152 bpm • A Maj • 03:19 • -12.48db
23% Popularity • 55% Danceability • 40% Energy • 12% Liveness
63% Instrumentalness • 32% Positiveness
23% Popularity • 55% Danceability • 40% Energy • 12% Liveness
63% Instrumentalness • 32% Positiveness
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The Cactus Channel
About Time
152 bpm • B min • 05:04 • -10.81db
21% Popularity • 41% Danceability • 49% Energy • 12% Liveness
88% Instrumentalness • 54% Positiveness
21% Popularity • 41% Danceability • 49% Energy • 12% Liveness
88% Instrumentalness • 54% Positiveness
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Whitney
You’ve Got a Woman
150 bpm • A# min • 03:13 • -5.18db
31% Popularity • 49% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 49% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Fly Golden Eagle
Violet Crown
149 bpm • F# min • 04:52 • -5.71db
19% Popularity • 60% Danceability • 86% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
19% Popularity • 60% Danceability • 86% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
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Alex Bleeker & The Freaks
Little Dream I Had
150 bpm • G Maj • 04:20 • -10.2db
11% Popularity • 58% Danceability • 57% Energy • 28% Liveness
1% Instrumentalness • 50% Positiveness
11% Popularity • 58% Danceability • 57% Energy • 28% Liveness
1% Instrumentalness • 50% Positiveness
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Bibio
A Mineral Love
160 bpm • C Maj • 03:17 • -8db
27% Popularity • 70% Danceability • 60% Energy • 7% Liveness
80% Instrumentalness • 69% Positiveness
27% Popularity • 70% Danceability • 60% Energy • 7% Liveness
80% Instrumentalness • 69% Positiveness
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The Arcs
Rosie (Ooh La La)
148 bpm • F# Maj • 03:46 • -10.37db
27% Popularity • 49% Danceability • 54% Energy • 29% Liveness
3% Instrumentalness • 40% Positiveness
27% Popularity • 49% Danceability • 54% Energy • 29% Liveness
3% Instrumentalness • 40% Positiveness
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Rosario
Where We Go
160 bpm • A# Maj • 02:02 • -7.95db
22% Popularity • 72% Danceability • 89% Energy • 10% Liveness
81% Instrumentalness • 91% Positiveness
22% Popularity • 72% Danceability • 89% Energy • 10% Liveness
81% Instrumentalness • 91% Positiveness
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Grizzly Bear
Aquarian
160 bpm • C Maj • 04:17 • -5.26db
27% Popularity • 41% Danceability • 88% Energy • 14% Liveness
16% Instrumentalness • 44% Positiveness
27% Popularity • 41% Danceability • 88% Energy • 14% Liveness
16% Instrumentalness • 44% Positiveness
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Luke Temple
Hard Working Hand
161 bpm • F min • 03:43 • -4.78db
30% Popularity • 66% Danceability • 81% Energy • 7% Liveness
22% Instrumentalness • 97% Positiveness
30% Popularity • 66% Danceability • 81% Energy • 7% Liveness
22% Instrumentalness • 97% Positiveness
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Woods
The Take
147 bpm • A min • 05:37 • -9db
22% Popularity • 55% Danceability • 53% Energy • 9% Liveness
48% Instrumentalness • 96% Positiveness
22% Popularity • 55% Danceability • 53% Energy • 9% Liveness
48% Instrumentalness • 96% Positiveness
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Durand Jones & The Indications
Make a Change
161 bpm • G Maj • 03:29 • -9.31db
41% Popularity • 66% Danceability • 67% Energy • 13% Liveness
44% Instrumentalness • 84% Positiveness
41% Popularity • 66% Danceability • 67% Energy • 13% Liveness
44% Instrumentalness • 84% Positiveness
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Ultimate Painting
Lead the Way
162 bpm • C Maj • 03:10 • -9.77db
22% Popularity • 59% Danceability • 34% Energy • 32% Liveness
83% Instrumentalness • 37% Positiveness
22% Popularity • 59% Danceability • 34% Energy • 32% Liveness
83% Instrumentalness • 37% Positiveness
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Natural Child
NSA Blues
162 bpm • B Maj • 03:31 • -7.56db
31% Popularity • 60% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 60% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Grizzly Bear
Four Cypresses
160 bpm • C Maj • 04:48 • -8.39db
29% Popularity • 50% Danceability • 72% Energy • 11% Liveness
15% Instrumentalness • 27% Positiveness
29% Popularity • 50% Danceability • 72% Energy • 11% Liveness
15% Instrumentalness • 27% Positiveness
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Michael Rault
Nothing Means Nothing
146 bpm • F Maj • 02:56 • -5.26db
9% Popularity • 62% Danceability • 72% Energy • 37% Liveness
57% Instrumentalness • 84% Positiveness
9% Popularity • 62% Danceability • 72% Energy • 37% Liveness
57% Instrumentalness • 84% Positiveness
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Blond Ambition
Shasta
146 bpm • B min • 03:15 • -6.22db
14% Popularity • 78% Danceability • 80% Energy • 6% Liveness
25% Instrumentalness • 96% Positiveness
14% Popularity • 78% Danceability • 80% Energy • 6% Liveness
25% Instrumentalness • 96% Positiveness
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Foxygen
Mrs. Adams
163 bpm • C Maj • 04:29 • -6.99db
17% Popularity • 33% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 33% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Martin Courtney
Little Blue
163 bpm • D Maj • 03:24 • -7.85db
18% Popularity • 39% Danceability • 72% Energy • 20% Liveness
2% Instrumentalness • 76% Positiveness
18% Popularity • 39% Danceability • 72% Energy • 20% Liveness
2% Instrumentalness • 76% Positiveness
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Woods
Hollow Home
145 bpm • F# min • 04:05 • -7db
37% Popularity • 56% Danceability • 76% Energy • 14% Liveness
63% Instrumentalness • 88% Positiveness
37% Popularity • 56% Danceability • 76% Energy • 14% Liveness
63% Instrumentalness • 88% Positiveness
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Benji Hughes
Fall Me in Love
145 bpm • C Maj • 03:28 • -10.08db
21% Popularity • 73% Danceability • 56% Energy • 11% Liveness
3% Instrumentalness • 85% Positiveness
21% Popularity • 73% Danceability • 56% Energy • 11% Liveness
3% Instrumentalness • 85% Positiveness
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My Morning Jacket
It Beats For You
144 bpm • C min • 03:46 • -6.19db
38% Popularity • 53% Danceability • 85% Energy • 27% Liveness
44% Instrumentalness • 77% Positiveness
38% Popularity • 53% Danceability • 85% Energy • 27% Liveness
44% Instrumentalness • 77% Positiveness
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Club Kuru
The Memory Junkie
144 bpm • D min • 03:41 • -4.93db
24% Popularity • 46% Danceability • 71% Energy • 27% Liveness
90% Instrumentalness • 54% Positiveness
24% Popularity • 46% Danceability • 71% Energy • 27% Liveness
90% Instrumentalness • 54% Positiveness
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Luke Temple
Estimated World
165 bpm • F# min • 03:14 • -12.35db
12% Popularity • 51% Danceability • 45% Energy • 11% Liveness
42% Instrumentalness • 64% Positiveness
12% Popularity • 51% Danceability • 45% Energy • 11% Liveness
42% Instrumentalness • 64% Positiveness
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Gov't Mule
Captured
144 bpm • C# min • 05:45 • -8.4db
1% Popularity • 37% Danceability • 47% Energy • 24% Liveness
4% Instrumentalness • 29% Positiveness
1% Popularity • 37% Danceability • 47% Energy • 24% Liveness
4% Instrumentalness • 29% Positiveness
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Woods
I See in the Dark
145 bpm • A min • 04:05 • -6.68db
17% Popularity • 64% Danceability • 61% Energy • 8% Liveness
54% Instrumentalness • 68% Positiveness
17% Popularity • 64% Danceability • 61% Energy • 8% Liveness
54% Instrumentalness • 68% Positiveness
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Steve Gunn
Heavy Sails
144 bpm • G# Maj • 04:01 • -5.72db
11% Popularity • 41% Danceability • 73% Energy • 25% Liveness
17% Instrumentalness • 63% Positiveness
11% Popularity • 41% Danceability • 73% Energy • 25% Liveness
17% Instrumentalness • 63% Positiveness
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Mr Twin Sister
Blush
144 bpm • C# Maj • 04:16 • -12.27db
25% Popularity • 30% Danceability • 34% Energy • 13% Liveness
14% Instrumentalness • 11% Positiveness
25% Popularity • 30% Danceability • 34% Energy • 13% Liveness
14% Instrumentalness • 11% Positiveness
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World Champion
Tip Pit
143 bpm • D Maj • 03:47 • -7.13db
34% Popularity • 60% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 60% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Sonny & The Sunsets
Cheap Extensions
143 bpm • C min • 04:30 • -6.24db
25% Popularity • 68% Danceability • 56% Energy • 8% Liveness
60% Instrumentalness • 86% Positiveness
25% Popularity • 68% Danceability • 56% Energy • 8% Liveness
60% Instrumentalness • 86% Positiveness
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Monophonics
They Don't Understand
167 bpm • D min • 04:18 • -6.31db
21% Popularity • 25% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 25% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Unknown Mortal Orchestra
Monki
167 bpm • A min • 07:18 • -14.93db
32% Popularity • 66% Danceability • 32% Energy • 11% Liveness
52% Instrumentalness • 41% Positiveness
32% Popularity • 66% Danceability • 32% Energy • 11% Liveness
52% Instrumentalness • 41% Positiveness
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The Shouting Matches
I Had a Real Good Lover
143 bpm • E Maj • 06:32 • -14.02db
39% Popularity • 49% Danceability • 38% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
39% Popularity • 49% Danceability • 38% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
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Steve Gunn
Lurker
142 bpm • F Maj • 07:42 • -12.89db
26% Popularity • 41% Danceability • 41% Energy • 11% Liveness
71% Instrumentalness • 28% Positiveness
26% Popularity • 41% Danceability • 41% Energy • 11% Liveness
71% Instrumentalness • 28% Positiveness
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Houndstooth
Baltimore
142 bpm • A Maj • 02:34 • -7.85db
22% Popularity • 67% Danceability • 56% Energy • 11% Liveness
73% Instrumentalness • 88% Positiveness
22% Popularity • 67% Danceability • 56% Energy • 11% Liveness
73% Instrumentalness • 88% Positiveness
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Jim James
We Ain't Getting Any Younger Pt. 2
142 bpm • F min • 03:04 • -6.69db
30% Popularity • 40% Danceability • 69% Energy • 18% Liveness
37% Instrumentalness • 61% Positiveness
30% Popularity • 40% Danceability • 69% Energy • 18% Liveness
37% Instrumentalness • 61% Positiveness
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Bibio
Raxeira
168 bpm • G min • 02:52 • -9.19db
23% Popularity • 31% Danceability • 63% Energy • 36% Liveness
2% Instrumentalness • 8% Positiveness
23% Popularity • 31% Danceability • 63% Energy • 36% Liveness
2% Instrumentalness • 8% Positiveness
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Unknown Mortal Orchestra
Ministry of Alienation
142 bpm • G# min • 03:42 • -8db
37% Popularity • 77% Danceability • 52% Energy • 32% Liveness
21% Instrumentalness • 41% Positiveness
37% Popularity • 77% Danceability • 52% Energy • 32% Liveness
21% Instrumentalness • 41% Positiveness
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Cotton Jones
I Was Stoned By The Choir
141 bpm • C# min • 03:04 • -9db
27% Popularity • 27% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 27% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Cactus Channel
Over and Over
169 bpm • F# min • 05:00 • -9.06db
14% Popularity • 39% Danceability • 57% Energy • 18% Liveness
32% Instrumentalness • 62% Positiveness
14% Popularity • 39% Danceability • 57% Energy • 18% Liveness
32% Instrumentalness • 62% Positiveness
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Orions Belte
Le Mans
169 bpm • D# Maj • 03:02 • -7.2db
33% Popularity • 34% Danceability • 80% Energy • 16% Liveness
89% Instrumentalness • 52% Positiveness
33% Popularity • 34% Danceability • 80% Energy • 16% Liveness
89% Instrumentalness • 52% Positiveness
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Tweedy
High as Hello
140 bpm • A Maj • 03:56 • -11.32db
20% Popularity • 76% Danceability • 38% Energy • 18% Liveness
91% Instrumentalness • 39% Positiveness
20% Popularity • 76% Danceability • 38% Energy • 18% Liveness
91% Instrumentalness • 39% Positiveness
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American Babies
Synth Driver
140 bpm • C# Maj • 07:18 • -5.85db
19% Popularity • 44% Danceability • 85% Energy • 26% Liveness
5% Instrumentalness • 29% Positiveness
19% Popularity • 44% Danceability • 85% Energy • 26% Liveness
5% Instrumentalness • 29% Positiveness
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Jim James
Seasons
140 bpm • C Maj • 04:02 • -7.17db
7% Popularity • 33% Danceability • 57% Energy • 10% Liveness
55% Instrumentalness • 14% Positiveness
7% Popularity • 33% Danceability • 57% Energy • 10% Liveness
55% Instrumentalness • 14% Positiveness
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Cotton Jones
Little Ashtray In Sun
140 bpm • A# Maj • 03:12 • -7.75db
29% Popularity • 50% Danceability • 82% Energy • 13% Liveness
12% Instrumentalness • 80% Positiveness
29% Popularity • 50% Danceability • 82% Energy • 13% Liveness
12% Instrumentalness • 80% Positiveness
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Richard Swift
The Atlantic Ocean
170 bpm • D Maj • 03:39 • -6.59db
22% Popularity • 61% Danceability • 66% Energy • 8% Liveness
9% Instrumentalness • 68% Positiveness
22% Popularity • 61% Danceability • 66% Energy • 8% Liveness
9% Instrumentalness • 68% Positiveness
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Pickwick
Turncoat
170 bpm • F min • 03:17 • -6.53db
22% Popularity • 47% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 47% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Grizzly Bear
Glass Hillside
140 bpm • A min • 04:53 • -6.02db
26% Popularity • 44% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 44% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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The Arcs
Nature's Child
140 bpm • F# min • 03:12 • -13.42db
32% Popularity • 51% Danceability • 33% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
32% Popularity • 51% Danceability • 33% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
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The Seshen
Distant Heart
170 bpm • F# min • 03:07 • -8db
19% Popularity • 55% Danceability • 70% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 55% Danceability • 70% Energy • 41% Liveness
0% Instrumentalness • 59% Positiveness
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Cotton Jones
Some Strange Rain
140 bpm • C Maj • 04:02 • -10db
43% Popularity • 54% Danceability • 74% Energy • 13% Liveness
76% Instrumentalness • 74% Positiveness
43% Popularity • 54% Danceability • 74% Energy • 13% Liveness
76% Instrumentalness • 74% Positiveness
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Michael Nau
The Load
139 bpm • B Maj • 03:00 • -9.59db
24% Popularity • 58% Danceability • 58% Energy • 12% Liveness
90% Instrumentalness • 63% Positiveness
24% Popularity • 58% Danceability • 58% Energy • 12% Liveness
90% Instrumentalness • 63% Positiveness
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Marco Benevento
Send It on a Rocket
139 bpm • F Maj • 04:24 • -6.88db
11% Popularity • 46% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
11% Popularity • 46% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Dr. Dog
Coming Out Of The Darkness
170 bpm • C Maj • 03:40 • -8.14db
28% Popularity • 40% Danceability • 46% Energy • 13% Liveness
58% Instrumentalness • 51% Positiveness
28% Popularity • 40% Danceability • 46% Energy • 13% Liveness
58% Instrumentalness • 51% Positiveness
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King Tuff
Neverending Sunshine
170 bpm • C Maj • 03:40 • -6db
28% Popularity • 16% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
28% Popularity • 16% Danceability • 89% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Matthew E. White
Fruit Trees
139 bpm • F min • 05:19 • -9.49db
10% Popularity • 60% Danceability • 63% Energy • 32% Liveness
6% Instrumentalness • 76% Positiveness
10% Popularity • 60% Danceability • 63% Energy • 32% Liveness
6% Instrumentalness • 76% Positiveness
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Cotton Jones
Dream on Columbia Street
140 bpm • D Maj • 02:51 • -6.28db
32% Popularity • 46% Danceability • 84% Energy • 13% Liveness
46% Instrumentalness • 72% Positiveness
32% Popularity • 46% Danceability • 84% Energy • 13% Liveness
46% Instrumentalness • 72% Positiveness
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Charles Bradley
Cumberland Blues
170 bpm • C Maj • 03:16 • -5.43db
27% Popularity • 39% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 39% Danceability • 85% Energy • 39% Liveness
0% Instrumentalness • 91% Positiveness
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Particle Kid
All One Day (Shadow of the Sun)
139 bpm • C# Maj • 07:42 • -8.68db
5% Popularity • 27% Danceability • 64% Energy • 8% Liveness
31% Instrumentalness • 15% Positiveness
5% Popularity • 27% Danceability • 64% Energy • 8% Liveness
31% Instrumentalness • 15% Positiveness
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Jim James
I Just Wasn't Made for These Times
139 bpm • F Maj • 05:05 • -8db
14% Popularity • 33% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 33% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Bibio
Gasoline & Mirrors
171 bpm • C Maj • 05:43 • -9.31db
23% Popularity • 47% Danceability • 58% Energy • 10% Liveness
26% Instrumentalness • 31% Positiveness
23% Popularity • 47% Danceability • 58% Energy • 10% Liveness
26% Instrumentalness • 31% Positiveness
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Steve Gunn
Full Moon Tide
138 bpm • E Maj • 04:48 • -5.14db
13% Popularity • 50% Danceability • 76% Energy • 10% Liveness
51% Instrumentalness • 69% Positiveness
13% Popularity • 50% Danceability • 76% Energy • 10% Liveness
51% Instrumentalness • 69% Positiveness
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Benji Hughes
Longshot
172 bpm • D min • 03:50 • -9.57db
22% Popularity • 66% Danceability • 38% Energy • 11% Liveness
61% Instrumentalness • 58% Positiveness
22% Popularity • 66% Danceability • 38% Energy • 11% Liveness
61% Instrumentalness • 58% Positiveness
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Gardens & Villa
Orange Blossom
172 bpm • C Maj • 04:20 • -5.92db
32% Popularity • 73% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 73% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Charles Watson
Abandoned Buick
138 bpm • C min • 04:26 • -9.31db
13% Popularity • 55% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 55% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Spoon
Who Makes Your Money
172 bpm • A Maj • 03:44 • -12db
7% Popularity • 81% Danceability • 53% Energy • 9% Liveness
2% Instrumentalness • 43% Positiveness
7% Popularity • 81% Danceability • 53% Energy • 9% Liveness
2% Instrumentalness • 43% Positiveness
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Jim James
Actress - Demo
137 bpm • A min • 03:19 • -6.75db
7% Popularity • 91% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 91% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Allah-Las
Terra Ignota
173 bpm • D Maj • 03:25 • -6.8db
22% Popularity • 25% Danceability • 71% Energy • 14% Liveness
48% Instrumentalness • 82% Positiveness
22% Popularity • 25% Danceability • 71% Energy • 14% Liveness
48% Instrumentalness • 82% Positiveness
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Astronauts, etc.
Place With You
136 bpm • F min • 04:27 • -10.17db
23% Popularity • 68% Danceability • 69% Energy • 8% Liveness
64% Instrumentalness • 71% Positiveness
23% Popularity • 68% Danceability • 69% Energy • 8% Liveness
64% Instrumentalness • 71% Positiveness
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Once and Future Band
I'll Be Fine
136 bpm • D Maj • 06:28 • -7.04db
9% Popularity • 33% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 33% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Hotel Eden
Nimble Girl
174 bpm • G Maj • 04:23 • -5db
34% Popularity • 48% Danceability • 85% Energy • 18% Liveness
91% Instrumentalness • 85% Positiveness
34% Popularity • 48% Danceability • 85% Energy • 18% Liveness
91% Instrumentalness • 85% Positiveness
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Scott Hirsch
Loss of Forgetfulness
136 bpm • D Maj • 03:45 • -8.1db
8% Popularity • 73% Danceability • 45% Energy • 11% Liveness
10% Instrumentalness • 60% Positiveness
8% Popularity • 73% Danceability • 45% Energy • 11% Liveness
10% Instrumentalness • 60% Positiveness
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Jim James
State of The Art (A.E.I.O.U.) - Demo
137 bpm • A min • 05:35 • -14.06db
12% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 41% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Ultimate Painting
Into the Darkness
174 bpm • A Maj • 04:39 • -8.05db
15% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 49% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Cotton Jones
Don't Got a Lotta TIme
136 bpm • C# min • 03:30 • -7.93db
19% Popularity • 54% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 54% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Foxygen
Oh Yeah
175 bpm • C Maj • 05:16 • -6db
31% Popularity • 45% Danceability • 70% Energy • 7% Liveness
2% Instrumentalness • 89% Positiveness
31% Popularity • 45% Danceability • 70% Energy • 7% Liveness
2% Instrumentalness • 89% Positiveness
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The Electric Peanut Butter Company
Going in Circles
175 bpm • A# min • 02:58 • -5.13db
32% Popularity • 45% Danceability • 60% Energy • 57% Liveness
79% Instrumentalness • 72% Positiveness
32% Popularity • 45% Danceability • 60% Energy • 57% Liveness
79% Instrumentalness • 72% Positiveness
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Martin Courtney
Vestiges
175 bpm • D Maj • 04:58 • -6.41db
27% Popularity • 33% Danceability • 82% Energy • 11% Liveness
14% Instrumentalness • 58% Positiveness
27% Popularity • 33% Danceability • 82% Energy • 11% Liveness
14% Instrumentalness • 58% Positiveness
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Natural Child
Sure Is Nice
135 bpm • B Maj • 05:21 • -10db
34% Popularity • 63% Danceability • 67% Energy • 10% Liveness
19% Instrumentalness • 89% Positiveness
34% Popularity • 63% Danceability • 67% Energy • 10% Liveness
19% Instrumentalness • 89% Positiveness
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King Tuff
Thru the Cracks
136 bpm • D Maj • 03:36 • -6db
16% Popularity • 33% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 33% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Houndstooth
Wheel On Fire
135 bpm • G Maj • 04:03 • -6.98db
14% Popularity • 60% Danceability • 69% Energy • 10% Liveness
88% Instrumentalness • 73% Positiveness
14% Popularity • 60% Danceability • 69% Energy • 10% Liveness
88% Instrumentalness • 73% Positiveness
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Grizzly Bear
Wasted Acres
135 bpm • G min • 02:52 • -9.33db
35% Popularity • 50% Danceability • 40% Energy • 10% Liveness
6% Instrumentalness • 12% Positiveness
35% Popularity • 50% Danceability • 40% Energy • 10% Liveness
6% Instrumentalness • 12% Positiveness
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Chris Cohen
In a Fable
135 bpm • G min • 03:00 • -6.34db
28% Popularity • 58% Danceability • 64% Energy • 34% Liveness
72% Instrumentalness • 84% Positiveness
28% Popularity • 58% Danceability • 64% Energy • 34% Liveness
72% Instrumentalness • 84% Positiveness
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Foxygen
On Blue Mountain
135 bpm • F Maj • 05:50 • -7db
37% Popularity • 32% Danceability • 86% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
37% Popularity • 32% Danceability • 86% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
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The Lemon Twigs
Baby, Baby
176 bpm • F# min • 04:56 • -8.13db
33% Popularity • 38% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 38% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 45% Positiveness
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Totally Mild
Christa
134 bpm • C min • 03:01 • -9.83db
20% Popularity • 46% Danceability • 41% Energy • 10% Liveness
74% Instrumentalness • 39% Positiveness
20% Popularity • 46% Danceability • 41% Energy • 10% Liveness
74% Instrumentalness • 39% Positiveness
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Houndstooth
Francis
135 bpm • A Maj • 04:51 • -5.56db
23% Popularity • 53% Danceability • 83% Energy • 10% Liveness
90% Instrumentalness • 48% Positiveness
23% Popularity • 53% Danceability • 83% Energy • 10% Liveness
90% Instrumentalness • 48% Positiveness
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Damien Jurado
ONALASKA
134 bpm • G min • 03:34 • -8.48db
18% Popularity • 40% Danceability • 57% Energy • 12% Liveness
9% Instrumentalness • 48% Positiveness
18% Popularity • 40% Danceability • 57% Energy • 12% Liveness
9% Instrumentalness • 48% Positiveness