Songs like Trumpet Concerto in D Major, TWV 51:D 7: I. Adagio by Nicol Matt
Based on a tempo of (+/- 10%) and a similar genre
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Nicol Matt
Trumpet Concerto in D Major, TWV 51:D 7:...
84 bpm • D Maj • 01:37 • -9.86db
8% Popularity • 29% Danceability • 29% Energy • 8% Liveness
73% Instrumentalness • 20% Positiveness
8% Popularity • 29% Danceability • 29% Energy • 8% Liveness
73% Instrumentalness • 20% Positiveness
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Chamber Choir Of Europe
Missa Canonica Woo 18: Sanctus
84 bpm • G# Maj • 03:18 • -23.95db
3% Popularity • 13% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
3% Popularity • 13% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Morten Lauridsen
Les Chansons des roses: No. 3. De ton re...
84 bpm • G# min • 02:16 • -27.5db
15% Popularity • 22% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 22% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Christoph Willibald Gluck
Alceste, Wq. 44 (Excerpts): Parez vos fr...
84 bpm • G Maj • 08:49 • -28.66db
12% Popularity • 18% Danceability • 3% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
12% Popularity • 18% Danceability • 3% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Missa solemnis in C Minor, K. 139, Glori...
84 bpm • C Maj • 02:34 • -15.03db
0% Popularity • 33% Danceability • 25% Energy • 8% Liveness
85% Instrumentalness • 37% Positiveness
0% Popularity • 33% Danceability • 25% Energy • 8% Liveness
85% Instrumentalness • 37% Positiveness
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Henry Purcell
Hail! bright Cecilia, Z. 328: II. Hail! ...
84 bpm • C# min • 03:47 • -22.63db
9% Popularity • 21% Danceability • 9% Energy • 15% Liveness
14% Instrumentalness • 23% Positiveness
9% Popularity • 21% Danceability • 9% Energy • 15% Liveness
14% Instrumentalness • 23% Positiveness
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Nicol Matt
Für Freuden Lasst Uns Springen Bwv 313
84 bpm • B min • 00:47 • -16.81db
4% Popularity • 29% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
4% Popularity • 29% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Johann Sebastian Bach
Darzu ist erschienen der Sohn Gottes, BW...
85 bpm • C# min • 01:42 • -18.08db
8% Popularity • 21% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 21% Danceability • 18% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
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Giovanni Andrea Fioroni
Andante in E Minor (pipe organ)
85 bpm • A min • 02:11 • -40.29db
9% Popularity • 12% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 37% Positiveness
9% Popularity • 12% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 37% Positiveness
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Dietrich Buxtehude
Befiehl dem Engel, dass er komm' in A Mi...
83 bpm • A min • 05:42 • -19.78db
13% Popularity • 16% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 11% Liveness
2% Instrumentalness • 9% Positiveness
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John Stainer
The Crucifixion: I. Recit. – "And they...
85 bpm • E Maj • 01:19 • -29.32db
16% Popularity • 28% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 28% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Reinhard Keiser
Markuspassion: V. Was mein Gott will
83 bpm • G# min • 01:23 • -13.7db
9% Popularity • 33% Danceability • 34% Energy • 18% Liveness
72% Instrumentalness • 43% Positiveness
9% Popularity • 33% Danceability • 34% Energy • 18% Liveness
72% Instrumentalness • 43% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part III, Moses...
83 bpm • G# min • 01:04 • -20.8db
16% Popularity • 10% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 10% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Johann Sebastian Bach
Matthäuspassion, BWV 244: Er antwortete...
85 bpm • F Maj • 03:02 • -23.38db
13% Popularity • 28% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 28% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Antonio Caldara
Sinfonia Nо. 3 in fa minore (La morte d...
85 bpm • G# Maj • 01:21 • -18.3db
25% Popularity • 21% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
25% Popularity • 21% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 9% Positiveness
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Nicol Matt
Das Neugeborne Kindelein, Cantate Bwv 12...
85 bpm • F# min • 01:08 • -17.38db
5% Popularity • 16% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
5% Popularity • 16% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: I. Kyri...
83 bpm • D Maj • 05:25 • -22.82db
11% Popularity • 18% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Giovanni Bononcini
Laudate Pueri: VII. Gloria Patri
85 bpm • A Maj • 02:08 • -22.46db
13% Popularity • 12% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
13% Popularity • 12% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Chamber Choir Of Europe
Drei Motetten, Three Motets Op. 110: Wen...
85 bpm • C min • 03:07 • -17.94db
3% Popularity • 20% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 20% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Bach, JS: Christ lag in Todes Banden, BW...
83 bpm • D# min • 04:18 • -14.84db
4% Popularity • 30% Danceability • 32% Energy • 7% Liveness
3% Instrumentalness • 48% Positiveness
4% Popularity • 30% Danceability • 32% Energy • 7% Liveness
3% Instrumentalness • 48% Positiveness
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Antonio Caldara
Stabat Mater: XI. Christe, cum sit hinc ...
83 bpm • D Maj • 01:36 • -21.7db
28% Popularity • 12% Danceability • 4% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 4% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
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Johann Schelle
Aria for Five Voices: Komm, Jesu, komm
83 bpm • A Maj • 04:13 • -24.45db
18% Popularity • 20% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 20% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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George Frideric Handel
L'Allegro, il Penseroso ed il Moderato, ...
86 bpm • E min • 01:16 • -21.21db
12% Popularity • 20% Danceability • 13% Energy • 16% Liveness
80% Instrumentalness • 9% Positiveness
12% Popularity • 20% Danceability • 13% Energy • 16% Liveness
80% Instrumentalness • 9% Positiveness
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Fanny Mendelssohn
Hiob, Kantate für Chor und Orchester: I...
82 bpm • G Maj • 04:22 • -23.53db
9% Popularity • 19% Danceability • 12% Energy • 9% Liveness
74% Instrumentalness • 14% Positiveness
9% Popularity • 19% Danceability • 12% Energy • 9% Liveness
74% Instrumentalness • 14% Positiveness
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Chamber Choir Of Europe
Missa Canonica Woo 18: Agnus Dei
82 bpm • F Maj • 04:30 • -20.42db
3% Popularity • 21% Danceability • 14% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
3% Popularity • 21% Danceability • 14% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Sollt' ich meinem Gott nicht singen, BWV...
86 bpm • C# min • 01:13 • -16.28db
8% Popularity • 31% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
8% Popularity • 31% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Nicol Matt
Gelobet Seist Du, Jesu Christ, Cantate B...
86 bpm • F# Maj • 00:39 • -19.63db
4% Popularity • 30% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
4% Popularity • 30% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Domenico Scarlatti
Scarlatti, D: Stabat Mater in C Minor: V...
82 bpm • A# Maj • 03:06 • -22.07db
5% Popularity • 11% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
5% Popularity • 11% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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George Frideric Handel
The "Brockes" Passion: 1. "Mich vom Stri...
82 bpm • F# min • 05:41 • -14.13db
18% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 1:...
82 bpm • B min • 02:51 • -13.29db
10% Popularity • 15% Danceability • 24% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 24% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Kommt her zu mir alle, TVWV 1:1008: XIV....
86 bpm • G# min • 02:21 • -19.83db
10% Popularity • 20% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
10% Popularity • 20% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 42% Positiveness
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Antonio Caldara
Stabat Mater: III. Quis est home
82 bpm • F# min • 04:36 • -22.88db
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Nicol Matt
O Wir Armen Sünder Bwv 407
86 bpm • C# Maj • 01:37 • -22.13db
3% Popularity • 16% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 34% Positiveness
3% Popularity • 16% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 34% Positiveness
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Carl Loewe
Das Sühnopfer des neuen Bundes, Pt. 1: ...
86 bpm • C min • 03:47 • -24.43db
15% Popularity • 12% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 4% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Dixit Dominus, HWV 232: VI. Dominus a de...
82 bpm • C# min • 02:45 • -19.29db
21% Popularity • 36% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 36% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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Holland Boys Choir, Netherlands Bach Collegium
I. Wachet Auf, Ruft Uns Die Stimme BWV 1...
86 bpm • D Maj • 07:14 • -21.7db
13% Popularity • 38% Danceability • 12% Energy • 14% Liveness
82% Instrumentalness • 38% Positiveness
13% Popularity • 38% Danceability • 12% Energy • 14% Liveness
82% Instrumentalness • 38% Positiveness
► Preview
Dietrich Buxtehude
Jesu, meine Freude, BuxWV 60: VII. Weich...
82 bpm • E min • 01:19 • -20db
19% Popularity • 12% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
19% Popularity • 12% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 2:...
87 bpm • E Maj • 02:11 • -16.19db
6% Popularity • 21% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
6% Popularity • 21% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Johann Sebastian Bach
Nun komm, der Heiden Heiland, BWV 61: Am...
87 bpm • G# Maj • 01:05 • -17.37db
8% Popularity • 19% Danceability • 28% Energy • 11% Liveness
34% Instrumentalness • 30% Positiveness
8% Popularity • 19% Danceability • 28% Energy • 11% Liveness
34% Instrumentalness • 30% Positiveness
► Preview
Johannes Brahms
Liebeslieder. Waltz for Vocals and Piano...
87 bpm • D# Maj • 02:05 • -25.65db
0% Popularity • 22% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 7% Positiveness
0% Popularity • 22% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
George Frideric Handel
Laudate pueri, HWV 237: II. Sit nomen Do...
81 bpm • A# min • 02:33 • -24.32db
21% Popularity • 15% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 16% Liveness
38% Instrumentalness • 8% Positiveness
► Preview
Jean-Baptiste Lully
Dies irae, LWV 64/1: Liber scriptus prof...
87 bpm • F min • 00:55 • -13db
11% Popularity • 30% Danceability • 32% Energy • 34% Liveness
12% Instrumentalness • 12% Positiveness
11% Popularity • 30% Danceability • 32% Energy • 34% Liveness
12% Instrumentalness • 12% Positiveness
► Preview
Joseph Haydn
Die sieben letzten Worte unseres Erlöse...
87 bpm • C min • 05:52 • -20.2db
4% Popularity • 18% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
4% Popularity • 18% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Georg Philipp Telemann
Jesu meine Freude, TWV 1:966: VII. Wie b...
81 bpm • D# Maj • 01:13 • -19.92db
12% Popularity • 22% Danceability • 7% Energy • 12% Liveness
54% Instrumentalness • 23% Positiveness
12% Popularity • 22% Danceability • 7% Energy • 12% Liveness
54% Instrumentalness • 23% Positiveness
► Preview
Johann Sebastian Bach
Easter Oratorio, BWV 249: Sinfonia
87 bpm • C# Maj • 04:09 • -20.27db
14% Popularity • 53% Danceability • 23% Energy • 5% Liveness
85% Instrumentalness • 66% Positiveness
14% Popularity • 53% Danceability • 23% Energy • 5% Liveness
85% Instrumentalness • 66% Positiveness
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Łukasz Bobka
Es woll uns Gott genädig sein
87 bpm • A min • 01:18 • -23.74db
17% Popularity • 9% Danceability • 4% Energy • 13% Liveness
97% Instrumentalness • 19% Positiveness
17% Popularity • 9% Danceability • 4% Energy • 13% Liveness
97% Instrumentalness • 19% Positiveness
► Preview
George Frideric Handel
Israel in Egypt, HWV 54, Pt I. "Lamentat...
81 bpm • F# min • 05:11 • -18.44db
7% Popularity • 11% Danceability • 13% Energy • 25% Liveness
16% Instrumentalness • 7% Positiveness
7% Popularity • 11% Danceability • 13% Energy • 25% Liveness
16% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
Liebeslieder. Waltz for Vocals and Piano...
87 bpm • G Maj • 01:07 • -19.25db
0% Popularity • 30% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 30% Danceability • 9% Energy • 40% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
87 bpm • D Maj • 05:58 • -16.96db
9% Popularity • 19% Danceability • 30% Energy • 25% Liveness
97% Instrumentalness • 44% Positiveness
9% Popularity • 19% Danceability • 30% Energy • 25% Liveness
97% Instrumentalness • 44% Positiveness
► Preview
Joseph Haydn
Die sieben letzten Worte unseres Erlöse...
81 bpm • E Maj • 07:13 • -22.16db
4% Popularity • 17% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244: Pt. I: Cho...
81 bpm • E Maj • 01:00 • -16.03db
19% Popularity • 20% Danceability • 29% Energy • 35% Liveness
65% Instrumentalness • 31% Positiveness
19% Popularity • 20% Danceability • 29% Energy • 35% Liveness
65% Instrumentalness • 31% Positiveness
► Preview
Chamber Choir Of Europe
Drei Motetten, Three Motets Op. 110: Ich...
87 bpm • E min • 02:57 • -16.98db
3% Popularity • 19% Danceability • 21% Energy • 15% Liveness
16% Instrumentalness • 4% Positiveness
3% Popularity • 19% Danceability • 21% Energy • 15% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
William Croft
The Lord is a sun and a shield: No. 2, V...
87 bpm • C# min • 02:11 • -23.44db
10% Popularity • 9% Danceability • 13% Energy • 14% Liveness
17% Instrumentalness • 12% Positiveness
10% Popularity • 9% Danceability • 13% Energy • 14% Liveness
17% Instrumentalness • 12% Positiveness
► Preview
António Correa Braga
Tiento de 6° tom
87 bpm • E Maj • 06:32 • -20.62db
9% Popularity • 22% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
9% Popularity • 22% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Luigi Cherubini
Requiem in C Minor: II. Graduale
81 bpm • G Maj • 01:15 • -29db
20% Popularity • 23% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 6% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Nicol Matt
Ermuntre Dich, Mein Schwacher Geist, Wei...
81 bpm • F# Maj • 01:51 • -17.91db
12% Popularity • 15% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 15% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV. 244 / Pt. 1: N...
87 bpm • B min • 01:16 • -28.27db
11% Popularity • 18% Danceability • 6% Energy • 15% Liveness
97% Instrumentalness • 7% Positiveness
11% Popularity • 18% Danceability • 6% Energy • 15% Liveness
97% Instrumentalness • 7% Positiveness
► Preview
Tomaso Albinoni
Concerto in C Major for Two Oboes and St...
88 bpm • C min • 01:00 • -25db
22% Popularity • 24% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
![Tobit, Pt. II Scene 1: Air. In great Jehovah (Tobit) [arr. J.C. Smith for voice, choir and orchestra] cover art](https://i.scdn.co/image/ab67616d00001e0288285f99f633656fd8bb0a4b)
George Frideric Handel
Tobit, Pt. II Scene 1: Air. In great Jeh...
88 bpm • F# Maj • 01:25 • -26.63db
13% Popularity • 17% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 17% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Georg Philipp Telemann
Jauchzet dem Herrn alle Welt, BWV Anh. 1...
88 bpm • B Maj • 04:46 • -18.27db
8% Popularity • 15% Danceability • 22% Energy • 12% Liveness
10% Instrumentalness • 34% Positiveness
8% Popularity • 15% Danceability • 22% Energy • 12% Liveness
10% Instrumentalness • 34% Positiveness
► Preview
Girolamo Frescobaldi
Messa Delli Apostoli: Kyrye IV
88 bpm • C# min • 01:35 • -23.62db
11% Popularity • 11% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
11% Popularity • 11% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Jan Dismas Zelenka
Litaniae Omnium Sanctorum, ZWV 153: Kyri...
80 bpm • G# min • 03:38 • -21.34db
8% Popularity • 8% Danceability • 18% Energy • 12% Liveness
78% Instrumentalness • 22% Positiveness
8% Popularity • 8% Danceability • 18% Energy • 12% Liveness
78% Instrumentalness • 22% Positiveness
► Preview
Johann Sebastian Bach
Mache dich, mein Geist, bereit, BWV 115:...
81 bpm • F# Maj • 01:33 • -18.02db
7% Popularity • 32% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 32% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Leopold Mozart
Trumpet Concerto in D Major, LMV IX:13: ...
88 bpm • D Maj • 05:57 • -11.9db
0% Popularity • 52% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 33% Positiveness
0% Popularity • 52% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 33% Positiveness
► Preview
Johannes Brahms
Drei Quartette, Op. 31: No. 3, Gang zum ...
80 bpm • D# Maj • 03:48 • -23.03db
1% Popularity • 20% Danceability • 7% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
1% Popularity • 20% Danceability • 7% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
► Preview
Johann Kuhnau
Christ lag in Todesbanden: IVd. Rittorne...
80 bpm • E Maj • 01:07 • -19.44db
21% Popularity • 14% Danceability • 12% Energy • 19% Liveness
97% Instrumentalness • 15% Positiveness
21% Popularity • 14% Danceability • 12% Energy • 19% Liveness
97% Instrumentalness • 15% Positiveness
► Preview
Francesco Bartolomeo Conti
Languet anima mea BWV deest 1006: IV. Ar...
80 bpm • G# min • 06:59 • -21.09db
11% Popularity • 24% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 24% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Johann Michael Bach
Halt, was du hast
88 bpm • E min • 05:26 • -21db
17% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Johann Sebastian Bach
Herz und Mund und Tat und Leben, BWV 147...
87 bpm • F# Maj • 02:34 • -20.77db
21% Popularity • 26% Danceability • 11% Energy • 12% Liveness
98% Instrumentalness • 15% Positiveness
21% Popularity • 26% Danceability • 11% Energy • 12% Liveness
98% Instrumentalness • 15% Positiveness
► Preview
Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
29% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Johannes Brahms
Liebeslieder. Waltz for Vocals and Piano...
80 bpm • F Maj • 01:29 • -15.3db
0% Popularity • 31% Danceability • 21% Energy • 22% Liveness
1% Instrumentalness • 33% Positiveness
0% Popularity • 31% Danceability • 21% Energy • 22% Liveness
1% Instrumentalness • 33% Positiveness
► Preview
Holland Boys Choir, Netherlands Bach Collegium
II. Jesu, Der Du Meine Seele BWV 78, (1)...
89 bpm • F# min • 05:10 • -17.98db
11% Popularity • 20% Danceability • 18% Energy • 11% Liveness
27% Instrumentalness • 13% Positiveness
11% Popularity • 20% Danceability • 18% Energy • 11% Liveness
27% Instrumentalness • 13% Positiveness
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Francesco Bartolomeo Conti
Languet anima mea BWV deest 1006: II. Ar...
89 bpm • C# min • 03:23 • -18.42db
11% Popularity • 44% Danceability • 11% Energy • 13% Liveness
31% Instrumentalness • 30% Positiveness
11% Popularity • 44% Danceability • 11% Energy • 13% Liveness
31% Instrumentalness • 30% Positiveness
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Carl Heinrich Biber
Sonata for 4 Trumpets, Timpani, 2 Violin...
79 bpm • C Maj • 01:19 • -20.52db
0% Popularity • 32% Danceability • 5% Energy • 45% Liveness
2% Instrumentalness • 9% Positiveness
0% Popularity • 32% Danceability • 5% Energy • 45% Liveness
2% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Christ lag in Todesbanden, BWV 4: IV. Ve...
88 bpm • E min • 02:03 • -23db
14% Popularity • 44% Danceability • 23% Energy • 82% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 44% Danceability • 23% Energy • 82% Liveness
0% Instrumentalness • 66% Positiveness
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Nicol Matt
Ich Freue Mich In Dir, Cantate Bwv 133
79 bpm • G# Maj • 01:46 • -21.22db
4% Popularity • 26% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
4% Popularity • 26% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Domenico Scarlatti
Salve Regina pour soprano, contre-ténor...
79 bpm • G# min • 01:24 • -26.56db
14% Popularity • 12% Danceability • 3% Energy • 13% Liveness
20% Instrumentalness • 7% Positiveness
14% Popularity • 12% Danceability • 3% Energy • 13% Liveness
20% Instrumentalness • 7% Positiveness
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Johann Kuhnau
Christ lag in Todesbanden: IVc. Aria "Er...
79 bpm • E Maj • 00:54 • -20.92db
14% Popularity • 26% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
14% Popularity • 26% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
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Franz Schubert
Deutsche Messe, D. 872: Zum Eingang: Mas...
79 bpm • F Maj • 03:26 • -26.22db
19% Popularity • 17% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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William Croft
The Lord is a sun and a shield: No. 4, V...
79 bpm • A# min • 01:35 • -23db
19% Popularity • 21% Danceability • 12% Energy • 12% Liveness
68% Instrumentalness • 20% Positiveness
19% Popularity • 21% Danceability • 12% Energy • 12% Liveness
68% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
Musicalisches Gesang-Buch Georg Christia...
81 bpm • A Maj • 01:23 • -17.51db
6% Popularity • 30% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
6% Popularity • 30% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt 2. "Exodus":...
89 bpm • B min • 02:01 • -15.43db
10% Popularity • 18% Danceability • 16% Energy • 9% Liveness
7% Instrumentalness • 8% Positiveness
10% Popularity • 18% Danceability • 16% Energy • 9% Liveness
7% Instrumentalness • 8% Positiveness
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Frantisek Tuma
Stabat Mater in G Minor: I. Stabat Mater
79 bpm • B min • 02:05 • -18db
15% Popularity • 22% Danceability • 17% Energy • 11% Liveness
19% Instrumentalness • 8% Positiveness
15% Popularity • 22% Danceability • 17% Energy • 11% Liveness
19% Instrumentalness • 8% Positiveness
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Franz Querfurth
Concerto in E-Flat Major for Trumpet & S...
79 bpm • A# Maj • 05:11 • -13.64db
0% Popularity • 47% Danceability • 20% Energy • 7% Liveness
56% Instrumentalness • 39% Positiveness
0% Popularity • 47% Danceability • 20% Energy • 7% Liveness
56% Instrumentalness • 39% Positiveness
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Nicol Matt
Christus, Der Uns Selig Macht, Johannes ...
79 bpm • D min • 01:03 • -21.73db
15% Popularity • 16% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 16% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Johann Ernst Bach
Passionsoratorium: O Seele, deren Sehnen...
78 bpm • F# min • 01:01 • -22db
19% Popularity • 20% Danceability • 6% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
19% Popularity • 20% Danceability • 6% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
2. Notenbüchlein für Anna Magdalena Ba...
81 bpm • E min • 01:25 • -21.09db
7% Popularity • 32% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 32% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
31% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
31% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
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Robin Milford
Slow Minuet in A
78 bpm • A Maj • 01:22 • -26db
11% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 25% Positiveness
11% Popularity • 7% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 25% Positiveness
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Johann Joseph Fux
Parthia in C Major: V. Marche
90 bpm • C Maj • 01:22 • -10.77db
0% Popularity • 58% Danceability • 25% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
0% Popularity • 58% Danceability • 25% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
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Nicol Matt
Harp Concerto B Flat Major Hwv 294: Anda...
90 bpm • A# Maj • 04:17 • -19.79db
1% Popularity • 52% Danceability • 17% Energy • 12% Liveness
86% Instrumentalness • 40% Positiveness
1% Popularity • 52% Danceability • 17% Energy • 12% Liveness
86% Instrumentalness • 40% Positiveness
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Pier Giuseppe Sandoni
Organ Sonata in C Major
91 bpm • C Maj • 04:39 • -35.24db
8% Popularity • 24% Danceability • 1% Energy • 8% Liveness
57% Instrumentalness • 30% Positiveness
8% Popularity • 24% Danceability • 1% Energy • 8% Liveness
57% Instrumentalness • 30% Positiveness
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Johann Sebastian Bach
Passionsoratorium, BWV Anh. 169 (Reconst...
88 bpm • G# min • 02:39 • -18.3db
12% Popularity • 20% Danceability • 16% Energy • 16% Liveness
3% Instrumentalness • 13% Positiveness
12% Popularity • 20% Danceability • 16% Energy • 16% Liveness
3% Instrumentalness • 13% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Ben...
91 bpm • C# min • 01:09 • -21db
25% Popularity • 19% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 19% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 2, Scene 1:...
91 bpm • F min • 02:11 • -21.74db
7% Popularity • 19% Danceability • 15% Energy • 13% Liveness
91% Instrumentalness • 17% Positiveness
7% Popularity • 19% Danceability • 15% Energy • 13% Liveness
91% Instrumentalness • 17% Positiveness
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Chamber Choir Of Europe
Sieben Lieder Op. 62: 7. Vergangen Ist M...
78 bpm • A min • 03:59 • -20.73db
7% Popularity • 23% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 23% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Morten Lauridsen
Lux aeterna: I. Introitus
91 bpm • D Maj • 07:53 • -23db
20% Popularity • 14% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": V. A...
91 bpm • F# min • 01:32 • -19db
29% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
29% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
