Songs like Trust Yourself by Blue Rodeo
Based on a tempo of (+/- 10%) and a similar genre
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Jim Cuddy
Countrywide Soul
129 bpm • G Maj • 04:35 • -4.61db
13% Popularity • 52% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 52% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Streetheart
Under My Thumb
129 bpm • A Maj • 06:37 • -12.47db
39% Popularity • 63% Danceability • 68% Energy • 10% Liveness
14% Instrumentalness • 96% Positiveness
39% Popularity • 63% Danceability • 68% Energy • 10% Liveness
14% Instrumentalness • 96% Positiveness
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Blue Rodeo
Trust Yourself
129 bpm • D Maj • 03:34 • -5.75db
36% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Kim Mitchell
Lager And Ale
129 bpm • D Maj • 04:05 • -13db
35% Popularity • 49% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 49% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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The Tragically Hip
Locked In The Trunk Of A Car
129 bpm • A Maj • 04:42 • -10.74db
45% Popularity • 53% Danceability • 74% Energy • 27% Liveness
14% Instrumentalness • 51% Positiveness
45% Popularity • 53% Danceability • 74% Energy • 27% Liveness
14% Instrumentalness • 51% Positiveness
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Red Rider
Cowboys In Hong Kong (As Far As Siam)
129 bpm • D Maj • 04:08 • -12.08db
27% Popularity • 62% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 62% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Michel Pagliaro
Some Sing, Some Dance
130 bpm • F Maj • 02:42 • -8.35db
27% Popularity • 44% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 44% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Streetheart
Under My Thumb
129 bpm • A Maj • 06:39 • -6.57db
20% Popularity • 65% Danceability • 83% Energy • 14% Liveness
3% Instrumentalness • 95% Positiveness
20% Popularity • 65% Danceability • 83% Energy • 14% Liveness
3% Instrumentalness • 95% Positiveness
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The Grapes Of Wrath
What Was Going Through My Head
130 bpm • A min • 02:46 • -14.01db
30% Popularity • 66% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 66% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Odds
Satisfied
128 bpm • D Maj • 03:00 • -8.74db
20% Popularity • 64% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 64% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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The Box
Carry On
128 bpm • E Maj • 03:21 • -5.69db
29% Popularity • 56% Danceability • 86% Energy • 24% Liveness
2% Instrumentalness • 74% Positiveness
29% Popularity • 56% Danceability • 86% Energy • 24% Liveness
2% Instrumentalness • 74% Positiveness
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Harlequin
You are the Light
128 bpm • C# min • 03:41 • -4.05db
16% Popularity • 61% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 61% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Cooper Brothers
The Dream Never Dies
128 bpm • G Maj • 04:18 • -8.49db
20% Popularity • 52% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 52% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Prism
Armageddon
128 bpm • E Maj • 07:47 • -7.06db
32% Popularity • 31% Danceability • 73% Energy • 19% Liveness
1% Instrumentalness • 26% Positiveness
32% Popularity • 31% Danceability • 73% Energy • 19% Liveness
1% Instrumentalness • 26% Positiveness
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Toronto
Your Daddy Don't Know
128 bpm • F Maj • 03:17 • -5.31db
40% Popularity • 58% Danceability • 69% Energy • 57% Liveness
0% Instrumentalness • 86% Positiveness
40% Popularity • 58% Danceability • 69% Energy • 57% Liveness
0% Instrumentalness • 86% Positiveness
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Spirit Of The West
Save This House
130 bpm • A# Maj • 02:55 • -13.1db
25% Popularity • 62% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 62% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Red Rider
Crack The Sky (Breakaway)
131 bpm • D min • 04:01 • -14.54db
20% Popularity • 63% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 63% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Barney Bentall
Gin Palace
131 bpm • G Maj • 04:50 • -7.42db
15% Popularity • 48% Danceability • 86% Energy • 10% Liveness
2% Instrumentalness • 69% Positiveness
15% Popularity • 48% Danceability • 86% Energy • 10% Liveness
2% Instrumentalness • 69% Positiveness
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Blue Rodeo
New Morning Sun
131 bpm • G Maj • 04:35 • -7.54db
28% Popularity • 58% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
28% Popularity • 58% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Skydiggers
Restless - It's Alright
127 bpm • G Maj • 02:33 • -10.23db
27% Popularity • 58% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 58% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Trooper
Boy With A Beat
127 bpm • C# Maj • 03:33 • -9.69db
24% Popularity • 64% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 64% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Sass Jordan
Tell Somebody
127 bpm • D Maj • 04:20 • -9.78db
27% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Red Rider
Through The Curtain
131 bpm • C Maj • 03:19 • -15.25db
26% Popularity • 58% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 58% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Spirit Of The West
Political
131 bpm • A Maj • 04:27 • -12.4db
28% Popularity • 39% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 39% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Doug and the Slugs
To Be Laughing
131 bpm • C Maj • 03:16 • -10.39db
13% Popularity • 62% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 62% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Skydiggers
She Comes Into the Room
127 bpm • A Maj • 04:27 • -12.81db
24% Popularity • 47% Danceability • 36% Energy • 10% Liveness
7% Instrumentalness • 27% Positiveness
24% Popularity • 47% Danceability • 36% Energy • 10% Liveness
7% Instrumentalness • 27% Positiveness
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Barenaked Ladies
Jane
127 bpm • A Maj • 04:04 • -5.71db
44% Popularity • 76% Danceability • 85% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
44% Popularity • 76% Danceability • 85% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
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Tesla
I Love You
131 bpm • A# Maj • 04:04 • -5db
35% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 57% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Red Rider
Avenue "A"
131 bpm • D Maj • 03:24 • -11.78db
20% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Prism
You Walked Away Again
131 bpm • E Maj • 03:40 • -8.73db
22% Popularity • 61% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 61% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Headpins
Don't It Make Ya Feel
131 bpm • A Maj • 04:09 • -7db
40% Popularity • 72% Danceability • 66% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 72% Danceability • 66% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Barney Bentall & The Legendary Hearts
Doin' Fine
127 bpm • F Maj • 03:39 • -9.06db
24% Popularity • 60% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 60% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Barenaked Ladies
Lovers in a Dangerous Time
131 bpm • B min • 04:06 • -6.13db
47% Popularity • 43% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 43% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Odds
Someone Who's Cool
127 bpm • F Maj • 03:17 • -8.48db
41% Popularity • 54% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 54% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Sass Jordan
Where There's a Will
132 bpm • D Maj • 03:40 • -6.03db
12% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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David Wilcox
Layin' Pipe
132 bpm • F# Maj • 04:17 • -11.57db
38% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Sloan
Money City Maniacs
126 bpm • E Maj • 03:53 • -5.27db
44% Popularity • 45% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 45% Danceability • 69% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Spirit Of The West
And If Venice Is Sinking
132 bpm • C Maj • 03:51 • -9.32db
37% Popularity • 62% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 62% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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The Kings
Switchin' to Glide
126 bpm • A Maj • 02:35 • -3db
37% Popularity • 59% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 59% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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The Northern Pikes
Place That's Insane
126 bpm • B min • 04:19 • -8.55db
11% Popularity • 69% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 69% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Roger Clyne & The Peacemakers
Counterclockwise
132 bpm • G Maj • 03:52 • -4.57db
22% Popularity • 68% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 68% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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The Tragically Hip
Three Pistols
132 bpm • A min • 03:48 • -6.54db
46% Popularity • 57% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 57% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Harlequin
Innocence
126 bpm • D Maj • 04:20 • -5db
40% Popularity • 70% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 70% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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The Watchmen
Run Hide
133 bpm • D Maj • 03:41 • -7db
31% Popularity • 44% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 44% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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The Kings
This Beat Goes On - Original Radio Seque
126 bpm • A Maj • 05:42 • -3db
43% Popularity • 66% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 66% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Honeymoon Suite
Wave Babies
133 bpm • E Maj • 04:22 • -12.64db
36% Popularity • 60% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 60% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Sass Jordan
So Hard
125 bpm • A Maj • 04:25 • -7db
33% Popularity • 48% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 48% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Gowan
(You're A) Strange Animal
133 bpm • F# min • 04:42 • -14db
43% Popularity • 60% Danceability • 53% Energy • 19% Liveness
1% Instrumentalness • 58% Positiveness
43% Popularity • 60% Danceability • 53% Energy • 19% Liveness
1% Instrumentalness • 58% Positiveness
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The Pursuit Of Happiness
Hard To Laugh
125 bpm • A Maj • 02:39 • -9db
29% Popularity • 34% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 34% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Blue Rodeo
Better off as We Are - 2010 Remaster
125 bpm • G Maj • 03:29 • -5.39db
26% Popularity • 52% Danceability • 90% Energy • 27% Liveness
6% Instrumentalness • 55% Positiveness
26% Popularity • 52% Danceability • 90% Energy • 27% Liveness
6% Instrumentalness • 55% Positiveness
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The Kings
This Beat Goes On
126 bpm • A Maj • 03:07 • -4db
32% Popularity • 71% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 71% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 81% Positiveness
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Prism
Virginia
125 bpm • B Maj • 03:58 • -8.41db
27% Popularity • 68% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 68% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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One Bad Son
Scarecrows
125 bpm • F# Maj • 04:21 • -5.16db
29% Popularity • 58% Danceability • 80% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
29% Popularity • 58% Danceability • 80% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
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Steve Miller Band
Wide River
125 bpm • B Maj • 04:00 • -5.53db
32% Popularity • 71% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 71% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Jim Cuddy
While I Was Waiting
125 bpm • A# Maj • 04:36 • -5db
17% Popularity • 63% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 63% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Michel Pagliaro
Rainshowers
134 bpm • C Maj • 03:59 • -9.2db
22% Popularity • 34% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
22% Popularity • 34% Danceability • 50% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
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Skydiggers
Accusations
125 bpm • G Maj • 02:42 • -9.63db
29% Popularity • 64% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 64% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Doug and the Slugs
It's Got to be Monday
134 bpm • C Maj • 03:12 • -7.53db
18% Popularity • 55% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 55% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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The Tragically Hip
Courage (For Hugh MacLennan)
134 bpm • D Maj • 04:27 • -11.25db
46% Popularity • 55% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 55% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Streetheart
Hollywood
124 bpm • F# min • 03:18 • -5db
27% Popularity • 55% Danceability • 90% Energy • 14% Liveness
12% Instrumentalness • 82% Positiveness
27% Popularity • 55% Danceability • 90% Energy • 14% Liveness
12% Instrumentalness • 82% Positiveness
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The Northern Pikes
She Ain't Pretty - Radio Edit
134 bpm • E min • 02:42 • -7db
25% Popularity • 63% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 63% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Kim Mitchell
Go For Soda
124 bpm • A# Maj • 03:25 • -14db
51% Popularity • 67% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 67% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Blue Rodeo
When You Were Wild
124 bpm • D Maj • 03:59 • -8db
26% Popularity • 61% Danceability • 75% Energy • 13% Liveness
63% Instrumentalness • 69% Positiveness
26% Popularity • 61% Danceability • 75% Energy • 13% Liveness
63% Instrumentalness • 69% Positiveness
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Michel Pagliaro
Lovin' You Ain't Easy
124 bpm • C Maj • 02:44 • -6.3db
33% Popularity • 58% Danceability • 77% Energy • 42% Liveness
3% Instrumentalness • 90% Positiveness
33% Popularity • 58% Danceability • 77% Energy • 42% Liveness
3% Instrumentalness • 90% Positiveness
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The Grapes Of Wrath
All The Things I Wasn't
135 bpm • D min • 02:17 • -18db
37% Popularity • 63% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 63% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Harlequin
Survive
135 bpm • E Maj • 03:46 • -2.88db
15% Popularity • 56% Danceability • 96% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 56% Danceability • 96% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
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The Northern Pikes
She Ain't Pretty
134 bpm • E min • 02:43 • -8.52db
46% Popularity • 62% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 62% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Doug and the Slugs
Tomcat Prowl
123 bpm • A# min • 03:48 • -8.58db
34% Popularity • 57% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 57% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Blue Rodeo
5 Will Get You Six - 2012 Remaster
134 bpm • B min • 04:25 • -5.14db
10% Popularity • 69% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 69% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Barney Bentall & The Legendary Hearts
Fresh (Jelly Roll)
123 bpm • B Maj • 04:06 • -13.8db
12% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Skydiggers
Slow Burning Fire
135 bpm • G Maj • 03:24 • -12db
34% Popularity • 53% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 53% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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David Wilcox
Riverboat Fantasy
123 bpm • F Maj • 03:37 • -10.17db
44% Popularity • 82% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 82% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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The Northern Pikes
Kiss Me You Fool
124 bpm • G Maj • 04:24 • -11.42db
27% Popularity • 61% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 61% Danceability • 59% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Chilliwack
California Girl
123 bpm • C Maj • 05:19 • -15.68db
14% Popularity • 36% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 44% Positiveness
14% Popularity • 36% Danceability • 43% Energy • 10% Liveness
3% Instrumentalness • 44% Positiveness
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Blue Rodeo
To Love Somebody
135 bpm • G Maj • 05:48 • -6.4db
31% Popularity • 45% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 45% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 23% Positiveness
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Prism
Take Me To The Kaptin
136 bpm • E min • 03:59 • -9.25db
30% Popularity • 55% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 55% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Stampeders
Carry Me
136 bpm • A Maj • 02:58 • -7.38db
37% Popularity • 54% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 54% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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The Kings
This Beat Goes On/Switchin' to Glide
122 bpm • A Maj • 06:17 • -5.22db
23% Popularity • 63% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 63% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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The Jitters
Last Of The Red Hot Fools
122 bpm • E Maj • 03:12 • -7.43db
23% Popularity • 79% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 79% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Chilliwack
Whatcha Gonna Do?
122 bpm • B min • 04:15 • -6.77db
39% Popularity • 71% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 71% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Doug and the Slugs
Who Knows How
122 bpm • A# Maj • 03:50 • -9.65db
30% Popularity • 72% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 72% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Blue Rodeo
It Could Happen to You
123 bpm • E min • 04:35 • -9.5db
27% Popularity • 61% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 61% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 33% Positiveness
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Prism
Young And Restless
122 bpm • D Maj • 03:30 • -6.67db
34% Popularity • 65% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 65% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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The Tragically Hip
Blow At High Dough
122 bpm • E Maj • 04:37 • -11.55db
51% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
51% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Murray McLauchlan
Try Walkin' Away
122 bpm • F Maj • 03:55 • -4.98db
19% Popularity • 62% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 62% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Gowan
All the Lovers in the World
122 bpm • E min • 04:16 • -9.77db
14% Popularity • 65% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 65% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Fludd
Cousin Mary
137 bpm • A Maj • 02:41 • -11db
35% Popularity • 43% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 43% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Blue Rodeo
After the Rain
137 bpm • A Maj • 06:43 • -6.56db
23% Popularity • 37% Danceability • 62% Energy • 7% Liveness
6% Instrumentalness • 29% Positiveness
23% Popularity • 37% Danceability • 62% Energy • 7% Liveness
6% Instrumentalness • 29% Positiveness
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Kim Mitchell
All We Are
122 bpm • F min • 04:44 • -16.64db
36% Popularity • 29% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 29% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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The Northern Pikes
Wait For Me
137 bpm • D Maj • 04:21 • -11.8db
16% Popularity • 59% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 59% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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The Tragically Hip
My Music At Work
121 bpm • E Maj • 03:06 • -4.18db
44% Popularity • 34% Danceability • 96% Energy • 13% Liveness
15% Instrumentalness • 30% Positiveness
44% Popularity • 34% Danceability • 96% Energy • 13% Liveness
15% Instrumentalness • 30% Positiveness
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Barney Bentall & The Legendary Hearts
Something to Live For
121 bpm • F Maj • 04:35 • -15.29db
35% Popularity • 48% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 48% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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The Firm
Satisfaction Guaranteed
137 bpm • C Maj • 04:10 • -14db
38% Popularity • 48% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 48% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Blue Rodeo
Underground - 2012 Remaster
122 bpm • G Maj • 05:05 • -5.97db
13% Popularity • 63% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
13% Popularity • 63% Danceability • 73% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
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Martin Briley
Salt In My Tears
121 bpm • A Maj • 03:30 • -5.55db
30% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Northern Pikes
Wait For Me - Radio Edit
137 bpm • D Maj • 03:46 • -7.22db
10% Popularity • 59% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 59% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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The Tragically Hip
Boots Or Hearts
121 bpm • G Maj • 03:44 • -12.24db
46% Popularity • 88% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 88% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Stampeders
Devil You
137 bpm • F Maj • 02:57 • -8.42db
27% Popularity • 54% Danceability • 81% Energy • 17% Liveness
1% Instrumentalness • 94% Positiveness
27% Popularity • 54% Danceability • 81% Energy • 17% Liveness
1% Instrumentalness • 94% Positiveness
