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Truth and Rights
Songs like
Truth and Rights
by
Johnny Osbourne
Based on a tempo of (+/- 10%) and a similar genre
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Al Campbell
Old Time People Say
80 bpm • D# min • 03:35 • -6.04db
32% Popularity • 83% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Johnny Osbourne
Truth and Rights
80 bpm • C# min • 03:01 • -11db
39% Popularity • 77% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Tenor Saw
Pumpkin Belly
80 bpm • D Maj • 03:06 • -9.18db
28% Popularity • 78% Danceability • 41% Energy • 8% Liveness
23% Instrumentalness • 55% Positiveness
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Brentford All-Stars
Race Track
80 bpm • G# Maj • 02:17 • -12.69db
25% Popularity • 86% Danceability • 50% Energy • 12% Liveness
46% Instrumentalness • 96% Positiveness
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The Gladiators
Bellyfull - 1990 Digital Remaster
80 bpm • G# min • 02:19 • -13.91db
47% Popularity • 84% Danceability • 33% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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The Frightnrs
Dispute
80 bpm • G# Maj • 03:13 • -9db
44% Popularity • 72% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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Althea And Donna
No More Fighting - Remastered 2001
80 bpm • G Maj • 03:37 • -9.18db
49% Popularity • 78% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Osbourne
Sing Jah Stylee
80 bpm • C min • 02:52 • -10.35db
25% Popularity • 75% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Lacksley Castell
Morning Glory
81 bpm • F min • 03:08 • -11db
37% Popularity • 83% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Burro Banton
Thruth And Rights
79 bpm • C# min • 03:41 • -4.9db
13% Popularity • 73% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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The Gladiators
Know Yourself Mankind - Remastered 2000
80 bpm • G# min • 02:51 • -7.54db
34% Popularity • 86% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Horace Andy
Skylarking
79 bpm • E min • 03:07 • -8.99db
31% Popularity • 78% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Junior Delgado
Every Natty
79 bpm • C min • 02:20 • -11.3db
27% Popularity • 75% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 61% Positiveness
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Johnny Osbourne
Reasons
80 bpm • D# min • 03:30 • -16.61db
7% Popularity • 54% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Al Campbell
Take a Ride
81 bpm • C# min • 02:51 • -10.27db
27% Popularity • 82% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Prince Jazzbo
School
81 bpm • B min • 02:38 • -10.18db
30% Popularity • 72% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Martin Campbell
The War Must Cease
81 bpm • E min • 03:12 • -17db
23% Popularity • 86% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Bunny Wailer
Mellow Mood
81 bpm • C Maj • 03:51 • -13db
53% Popularity • 73% Danceability • 56% Energy • 5% Liveness
5% Instrumentalness • 69% Positiveness
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Dillinger
Natty Kung Fu
81 bpm • C# Maj • 03:03 • -10.17db
18% Popularity • 85% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Johnny Osbourne
Water Pumping
81 bpm • A# min • 03:17 • -6db
29% Popularity • 78% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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The Aggrovators
Two Face Rasta Dub
79 bpm • G min • 05:25 • -7.09db
18% Popularity • 73% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Culture
Why Am I A Rastaman?
81 bpm • B Maj • 04:13 • -4db
47% Popularity • 79% Danceability • 59% Energy • 2% Liveness
0% Instrumentalness • 71% Positiveness
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Tenor Saw
Lots Of Sign
81 bpm • C# Maj • 02:21 • -4db
37% Popularity • 60% Danceability • 89% Energy • 76% Liveness
0% Instrumentalness • 94% Positiveness
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Keith
Stop That Train
81 bpm • F Maj • 03:20 • -19db
51% Popularity • 77% Danceability • 22% Energy • 11% Liveness
11% Instrumentalness • 73% Positiveness
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Sugar Belly
Cousin Joe Pt 1
79 bpm • A Maj • 03:39 • -13db
25% Popularity • 67% Danceability • 35% Energy • 9% Liveness
63% Instrumentalness • 85% Positiveness
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Johnny Osbourne
Rewind
81 bpm • A# Maj • 03:06 • -11.96db
7% Popularity • 79% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Lacksley Castell
Genie in a Jar
79 bpm • A min • 03:25 • -13.72db
32% Popularity • 88% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The Sound Dimension
Real Rock
81 bpm • D# Maj • 02:29 • -9db
30% Popularity • 82% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 82% Positiveness
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Michigan
Rub a Dub Style
81 bpm • B min • 06:13 • -8.11db
21% Popularity • 81% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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The Tamlins
Baltimore
81 bpm • D Maj • 04:38 • -18db
27% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Dub Specialist
Hooligan
79 bpm • E min • 02:30 • -9.6db
17% Popularity • 82% Danceability • 72% Energy • 13% Liveness
30% Instrumentalness • 97% Positiveness
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Johnny Osbourne
Oh My Jah Jah
82 bpm • F Maj • 04:14 • -6.33db
7% Popularity • 70% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Junior Byles
Fade Away
82 bpm • A# min • 03:01 • -6db
40% Popularity • 77% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Horace Andy
Sky Larking
78 bpm • A min • 02:59 • -11.17db
44% Popularity • 82% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Lacksley Castell
Johnny Brown
82 bpm • A min • 03:38 • -11.96db
25% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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The Sharks
How Could I Live
78 bpm • A min • 03:11 • -8.19db
23% Popularity • 76% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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Anthony Rocky Ellis
I'm the Ruler
82 bpm • A# Maj • 02:19 • -9.84db
24% Popularity • 61% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Pablo Moses
Living in Babylon
78 bpm • E min • 04:16 • -7.67db
34% Popularity • 76% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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King Tubby
Dub Waltz
82 bpm • A Maj • 03:14 • -4.63db
38% Popularity • 70% Danceability • 67% Energy • 3% Liveness
84% Instrumentalness • 74% Positiveness
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Anthony Johnson
Gunshot
78 bpm • D Maj • 03:08 • -7db
30% Popularity • 84% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Prince Jazzbo
Crabwalking
78 bpm • A min • 03:15 • -6db
25% Popularity • 68% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Cornell Campbell
I'll Mash You Down
82 bpm • F# min • 02:46 • -6db
34% Popularity • 69% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 90% Positiveness
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Marcia Griffiths
Feel Like Jumping
82 bpm • C Maj • 03:33 • -9db
38% Popularity • 78% Danceability • 43% Energy • 7% Liveness
17% Instrumentalness • 64% Positiveness
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Pat Kelly
Talk About Love
78 bpm • A Maj • 02:43 • -13db
31% Popularity • 75% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
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Senya
Children Of The Ghetto
78 bpm • F# min • 02:30 • -6.13db
17% Popularity • 77% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Hollie Cook
Milk & Honey
78 bpm • D Maj • 03:39 • -7db
61% Popularity • 75% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Michigan & Smiley
Eye of Danger
82 bpm • G# min • 05:58 • -9.59db
16% Popularity • 84% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Keith & Tex
Hypnotizing Eyes
82 bpm • D min • 02:54 • -7.77db
19% Popularity • 85% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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The Gladiators
Hearsay - 1990 Digital Remaster
82 bpm • E min • 03:06 • -12db
33% Popularity • 83% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Lacksley Castell
Million Miles
78 bpm • F# min • 04:36 • -8.26db
19% Popularity • 76% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Althea And Donna
Uptown Top Ranking - Remastered 2001
82 bpm • G Maj • 03:49 • -8db
63% Popularity • 89% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Hollie Cook
Shadow Kissing
82 bpm • B Maj • 03:31 • -8db
49% Popularity • 75% Danceability • 71% Energy • 12% Liveness
3% Instrumentalness • 85% Positiveness
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Johnny Osbourne
Black Starliner - Vocal
82 bpm • F min • 03:59 • -9.15db
10% Popularity • 79% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 78% Positiveness
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Eek-A-Mouse
Wa-Do-Dem
78 bpm • C Maj • 03:55 • -7db
59% Popularity • 86% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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The Gladiators
Mix Up - 1990 Digital Remaster
78 bpm • B Maj • 03:01 • -15db
36% Popularity • 85% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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The Ethiopians
Engine 54
77 bpm • A# Maj • 02:39 • -10.91db
44% Popularity • 85% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Slim Smith
Rougher Yet
83 bpm • D# min • 03:06 • -7.74db
27% Popularity • 76% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Michael Rose
Born Free
83 bpm • D Maj • 03:32 • -7.37db
23% Popularity • 69% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Johnny Osbourne
People a Watch Me
82 bpm • F Maj • 03:26 • -8.66db
8% Popularity • 78% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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I-Roy
Hot Stuff
77 bpm • G Maj • 02:49 • -7.1db
21% Popularity • 68% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
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Hopeton Lewis
Express Yourself
83 bpm • A# min • 02:34 • -12.85db
40% Popularity • 74% Danceability • 48% Energy • 7% Liveness
28% Instrumentalness • 94% Positiveness
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Yellowman
Natty Sat Upon The Rock
77 bpm • B Maj • 03:25 • -7.41db
38% Popularity • 85% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Half Pint
Mr. Landlord
83 bpm • C# Maj • 03:08 • -15db
39% Popularity • 85% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Junior Delgado
Liberation
83 bpm • C# Maj • 03:41 • -9db
29% Popularity • 73% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Osbourne
Budy Bye
82 bpm • D Maj • 04:04 • -14.99db
34% Popularity • 71% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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U-Roy
Natty Rebel - Remaster 1990
83 bpm • C Maj • 03:31 • -12db
48% Popularity • 81% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Michael Prophet
Gunman
77 bpm • C Maj • 04:26 • -9.21db
26% Popularity • 78% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
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The Aggrovators
So Jah Sey Dub
77 bpm • A Maj • 04:20 • -11.13db
38% Popularity • 73% Danceability • 42% Energy • 8% Liveness
6% Instrumentalness • 57% Positiveness
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Toyan
How The West Was Won
77 bpm • C# Maj • 03:04 • -4.71db
18% Popularity • 79% Danceability • 77% Energy • 57% Liveness
0% Instrumentalness • 86% Positiveness
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Desmond Dekker & The Aces
Fu Man Chu
84 bpm • A min • 03:17 • -12.43db
51% Popularity • 75% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Big Youth
Cool Breeze
84 bpm • G# Maj • 03:23 • -6db
57% Popularity • 82% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Yabby You
Jah Love
76 bpm • B min • 02:26 • -6db
18% Popularity • 76% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 61% Positiveness
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Sister Nancy
Only Woman D.J. With Degree
76 bpm • F min • 03:29 • -9db
37% Popularity • 75% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Israel Vibration
Cool and Calm
76 bpm • C Maj • 04:25 • -10.47db
56% Popularity • 80% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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The Paragons
Everyday Is a Holiday
76 bpm • B min • 02:35 • -9.43db
22% Popularity • 69% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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The Sound Dimension
Rockfort Rock
84 bpm • G Maj • 02:23 • -10.98db
29% Popularity • 72% Danceability • 46% Energy • 24% Liveness
89% Instrumentalness • 56% Positiveness
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The Ethiopians
Pirate
76 bpm • A Maj • 02:32 • -6.33db
34% Popularity • 85% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Carlton Livingston
Trodding
76 bpm • D Maj • 03:38 • -13db
40% Popularity • 81% Danceability • 40% Energy • 12% Liveness
30% Instrumentalness • 48% Positiveness
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The Banyans
Follow Your Light
76 bpm • A min • 04:17 • -8.79db
8% Popularity • 80% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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The Gladiators
Soul Rebel - 1990 Digital Remaster
84 bpm • C Maj • 03:57 • -13db
52% Popularity • 82% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Pablo Moses
It's a Trick
76 bpm • G Maj • 04:44 • -11db
27% Popularity • 88% Danceability • 48% Energy • 7% Liveness
10% Instrumentalness • 92% Positiveness
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The Ethiopian
Locust
84 bpm • G# Maj • 04:19 • -11.28db
24% Popularity • 82% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Barrington Spence
Contemplating Mind
84 bpm • G min • 03:22 • -12.68db
12% Popularity • 69% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Dillinger
Five Man Army / Send Another Moses
84 bpm • F# min • 07:34 • -7.91db
20% Popularity • 68% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Derrick Harriott
Do I Worry?
85 bpm • E min • 02:51 • -14.4db
29% Popularity • 85% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Horace Andy
Money Money
75 bpm • C# min • 02:23 • -14.81db
19% Popularity • 78% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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Toots & The Maytals
Night and Day
75 bpm • E min • 02:49 • -8.29db
20% Popularity • 68% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
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Johnny Osbourne
Truths & Rights
85 bpm • D Maj • 03:11 • -5db
23% Popularity • 70% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Hugh Mundell
Africa Must Be Free By 1983
75 bpm • G# Maj • 02:28 • -11.01db
37% Popularity • 76% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Tenor Saw
Ring The Alarm
85 bpm • A# min • 03:07 • -5.23db
45% Popularity • 71% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Joe Yorke
Night and Day
75 bpm • A min • 03:29 • -9.5db
28% Popularity • 79% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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MIlton Henry
Let Go the Ego
75 bpm • A min • 03:37 • -7.05db
35% Popularity • 80% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Little John
Janet Sinclair
75 bpm • B min • 01:59 • -6.4db
33% Popularity • 76% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Johnny Osbourne
Truth & Rights
85 bpm • D Maj • 03:11 • -8db
22% Popularity • 72% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Wayne Smith
Time Is A Moment In Space
75 bpm • G# Maj • 03:13 • -9.69db
28% Popularity • 76% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Tenor Saw
Golden Hen
86 bpm • A Maj • 03:45 • -5.82db
32% Popularity • 75% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Dawn Penn
No, No, No
75 bpm • C# Maj • 04:24 • -9db
39% Popularity • 76% Danceability • 48% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
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Poet and The Roots
Doun Di Road - 1990 Digital Remaster
75 bpm • D Maj • 02:27 • -16.09db
23% Popularity • 77% Danceability • 24% Energy • 3% Liveness
2% Instrumentalness • 67% Positiveness
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The Abyssinians
Satta - Amassa - Gana
75 bpm • C# min • 03:41 • -4db
38% Popularity • 56% Danceability • 76% Energy • 51% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Osbourne
All I Have Is Love
85 bpm • A min • 02:19 • -11.56db
15% Popularity • 73% Danceability • 45% Energy • 13% Liveness
4% Instrumentalness • 89% Positiveness
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Truth and Rights