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Try a Little Tenderness
Songs like
Try a Little Tenderness
by
Otis Redding
Based on a tempo of (+/- 10%) and a similar genre
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Otis Redding
Try a Little Tenderness
103 bpm • A min • 03:21 • -15.15db
67% Popularity • 59% Danceability • 13% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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King Floyd
Groove Me
103 bpm • B Maj • 03:03 • -9.38db
53% Popularity • 91% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Billy Preston
Nothing From Nothing
103 bpm • A min • 02:36 • -4db
62% Popularity • 81% Danceability • 83% Energy • 20% Liveness
1% Instrumentalness • 91% Positiveness
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The Mamas & The Papas
Dedicated To The One I Love
103 bpm • G Maj • 02:58 • -8.81db
63% Popularity • 40% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Simon & Garfunkel
Cecilia
103 bpm • C Maj • 02:54 • -8.87db
73% Popularity • 76% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Barbara Lewis
Hello Stranger
103 bpm • C Maj • 02:46 • -23.88db
52% Popularity • 46% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Otis Redding
My Girl
103 bpm • C Maj • 02:55 • -9.26db
62% Popularity • 74% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Amy Winehouse
Wake Up Alone
103 bpm • B min • 03:42 • -16db
59% Popularity • 58% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Solomon Burke
Got to Get You off My Mind
103 bpm • D Maj • 02:36 • -9.08db
36% Popularity • 74% Danceability • 53% Energy • 3% Liveness
0% Instrumentalness • 73% Positiveness
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Earth, Wind & Fire
Shining Star
103 bpm • A Maj • 02:50 • -13.09db
64% Popularity • 68% Danceability • 69% Energy • 13% Liveness
1% Instrumentalness • 80% Positiveness
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Nancy Wilson
(You Don't Know) How Glad I Am
104 bpm • F Maj • 02:37 • -9.11db
50% Popularity • 53% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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Sharon Jones & The Dap-Kings
How Long Do I Have to Wait for You?
104 bpm • A# min • 04:03 • -3.37db
65% Popularity • 67% Danceability • 91% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Otis Redding
(Sittin' On) the Dock of the Bay
104 bpm • D Maj • 02:43 • -11.23db
81% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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The Staple Singers
I'll Take You There
102 bpm • C Maj • 04:49 • -9.75db
40% Popularity • 81% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Amy Winehouse
You Know I'm No Good
103 bpm • A Maj • 04:17 • -14.22db
73% Popularity • 69% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Sly & The Family Stone
If You Want Me to Stay
102 bpm • B min • 03:00 • -11.57db
65% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Al Green
Let's Stay Together
102 bpm • G min • 03:19 • -10.7db
77% Popularity • 76% Danceability • 40% Energy • 5% Liveness
1% Instrumentalness • 51% Positiveness
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Rufus
Ain't Nobody
104 bpm • A# min • 04:45 • -9.23db
67% Popularity • 82% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Paul Simon
50 Ways to Leave Your Lover
102 bpm • G Maj • 03:37 • -12.81db
70% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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The Staple Singers
I'll Take You There
102 bpm • C Maj • 03:16 • -8.37db
67% Popularity • 85% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Frankie Valli & The Four Seasons
December, 1963 (Oh What a Night!)
104 bpm • C# Maj • 03:17 • -13.49db
74% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Lou Reed
Walk On the Wild Side
105 bpm • C Maj • 04:14 • -16.73db
72% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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George McCrae
Rock Your Baby
104 bpm • C# Maj • 03:20 • -5.54db
60% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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James Brown & The Famous Flames
Try Me
101 bpm • C Maj • 02:33 • -15.19db
59% Popularity • 68% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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The Temptations
My Girl
105 bpm • C Maj • 02:45 • -10.74db
81% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Otis Redding
Try a Little Tenderness - 2016 Remaster
101 bpm • G Maj • 03:51 • -13.88db
24% Popularity • 52% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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Dr. John
Right Place Wrong Time
105 bpm • C# Maj • 02:55 • -13.7db
58% Popularity • 79% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Sister Sledge
Thinking of You - 1995 Remaster
101 bpm • F Maj • 04:26 • -8.87db
59% Popularity • 66% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Commodores
Nightshift
105 bpm • G# Maj • 05:06 • -10.19db
65% Popularity • 73% Danceability • 56% Energy • 6% Liveness
1% Instrumentalness • 39% Positiveness
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The Undisputed Truth
Smiling Faces Sometimes
105 bpm • B Maj • 03:18 • -12db
52% Popularity • 55% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Billie Holiday
Strange Fruit
101 bpm • F# Maj • 03:12 • -22.63db
55% Popularity • 31% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 6% Positiveness
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Paul Simon
Me and Julio Down by the Schoolyard
105 bpm • A Maj • 02:44 • -10.59db
70% Popularity • 63% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The Rolling Stones
Beast Of Burden - Remastered 1994
101 bpm • C# min • 04:25 • -3.86db
77% Popularity • 78% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Otis Redding
Wonderful World
105 bpm • D# Maj • 03:11 • -5.64db
28% Popularity • 86% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Marvin Gaye
I Want You
101 bpm • C# min • 04:34 • -9.56db
60% Popularity • 52% Danceability • 79% Energy • 24% Liveness
32% Instrumentalness • 74% Positiveness
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Timmy Thomas
Why Can't We Live Together
106 bpm • G min • 04:37 • -15.31db
46% Popularity • 87% Danceability • 46% Energy • 5% Liveness
65% Instrumentalness • 96% Positiveness
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Parliament
Give Up The Funk (Tear The Roof Off The ...
106 bpm • A Maj • 05:48 • -9.5db
59% Popularity • 72% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Sly & The Family Stone
Thank You (Falettinme Be Mice Elf Agin) ...
106 bpm • A Maj • 04:51 • -12.68db
56% Popularity • 90% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Hot Chocolate
You Sexy Thing
106 bpm • F Maj • 04:04 • -5.47db
74% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Otis Redding
Try A Little Tenderness - Take 1
101 bpm • G Maj • 04:00 • -15.76db
16% Popularity • 54% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Tracy Chapman
Give Me One Reason
100 bpm • B Maj • 04:28 • -10.02db
72% Popularity • 61% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Doobie Brothers
Listen to the Music
106 bpm • C# min • 03:47 • -13.18db
77% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Carly Simon
You're So Vain
106 bpm • C Maj • 04:18 • -8.18db
77% Popularity • 66% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Dusty Springfield
Spooky
106 bpm • E min • 02:44 • -12.73db
72% Popularity • 75% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Young Rascals
Groovin'
107 bpm • F min • 02:31 • -8.9db
60% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Otis Redding
Wonderful World
106 bpm • D# Maj • 03:30 • -9.03db
48% Popularity • 86% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
► Preview
Sam & Dave
Hold On, I'm Comin'
107 bpm • F# Maj • 02:35 • -14.03db
72% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
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Kool & The Gang
Jungle Boogie
107 bpm • F Maj • 03:06 • -8.77db
63% Popularity • 81% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Al Green
Love and Happiness
99 bpm • F# Maj • 05:07 • -10.96db
64% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Billie Holiday
All of Me
107 bpm • D min • 03:01 • -14.75db
64% Popularity • 50% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Diana Ross & The Supremes
Someday We'll Be Together
107 bpm • C# Maj • 03:31 • -12.45db
55% Popularity • 68% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Otis Redding
The Happy Song (Dum-Dum)
100 bpm • A Maj • 02:41 • -9.87db
37% Popularity • 73% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Hues Corporation
Rock the Boat
107 bpm • D# Maj • 03:22 • -9.72db
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Four Tops
Ain't No Woman (Like The One I've Got)
99 bpm • D min • 03:07 • -9.69db
56% Popularity • 56% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The Gap Band
Outstanding - Original 12" Mix
99 bpm • F# Maj • 06:15 • -11.71db
58% Popularity • 79% Danceability • 48% Energy • 3% Liveness
2% Instrumentalness • 82% Positiveness
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Buffalo Springfield
For What It's Worth
99 bpm • D Maj • 02:33 • -10.16db
79% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
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Jimmy Ruffin
What Becomes Of The Brokenhearted
99 bpm • G min • 02:55 • -12.67db
58% Popularity • 72% Danceability • 42% Energy • 57% Liveness
0% Instrumentalness • 59% Positiveness
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Otis Redding
Tramp
107 bpm • F Maj • 03:01 • -12.11db
46% Popularity • 89% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Dionne Warwick
Walk on By
99 bpm • F Maj • 02:58 • -9.03db
66% Popularity • 70% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Tommy James & The Shondells
Crystal Blue Persuasion
99 bpm • A Maj • 04:02 • -11.45db
53% Popularity • 62% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The Righteous Brothers
Unchained Melody
99 bpm • C Maj • 03:38 • -16.73db
78% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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The Kinks
Waterloo Sunset
108 bpm • C# min • 03:14 • -7.38db
65% Popularity • 52% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Patsy Cline
Crazy - Single Version
108 bpm • A# Maj • 02:44 • -24.39db
68% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Michael Kiwanuka
One More Night
108 bpm • F# min • 03:53 • -5.34db
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Amy Winehouse
He Can Only Hold Her
98 bpm • B Maj • 02:46 • -14.98db
65% Popularity • 63% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
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Commodores
Brick House
108 bpm • E min • 03:28 • -10.48db
66% Popularity • 83% Danceability • 78% Energy • 3% Liveness
2% Instrumentalness • 63% Positiveness
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Otis Redding
Chain Gang
108 bpm • F# min • 02:59 • -10.18db
36% Popularity • 81% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Doris Troy
Just One Look
108 bpm • F Maj • 02:31 • -15db
55% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Dusty Springfield
Wishin' And Hopin' - Stereo Version
108 bpm • B Maj • 02:53 • -11.43db
48% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Ann Peebles
I'm Gonna Tear Your Playhouse Down
98 bpm • G min • 02:45 • -12.52db
50% Popularity • 73% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Sharon Jones & The Dap-Kings
This Land Is Your Land
98 bpm • F# Maj • 04:30 • -5.3db
46% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Amy Winehouse
Our Day Will Come
98 bpm • F min • 02:49 • -6.08db
67% Popularity • 70% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Otis Redding
Fa-Fa-Fa-Fa-Fa (Sad Song)
98 bpm • A# Maj • 02:46 • -11.99db
43% Popularity • 75% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Bill Withers
Lovely Day
98 bpm • A Maj • 04:14 • -8.27db
78% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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The Spinners
The Rubberband Man
98 bpm • A# Maj • 03:33 • -14.61db
65% Popularity • 80% Danceability • 45% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
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Al Green
Tired of Being Alone
98 bpm • G Maj • 02:52 • -8.59db
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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RodrÃguez
Sugar Man
98 bpm • F Maj • 03:49 • -6.54db
62% Popularity • 46% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
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Harold Melvin & The Blue Notes
Wake Up Everybody
98 bpm • F# Maj • 07:32 • -8.12db
57% Popularity • 56% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Marvin Gaye
You're All I Need To Get By
98 bpm • B min • 02:53 • -11.07db
61% Popularity • 51% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Otis Redding
Down in the Valley - Mono; 2018 Remaster
98 bpm • C Maj • 02:59 • -8db
42% Popularity • 79% Danceability • 49% Energy • 8% Liveness
2% Instrumentalness • 91% Positiveness
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Stevie Wonder
Signed, Sealed, Delivered (I'm Yours)
109 bpm • F Maj • 02:41 • -11.33db
77% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Percy Sledge
When a Man Loves a Woman
97 bpm • C# Maj • 02:53 • -20.41db
68% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Sly & The Family Stone
Family Affair - Single Version
109 bpm • D min • 03:05 • -13.83db
52% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
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The O'Jays
For the Love of Money
97 bpm • C Maj • 07:19 • -7.74db
55% Popularity • 68% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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James Taylor
How Sweet It Is (To Be Loved By You) - 2...
109 bpm • C Maj • 03:36 • -10.96db
65% Popularity • 76% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Sharon Jones & The Dap-Kings
100 Days, 100 Nights
109 bpm • A min • 03:45 • -7db
49% Popularity • 44% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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James Brown & The Famous Flames
Please, Please, Please
109 bpm • F Maj • 02:46 • -13.32db
43% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Smokey Robinson & The Miracles
The Tracks Of My Tears
97 bpm • G Maj • 02:54 • -10.91db
65% Popularity • 50% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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De La Soul
Eye Know
109 bpm • C# Maj • 04:12 • -7.99db
60% Popularity • 84% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The Supremes
You Can't Hurry Love
97 bpm • A# Maj • 02:47 • -9.34db
74% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Roy Orbison
Crying
97 bpm • D Maj • 02:46 • -9.5db
59% Popularity • 35% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Amy Winehouse
Valerie - Live At BBC Radio 1 Live Loung...
97 bpm • F min • 03:53 • -5.74db
76% Popularity • 77% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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George Benson
Give Me the Night
110 bpm • C# Maj • 03:42 • -15.67db
67% Popularity • 85% Danceability • 47% Energy • 13% Liveness
2% Instrumentalness • 86% Positiveness
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Luther Vandross
Never Too Much
110 bpm • D Maj • 03:50 • -11.87db
72% Popularity • 73% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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The Guess Who
These Eyes
96 bpm • G Maj • 03:45 • -11.28db
59% Popularity • 56% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Aretha Franklin
Think
110 bpm • F# Maj • 02:19 • -10.82db
66% Popularity • 69% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Mayer Hawthorne
The Walk
110 bpm • F# min • 03:38 • -5.68db
57% Popularity • 85% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Diana Ross
I'm Coming Out
110 bpm • F Maj • 05:23 • -9.21db
70% Popularity • 72% Danceability • 83% Energy • 8% Liveness
43% Instrumentalness • 77% Positiveness
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Marvin Gaye
How Sweet It Is (To Be Loved By You)
110 bpm • C Maj • 02:57 • -10db
60% Popularity • 65% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Stevie Wonder
For Once In My Life
110 bpm • F# Maj • 02:49 • -11.9db
76% Popularity • 52% Danceability • 52% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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Try a Little Tenderness