Songs like Tryin' To Throw Your Arms Around The World by U2
Based on a tempo of (+/- 10%) and a similar genre
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The Fixx
Beautiful Friction
90 bpm • G min • 05:43 • -7.25db
24% Popularity • 55% Danceability • 86% Energy • 32% Liveness
14% Instrumentalness • 56% Positiveness
24% Popularity • 55% Danceability • 86% Energy • 32% Liveness
14% Instrumentalness • 56% Positiveness
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U2
Tryin' To Throw Your Arms Around The Wor...
90 bpm • D Maj • 03:52 • -16db
44% Popularity • 49% Danceability • 33% Energy • 13% Liveness
17% Instrumentalness • 16% Positiveness
44% Popularity • 49% Danceability • 33% Energy • 13% Liveness
17% Instrumentalness • 16% Positiveness
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Crowded House
Nails In My Feet
90 bpm • C min • 03:39 • -7.77db
39% Popularity • 57% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 57% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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Edie Brickell & New Bohemians
He Said
90 bpm • G Maj • 05:30 • -12.71db
20% Popularity • 67% Danceability • 48% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 67% Danceability • 48% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
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The Police
The Bed's Too Big Without You
91 bpm • B min • 04:25 • -11.27db
54% Popularity • 74% Danceability • 75% Energy • 5% Liveness
19% Instrumentalness • 88% Positiveness
54% Popularity • 74% Danceability • 75% Energy • 5% Liveness
19% Instrumentalness • 88% Positiveness
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Travis
Side
91 bpm • G min • 03:59 • -5.46db
60% Popularity • 46% Danceability • 85% Energy • 47% Liveness
0% Instrumentalness • 53% Positiveness
60% Popularity • 46% Danceability • 85% Energy • 47% Liveness
0% Instrumentalness • 53% Positiveness
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Trashcan Sinatras
Thrupenny Tears
89 bpm • A Maj • 05:15 • -21.07db
18% Popularity • 50% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 50% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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U2
If God Will Send His Angels
90 bpm • F# Maj • 05:22 • -14.72db
45% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 53% Positiveness
45% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 53% Positiveness
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Snow Patrol
How To Be Dead
91 bpm • F Maj • 03:22 • -7db
48% Popularity • 58% Danceability • 63% Energy • 59% Liveness
2% Instrumentalness • 42% Positiveness
48% Popularity • 58% Danceability • 63% Energy • 59% Liveness
2% Instrumentalness • 42% Positiveness
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Mick Jagger
Don't Tear Me Up
92 bpm • D Maj • 04:12 • -4.37db
39% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 56% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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The Devlins
I Knew That
88 bpm • C Maj • 04:01 • -9.64db
9% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 55% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Lloyd Cole
Loveless
92 bpm • A Maj • 04:09 • -17.08db
20% Popularity • 68% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 68% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Talk Talk
Life's What You Make It - 1997 Remaster
92 bpm • C# Maj • 04:28 • -7.58db
56% Popularity • 52% Danceability • 80% Energy • 4% Liveness
28% Instrumentalness • 94% Positiveness
56% Popularity • 52% Danceability • 80% Energy • 4% Liveness
28% Instrumentalness • 94% Positiveness
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Midnight Oil
River Runs Red - 2011 Remaster
88 bpm • A min • 05:22 • -4.26db
35% Popularity • 56% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 56% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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U2
In A Little While
92 bpm • D Maj • 03:40 • -7.04db
56% Popularity • 64% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 64% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Live
Turn My Head
88 bpm • B Maj • 03:57 • -9.01db
46% Popularity • 38% Danceability • 63% Energy • 13% Liveness
29% Instrumentalness • 11% Positiveness
46% Popularity • 38% Danceability • 63% Energy • 13% Liveness
29% Instrumentalness • 11% Positiveness
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Echo & the Bunnymen
Get In the Car
92 bpm • C Maj • 04:21 • -6db
25% Popularity • 55% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 55% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Crowded House
Love This Life
93 bpm • B Maj • 03:36 • -11.52db
29% Popularity • 54% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 54% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Edie Brickell & New Bohemians
She
93 bpm • C Maj • 05:07 • -11.14db
29% Popularity • 58% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 58% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Talk Talk
Give It Up - 1997 Remaster
87 bpm • C# min • 05:17 • -11db
41% Popularity • 65% Danceability • 48% Energy • 34% Liveness
1% Instrumentalness • 78% Positiveness
41% Popularity • 65% Danceability • 48% Energy • 34% Liveness
1% Instrumentalness • 78% Positiveness
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U2
So Cruel
92 bpm • A Maj • 05:49 • -10.89db
48% Popularity • 60% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
48% Popularity • 60% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Big Head Todd and The Monsters
Brother John
87 bpm • C Maj • 03:13 • -14.02db
25% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Echo & the Bunnymen
What Are You Going to Do with Your Life?
93 bpm • D Maj • 05:11 • -12.66db
21% Popularity • 37% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 12% Positiveness
21% Popularity • 37% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 12% Positiveness
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Alanis Morissette
All I Really Want - 2015 Remaster
93 bpm • A# min • 04:44 • -7.97db
56% Popularity • 56% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 56% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Crash Test Dummies
Swimming In Your Ocean
94 bpm • C Maj • 03:49 • -7db
38% Popularity • 61% Danceability • 80% Energy • 8% Liveness
7% Instrumentalness • 64% Positiveness
38% Popularity • 61% Danceability • 80% Energy • 8% Liveness
7% Instrumentalness • 64% Positiveness
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Talk Talk
Renee - 1997 Remaster
86 bpm • A min • 06:22 • -12.75db
39% Popularity • 61% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 61% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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The Wallflowers
Closer To You
94 bpm • G Maj • 03:17 • -9.45db
41% Popularity • 58% Danceability • 54% Energy • 10% Liveness
25% Instrumentalness • 59% Positiveness
41% Popularity • 58% Danceability • 54% Energy • 10% Liveness
25% Instrumentalness • 59% Positiveness
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U2
The First Time
93 bpm • G# Maj • 03:45 • -21.88db
39% Popularity • 48% Danceability • 8% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
39% Popularity • 48% Danceability • 8% Energy • 11% Liveness
43% Instrumentalness • 12% Positiveness
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Edie Brickell & New Bohemians
Woyaho
94 bpm • E min • 02:34 • -10.7db
30% Popularity • 63% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 63% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Howard Jones
No One Is to Blame
94 bpm • A Maj • 03:30 • -10db
41% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Travis
Driftwood
86 bpm • A Maj • 03:33 • -8db
54% Popularity • 38% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
54% Popularity • 38% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Counting Crows
Round Here
94 bpm • G Maj • 05:31 • -9.37db
61% Popularity • 31% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
61% Popularity • 31% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Talk Talk
I Don't Believe in You - 1997 Remaster
86 bpm • B min • 05:02 • -10.83db
44% Popularity • 66% Danceability • 42% Energy • 4% Liveness
11% Instrumentalness • 38% Positiveness
44% Popularity • 66% Danceability • 42% Energy • 4% Liveness
11% Instrumentalness • 38% Positiveness
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U2
Stay (Faraway, So Close!)
94 bpm • G# Maj • 04:58 • -12.18db
61% Popularity • 56% Danceability • 51% Energy • 7% Liveness
6% Instrumentalness • 72% Positiveness
61% Popularity • 56% Danceability • 51% Energy • 7% Liveness
6% Instrumentalness • 72% Positiveness
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Jesus Jones
Welcome Back Victoria
95 bpm • D Maj • 03:35 • -14.52db
21% Popularity • 45% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 45% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Midnight Oil
One Country - 2011 Remaster
95 bpm • G Maj • 05:53 • -6.6db
35% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The The
Gravitate To Me
95 bpm • C# min • 08:07 • -14db
19% Popularity • 63% Danceability • 59% Energy • 10% Liveness
14% Instrumentalness • 58% Positiveness
19% Popularity • 63% Danceability • 59% Energy • 10% Liveness
14% Instrumentalness • 58% Positiveness
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Manic Street Preachers
The Everlasting
96 bpm • D min • 06:09 • -8.28db
41% Popularity • 50% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 50% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Counting Crows
Mrs. Potters Lullaby
96 bpm • G# Maj • 07:45 • -5.71db
48% Popularity • 51% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 51% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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U2
Running To Stand Still
95 bpm • D Maj • 04:17 • -19db
56% Popularity • 54% Danceability • 20% Energy • 33% Liveness
3% Instrumentalness • 23% Positiveness
56% Popularity • 54% Danceability • 20% Energy • 33% Liveness
3% Instrumentalness • 23% Positiveness
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Echo & the Bunnymen
History Chimes
96 bpm • C Maj • 03:27 • -14.97db
15% Popularity • 71% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 71% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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The Cars
Since You're Gone - 2017 Remaster
96 bpm • C Maj • 03:31 • -7db
46% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 61% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Crowded House
Catherine Wheels
96 bpm • G Maj • 05:12 • -11.31db
24% Popularity • 44% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 44% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Edie Brickell & New Bohemians
Now
84 bpm • C Maj • 06:02 • -14.97db
26% Popularity • 40% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 40% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Genesis
Throwing It All Away - 2007 Remaster
84 bpm • F# Maj • 03:49 • -7.41db
61% Popularity • 38% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
61% Popularity • 38% Danceability • 61% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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Pearl Jam
Nothingman - Remastered
96 bpm • F Maj • 04:34 • -10.21db
56% Popularity • 27% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
56% Popularity • 27% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Echo & the Bunnymen
Nothing Lasts Forever
84 bpm • C Maj • 03:55 • -5.35db
46% Popularity • 43% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 43% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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The Waterboys
Preparing To Fly
84 bpm • A Maj • 04:34 • -7.62db
14% Popularity • 32% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 32% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 57% Positiveness
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Collective Soul
Needs
97 bpm • F# Maj • 05:21 • -10db
40% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Marillion
Go!
84 bpm • G Maj • 06:11 • -11.01db
18% Popularity • 28% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 10% Positiveness
18% Popularity • 28% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 10% Positiveness
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Aztec Camera
Black Lucia
97 bpm • F Maj • 04:00 • -9.26db
11% Popularity • 63% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 63% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Pearl Jam
Daughter - Remastered
97 bpm • G Maj • 03:54 • -9.69db
69% Popularity • 62% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
69% Popularity • 62% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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The Samples
As Tears Fall
97 bpm • D Maj • 04:57 • -9.25db
14% Popularity • 57% Danceability • 78% Energy • 5% Liveness
14% Instrumentalness • 65% Positiveness
14% Popularity • 57% Danceability • 78% Energy • 5% Liveness
14% Instrumentalness • 65% Positiveness
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U2
Zooropa
97 bpm • A# min • 06:30 • -14db
45% Popularity • 27% Danceability • 47% Energy • 64% Liveness
4% Instrumentalness • 24% Positiveness
45% Popularity • 27% Danceability • 47% Energy • 64% Liveness
4% Instrumentalness • 24% Positiveness
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Robbie Robertson
Testimony
97 bpm • F min • 04:48 • -12.16db
23% Popularity • 63% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 63% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Sinéad O'Connor
Last Day of Our Acquaintance
83 bpm • D# Maj • 04:38 • -13db
52% Popularity • 34% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 34% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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The Devlins
Almost Made You Smile
97 bpm • D Maj • 04:58 • -9.98db
23% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Buffalo Tom
Would Not Be Denied
98 bpm • G Maj • 03:45 • -11db
18% Popularity • 34% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 34% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Travis
Flowers In The Window
98 bpm • C Maj • 03:41 • -5.44db
55% Popularity • 38% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 38% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Jane's Addiction
Jane Says - Live
83 bpm • G Maj • 06:31 • -6.27db
42% Popularity • 54% Danceability • 88% Energy • 97% Liveness
16% Instrumentalness • 58% Positiveness
42% Popularity • 54% Danceability • 88% Energy • 97% Liveness
16% Instrumentalness • 58% Positiveness
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Suzanne Vega
Widow's Walk
98 bpm • D Maj • 03:33 • -8.51db
25% Popularity • 68% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 68% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Genesis
Tonight, Tonight, Tonight - 2007 Remaste...
98 bpm • G Maj • 08:50 • -14.41db
51% Popularity • 57% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
51% Popularity • 57% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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Roxy Music
True To Life
82 bpm • C Maj • 04:25 • -8.36db
48% Popularity • 70% Danceability • 68% Energy • 8% Liveness
44% Instrumentalness • 66% Positiveness
48% Popularity • 70% Danceability • 68% Energy • 8% Liveness
44% Instrumentalness • 66% Positiveness
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Tom Petty and the Heartbreakers
Into The Great Wide Open
82 bpm • E min • 03:43 • -9.73db
59% Popularity • 61% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 61% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Hubery Frederick
The Beautiful Struggle
98 bpm • G# Maj • 04:19 • -7.51db
23% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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U2
Babyface
99 bpm • B min • 04:00 • -14.41db
40% Popularity • 72% Danceability • 40% Energy • 16% Liveness
6% Instrumentalness • 50% Positiveness
40% Popularity • 72% Danceability • 40% Energy • 16% Liveness
6% Instrumentalness • 50% Positiveness
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The Police
Every Little Thing She Does Is Magic
82 bpm • D Maj • 04:20 • -10db
79% Popularity • 56% Danceability • 77% Energy • 12% Liveness
6% Instrumentalness • 43% Positiveness
79% Popularity • 56% Danceability • 77% Energy • 12% Liveness
6% Instrumentalness • 43% Positiveness
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Jane's Addiction
Jane Says - Live; 2006 Remaster
82 bpm • G Maj • 06:17 • -5.32db
28% Popularity • 43% Danceability • 89% Energy • 81% Liveness
16% Instrumentalness • 59% Positiveness
28% Popularity • 43% Danceability • 89% Energy • 81% Liveness
16% Instrumentalness • 59% Positiveness
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Midnight Oil
Antarctica - 2011 Remaster
99 bpm • E min • 04:18 • -6.46db
27% Popularity • 59% Danceability • 60% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
27% Popularity • 59% Danceability • 60% Energy • 8% Liveness
2% Instrumentalness • 26% Positiveness
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Collective Soul
Listen
99 bpm • D Maj • 04:12 • -6db
43% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Aztec Camera
The Gentle Kind
99 bpm • C Maj • 05:32 • -13.54db
13% Popularity • 77% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 77% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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U2
Bad - Remastered 2009
99 bpm • D Maj • 06:08 • -9.06db
50% Popularity • 37% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 37% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Alanis Morissette
Right Through You - 2015 Remaster
82 bpm • A Maj • 02:56 • -6.18db
50% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
50% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Jane's Addiction
Jane Says
82 bpm • D Maj • 04:47 • -9.26db
66% Popularity • 40% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
66% Popularity • 40% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Crowded House
Whispers And Moans
99 bpm • F min • 03:39 • -11.69db
36% Popularity • 59% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
36% Popularity • 59% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 60% Positiveness
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The Smithereens
Blue Period - Acoustic
100 bpm • G# Maj • 02:57 • -12db
32% Popularity • 70% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 70% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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10,000 Maniacs
What's the Matter Here?
100 bpm • A Maj • 04:49 • -16.31db
40% Popularity • 59% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 59% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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U2
Mysterious Ways - The Perfecto Mix
99 bpm • G# Maj • 07:05 • -7db
33% Popularity • 64% Danceability • 84% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
33% Popularity • 64% Danceability • 84% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
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Grant Lee Buffalo
Bethlehem Steel
100 bpm • C# Maj • 06:03 • -9db
26% Popularity • 67% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 67% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Morrissey
Alma Matters
100 bpm • A Maj • 04:46 • -8db
49% Popularity • 42% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 42% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sheryl Crow
Leaving Las Vegas
81 bpm • D Maj • 05:09 • -9.92db
44% Popularity • 68% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 68% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Counting Crows
Omaha
81 bpm • A Maj • 03:39 • -9db
58% Popularity • 52% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 52% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Marillion
Childhood's End? - 2017 Remaster
101 bpm • F# min • 04:32 • -8.24db
43% Popularity • 37% Danceability • 73% Energy • 13% Liveness
3% Instrumentalness • 66% Positiveness
43% Popularity • 37% Danceability • 73% Energy • 13% Liveness
3% Instrumentalness • 66% Positiveness
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U2
Mysterious Ways
100 bpm • G# Maj • 04:03 • -8.05db
63% Popularity • 67% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
63% Popularity • 67% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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'Til Tuesday
Coming Up Close
80 bpm • G# Maj • 04:40 • -15db
36% Popularity • 37% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 37% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Pearl Jam
Given to Fly
101 bpm • G Maj • 03:58 • -7.08db
60% Popularity • 32% Danceability • 76% Energy • 10% Liveness
10% Instrumentalness • 34% Positiveness
60% Popularity • 32% Danceability • 76% Energy • 10% Liveness
10% Instrumentalness • 34% Positiveness
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The Call
I Still Believe (Great Design)
101 bpm • C# Maj • 05:31 • -13db
32% Popularity • 54% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
32% Popularity • 54% Danceability • 65% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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Counting Crows
Sullivan Street
81 bpm • D Maj • 04:28 • -7.71db
50% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
50% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Aztec Camera
Stray
101 bpm • F Maj • 05:33 • -19.11db
17% Popularity • 37% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 37% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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U2
When I Look At The World
100 bpm • A Maj • 04:17 • -7.18db
42% Popularity • 55% Danceability • 77% Energy • 36% Liveness
3% Instrumentalness • 53% Positiveness
42% Popularity • 55% Danceability • 77% Energy • 36% Liveness
3% Instrumentalness • 53% Positiveness
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Big Audio Dynamite
Innocent Child
80 bpm • C Maj • 05:58 • -16.21db
22% Popularity • 62% Danceability • 36% Energy • 28% Liveness
9% Instrumentalness • 46% Positiveness
22% Popularity • 62% Danceability • 36% Energy • 28% Liveness
9% Instrumentalness • 46% Positiveness
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Pearl Jam
Off He Goes
101 bpm • C Maj • 05:58 • -14.83db
52% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jesus Jones
Blissed
102 bpm • A Maj • 04:51 • -15.46db
16% Popularity • 55% Danceability • 54% Energy • 21% Liveness
65% Instrumentalness • 67% Positiveness
16% Popularity • 55% Danceability • 54% Energy • 21% Liveness
65% Instrumentalness • 67% Positiveness
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Counting Crows
Perfect Blue Buildings
80 bpm • F Maj • 05:00 • -13db
46% Popularity • 60% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
46% Popularity • 60% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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10,000 Maniacs
You Happy Puppet
102 bpm • E Maj • 03:37 • -6.36db
26% Popularity • 67% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 67% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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U2
Satellite Of Love
100 bpm • F# Maj • 04:00 • -9.32db
35% Popularity • 51% Danceability • 41% Energy • 12% Liveness
3% Instrumentalness • 23% Positiveness
35% Popularity • 51% Danceability • 41% Energy • 12% Liveness
3% Instrumentalness • 23% Positiveness
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The Rolling Stones
Almost Hear You Sigh - Remastered
102 bpm • C# min • 04:37 • -5.39db
45% Popularity • 65% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 65% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Pearl Jam
The Long Road
102 bpm • D Maj • 05:59 • -11.32db
39% Popularity • 54% Danceability • 44% Energy • 10% Liveness
65% Instrumentalness • 8% Positiveness
39% Popularity • 54% Danceability • 44% Energy • 10% Liveness
65% Instrumentalness • 8% Positiveness
