Songs like Tu Peor Pesadilla by Kenia OS
Based on a tempo of (+/- 10%) and a similar genre
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Lasso
Quiero Que Me Quieras
176 bpm • E Maj • 02:53 • -7db
32% Popularity • 69% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 69% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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EME15
Tengo Miedo
176 bpm • G Maj • 03:21 • -4.56db
29% Popularity • 48% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 48% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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La Divaza
D.I.V.A
176 bpm • B min • 02:49 • -7db
25% Popularity • 74% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 74% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Calle y Poché
Roast Yourself
176 bpm • C# min • 03:01 • -9.73db
41% Popularity • 71% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 71% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Mont
NOCHE DE CRIMEN
176 bpm • F min • 02:23 • -6.22db
30% Popularity • 73% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 73% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Kenia OS
Tu Peor Pesadilla
176 bpm • F# min • 02:21 • -7.39db
57% Popularity • 68% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 68% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Lasso
… pero no me dejes
176 bpm • F Maj • 03:46 • -9db
26% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 68% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Sofia Castro
Roast
176 bpm • A min • 02:43 • -5.52db
38% Popularity • 77% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 77% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Pitizion
La Diferente
177 bpm • B Maj • 03:07 • -4db
33% Popularity • 68% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 68% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Sabino
Guapa!
178 bpm • D Maj • 02:55 • -7db
38% Popularity • 60% Danceability • 73% Energy • 14% Liveness
1% Instrumentalness • 83% Positiveness
38% Popularity • 60% Danceability • 73% Energy • 14% Liveness
1% Instrumentalness • 83% Positiveness
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Iza Macondo
Casa Sola
174 bpm • G# min • 03:04 • -6.47db
14% Popularity • 75% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 75% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Like
Una y Otra Vez
174 bpm • F# Maj • 02:54 • -3.49db
42% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Mont
Las Gatas
178 bpm • G# min • 02:26 • -4db
43% Popularity • 65% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 65% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ingratax
Las de Octubre
174 bpm • C# min • 02:45 • -5db
41% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Aldo Carpes
En las Pedas y en los Pedos
174 bpm • C# Maj • 03:28 • -6.75db
26% Popularity • 65% Danceability • 80% Energy • 66% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 65% Danceability • 80% Energy • 66% Liveness
0% Instrumentalness • 96% Positiveness
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Sofía Reyes
Altitud
174 bpm • C Maj • 02:41 • -6.25db
35% Popularity • 68% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 68% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Sofi Saar
Terapia
174 bpm • D Maj • 02:42 • -4.4db
17% Popularity • 56% Danceability • 67% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 56% Danceability • 67% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
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Abraham Mateo
¿Qué Ha Pasao'?
178 bpm • G Maj • 03:18 • -4.13db
59% Popularity • 65% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 65% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Carla Morrison
Contigo
179 bpm • D Maj • 03:57 • -6.38db
61% Popularity • 41% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
61% Popularity • 41% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Carmen DeLeon
Bésame Bonito (Micro TDH Remix)
174 bpm • F Maj • 03:00 • -5db
63% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Donovan Morales
Chihiro
179 bpm • F min • 03:39 • -7db
36% Popularity • 55% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 55% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 12% Positiveness
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Sofia Castro
Tengo Que Partir
180 bpm • G# min • 03:12 • -7.76db
29% Popularity • 57% Danceability • 79% Energy • 37% Liveness
2% Instrumentalness • 42% Positiveness
29% Popularity • 57% Danceability • 79% Energy • 37% Liveness
2% Instrumentalness • 42% Positiveness
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Javier Ramirez
Te Puse A Perder
180 bpm • C# Maj • 03:15 • -6.63db
25% Popularity • 74% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 74% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Ingratax
APAGAITA
180 bpm • G# Maj • 02:35 • -4.98db
45% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 66% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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LATIN MAFIA
Mala buena suerte
180 bpm • C Maj • 02:45 • -10.12db
68% Popularity • 81% Danceability • 26% Energy • 9% Liveness
5% Instrumentalness • 29% Positiveness
68% Popularity • 81% Danceability • 26% Energy • 9% Liveness
5% Instrumentalness • 29% Positiveness
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$anta
Bad Bitches Cry Too
172 bpm • C min • 02:25 • -7.23db
38% Popularity • 65% Danceability • 65% Energy • 51% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 65% Danceability • 65% Energy • 51% Liveness
0% Instrumentalness • 42% Positiveness
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Sofi Mata
Estoy Pa' Mí
180 bpm • C# min • 02:39 • -5.54db
27% Popularity • 80% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 80% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Mariana Ávila
Se va, se va
180 bpm • B min • 03:08 • -3.6db
41% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Javier Ramirez
Carrito Rojo
180 bpm • A Maj • 03:04 • -5db
33% Popularity • 68% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 68% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Varados
Ahórrame
180 bpm • A Maj • 02:45 • -6db
35% Popularity • 58% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 58% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Absa G.
Cómo Te Olvido?
180 bpm • C Maj • 03:08 • -8db
46% Popularity • 75% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 70% Positiveness
46% Popularity • 75% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 70% Positiveness
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Lucio
Triple X
180 bpm • C Maj • 03:17 • -5.13db
18% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 66% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Majo Rivas
Ser Yo
180 bpm • D min • 02:37 • -5.31db
36% Popularity • 67% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 67% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Sherry
24 horas
172 bpm • C Maj • 02:25 • -8.47db
27% Popularity • 76% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 76% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Sofía Reyes
24/7
172 bpm • C# Maj • 03:10 • -7db
53% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 71% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Selene
3 Para Las 10
180 bpm • G min • 02:58 • -5.34db
29% Popularity • 75% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 75% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Leo Osuna
Se Te Olvidó...
180 bpm • F min • 03:07 • -10.63db
19% Popularity • 76% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 76% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Maria Becerra
Episodios
172 bpm • C# Maj • 02:51 • -3.12db
62% Popularity • 74% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
62% Popularity • 74% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ingratax
Noche en LA
172 bpm • B min • 03:29 • -5db
27% Popularity • 69% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 69% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Mont
ZUKI
172 bpm • E min • 02:58 • -5.61db
28% Popularity • 72% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 72% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Sofia Castro
En Camara Lenta
172 bpm • B Maj • 03:23 • -3.87db
34% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Micro TDH
Amor de red social
172 bpm • A min • 03:50 • -5.21db
55% Popularity • 70% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 70% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Yolo Aventuras
Por Un Beso
182 bpm • F Maj • 03:23 • -6.18db
47% Popularity • 71% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 71% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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Marcos Menchaca
Coincidencias
170 bpm • F# Maj • 02:59 • -9.72db
45% Popularity • 59% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 59% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Sabino
Diamante
170 bpm • G Maj • 02:55 • -5.41db
59% Popularity • 69% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 79% Positiveness
59% Popularity • 69% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 79% Positiveness
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Alex Hoyer
Cruda
170 bpm • E Maj • 02:45 • -6.53db
31% Popularity • 50% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 50% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Mariana Ávila
Tempura
170 bpm • C# min • 03:09 • -6.5db
40% Popularity • 74% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 74% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Sofia Castro
Repeat
170 bpm • B min • 02:30 • -5db
30% Popularity • 69% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 69% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 49% Positiveness
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Sofi Mata
Mala Suerte
170 bpm • A# Maj • 03:18 • -6db
25% Popularity • 60% Danceability • 70% Energy • 54% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 60% Danceability • 70% Energy • 54% Liveness
0% Instrumentalness • 35% Positiveness
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Juanse
Jaque Mate
170 bpm • D# Maj • 03:16 • -4db
52% Popularity • 41% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 41% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Nina
10 noches
170 bpm • C# min • 02:16 • -6db
40% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 69% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Alex Hoyer
Dementes
170 bpm • A# Maj • 02:56 • -5db
44% Popularity • 64% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 64% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Romi Marcos
Me Dijeron Que No
170 bpm • C# min • 03:23 • -7db
52% Popularity • 62% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 62% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Ventino
Prometo Olvidarte
170 bpm • F Maj • 03:38 • -5.13db
40% Popularity • 50% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 50% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Kenia OS
La Invitación
170 bpm • G Maj • 02:29 • -7db
68% Popularity • 63% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
68% Popularity • 63% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Mia Salinas
Segundo Plato
170 bpm • F# Maj • 03:36 • -8.7db
45% Popularity • 61% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 61% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Silvana
Tóxico Amor :(
169 bpm • G Maj • 02:42 • -14.03db
13% Popularity • 45% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 45% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Adexe & Nau
Obsesionado
169 bpm • B min • 03:36 • -6.97db
34% Popularity • 79% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 79% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Ximena Sariñana
Si Tú Te Vas
184 bpm • B min • 03:08 • -4db
48% Popularity • 66% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
48% Popularity • 66% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Alex Ponce
Distancia
184 bpm • C min • 04:15 • -4.59db
34% Popularity • 67% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 67% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Grecia Vallejo
Agraduele
168 bpm • F min • 02:53 • -6.21db
35% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Like
Tu Anatomía
168 bpm • G# min • 03:03 • -4.53db
38% Popularity • 74% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 74% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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La Loquera
LQRA Session #3
168 bpm • G Maj • 02:54 • -6db
42% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Karol Sevilla
Vuélveme a Mirar Así
168 bpm • A min • 03:23 • -9db
39% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Jorge Cuellar
ni le busques
168 bpm • C Maj • 02:31 • -4.32db
48% Popularity • 59% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 59% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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Ingratax
París
168 bpm • C# min • 02:31 • -6db
74% Popularity • 59% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
74% Popularity • 59% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Lucio
Edla
168 bpm • F# min • 03:36 • -3.35db
19% Popularity • 78% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 78% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Like
Dime por Qué Mi Amor
168 bpm • G Maj • 03:43 • -5.15db
35% Popularity • 61% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 61% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Alexa Sotelo
MÁGICA
168 bpm • B Maj • 02:35 • -6.33db
0% Popularity • 66% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 66% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Cellegrini
Pils Pa Dormir
168 bpm • F# Maj • 02:26 • -5.1db
31% Popularity • 72% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 72% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Sabino
Date Cuenta
168 bpm • A# Maj • 03:27 • -7.43db
62% Popularity • 67% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
62% Popularity • 67% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Sofía Reyes
MILAMORES
167 bpm • F min • 03:31 • -6.15db
58% Popularity • 59% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
58% Popularity • 59% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Carlos Feria
Pa´ Mi
186 bpm • G Maj • 02:59 • -5.81db
21% Popularity • 81% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 81% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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EME15
El Mapa De Mi Interior
166 bpm • G Maj • 03:57 • -5.53db
37% Popularity • 45% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 45% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Ingratax
ADORARTE
166 bpm • D# Maj • 02:21 • -5.78db
34% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Betzabeth
No Es Igual
166 bpm • C# Maj • 02:46 • -5.17db
49% Popularity • 72% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 72% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Dennis Arana
Beso Guay
186 bpm • C Maj • 03:05 • -6db
20% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 61% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Pau Laggies
¿por Que Me Dejaste de Querer?
187 bpm • C# Maj • 03:16 • -11.9db
25% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Alex Ponce
viernes 13 ii
165 bpm • B Maj • 03:17 • -9.92db
45% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Joel DELEÓN
La Culpa
164 bpm • A Maj • 03:22 • -3.84db
32% Popularity • 47% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 47% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Kenia OS
Soledad
164 bpm • G min • 03:14 • -4.63db
48% Popularity • 76% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 76% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Lola
Princessa
164 bpm • B Maj • 03:14 • -3.53db
31% Popularity • 60% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 60% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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ElArturo
Mami Perfecta
164 bpm • E min • 03:34 • -5.01db
19% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 72% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Bianca Oss
Si Fuera Por Mi
164 bpm • C# Maj • 03:26 • -5db
24% Popularity • 69% Danceability • 70% Energy • 80% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 69% Danceability • 70% Energy • 80% Liveness
0% Instrumentalness • 66% Positiveness
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LAGOS
Clásico
163 bpm • B min • 02:27 • -3.52db
47% Popularity • 76% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 76% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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EME15
A Mis Quince
164 bpm • F Maj • 03:43 • -4.36db
36% Popularity • 30% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 30% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Kenia OS
Rumores
164 bpm • A min • 03:22 • -4.64db
64% Popularity • 76% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
64% Popularity • 76% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Lasso
Hasta Ese Día
190 bpm • A# Maj • 03:23 • -3.11db
61% Popularity • 44% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
61% Popularity • 44% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Carlos uzi
Error
192 bpm • D min • 02:44 • -8.51db
43% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
43% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Like
Hasta Donde Tú Estés
192 bpm • B min • 03:32 • -3.64db
34% Popularity • 69% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 69% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Betzabeth
Ahora Es Ella
160 bpm • F Maj • 02:37 • -5.35db
45% Popularity • 67% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 67% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Ha*Ash
Mi Salida Contigo
160 bpm • B min • 02:55 • -4db
69% Popularity • 66% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
69% Popularity • 66% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Kenia OS
Delito
190 bpm • F# min • 03:24 • -4.78db
51% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 80% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Rod Contreras
Meneo
160 bpm • F min • 02:27 • -4.98db
24% Popularity • 74% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 74% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Kim Loaiza
Los Besos Que Te Di
160 bpm • F# Maj • 02:29 • -4.71db
60% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
60% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Nicole Zignago
Quién lo diría
160 bpm • D# min • 02:39 • -6.05db
48% Popularity • 69% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
48% Popularity • 69% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Uzielito Mix
Caramelo
160 bpm • A min • 03:49 • -4.98db
52% Popularity • 84% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
52% Popularity • 84% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Yeri Mua
CHUPON
196 bpm • G# Maj • 03:21 • -6.65db
71% Popularity • 73% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
71% Popularity • 73% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
