Songs like Tuam Beat by Michael English
Based on a tempo of (+/- 10%) and a similar genre
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Robert Mizzell
Say You Love Me
181 bpm • G Maj • 03:52 • -6.31db
37% Popularity • 48% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 48% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Michael English
Tuam Beat
181 bpm • C Maj • 03:47 • -5.81db
33% Popularity • 48% Danceability • 91% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
33% Popularity • 48% Danceability • 91% Energy • 66% Liveness
0% Instrumentalness • 82% Positiveness
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Mike Denver
Back In '68
182 bpm • G Maj • 02:52 • -7.87db
28% Popularity • 58% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 58% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Shawn Cuddy
Walk Tall
180 bpm • G# Maj • 03:03 • -6.63db
24% Popularity • 59% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 59% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Jim Devine
Paint The Town
182 bpm • A# Maj • 02:48 • -3.19db
26% Popularity • 52% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 52% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Gerry Guthrie
The Doghouse
182 bpm • A Maj • 03:23 • -3.79db
20% Popularity • 48% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 48% Danceability • 97% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Derek Ryan
The Cows On The Hill
182 bpm • G Maj • 02:51 • -6.72db
39% Popularity • 47% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
39% Popularity • 47% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Michael English
I'll never find Another You
182 bpm • D# Maj • 02:48 • -4.08db
11% Popularity • 48% Danceability • 85% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 48% Danceability • 85% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
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Stuart Moyles
Little Bit of Livin'
182 bpm • D Maj • 03:04 • -6.25db
33% Popularity • 48% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 48% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Shawn Cuddy
Old Man Trouble
180 bpm • D Maj • 02:07 • -7.42db
23% Popularity • 67% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 67% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Farmer Dan
Galway Girl
182 bpm • F Maj • 03:04 • -6.75db
28% Popularity • 64% Danceability • 70% Energy • 29% Liveness
1% Instrumentalness • 77% Positiveness
28% Popularity • 64% Danceability • 70% Energy • 29% Liveness
1% Instrumentalness • 77% Positiveness
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Mike Denver
Some Girls Will Some Girls Won't
182 bpm • C Maj • 03:48 • -5.99db
36% Popularity • 52% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 52% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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The Murphys
The Man Who Loved Me First
180 bpm • C Maj • 03:25 • -7.29db
26% Popularity • 45% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 45% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Cliona Hagan
1 2 3
180 bpm • G Maj • 03:02 • -3.49db
29% Popularity • 48% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 48% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Jimmy Buckley
Let's Go to Vegas
180 bpm • C Maj • 03:04 • -6.43db
32% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
32% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Gerry Guthrie
The Mermaid
180 bpm • G# Maj • 03:08 • -5.97db
24% Popularity • 47% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 47% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
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Liam Kelly
Big Tom, The Legend Lives On
180 bpm • D Maj • 03:59 • -4.7db
20% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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John Molloy
Don't Tell Me What to Do
180 bpm • G# Maj • 03:23 • -6.49db
32% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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The Murphys
Dancing With The Fisherman
180 bpm • A Maj • 03:36 • -6.94db
32% Popularity • 48% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 48% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Justin Mcgurk
What's the Craic
180 bpm • G Maj • 03:24 • -8.76db
27% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Paula Macaskill
You're Going Out The Same Way You Came I...
180 bpm • G# Maj • 02:31 • -6db
41% Popularity • 49% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 49% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Jim Devine
A Girl Like You
180 bpm • A Maj • 03:14 • -4.31db
19% Popularity • 50% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 50% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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John McNicholl
Someone Is Looking for Someone Like You
180 bpm • F Maj • 03:07 • -9.48db
31% Popularity • 57% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 57% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 89% Positiveness
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Richie Kavanagh
The Mobile Phone
182 bpm • B Maj • 02:40 • -10db
20% Popularity • 68% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 68% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Larry Cunningham
Tipperary Town
180 bpm • B Maj • 03:46 • -9.31db
21% Popularity • 38% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 38% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Michael English
I Don't Care (If You Love Me Anymore)
183 bpm • G# Maj • 02:56 • -4.78db
12% Popularity • 49% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 49% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Margo
Back Home to Donegal
178 bpm • A# Maj • 03:15 • -9.46db
21% Popularity • 48% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 48% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Delcan Nerney
I Don't Need A Picture
184 bpm • E Maj • 02:50 • -6.29db
18% Popularity • 57% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 57% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Jim Devine
Saw You Running
178 bpm • E Maj • 03:28 • -6.19db
16% Popularity • 56% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 56% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Stuart Moyles
Lay Down Sally
184 bpm • D Maj • 03:16 • -6db
22% Popularity • 46% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 46% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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David James
Beautiful as Usual
184 bpm • A Maj • 03:11 • -5.3db
19% Popularity • 43% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 43% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Michael English
Baby Don't Leave Me In The Night Time
184 bpm • C Maj • 03:18 • -7.1db
23% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 60% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Gerry Guthrie
The Fightin Side Of Me
178 bpm • C Maj • 03:37 • -7.3db
17% Popularity • 55% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 55% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Barry Kirwan
Chattahoochie
178 bpm • D Maj • 03:14 • -5db
11% Popularity • 55% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 55% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Davitt Country Band
Beautiful Affair
178 bpm • D Maj • 03:33 • -5db
25% Popularity • 47% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 47% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Stuart Moyles
The Rhythm Of Love
178 bpm • D Maj • 03:09 • -2.88db
15% Popularity • 46% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 46% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Jim Devine
If I Could Make A Living
178 bpm • C Maj • 02:00 • -6.66db
27% Popularity • 47% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 47% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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T.R. Dallas
21 Acres Of Land
185 bpm • F Maj • 03:24 • -12.3db
21% Popularity • 50% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 50% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Patrick Feeney
Dreaming Of You
185 bpm • A Maj • 03:03 • -5.39db
26% Popularity • 44% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 44% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Bernie Heaney
Pictures in the Clouds
185 bpm • D Maj • 03:11 • -5.71db
30% Popularity • 51% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 51% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Justin Mcgurk
Joyce Country Ceili Band
177 bpm • E Maj • 03:42 • -6db
38% Popularity • 49% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
38% Popularity • 49% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Conal Gallen
Do Your Ears Hang Low? (Live)
177 bpm • F Maj • 03:11 • -7.09db
20% Popularity • 66% Danceability • 79% Energy • 91% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 66% Danceability • 79% Energy • 91% Liveness
0% Instrumentalness • 93% Positiveness
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Robert Mizzell
Two Rooms and a Kitchen
177 bpm • D Maj • 03:41 • -6.63db
33% Popularity • 50% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 50% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Michael English
Will Ya Dance
185 bpm • B Maj • 03:20 • -5.88db
26% Popularity • 52% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 52% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
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Nathan Carter
Sarah Jane
186 bpm • B Maj • 03:23 • -7.17db
26% Popularity • 38% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 38% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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David James
Killarney in My Dreams
186 bpm • F# Maj • 02:48 • -4.93db
27% Popularity • 42% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 42% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Justin Mcgurk
Picked a Winner
177 bpm • G Maj • 02:59 • -6db
38% Popularity • 50% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 50% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Shawn Cuddy
Four Country Roads
186 bpm • C Maj • 03:09 • -8.13db
22% Popularity • 60% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 60% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Gavin Gribben
Baton Rouge to Birmingham
186 bpm • D Maj • 03:14 • -4.63db
29% Popularity • 53% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 53% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 90% Positiveness
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Olivia Douglas
Past the Point of Rescue
186 bpm • A# min • 03:49 • -7.73db
25% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Mick Flavin
Papa's Wagon
186 bpm • F Maj • 03:19 • -8.27db
16% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Derek Ryan
Pick A Bale Of Cotton
186 bpm • C# min • 02:47 • -4.3db
38% Popularity • 67% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 67% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Paul Kelly
Lean On Me
186 bpm • G Maj • 03:50 • -6.07db
20% Popularity • 51% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 51% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Gerry Guthrie
Go Back Home Again
186 bpm • D Maj • 03:03 • -6.21db
27% Popularity • 50% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 50% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Robert Mizzell
Next To You, Next To Me
186 bpm • G Maj • 03:16 • -6.06db
27% Popularity • 53% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 53% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Olivia Douglas
The Girl for You
186 bpm • E Maj • 03:14 • -3.66db
35% Popularity • 58% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 58% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Shane Owens
Long Legged Woman
176 bpm • D# Maj • 03:10 • -4.54db
22% Popularity • 60% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 60% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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The Rattlin'Rogues
Hard Times
186 bpm • E Maj • 03:11 • -6.97db
35% Popularity • 41% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 41% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Ruaile Buaile
Johnny Come Lately
176 bpm • E Maj • 03:18 • -9.54db
18% Popularity • 70% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 70% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Michael English
That Song Is Driving Me Crazy
176 bpm • C Maj • 03:10 • -4.66db
2% Popularity • 53% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
2% Popularity • 53% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Farmer Dan
The Transit Van
176 bpm • C Maj • 04:02 • -14.03db
24% Popularity • 70% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 70% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Mick Flavin
Someday You'll Love Me
187 bpm • G Maj • 03:17 • -8.07db
38% Popularity • 43% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 43% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Justin Mcgurk
Girl Like You, Boy Like Me
175 bpm • G Maj • 03:28 • -7.68db
26% Popularity • 47% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 47% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Barry Kirwan
Sweet, Sweet Smile
187 bpm • C Maj • 02:43 • -6.9db
21% Popularity • 53% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 53% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Robert Mizzell
Louisiana Saturday Night
175 bpm • D Maj • 02:47 • -4.97db
33% Popularity • 54% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 54% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 91% Positiveness
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The Outlaws
The Best Part of the Day Is the Night
187 bpm • G Maj • 02:52 • -6.36db
33% Popularity • 55% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 55% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Michael English
Dance All Night
175 bpm • A# Maj • 03:15 • -5db
29% Popularity • 64% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 64% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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The Ennis Brothers
Goodbye Dawn
175 bpm • C# Maj • 03:10 • -2.92db
35% Popularity • 54% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 54% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Kevin Prendergast
My Old Home In Mayo
187 bpm • B Maj • 02:25 • -11.09db
24% Popularity • 52% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 52% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Roly Daniels
Mr. Jones
175 bpm • B Maj • 04:42 • -3.85db
28% Popularity • 40% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 40% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Damian Davis
I Will Love You Till This Ring Turns Gre...
175 bpm • G Maj • 02:40 • -9.85db
35% Popularity • 56% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 56% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Mick Flavin
Take Me Back Home to Mayo
188 bpm • F Maj • 02:40 • -8.16db
26% Popularity • 52% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
26% Popularity • 52% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Michael English
Angelina
188 bpm • G# Maj • 03:20 • -5.05db
15% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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John McNicholl
Just to See You Smile
188 bpm • G Maj • 03:35 • -7.3db
11% Popularity • 48% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 48% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Barry Kirwan
Shot of Glory
188 bpm • A# Maj • 03:38 • -6.97db
35% Popularity • 54% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 54% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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David James
Woke up in Love
188 bpm • A Maj • 03:24 • -5.03db
24% Popularity • 54% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 54% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Jimmy Buckley
Tear Stained Letter
188 bpm • D Maj • 03:15 • -3.98db
28% Popularity • 46% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 46% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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The Saw Doctors
Joyce Country Céilà Band
174 bpm • A Maj • 03:47 • -3.7db
45% Popularity • 53% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 53% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Michael English
Songs I Remember
188 bpm • G Maj • 03:38 • -4.52db
14% Popularity • 44% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 44% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Hugo Duncan
Try A Little Kindness
174 bpm • D# Maj • 02:26 • -13.58db
19% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Patrick Feeney
Pamela Brown
188 bpm • A Maj • 02:55 • -5.1db
26% Popularity • 54% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 54% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Ciarán Rosney
Stand Tall and Be Proud
174 bpm • D Maj • 03:38 • -5.73db
29% Popularity • 58% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 58% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Mick Flavin
Sam's Place
188 bpm • A Maj • 02:17 • -6.8db
31% Popularity • 49% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 49% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Slim Attraction
Gypsy, Jo And Me
174 bpm • A Maj • 03:02 • -5.02db
16% Popularity • 66% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 66% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 74% Positiveness
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Michael English
Give A Lonely Heart A Home
188 bpm • C# Maj • 02:46 • -5.51db
14% Popularity • 51% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 51% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Aishling Rafferty
Truck Driving Woman
188 bpm • A Maj • 02:35 • -5.16db
31% Popularity • 46% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 46% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Jimmy Buckley
The Weekend
189 bpm • D Maj • 03:43 • -6.07db
19% Popularity • 49% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 49% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Ciarán Rosney
Try a Little Kindness
174 bpm • D Maj • 03:17 • -3.83db
35% Popularity • 44% Danceability • 90% Energy • 75% Liveness
1% Instrumentalness • 58% Positiveness
35% Popularity • 44% Danceability • 90% Energy • 75% Liveness
1% Instrumentalness • 58% Positiveness
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Claudia Buckley
This Is The Life
189 bpm • F# Maj • 03:38 • -5.46db
34% Popularity • 49% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 49% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Gerry Guthrie
Did She Mention My Name
189 bpm • A# Maj • 02:52 • -4db
29% Popularity • 51% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 51% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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John McNicholl
John's Jiving Medley
189 bpm • C min • 04:00 • -5.43db
16% Popularity • 50% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 50% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Michael English
Tall Order Baby
189 bpm • D Maj • 03:12 • -5.86db
4% Popularity • 49% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
4% Popularity • 49% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Olivia Douglas
First Impressions
189 bpm • F Maj • 02:46 • -2db
31% Popularity • 48% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 48% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Clodagh Lawlor
Country Roads
189 bpm • D# Maj • 03:14 • -6db
26% Popularity • 30% Danceability • 53% Energy • 44% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 30% Danceability • 53% Energy • 44% Liveness
0% Instrumentalness • 35% Positiveness
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T.R. Dallas
This Story I Tell You Is True
173 bpm • C# Maj • 04:05 • -6.12db
25% Popularity • 46% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 46% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Caitlin
Galway Shawl
173 bpm • D Maj • 04:17 • -7.55db
15% Popularity • 28% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 28% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Farmer Dan
The Gambler Blanket on the Ground Countr...
190 bpm • B Maj • 03:48 • -11.21db
20% Popularity • 67% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 67% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Michael English
Classic Country Medley
189 bpm • A# Maj • 04:36 • -5.12db
16% Popularity • 29% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 29% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
