Songs like Tuba Concerto by Rob Goorhuis
Based on a tempo of (+/- 10%) and a similar genre
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Igor Stravinsky
Suite No.1, K. 045: IV. Balalaïka. Crot...
127 bpm • F Maj • 01:11 • -23.57db
8% Popularity • 63% Danceability • 11% Energy • 29% Liveness
96% Instrumentalness • 78% Positiveness
8% Popularity • 63% Danceability • 11% Energy • 29% Liveness
96% Instrumentalness • 78% Positiveness
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Joseph Bartz
Six Studies in English Folk Song: No. 6,...
127 bpm • E min • 00:50 • -28.72db
13% Popularity • 55% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 72% Positiveness
13% Popularity • 55% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 72% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
127 bpm • D# Maj • 01:05 • -14.02db
16% Popularity • 26% Danceability • 36% Energy • 17% Liveness
97% Instrumentalness • 38% Positiveness
16% Popularity • 26% Danceability • 36% Energy • 17% Liveness
97% Instrumentalness • 38% Positiveness
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John Philip Sousa
Manhattan beach
126 bpm • A# Maj • 02:12 • -17.2db
0% Popularity • 54% Danceability • 26% Energy • 14% Liveness
88% Instrumentalness • 73% Positiveness
0% Popularity • 54% Danceability • 26% Energy • 14% Liveness
88% Instrumentalness • 73% Positiveness
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Georges Bizet
Carmen Suite No. 2: 5. Danse bohème I
126 bpm • A# Maj • 01:08 • -25db
22% Popularity • 51% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 45% Positiveness
22% Popularity • 51% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 45% Positiveness
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William Stromberg & John Morgan
Russia Gets the Bomb
126 bpm • C Maj • 01:05 • -13.76db
12% Popularity • 34% Danceability • 43% Energy • 30% Liveness
58% Instrumentalness • 50% Positiveness
12% Popularity • 34% Danceability • 43% Energy • 30% Liveness
58% Instrumentalness • 50% Positiveness
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Rob Goorhuis
Tuba Concerto
128 bpm • G# Maj • 15:19 • -24.93db
0% Popularity • 38% Danceability • 5% Energy • 5% Liveness
92% Instrumentalness • 11% Positiveness
0% Popularity • 38% Danceability • 5% Energy • 5% Liveness
92% Instrumentalness • 11% Positiveness
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Lili Boulanger
Deux Morceaux (arr. for brass ensemble b...
126 bpm • G Maj • 01:26 • -18.56db
19% Popularity • 61% Danceability • 32% Energy • 22% Liveness
89% Instrumentalness • 81% Positiveness
19% Popularity • 61% Danceability • 32% Energy • 22% Liveness
89% Instrumentalness • 81% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
127 bpm • D# Maj • 01:00 • -14.56db
17% Popularity • 32% Danceability • 32% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
17% Popularity • 32% Danceability • 32% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
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Johannes Brahms
Six Canonic Studies, Op. 56: No. 1, Con ...
126 bpm • C Maj • 03:04 • -32.3db
17% Popularity • 17% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
17% Popularity • 17% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
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Christian Lindberg
Tromsö 2018 II
128 bpm • E Maj • 00:58 • -10db
16% Popularity • 68% Danceability • 42% Energy • 10% Liveness
89% Instrumentalness • 84% Positiveness
16% Popularity • 68% Danceability • 42% Energy • 10% Liveness
89% Instrumentalness • 84% Positiveness
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Igor Stravinsky
Petrushka, K012 (1947 Version), Pt. 1, "...
126 bpm • D min • 07:51 • -21.11db
8% Popularity • 39% Danceability • 13% Energy • 64% Liveness
29% Instrumentalness • 7% Positiveness
8% Popularity • 39% Danceability • 13% Energy • 64% Liveness
29% Instrumentalness • 7% Positiveness
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Die Hornisten der Berliner Philharmoniker
Carmen Suite: I. Entr´acte
126 bpm • D# min • 01:53 • -23.05db
11% Popularity • 39% Danceability • 3% Energy • 12% Liveness
98% Instrumentalness • 63% Positiveness
11% Popularity • 39% Danceability • 3% Energy • 12% Liveness
98% Instrumentalness • 63% Positiveness
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Rob Goorhuis
Maori Songs
128 bpm • A# Maj • 07:14 • -23.48db
0% Popularity • 36% Danceability • 13% Energy • 67% Liveness
91% Instrumentalness • 20% Positiveness
0% Popularity • 36% Danceability • 13% Energy • 67% Liveness
91% Instrumentalness • 20% Positiveness
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Chris Hazell
3 More Cats: No. 1. Flora
126 bpm • A# Maj • 03:16 • -17.03db
7% Popularity • 45% Danceability • 17% Energy • 6% Liveness
92% Instrumentalness • 16% Positiveness
7% Popularity • 45% Danceability • 17% Energy • 6% Liveness
92% Instrumentalness • 16% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64: No. 8 Interlud...
126 bpm • C min • 02:01 • -14.23db
7% Popularity • 42% Danceability • 26% Energy • 13% Liveness
71% Instrumentalness • 10% Positiveness
7% Popularity • 42% Danceability • 26% Energy • 13% Liveness
71% Instrumentalness • 10% Positiveness
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Christian Lindberg
Alcázar II
126 bpm • A min • 01:09 • -17.7db
17% Popularity • 64% Danceability • 34% Energy • 31% Liveness
96% Instrumentalness • 90% Positiveness
17% Popularity • 64% Danceability • 34% Energy • 31% Liveness
96% Instrumentalness • 90% Positiveness
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Jean-Valentin Bender
March of the 1st Guides Regiment
126 bpm • D# Maj • 03:38 • -10db
9% Popularity • 44% Danceability • 67% Energy • 68% Liveness
88% Instrumentalness • 52% Positiveness
9% Popularity • 44% Danceability • 67% Energy • 68% Liveness
88% Instrumentalness • 52% Positiveness
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Sanseti Sabaru
Samsara
128 bpm • C min • 02:12 • -32.51db
9% Popularity • 18% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 11% Liveness
69% Instrumentalness • 9% Positiveness
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German Brass
Espana cani
126 bpm • F Maj • 01:54 • -18.87db
11% Popularity • 63% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
11% Popularity • 63% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
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Paul Lovatt-Cooper
Wall of Sound
125 bpm • C Maj • 08:14 • -19.72db
9% Popularity • 53% Danceability • 35% Energy • 39% Liveness
93% Instrumentalness • 37% Positiveness
9% Popularity • 53% Danceability • 35% Energy • 39% Liveness
93% Instrumentalness • 37% Positiveness
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Rob Goorhuis
La Terre
129 bpm • F min • 14:04 • -22.32db
0% Popularity • 25% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 25% Danceability • 9% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Canada's National Arts Centre Orchestra
Symphony No.9 in E-Flat Major, Op.70: I:...
125 bpm • D# Maj • 05:37 • -21.29db
11% Popularity • 46% Danceability • 24% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
11% Popularity • 46% Danceability • 24% Energy • 8% Liveness
85% Instrumentalness • 52% Positiveness
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Tetsunosuke Kushida
Asura
129 bpm • C Maj • 09:58 • -20.16db
9% Popularity • 23% Danceability • 9% Energy • 21% Liveness
70% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 9% Energy • 21% Liveness
70% Instrumentalness • 4% Positiveness
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Aaron Copland
4 Dance Episodes from Rodeo: No. 1, Buck...
125 bpm • F Maj • 07:19 • -21.19db
2% Popularity • 39% Danceability • 13% Energy • 36% Liveness
82% Instrumentalness • 22% Positiveness
2% Popularity • 39% Danceability • 13% Energy • 36% Liveness
82% Instrumentalness • 22% Positiveness
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Mieczysław Weinberg
The Passenger, Op. 97: Vorspiel
125 bpm • F# min • 02:46 • -23.06db
12% Popularity • 38% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
12% Popularity • 38% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Karl Lawrence King, arr. Andrew Glover
Semper Iuvenalis, the Gateway City March
125 bpm • A# Maj • 03:03 • -11.17db
11% Popularity • 43% Danceability • 66% Energy • 10% Liveness
69% Instrumentalness • 39% Positiveness
11% Popularity • 43% Danceability • 66% Energy • 10% Liveness
69% Instrumentalness • 39% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Papageno
124 bpm • G# Maj • 02:17 • -17.79db
13% Popularity • 53% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
13% Popularity • 53% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
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Johan de Meij
March from Jazz Suite No. 2 Dmitri Shost...
124 bpm • F Maj • 02:58 • -18.23db
22% Popularity • 52% Danceability • 29% Energy • 7% Liveness
85% Instrumentalness • 78% Positiveness
22% Popularity • 52% Danceability • 29% Energy • 7% Liveness
85% Instrumentalness • 78% Positiveness
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Gustav Holst
First Suite In E Flat. March
124 bpm • D# Maj • 03:08 • -23.74db
8% Popularity • 44% Danceability • 19% Energy • 19% Liveness
97% Instrumentalness • 48% Positiveness
8% Popularity • 44% Danceability • 19% Energy • 19% Liveness
97% Instrumentalness • 48% Positiveness
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Erich Kunzel
March
124 bpm • F Maj • 04:20 • -20.65db
1% Popularity • 46% Danceability • 34% Energy • 28% Liveness
91% Instrumentalness • 28% Positiveness
1% Popularity • 46% Danceability • 34% Energy • 28% Liveness
91% Instrumentalness • 28% Positiveness
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Friedemann Wutzler
Blessed Time
130 bpm • A# Maj • 01:50 • -16.29db
11% Popularity • 52% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
11% Popularity • 52% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Lili Boulanger
Deux Morceaux (arr. for brass ensemble b...
130 bpm • D# Maj • 02:55 • -26.77db
27% Popularity • 18% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Західноукраїнське об'єднання МСЦ ЄХБ
Встаньте работники
124 bpm • C Maj • 02:58 • -13.69db
8% Popularity • 47% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
8% Popularity • 47% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
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Ottorino Respighi
Trittico botticelliano, P. 151: I. La pr...
130 bpm • A Maj • 06:05 • -21.8db
9% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
9% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Édouard Lalo
Suite No.1 from "Namouna": No.1, Prelude...
130 bpm • G Maj • 05:26 • -14.77db
7% Popularity • 17% Danceability • 25% Energy • 36% Liveness
91% Instrumentalness • 7% Positiveness
7% Popularity • 17% Danceability • 25% Energy • 36% Liveness
91% Instrumentalness • 7% Positiveness
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Bill Conti
Music from "The Right Stuff"
130 bpm • A# Maj • 04:44 • -16.6db
4% Popularity • 23% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
4% Popularity • 23% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Rob Goorhuis
Sonata da Chiesa
124 bpm • F min • 13:24 • -20.45db
0% Popularity • 26% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
0% Popularity • 26% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 7% Positiveness
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Tobias Picker
The Encantadas (Version for Narrator & O...
123 bpm • F# Maj • 04:38 • -25.8db
23% Popularity • 29% Danceability • 2% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
23% Popularity • 29% Danceability • 2% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
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Johan de Meij
T-bone Concerto: I. Rare
123 bpm • C min • 09:40 • -21.64db
11% Popularity • 34% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
11% Popularity • 34% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Singapore Symphony Orchestra
Peach Blossom Crosses The River
130 bpm • D Maj • 02:07 • -20.27db
12% Popularity • 45% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 76% Positiveness
12% Popularity • 45% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 76% Positiveness
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Dj Gabry G.
Electric Enchantment
123 bpm • B min • 03:30 • -8.51db
16% Popularity • 66% Danceability • 82% Energy • 11% Liveness
31% Instrumentalness • 70% Positiveness
16% Popularity • 66% Danceability • 82% Energy • 11% Liveness
31% Instrumentalness • 70% Positiveness
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The Regimental Band of the Coldstream Guards
And the Band Played On
131 bpm • D# Maj • 03:42 • -12.02db
9% Popularity • 32% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 42% Positiveness
9% Popularity • 32% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 42% Positiveness
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Ralph Vaughan Williams
Vaughan Williams: Tuba Concerto in F Min...
131 bpm • G Maj • 05:10 • -25.37db
11% Popularity • 16% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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Victor Ewald
Quintet No. 3 in D-Flat Major, Op. 11: I...
123 bpm • C# Maj • 03:47 • -21.51db
7% Popularity • 37% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
7% Popularity • 37% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Johan de Meij
T-bone Concerto: III. Well Done
123 bpm • C Maj • 06:14 • -20.69db
9% Popularity • 37% Danceability • 27% Energy • 65% Liveness
96% Instrumentalness • 16% Positiveness
9% Popularity • 37% Danceability • 27% Energy • 65% Liveness
96% Instrumentalness • 16% Positiveness
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Paul Creston
Saxophone Sonata, Op. 19: I. With Vigor
123 bpm • B Maj • 04:50 • -14.52db
7% Popularity • 44% Danceability • 19% Energy • 16% Liveness
75% Instrumentalness • 22% Positiveness
7% Popularity • 44% Danceability • 19% Energy • 16% Liveness
75% Instrumentalness • 22% Positiveness
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Ernst von Dohnányi
Variations on a Nursery Song, Op. 25: Va...
131 bpm • G# Maj • 01:30 • -23.37db
7% Popularity • 43% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
7% Popularity • 43% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Dorothy Howell
The Rock
131 bpm • D min • 10:49 • -20.84db
22% Popularity • 29% Danceability • 8% Energy • 30% Liveness
85% Instrumentalness • 5% Positiveness
22% Popularity • 29% Danceability • 8% Energy • 30% Liveness
85% Instrumentalness • 5% Positiveness
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Dani Howard
Trombone Concerto: III. Illumination
131 bpm • D Maj • 04:27 • -14.36db
8% Popularity • 32% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
8% Popularity • 32% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Charles Gounod
Gounod: Petite Symphonie in B-Flat for 9...
123 bpm • A# Maj • 05:41 • -19.43db
1% Popularity • 44% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 33% Positiveness
1% Popularity • 44% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 33% Positiveness
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Antonín Dvořák
Slavonic Dances, Series I., Op. 46, B. 8...
132 bpm • C min • 03:39 • -17.55db
10% Popularity • 47% Danceability • 19% Energy • 3% Liveness
33% Instrumentalness • 54% Positiveness
10% Popularity • 47% Danceability • 19% Energy • 3% Liveness
33% Instrumentalness • 54% Positiveness
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Banda da Academia de Instrução e Recreio Familiar Almadense
Viva El Litro
122 bpm • D Maj • 06:57 • -16.86db
8% Popularity • 44% Danceability • 43% Energy • 24% Liveness
84% Instrumentalness • 26% Positiveness
8% Popularity • 44% Danceability • 43% Energy • 24% Liveness
84% Instrumentalness • 26% Positiveness
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Joseph Bartz
Impromptu for Solo Tuba: V. Allegro gioc...
123 bpm • F min • 00:59 • -30.13db
17% Popularity • 55% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
17% Popularity • 55% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
► Preview
Arnold Rosner
Concerto Grosso No. 2, Op. 74: III. Alle...
132 bpm • F Maj • 08:07 • -21.65db
8% Popularity • 21% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
122 bpm • A# Maj • 00:55 • -15.37db
15% Popularity • 48% Danceability • 27% Energy • 15% Liveness
96% Instrumentalness • 57% Positiveness
15% Popularity • 48% Danceability • 27% Energy • 15% Liveness
96% Instrumentalness • 57% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Suite from Pique Dame (Arr....
132 bpm • A Maj • 01:22 • -17.27db
11% Popularity • 60% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 52% Positiveness
11% Popularity • 60% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 52% Positiveness
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Rob Goorhuis
Highland Village Dances
122 bpm • G# Maj • 09:45 • -21.92db
0% Popularity • 31% Danceability • 21% Energy • 67% Liveness
90% Instrumentalness • 16% Positiveness
0% Popularity • 31% Danceability • 21% Energy • 67% Liveness
90% Instrumentalness • 16% Positiveness
► Preview
Joel Love
Solace (A Lyric Concerto): I. Joy
132 bpm • D# Maj • 03:08 • -14.95db
7% Popularity • 24% Danceability • 22% Energy • 24% Liveness
89% Instrumentalness • 23% Positiveness
7% Popularity • 24% Danceability • 22% Energy • 24% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
Richard Strauss
Horn Concerto No. 1 in E-Flat Major, Op....
122 bpm • D# Maj • 05:33 • -17.39db
7% Popularity • 35% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
7% Popularity • 35% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
► Preview
Jodie Blackshaw
Peace Dancer
122 bpm • F Maj • 05:56 • -25.05db
7% Popularity • 17% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Ferdinand David
Trombone Concertino in E-flat Major, Op....
122 bpm • D# Maj • 01:02 • -15.22db
16% Popularity • 32% Danceability • 21% Energy • 14% Liveness
97% Instrumentalness • 9% Positiveness
16% Popularity • 32% Danceability • 21% Energy • 14% Liveness
97% Instrumentalness • 9% Positiveness
► Preview
Gustav Holst
1st Suite in E-Flat Major, Op. 28 No. 1,...
133 bpm • F min • 03:10 • -18.29db
3% Popularity • 39% Danceability • 25% Energy • 80% Liveness
86% Instrumentalness • 46% Positiveness
3% Popularity • 39% Danceability • 25% Energy • 80% Liveness
86% Instrumentalness • 46% Positiveness
► Preview
Erik Satie
Mercure: V. Entrée et danse de Mercure
121 bpm • C Maj • 01:07 • -20.41db
7% Popularity • 50% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 69% Positiveness
7% Popularity • 50% Danceability • 11% Energy • 16% Liveness
89% Instrumentalness • 69% Positiveness
► Preview
Per Egland
Un Diablo Dormido: I Hells Bells
122 bpm • G min • 02:52 • -17.05db
0% Popularity • 23% Danceability • 31% Energy • 24% Liveness
82% Instrumentalness • 3% Positiveness
0% Popularity • 23% Danceability • 31% Energy • 24% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
John Williams
Main Themes From "Hook"
121 bpm • G# Maj • 04:11 • -17.65db
10% Popularity • 38% Danceability • 31% Energy • 6% Liveness
74% Instrumentalness • 46% Positiveness
10% Popularity • 38% Danceability • 31% Energy • 6% Liveness
74% Instrumentalness • 46% Positiveness
► Preview
W. Rimmer
Ravenswood
121 bpm • C# Maj • 04:19 • -13.37db
9% Popularity • 64% Danceability • 43% Energy • 4% Liveness
92% Instrumentalness • 72% Positiveness
9% Popularity • 64% Danceability • 43% Energy • 4% Liveness
92% Instrumentalness • 72% Positiveness
► Preview
Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: II...
133 bpm • D# Maj • 07:00 • -26.09db
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
► Preview
Tom Davoren
Rondo Olympia
133 bpm • C Maj • 01:26 • -24.1db
16% Popularity • 61% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 84% Positiveness
16% Popularity • 61% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 84% Positiveness
► Preview
Satoshi Yagisawa
March-Chagu-Chagu
121 bpm • D min • 03:05 • -14.5db
10% Popularity • 53% Danceability • 36% Energy • 21% Liveness
93% Instrumentalness • 83% Positiveness
10% Popularity • 53% Danceability • 36% Energy • 21% Liveness
93% Instrumentalness • 83% Positiveness
► Preview
Dj Gabry G.
Electric Empowement
121 bpm • A Maj • 03:31 • -9.19db
7% Popularity • 58% Danceability • 85% Energy • 75% Liveness
90% Instrumentalness • 33% Positiveness
7% Popularity • 58% Danceability • 85% Energy • 75% Liveness
90% Instrumentalness • 33% Positiveness
► Preview
Otto M. Schwarz
Fascination Fanfare - Symphonic Version
120 bpm • A# Maj • 03:23 • -9.96db
15% Popularity • 32% Danceability • 49% Energy • 15% Liveness
89% Instrumentalness • 39% Positiveness
15% Popularity • 32% Danceability • 49% Energy • 15% Liveness
89% Instrumentalness • 39% Positiveness
► Preview
Malcolm Arnold
Fantasy for Brass Band, Op. 114
121 bpm • A min • 09:24 • -20.81db
7% Popularity • 35% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 35% Danceability • 25% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Petite Symphonie For Wind Instruments: I...
120 bpm • A# Maj • 04:00 • -20.44db
10% Popularity • 55% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 54% Positiveness
10% Popularity • 55% Danceability • 13% Energy • 14% Liveness
94% Instrumentalness • 54% Positiveness
► Preview
Zhou Tian
Sinfonia: II. Transit
134 bpm • A# Maj • 04:13 • -17.32db
10% Popularity • 52% Danceability • 34% Energy • 13% Liveness
79% Instrumentalness • 26% Positiveness
10% Popularity • 52% Danceability • 34% Energy • 13% Liveness
79% Instrumentalness • 26% Positiveness
► Preview
Percy Grainger
Marching Song of Democracy
120 bpm • C# Maj • 07:04 • -20.04db
8% Popularity • 25% Danceability • 13% Energy • 64% Liveness
90% Instrumentalness • 6% Positiveness
8% Popularity • 25% Danceability • 13% Energy • 64% Liveness
90% Instrumentalness • 6% Positiveness
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Dj Gabry G.
Binary Ballad
134 bpm • E min • 03:37 • -7.81db
15% Popularity • 57% Danceability • 86% Energy • 11% Liveness
70% Instrumentalness • 44% Positiveness
15% Popularity • 57% Danceability • 86% Energy • 11% Liveness
70% Instrumentalness • 44% Positiveness
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Kevin Day
Concerto for Wind Ensemble: IV. Soul
134 bpm • A# Maj • 05:24 • -16.38db
12% Popularity • 27% Danceability • 12% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
12% Popularity • 27% Danceability • 12% Energy • 11% Liveness
72% Instrumentalness • 12% Positiveness
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J.W. Mitchell High School Wind Ensemble
Oh Henry!
135 bpm • D# Maj • 03:21 • -19.72db
7% Popularity • 39% Danceability • 26% Energy • 70% Liveness
87% Instrumentalness • 81% Positiveness
7% Popularity • 39% Danceability • 26% Energy • 70% Liveness
87% Instrumentalness • 81% Positiveness
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Bournemouth Symphony Orchestra
Concert Suite from the opera 'The Golden...
135 bpm • C Maj • 06:02 • -15.52db
0% Popularity • 29% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 34% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Benedetto Marcello
Cello Sonata in F Major, Op. 1, No. 1 (a...
135 bpm • D Maj • 00:56 • -36.61db
19% Popularity • 17% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 46% Positiveness
19% Popularity • 17% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 46% Positiveness
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Astor Piazzolla
Allegro Tangabile III
135 bpm • E min • 01:00 • -12.18db
16% Popularity • 45% Danceability • 44% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
16% Popularity • 45% Danceability • 44% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
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Dj Gabry G.
Digital Dreamland
120 bpm • E min • 03:59 • -19.03db
15% Popularity • 65% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
15% Popularity • 65% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Matthew Slater
Variation 3: I. Andante Lunara
119 bpm • G Maj • 03:45 • -13.06db
10% Popularity • 20% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 23% Positiveness
10% Popularity • 20% Danceability • 42% Energy • 7% Liveness
93% Instrumentalness • 23% Positiveness
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Laura Estes
Kvetchers
135 bpm • A# Maj • 02:16 • -14.94db
8% Popularity • 61% Danceability • 43% Energy • 6% Liveness
90% Instrumentalness • 56% Positiveness
8% Popularity • 61% Danceability • 43% Energy • 6% Liveness
90% Instrumentalness • 56% Positiveness
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Peter Deunov
Weaving
135 bpm • D min • 01:58 • -20.12db
12% Popularity • 34% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
12% Popularity • 34% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
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Rob Goorhuis
Passion et Tendresse - Live
136 bpm • G min • 10:48 • -21.89db
0% Popularity • 24% Danceability • 10% Energy • 68% Liveness
94% Instrumentalness • 15% Positiveness
0% Popularity • 24% Danceability • 10% Energy • 68% Liveness
94% Instrumentalness • 15% Positiveness
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Koninklijke Biltse Harmonie
Suite from 'Hymn of the Highlands': II. ...
136 bpm • A# Maj • 04:40 • -22db
17% Popularity • 21% Danceability • 9% Energy • 9% Liveness
65% Instrumentalness • 28% Positiveness
17% Popularity • 21% Danceability • 9% Energy • 9% Liveness
65% Instrumentalness • 28% Positiveness
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Marcel Barsotti
Redemption Blues
119 bpm • G min • 04:43 • -22db
10% Popularity • 18% Danceability • 10% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 10% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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Gene Pokorny
Six Studies in English Folksong
136 bpm • E min • 00:56 • -29.96db
11% Popularity • 55% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 35% Positiveness
11% Popularity • 55% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 35% Positiveness
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Mieczysław Weinberg
Trumpet Concerto in B-Flat Major, Op. 94...
136 bpm • F# Maj • 01:17 • -26.13db
21% Popularity • 18% Danceability • 4% Energy • 18% Liveness
77% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 4% Energy • 18% Liveness
77% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Suite No.2, K. 038: IV. Galop. Crotchet ...
118 bpm • C Maj • 02:26 • -16db
8% Popularity • 60% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 60% Positiveness
8% Popularity • 60% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 60% Positiveness
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Rob Goorhuis
Imptomptu
136 bpm • B min • 05:51 • -22.99db
0% Popularity • 22% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
0% Popularity • 22% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Dick Walter
Mini Sleeping Beauty
136 bpm • D# Maj • 01:02 • -24.05db
15% Popularity • 19% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
15% Popularity • 19% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Giacomo Puccini
La Tregenda
136 bpm • C min • 03:10 • -18.26db
7% Popularity • 41% Danceability • 56% Energy • 78% Liveness
85% Instrumentalness • 29% Positiveness
7% Popularity • 41% Danceability • 56% Energy • 78% Liveness
85% Instrumentalness • 29% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
136 bpm • A Maj • 01:57 • -32.98db
14% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Una Voce Poco Fa
137 bpm • D# Maj • 05:44 • -24.54db
28% Popularity • 42% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
28% Popularity • 42% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Bruce Broughton
Oliver's Birthday
137 bpm • A# Maj • 03:46 • -19.44db
7% Popularity • 49% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 66% Positiveness
7% Popularity • 49% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 66% Positiveness
