Songs like Tuesdays by Jake Scott
Based on a tempo of (+/- 10%) and a similar genre
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Jake Scott
Tuesdays
164 bpm • E Maj • 03:36 • -10.74db
51% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Sean McConnell
Beautiful Rose
164 bpm • B Maj • 03:46 • -11.24db
28% Popularity • 51% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 51% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Why Don't We
What Am I
164 bpm • C min • 03:04 • -4.68db
59% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
59% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Elise Azkoul
Sweet Soul
165 bpm • D Maj • 03:39 • -4.94db
30% Popularity • 50% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 50% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Brett Young
Chapters - The Acoustic Sessions
162 bpm • B Maj • 03:58 • -5.82db
37% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Spencer Crandall
My Person
166 bpm • G Maj • 02:57 • -5.29db
58% Popularity • 57% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 57% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Rhys Lewis
No Right To Love You - Acoustic
166 bpm • C# Maj • 03:49 • -10.59db
57% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 47% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Havelin
The Further I Go
166 bpm • C Maj • 03:19 • -6.47db
22% Popularity • 52% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 52% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Thomas Rhett
Die A Happy Man
166 bpm • D Maj • 03:47 • -9.25db
75% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
75% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jake Scott
Whole Lives
162 bpm • A Maj • 03:27 • -6.38db
43% Popularity • 60% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 60% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Maisie Peters
Maybe Don't
167 bpm • G Maj • 02:54 • -5.23db
51% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Donovan Woods
I Ain't Ever Loved No One - Acoustic
160 bpm • A# min • 03:19 • -14.92db
47% Popularity • 32% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
47% Popularity • 32% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tenille Townes
Where You Are - Acoustic
161 bpm • D Maj • 04:03 • -14.77db
49% Popularity • 39% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 39% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jonny Diaz
Thank God I Got Her
160 bpm • B Maj • 03:15 • -6db
41% Popularity • 54% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 54% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Blake Rose
Lady
168 bpm • G# Maj • 04:02 • -4db
44% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Jake Scott
Tuesdays - Live
161 bpm • F Maj • 03:43 • -7.95db
9% Popularity • 36% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 36% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Abby Anderson
Make Him Wait
159 bpm • D# Maj • 03:23 • -8.18db
45% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Abe Parker
Butterflies
160 bpm • D# Maj • 03:03 • -7.04db
56% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Tyler Rich
The Difference
170 bpm • A Maj • 03:06 • -5db
53% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Bailey Bryan
Songbird
170 bpm • C# Maj • 03:50 • -9db
21% Popularity • 37% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 37% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 35% Positiveness
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Harper Grae
True Love
170 bpm • C Maj • 03:23 • -11.43db
22% Popularity • 44% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 44% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jake Scott
Silhouettes & Sand
160 bpm • D# Maj • 03:41 • -11.25db
26% Popularity • 38% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 38% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Noah Schnacky
Maybe We Will
170 bpm • E Maj • 03:09 • -8.02db
45% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Joseph O'Brien
The Average
170 bpm • F Maj • 03:26 • -8db
39% Popularity • 50% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 50% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Brett Young
Lady
170 bpm • G Maj • 03:14 • -7.98db
63% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
63% Popularity • 40% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Maren Morris
Better Than We Found It
170 bpm • A# Maj • 03:17 • -5db
40% Popularity • 38% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 38% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Seaforth
Taken Your Picture
158 bpm • E Maj • 03:32 • -7.5db
29% Popularity • 51% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 51% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jake Scott
Out of My Hands
172 bpm • G min • 03:49 • -7.93db
30% Popularity • 54% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 54% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Forest Blakk
I Choose You
158 bpm • C Maj • 03:00 • -6.56db
56% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
56% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jimmie Allen
Best Shot (Acoustic)
156 bpm • E Maj • 03:13 • -9.21db
39% Popularity • 67% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 67% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Jake Wesley Rogers
Evergreen
172 bpm • D Maj • 04:05 • -5.65db
34% Popularity • 38% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 38% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
59% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Jordan Davis
Cool Anymore
156 bpm • G Maj • 03:20 • -5.45db
49% Popularity • 52% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 52% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Ingrid Andress
Feeling Things
156 bpm • C# Maj • 03:10 • -10db
33% Popularity • 38% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 38% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Logan Smith
One Day
155 bpm • G# min • 02:56 • -8db
22% Popularity • 55% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 55% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
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Jimmie Allen
Best Shot
156 bpm • E Maj • 03:15 • -8.72db
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 63% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Forest Blakk
If You Love Her - Meghan Trainor
156 bpm • C# Maj • 03:35 • -7.16db
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 34% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Brett Young
Catch - The Acoustic Sessions
156 bpm • C# Maj • 03:07 • -5.7db
40% Popularity • 55% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 55% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Phillip Phillips
Love Like That
155 bpm • A# Maj • 03:14 • -3.58db
57% Popularity • 58% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 58% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Dakota Striplin
See You in Austin
155 bpm • G# Maj • 03:21 • -8.38db
25% Popularity • 34% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 34% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Wilder Woods
heavenly light (work tape)
174 bpm • E Maj • 03:11 • -6db
45% Popularity • 49% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 49% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Tyler Rich
Leave Her Wild
174 bpm • C Maj • 03:19 • -5.1db
56% Popularity • 40% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
56% Popularity • 40% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Green River Ordinance
Endlessly
154 bpm • D Maj • 03:57 • -6.58db
28% Popularity • 51% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 51% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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James TW
Please Keep Loving Me - Acoustic
175 bpm • F Maj • 03:17 • -11.19db
48% Popularity • 50% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 50% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Jordan James
U Matter
154 bpm • G# Maj • 04:08 • -9.03db
33% Popularity • 62% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 62% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Thomas Rhett
Blessed
175 bpm • G Maj • 03:34 • -6.03db
53% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Forest Blakk
If You Love Her - Acoustic
154 bpm • C# Maj • 03:41 • -11db
46% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 52% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Ashley Cooke
Never Til Now
154 bpm • A# Maj • 02:53 • -7db
49% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
49% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Ruelle
I Get to Love You
153 bpm • D Maj • 03:59 • -6.23db
63% Popularity • 34% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
63% Popularity • 34% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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James TW
Please Keep Loving Me
176 bpm • F Maj • 03:15 • -8.49db
63% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
63% Popularity • 54% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Thunderstorm Artis
Sedona - The Voice Performance
152 bpm • F# Maj • 03:25 • -9.82db
35% Popularity • 52% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 52% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Jeffrey East
Brightest Stars (Coffeehouse Mix)
152 bpm • A Maj • 03:19 • -7.59db
26% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
26% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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John K
ilym
178 bpm • C# min • 03:53 • -7.44db
40% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
40% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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LANY
nobody else
152 bpm • C Maj • 03:17 • -14.51db
60% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Josh Kerr
Arizona
151 bpm • A# Maj • 03:31 • -9.42db
36% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 53% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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ILLENIUM
Good Things Fall Apart - Stripped
150 bpm • D Maj • 03:28 • -7.05db
40% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Brett Young
Don’t Wanna Write This Song
150 bpm • D Maj • 03:48 • -8db
47% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Noah Schnacky
Meet The Man
150 bpm • A Maj • 03:50 • -5.91db
28% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 60% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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John K
ilym
179 bpm • C# min • 03:56 • -8.14db
50% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
50% Popularity • 26% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Adam Doleac
Another - Wedding Version
150 bpm • G Maj • 02:51 • -6.74db
38% Popularity • 52% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 52% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Justin Bieber
Lifetime
180 bpm • D Maj • 03:27 • -7.08db
59% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 48% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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John Marc
Give & Take
150 bpm • C# Maj • 04:31 • -12.32db
28% Popularity • 39% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 39% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Brett Eldredge
The One You Need
150 bpm • C Maj • 04:05 • -12db
41% Popularity • 41% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
41% Popularity • 41% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Sam Hunt
2016
150 bpm • F# Maj • 03:55 • -8.17db
52% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Rector
30,000 Feet
180 bpm • C Maj • 04:16 • -9.64db
50% Popularity • 56% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 56% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Brennen Henson
Hold Me
180 bpm • D Maj • 04:12 • -9db
32% Popularity • 51% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 51% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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We Three
hold me, baby
180 bpm • G# Maj • 03:19 • -5.21db
42% Popularity • 61% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 61% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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James TW
Incredible
181 bpm • C Maj • 04:06 • -6.21db
57% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Brett Young
In Case You Didn't Know
148 bpm • A# Maj • 03:44 • -7.31db
75% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
75% Popularity • 61% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Ryan Hurd
Diamonds or Twine
148 bpm • D Maj • 03:31 • -8.8db
46% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Wild Rivers
Long Time
148 bpm • A# Maj • 03:16 • -11db
52% Popularity • 55% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 55% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Ryan Griffin
Woulda Left Me Too
148 bpm • E Maj • 03:43 • -9db
35% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Chord Overstreet
Love You To Death
148 bpm • E Maj • 03:19 • -9db
43% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 57% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Elina
Paper Planes
148 bpm • C# Maj • 03:19 • -12.48db
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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James TW
Soldier
148 bpm • F# Maj • 03:44 • -6.16db
51% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Filmore
Love That About You
182 bpm • A Maj • 02:37 • -6.59db
42% Popularity • 55% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 55% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Stevenson Everett
Things You Hate, Things I Love (Acoustic...
148 bpm • E Maj • 03:26 • -8.74db
31% Popularity • 61% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 61% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Niall Horan
Black And White
148 bpm • D Maj • 03:13 • -6.02db
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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The Band CAMINO
Crying Over You
147 bpm • B Maj • 02:58 • -8.25db
52% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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The Collection
Beautiful Life
146 bpm • D Maj • 04:15 • -7.16db
45% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Dylan Hartigan
Danny’s Song - The Voice Performance
146 bpm • A Maj • 03:30 • -6db
23% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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OBB
7 Billion
146 bpm • C# min • 03:00 • -4.64db
27% Popularity • 64% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 64% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Harry Hudson
Yellow Lights
146 bpm • D# Maj • 02:51 • -10.81db
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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The Devil Music Co.
Sailboat Bed
146 bpm • B Maj • 04:00 • -8.19db
34% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 69% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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John K
6 months
146 bpm • D# Maj • 03:37 • -6db
52% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 66% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Eric Ethridge
If You Met Me First
146 bpm • A Maj • 03:13 • -5.97db
50% Popularity • 31% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 31% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Wilder Woods
Mary, You're Wrong
146 bpm • C# Maj • 03:36 • -7.94db
41% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Avery Anna
Just Cause I Love You
184 bpm • E Maj • 03:19 • -6.54db
47% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 39% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Jimmie Allen
This Is Us
145 bpm • A Maj • 03:25 • -4.62db
46% Popularity • 56% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 56% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Dylan Brady
When I Look at You
145 bpm • C# Maj • 03:55 • -8.05db
36% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Brett Young
Change Your Name
145 bpm • D Maj • 03:33 • -7.98db
53% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Mitchell Tenpenny
Anything She Says
186 bpm • G Maj • 02:49 • -5.66db
55% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Wild Rivers
Call It a Night
144 bpm • A Maj • 04:07 • -7.4db
45% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
