Songs like Tuja Dhanda Nay Go Bara by Shankar Patil
Based on a tempo of (+/- 10%) and a similar genre
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Avadhoot Gandhi
Hechi Yel Deva Naka
120 bpm • A Maj • 04:28 • -6.2db
40% Popularity • 60% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 60% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Jagdish Gorse
Kasa Wajtay Gubu Gubu
118 bpm • A# min • 05:40 • -4.14db
19% Popularity • 78% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 78% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Shankar Patil
Tuja Dhanda Nay Go Bara
119 bpm • D# min • 06:36 • -9.89db
0% Popularity • 57% Danceability • 64% Energy • 48% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 57% Danceability • 64% Energy • 48% Liveness
0% Instrumentalness • 96% Positiveness
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Lalitya Munshaw
Tu Mane Bhagwan
120 bpm • D# min • 08:06 • -6.06db
2% Popularity • 49% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
2% Popularity • 49% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Rahul Deshpande
Kaivalya Gaan
120 bpm • A# Maj • 05:50 • -3.89db
30% Popularity • 39% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 39% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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Anand Shinde
Yalkot Yalkot Jai Malhar
118 bpm • C Maj • 04:07 • -12.24db
25% Popularity • 72% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 72% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Jignesh Dada
Meva Male Ke Na Male - Original
120 bpm • G# Maj • 07:45 • -7.06db
25% Popularity • 74% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 74% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Zubeen Garg
Swargodew Sukafa
120 bpm • C Maj • 04:30 • -10.16db
24% Popularity • 75% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 75% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Swapnil Bandodkar
Sang Na Re Mana
120 bpm • C# Maj • 04:42 • -7.08db
34% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Prasanjeet Kosambi
Tujhya Roopacha Chandana
120 bpm • G min • 04:30 • -10.21db
10% Popularity • 60% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 60% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Vaishali Samant
Rupaan Dekhani
120 bpm • G Maj • 05:03 • -4.04db
26% Popularity • 87% Danceability • 83% Energy • 64% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 87% Danceability • 83% Energy • 64% Liveness
0% Instrumentalness • 74% Positiveness
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Vicky Mehta
Izhaar
120 bpm • F min • 04:59 • -7.72db
16% Popularity • 69% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 69% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Avadhoot Gandhi
Aala Re Aala Re Bappa
120 bpm • E min • 04:04 • -4.58db
8% Popularity • 65% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 65% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Shankar Patil
Aagashi Sheg Dananile
120 bpm • F Maj • 03:55 • -10.79db
0% Popularity • 61% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 61% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Jignesh Dada
Birajo Bajoth Dhali - Original
117 bpm • G# Maj • 07:38 • -9.19db
22% Popularity • 76% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 76% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Milind Ingle
Zaada Khali Baslele
117 bpm • E Maj • 04:45 • -13.5db
8% Popularity • 73% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 73% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Sonu Nigam
Ashutosh Shashamk Shekhar
117 bpm • F Maj • 05:52 • -8db
46% Popularity • 76% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
46% Popularity • 76% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Lagna Geet Chorus
Dhol Dhamkya Ne
117 bpm • D# Maj • 03:42 • -3.4db
20% Popularity • 64% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 64% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Arvind Barot
Aa Mitha Wagarna Anvar
117 bpm • C# Maj • 06:14 • -11db
20% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 57% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Mahendra Kapoor
Roop Tujh Lai Chhan Ga
117 bpm • G min • 04:20 • -6.31db
28% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Avni
Muje Tune Data
121 bpm • D min • 05:35 • -7.96db
20% Popularity • 54% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
20% Popularity • 54% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
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Sanjay Chouhan
Dolida Dhol Dhimo Dhimo
121 bpm • F# Maj • 09:37 • -8.48db
13% Popularity • 53% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 53% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Mukesh Bagda
Chand Chadyo Gignar
116 bpm • D# Maj • 08:08 • -9.47db
24% Popularity • 74% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 74% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Lagna Geet Chorus
Nanavati Re Sajan
117 bpm • G# min • 04:23 • -4.73db
19% Popularity • 76% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 76% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Geeta Rabari
Jode Rejo Raj
121 bpm • F min • 02:02 • -7.08db
30% Popularity • 31% Danceability • 89% Energy • 63% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 31% Danceability • 89% Energy • 63% Liveness
0% Instrumentalness • 81% Positiveness
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Jagjit Singh
Baat Nihare Ghanshyam - Lofi
116 bpm • D# Maj • 05:58 • -15.89db
3% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 51% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Aadarsh Buddy
Raam Ko Dekh Kar Shri Janak Nandni
122 bpm • E min • 07:06 • -6db
47% Popularity • 47% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 47% Danceability • 64% Energy • 47% Liveness
0% Instrumentalness • 71% Positiveness
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Adarsh Shinde
Shri Swami Samartha
122 bpm • D Maj • 05:30 • -8.41db
25% Popularity • 52% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 52% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Seema Mishra
Papaiya
122 bpm • F# Maj • 04:02 • -7.18db
15% Popularity • 78% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 78% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Udit Narayan
Premer Ei Rasta Dhore
122 bpm • G min • 05:00 • -7.14db
17% Popularity • 74% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 74% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Himali Vyas
Pratham Pahela Samariye
116 bpm • A# Maj • 06:33 • -4.77db
21% Popularity • 62% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 62% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Sonu Nigam
Yeh Sila Mila Hai Mujhko
122 bpm • C Maj • 05:15 • -8.48db
23% Popularity • 55% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 55% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Kinjal Dave
Vishvambhari Stuti
116 bpm • A# min • 06:22 • -6.38db
43% Popularity • 39% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 39% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Manhar Udhas
Jyare Pranay Ni Jagma
116 bpm • B Maj • 07:52 • -13db
23% Popularity • 62% Danceability • 45% Energy • 18% Liveness
8% Instrumentalness • 73% Positiveness
23% Popularity • 62% Danceability • 45% Energy • 18% Liveness
8% Instrumentalness • 73% Positiveness
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Hari Bharwad
Hari Tu Gadu Maru Kya Lai Jaay
115 bpm • F# Maj • 05:23 • -6.27db
28% Popularity • 58% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 58% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Seema Mishra
Dal Badal Beech Chamke Ji Tara
115 bpm • G# Maj • 08:58 • -11.05db
15% Popularity • 58% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 58% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Nayna Sharma
Paan Lilu Joyu Ne Tame Yaad Aavya
123 bpm • F min • 05:41 • -6.63db
13% Popularity • 74% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 74% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 71% Positiveness
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Atul Purohit
Gokuliyo Gam
123 bpm • D# Maj • 03:30 • -19.28db
21% Popularity • 38% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 38% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Shrikant Narayan
Vlhav Re Nakhava
115 bpm • A# Maj • 05:48 • -7db
15% Popularity • 48% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 48% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Narendra Singh Negi
Rai Maasi Ko Phool
115 bpm • A# Maj • 06:35 • -14.91db
27% Popularity • 55% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 55% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 73% Positiveness
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Asha Bhosle
Jab Samne Tum Aa Jate Ho
124 bpm • F# min • 06:50 • -9.59db
32% Popularity • 75% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 75% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Shreya Ghoshal
Nuste Nuste Dole Bhartana - Female
124 bpm • F# Maj • 05:45 • -6.95db
10% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Vishal Khera
Hey Prabhu Anand Data Gyan Humko Deejiye
114 bpm • D# Maj • 05:43 • -3.98db
19% Popularity • 70% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 70% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Devi Neha Saraswat
Radha Ballabh Banke Bihari
114 bpm • A# min • 05:14 • -4.01db
31% Popularity • 72% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 72% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Kirtidan Gadhvi
Jay Aadhya Shakti-Aarti
114 bpm • F# min • 08:52 • -6.88db
15% Popularity • 69% Danceability • 67% Energy • 45% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 69% Danceability • 67% Energy • 45% Liveness
0% Instrumentalness • 76% Positiveness
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Krupa Thakor
Choto Choto So Kishan Kanhaiya
114 bpm • E Maj • 06:18 • -6db
27% Popularity • 78% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 78% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Master Rana
Tali Pado to Mara Ram Ni
114 bpm • G min • 03:01 • -10.58db
24% Popularity • 73% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 99% Positiveness
24% Popularity • 73% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 99% Positiveness
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Amay Date
Ganpati Mazha Lalbagcha Raja Navsala Pav...
113 bpm • C Maj • 05:48 • -5.97db
15% Popularity • 84% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 84% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Madhavas Rock Band
Meri Jhonpdi Ke Bhaag (DJ Remix)
125 bpm • G Maj • 03:38 • -4.74db
12% Popularity • 73% Danceability • 92% Energy • 2% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 73% Danceability • 92% Energy • 2% Liveness
0% Instrumentalness • 64% Positiveness
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Alka Yagnik
He Koyalrani Jone
125 bpm • G Maj • 06:19 • -12.49db
21% Popularity • 68% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 68% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 80% Positiveness
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Vijay Sartape
Sutala Mazha Padar Bai Mi Nhavte Bhanat ...
125 bpm • C# Maj • 06:26 • -4.05db
23% Popularity • 70% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 70% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Damyanti Bardai
Sonal Garbo Shire
113 bpm • F Maj • 03:34 • -10.39db
13% Popularity • 65% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 65% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Narendra Singh Negi
Sutra Ki Dhodi
113 bpm • F# Maj • 05:59 • -4.21db
17% Popularity • 74% Danceability • 89% Energy • 60% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 74% Danceability • 89% Energy • 60% Liveness
0% Instrumentalness • 91% Positiveness
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Lalitya Munshaw
Partham Samru
112 bpm • G# min • 02:13 • -6.9db
18% Popularity • 75% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 75% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Aditya Gadhvi
Kan Tari Morliye Mohine
126 bpm • F Maj • 03:41 • -1.99db
21% Popularity • 45% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 45% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
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Dohar
Gouri Elo Dekhe Jalo
126 bpm • G Maj • 05:39 • -10.09db
21% Popularity • 71% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
21% Popularity • 71% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Chinar Kharkar
Mitatil Ka Antare
112 bpm • F Maj • 03:13 • -7.96db
12% Popularity • 71% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 71% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Pushpa Paagdharey
Itni Shakti Hamein Dena Data
126 bpm • C# min • 04:59 • -10.28db
42% Popularity • 51% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 51% Danceability • 42% Energy • 43% Liveness
0% Instrumentalness • 33% Positiveness
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Raghav Chattopadhyay
Bidhire Bidhire
112 bpm • A min • 02:43 • -8.75db
19% Popularity • 67% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 67% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Shubhangi Joshi
Hich Amuchi Praarthana
127 bpm • G min • 03:51 • -4db
31% Popularity • 67% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 67% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Chandan Dass
Aise Tere Baghair Jiye Ja Rahe Hain Hum
111 bpm • F min • 05:48 • -11.59db
24% Popularity • 57% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 57% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Manhar Udhas
Shree Uvasaggharam Stotra
111 bpm • E Maj • 03:07 • -12.11db
18% Popularity • 40% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 40% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Swapnil Bandodkar
Vitthal Bhaktigeet - Awaghe Garaje Pandh...
111 bpm • D# min • 03:49 • -3.12db
23% Popularity • 42% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 42% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Falguni Pathak
Ha Ha Re Ghaduliyo
111 bpm • F Maj • 02:16 • -5.31db
24% Popularity • 45% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 45% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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BAJANIA GHAR
HARE RAMA HARE KRISHNA
128 bpm • B Maj • 01:48 • -4.59db
31% Popularity • 53% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 53% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Dohar
Bhalo Koria Bajan Dotara
128 bpm • G# Maj • 04:37 • -4.08db
19% Popularity • 49% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 49% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Surykant Shinde
Alya Ga Bai
111 bpm • D# min • 05:09 • -4.4db
29% Popularity • 64% Danceability • 78% Energy • 61% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 64% Danceability • 78% Energy • 61% Liveness
0% Instrumentalness • 90% Positiveness
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Jagjit Singh
Dhundhli Si Ek Shaam Thi Woh
129 bpm • A Maj • 04:29 • -6.72db
9% Popularity • 52% Danceability • 31% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
9% Popularity • 52% Danceability • 31% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Dilip Shadangi
Aama Paan Ke Patri
110 bpm • C# Maj • 07:41 • -13.98db
31% Popularity • 60% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 60% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Siddharth Amit Bhavsar
Sankat Mochan Naam Tiharo - Shri Hanuman...
110 bpm • A# Maj • 07:09 • -5.66db
26% Popularity • 82% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 82% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Ajay Gogavale
Kashi Mi Jau Mathurechya Bajari
110 bpm • G# Maj • 03:05 • -7.5db
40% Popularity • 71% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 71% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Nainnath Rawal
Jab Jaulo Bareli
110 bpm • E Maj • 05:03 • -6.01db
11% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Mamta Chandrakar
Arpa Pairi Ke Dhar
110 bpm • C# Maj • 06:56 • -2.9db
12% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Jagjit Singh
Be Irada Nazar Unse Takra Gayi
110 bpm • C# Maj • 09:25 • -7.93db
13% Popularity • 65% Danceability • 49% Energy • 11% Liveness
28% Instrumentalness • 65% Positiveness
13% Popularity • 65% Danceability • 49% Energy • 11% Liveness
28% Instrumentalness • 65% Positiveness
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Vaishali Samant
Hi Gulabi Hawa
110 bpm • A Maj • 05:06 • -4.56db
32% Popularity • 70% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 70% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Kirtidan Gadhvi
Vishwambhari Stuti
110 bpm • F# min • 08:00 • -8.9db
22% Popularity • 76% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 76% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Master Rana
Radhaji Na Dadaji Ae
110 bpm • A# min • 04:08 • -10db
26% Popularity • 72% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 72% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Surykant Shinde
Bai Mazya Ga
109 bpm • F min • 05:08 • -4.03db
31% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Dukalu Yadav
Jhupat Jhupat Aabe
109 bpm • F min • 05:38 • -5.06db
32% Popularity • 61% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
32% Popularity • 61% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Jagjit Singh
Tere Qadmon Pe Shar Hoga
109 bpm • C# min • 10:50 • -6.78db
6% Popularity • 40% Danceability • 46% Energy • 11% Liveness
8% Instrumentalness • 37% Positiveness
6% Popularity • 40% Danceability • 46% Energy • 11% Liveness
8% Instrumentalness • 37% Positiveness
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Vaishali Samant
Ghagar Geli Futun
110 bpm • D# Maj • 06:46 • -4.44db
27% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 67% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Devendra Pathak
Teri Mand Mand Muskan Pe
130 bpm • A# min • 07:41 • -4db
35% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Surya Raj Kamal
Kanha Ke Adhran Dhari Bansuri
130 bpm • C# Maj • 03:11 • -9.43db
42% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Ajay-Atul
Goryaa Goryaa
130 bpm • F min • 03:52 • -8.83db
46% Popularity • 53% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
46% Popularity • 53% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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Shahnaz Akhtar
Mata Hai Gaura Pita Mahesh
130 bpm • G Maj • 06:29 • -2.37db
15% Popularity • 43% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 43% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Aditiya Gadhavi
Mathura Ma Khel Kheli
130 bpm • F Maj • 02:00 • -5.77db
33% Popularity • 72% Danceability • 94% Energy • 61% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 72% Danceability • 94% Energy • 61% Liveness
0% Instrumentalness • 76% Positiveness
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Prachi Surve
Zali Bhanu Dhangarin
130 bpm • B Maj • 05:23 • -3.03db
22% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Dipali Bhatt
Premal Jyoti Taro
130 bpm • C# Maj • 04:53 • -9.32db
20% Popularity • 62% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 62% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Pujya Prembhushanji Maharaj
Shri Ram Ko Dekhkar Shri Janak Nandini
130 bpm • D# Maj • 04:51 • -7.8db
48% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
48% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Sonu Nigam
Yenendu Hesaridali DJ Remix
130 bpm • C# min • 04:45 • -5.96db
8% Popularity • 74% Danceability • 85% Energy • 86% Liveness
5% Instrumentalness • 78% Positiveness
8% Popularity • 74% Danceability • 85% Energy • 86% Liveness
5% Instrumentalness • 78% Positiveness
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Malini Awasthi
Kahe Ko Byahi Bidesh
108 bpm • D# Maj • 05:26 • -13.65db
22% Popularity • 69% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 69% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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NARAYANSWAMI
Muje Meri Masti
131 bpm • F min • 08:37 • -8.15db
26% Popularity • 46% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 46% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Dhruv Sharma
पोरी माझा नंबर �...
131 bpm • G min • 02:46 • -4.69db
22% Popularity • 69% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 69% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Agam Kumar Nigam
Raat Katati Hai Taare Gin Gin Ke
108 bpm • A# min • 05:28 • -6.25db
18% Popularity • 68% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 68% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Saurabh Maithani
Jai Ho Kumaun Jai Ho Gadwala
108 bpm • F# Maj • 04:38 • -2.79db
14% Popularity • 66% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 66% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Rahat Fateh Ali Khan
Charha De Rang (Rahat Adlib Version)
108 bpm • F Maj • 02:07 • -12.36db
17% Popularity • 28% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 28% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Arvind Barot
Meldi Rame Mari Meldi Rame
132 bpm • C# min • 07:41 • -8.69db
22% Popularity • 47% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 47% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Sharda Sinha
Logwaan Det - Kaahe Gaari
132 bpm • G# Maj • 07:51 • -6.82db
20% Popularity • 64% Danceability • 60% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 64% Danceability • 60% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
