Songs like Turandot: Tu, che di gel sei cinta by Mirella Freni
Based on a tempo of (+/- 10%) and a similar genre
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Mirella Freni
Turandot: Tu, che di gel sei cinta
87 bpm • B Maj • 02:31 • -13.82db
24% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 1: Bimba, bimba, ...
87 bpm • A# Maj • 02:21 • -29db
23% Popularity • 22% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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José van Dam
A Tanto Duol (Bianca e Fernando)
87 bpm • A# Maj • 02:57 • -16.02db
8% Popularity • 31% Danceability • 16% Energy • 9% Liveness
25% Instrumentalness • 12% Positiveness
8% Popularity • 31% Danceability • 16% Energy • 9% Liveness
25% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
La clemenza di Tito, K. 621 / Act I: "Pa...
87 bpm • A# Maj • 06:42 • -20.81db
6% Popularity • 25% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
6% Popularity • 25% Danceability • 12% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Otmar Suitner
Palestrina: Act III - "Wie lange sie ble...
87 bpm • F# Maj • 08:56 • -24.4db
7% Popularity • 22% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 7% Energy • 13% Liveness
1% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
87 bpm • G Maj • 05:25 • -14db
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Puccini : La bohème : Act 3 "Donde liet...
87 bpm • C# Maj • 03:18 • -23.3db
1% Popularity • 29% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 29% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Michael William Balfe
The Bohemian Girl - Arr. by Karel Mark C...
87 bpm • D Maj • 04:54 • -28.82db
13% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 6% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
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Henri Duparc
Chanson triste (version for voice and pi...
87 bpm • D# Maj • 03:25 • -22db
14% Popularity • 18% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
14% Popularity • 18% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Semiramide / Act 1: Alle più calde imma...
86 bpm • D# Maj • 03:52 • -18db
13% Popularity • 32% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 32% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Jules Massenet
Werther / Act III: "Va! Laisse couler me...
86 bpm • G min • 02:47 • -23.85db
12% Popularity • 17% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 2: Una nave da gu...
87 bpm • F# min • 02:46 • -14.42db
18% Popularity • 21% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 21% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
L'Elisir d'amore, 'Elixir of Love' (1988...
86 bpm • A# Maj • 02:04 • -14.14db
2% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
2% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "A casa, amici" - ...
86 bpm • C Maj • 02:43 • -21db
26% Popularity • 30% Danceability • 7% Energy • 30% Liveness
1% Instrumentalness • 16% Positiveness
26% Popularity • 30% Danceability • 7% Energy • 30% Liveness
1% Instrumentalness • 16% Positiveness
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Mario del Monaco
Madame Butterfly: "Addio fiorito asil"
88 bpm • C# Maj • 01:54 • -9db
25% Popularity • 15% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
25% Popularity • 15% Danceability • 35% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
88 bpm • C# Maj • 05:31 • -20.99db
10% Popularity • 22% Danceability • 18% Energy • 18% Liveness
15% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 18% Energy • 18% Liveness
15% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
Martha / Act 3: "Ach, so fromm"
88 bpm • F Maj • 03:22 • -13.16db
15% Popularity • 30% Danceability • 22% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
15% Popularity • 30% Danceability • 22% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Quant...
87 bpm • F# Maj • 03:46 • -17.61db
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
86 bpm • C Maj • 04:55 • -18db
9% Popularity • 29% Danceability • 21% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
9% Popularity • 29% Danceability • 21% Energy • 38% Liveness
31% Instrumentalness • 15% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli, lae...
88 bpm • G Maj • 02:35 • -30db
25% Popularity • 15% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen: Sur la place chacun passe...
86 bpm • F Maj • 06:14 • -20db
13% Popularity • 35% Danceability • 23% Energy • 12% Liveness
51% Instrumentalness • 29% Positiveness
13% Popularity • 35% Danceability • 23% Energy • 12% Liveness
51% Instrumentalness • 29% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
20% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Mirella Freni
La Bohème: Donde lieta uscì
88 bpm • F# min • 03:22 • -18db
9% Popularity • 28% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Manon Lescaut / Act 4: Sola, perduta, ab...
86 bpm • A# min • 04:46 • -18db
10% Popularity • 28% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 28% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Ottorino Respighi
Nebbie
88 bpm • G# min • 03:02 • -14.11db
16% Popularity • 14% Danceability • 23% Energy • 12% Liveness
24% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 23% Energy • 12% Liveness
24% Instrumentalness • 4% Positiveness
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Hector Berlioz
Les nuits d'été, Op. 7: 2. Le spectre ...
88 bpm • D Maj • 07:15 • -24db
11% Popularity • 19% Danceability • 3% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 3% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Idomeneo, rè di Creta, K. 366, ...
85 bpm • C min • 03:14 • -14db
17% Popularity • 43% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 43% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Umberto Giordano
Andrea Chénier / Act 4: "Come un bel d�...
85 bpm • F# Maj • 03:09 • -17.17db
17% Popularity • 25% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 25% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Renata Tebaldi
Tosca
85 bpm • D# Maj • 03:16 • -18.48db
24% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Tosca / Act 1: "Or lasciami al lavoro"
86 bpm • G min • 07:37 • -15.78db
11% Popularity • 24% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 24% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Gustave Charpentier
Louise / Act 3: "Depuis le jour"
89 bpm • G Maj • 06:06 • -20db
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Voi lo sapete, o ...
89 bpm • E Maj • 06:32 • -16db
12% Popularity • 18% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
85 bpm • A Maj • 03:15 • -22.35db
32% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
32% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Chœur des ...
85 bpm • E Maj • 02:10 • -26.58db
20% Popularity • 13% Danceability • 5% Energy • 14% Liveness
73% Instrumentalness • 7% Positiveness
20% Popularity • 13% Danceability • 5% Energy • 14% Liveness
73% Instrumentalness • 7% Positiveness
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Chor der Staatsoper Wien
Giacomo Puccini: Madame Butterfly - Summ...
85 bpm • A# Maj • 02:35 • -31db
32% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 27% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Gianni Schicchi: Ecco la cappellina!
88 bpm • F Maj • 03:23 • -25.87db
12% Popularity • 33% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 33% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
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Birgit Nilsson
Turandot, Act 2: "in Questa Reggia"
85 bpm • D Maj • 06:29 • -11db
9% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 31% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act I: Winterstü...
89 bpm • A# Maj • 03:51 • -15db
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Zaide, K.344 / Act 1: "Ruhe sanft, mein ...
85 bpm • G Maj • 05:30 • -25db
15% Popularity • 30% Danceability • 4% Energy • 46% Liveness
4% Instrumentalness • 6% Positiveness
15% Popularity • 30% Danceability • 4% Energy • 46% Liveness
4% Instrumentalness • 6% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (200...
85 bpm • G Maj • 02:28 • -20.48db
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
35% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: "S...
85 bpm • G min • 05:04 • -24.73db
20% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 1: Ecco. Son giun...
86 bpm • A# min • 03:42 • -26db
25% Popularity • 15% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 8% Energy • 15% Liveness
3% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
37% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Umberto Giordano
Giordano : Andrea Chénier : Act 4 "Come...
84 bpm • C# min • 03:12 • -15db
15% Popularity • 18% Danceability • 20% Energy • 11% Liveness
48% Instrumentalness • 10% Positiveness
15% Popularity • 18% Danceability • 20% Energy • 11% Liveness
48% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Dove...
90 bpm • C Maj • 04:48 • -22db
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Vienna Volksoper Orchestra
Die Fledermaus: Ouvertuere
90 bpm • D Maj • 08:20 • -22db
20% Popularity • 24% Danceability • 11% Energy • 18% Liveness
84% Instrumentalness • 16% Positiveness
20% Popularity • 24% Danceability • 11% Energy • 18% Liveness
84% Instrumentalness • 16% Positiveness
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Franz Lehár
Der Graf von Luxemburg, operetta Introdu...
85 bpm • D Maj • 01:37 • -9.12db
0% Popularity • 33% Danceability • 60% Energy • 80% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 33% Danceability • 60% Energy • 80% Liveness
0% Instrumentalness • 64% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act 1: "Chi è là ?"
85 bpm • E min • 01:10 • -24.27db
33% Popularity • 22% Danceability • 6% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9: "Cielo e mar!"
84 bpm • D# Maj • 05:05 • -16db
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Eduardo di Capua
I'te vurria vasÃ
84 bpm • G min • 05:08 • -14.28db
13% Popularity • 17% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 17% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH.5 / Act 1: Sce...
90 bpm • E Maj • 05:40 • -23.4db
9% Popularity • 25% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 25% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Renata Tebaldi
Turandot
84 bpm • F# Maj • 02:32 • -26.41db
23% Popularity • 20% Danceability • 3% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 3% Energy • 17% Liveness
4% Instrumentalness • 4% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
90 bpm • E Maj • 03:37 • -12db
20% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
20% Popularity • 24% Danceability • 19% Energy • 13% Liveness
68% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 4: "Vecchia zim...
85 bpm • C# min • 01:36 • -24.11db
16% Popularity • 28% Danceability • 9% Energy • 11% Liveness
39% Instrumentalness • 19% Positiveness
16% Popularity • 28% Danceability • 9% Energy • 11% Liveness
39% Instrumentalness • 19% Positiveness
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Richard Strauss
Elektra, Op. 58, TrV 223: "Allein! Weh, ...
90 bpm • F min • 09:28 • -16db
9% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 24% Energy • 53% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Karl-Birger Blomdahl
Aniara: Act II Scene 4: Jag anar dödens...
90 bpm • C# Maj • 03:05 • -27.12db
30% Popularity • 19% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 3% Positiveness
30% Popularity • 19% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila / Act II: "Mon coeur s'...
84 bpm • C# Maj • 06:15 • -21.46db
11% Popularity • 15% Danceability • 17% Energy • 70% Liveness
1% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 17% Energy • 70% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: Sc...
84 bpm • A# Maj • 08:57 • -20.79db
13% Popularity • 22% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
Giacomo Puccini
La Bohème / Act 1: "Sì. Mi chiamano Mi...
85 bpm • D Maj • 06:02 • -24db
9% Popularity • 22% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 7% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Reynaldo Hahn
L' Heure exquise
83 bpm • C# Maj • 02:45 • -41.83db
9% Popularity • 16% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: "Mamma, quel vino ...
83 bpm • D# Maj • 05:11 • -15db
22% Popularity • 22% Danceability • 30% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
22% Popularity • 22% Danceability • 30% Energy • 28% Liveness
1% Instrumentalness • 11% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act II: "K...
84 bpm • E min • 06:41 • -23.02db
11% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 1...
83 bpm • E Maj • 06:20 • -23db
9% Popularity • 20% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 4% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Turandot: Act I: LÃ , sui monti dell'est
85 bpm • G# Maj • 01:00 • -29.36db
40% Popularity • 18% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 18% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Hector Berlioz
La Damnation de Faust, Op. 24 / Part 4: ...
91 bpm • F Maj • 07:51 • -24db
3% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 20% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
91 bpm • C Maj • 01:48 • -21db
25% Popularity • 18% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 18% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Renata Tebaldi
Vissi D'arte - Tosca Atto Ii
91 bpm • D# Maj • 03:26 • -12.44db
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Nicolai Ghiaurov
Mozart: Don Giovanni: La ci darem la man...
91 bpm • A# Maj • 03:13 • -15.9db
21% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 35% Danceability • 22% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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Richard Wagner
Wagner: Tannhäuser, Act 3: "Beglückt d...
83 bpm • D# Maj • 04:47 • -20.39db
4% Popularity • 19% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 19% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Manon Lescaut: Act II: In quelle trine m...
89 bpm • F# Maj • 02:18 • -23.89db
35% Popularity • 33% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 33% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
Don Pasquale, Act I Quinta Scena: Pronto...
83 bpm • C Maj • 03:06 • -18db
14% Popularity • 43% Danceability • 22% Energy • 40% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 43% Danceability • 22% Energy • 40% Liveness
0% Instrumentalness • 25% Positiveness
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Giuseppe Verdi
Verdi: Otello: Ave Maria - Desdemona - A...
83 bpm • G# Maj • 05:07 • -21.32db
11% Popularity • 19% Danceability • 20% Energy • 70% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 19% Danceability • 20% Energy • 70% Liveness
0% Instrumentalness • 9% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Rossini: Stabat Mater: VI. Sancta Mater,...
82 bpm • G# Maj • 07:47 • -21.4db
12% Popularity • 20% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
12% Popularity • 20% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act I: "O soave fanc...
85 bpm • G Maj • 04:12 • -16.74db
45% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
45% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Franz Lehár
Paganini: "Deinen süssen Rosenmund"
92 bpm • E min • 02:36 • -10.72db
0% Popularity • 28% Danceability • 41% Energy • 26% Liveness
6% Instrumentalness • 14% Positiveness
0% Popularity • 28% Danceability • 41% Energy • 26% Liveness
6% Instrumentalness • 14% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Eccola!"
82 bpm • G# Maj • 01:10 • -30.78db
19% Popularity • 42% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 42% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Giuseppe Verdi
Verdi: La forza del destino, Act 4: "Pac...
82 bpm • A# min • 05:11 • -17.39db
11% Popularity • 25% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 25% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Teresa Berganza
La Chulapona: "Ese Pañuelito Blanco"
82 bpm • C# Maj • 03:56 • -11.62db
9% Popularity • 28% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 28% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
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Alessandro Scarlatti
Son tutta duolo
92 bpm • G min • 02:56 • -26.33db
23% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
23% Popularity • 28% Danceability • 4% Energy • 11% Liveness
16% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Suor Angelica: Senza mamma, o bimbo, tu ...
84 bpm • F Maj • 04:43 • -21.43db
16% Popularity • 23% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 1:...
82 bpm • G# Maj • 05:48 • -17.5db
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
17% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
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Richard Tucker
Rachel, quand du Seigneur (La Juive)
92 bpm • F min • 04:23 • -12.47db
10% Popularity • 26% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 26% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K.620 / Act 1: O zittr...
92 bpm • A# Maj • 05:17 • -15db
10% Popularity • 30% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 30% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Igor Krutoy
Mi fa male
82 bpm • A Maj • 03:41 • -8.46db
10% Popularity • 18% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 18% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Édouard Lalo
Le Roi d'Ys / Act 3: "Puisqu'on ne peut ...
82 bpm • A Maj • 03:25 • -18.74db
7% Popularity • 18% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 18% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 2: Suzuki! Suzuki...
84 bpm • D min • 01:55 • -28.1db
16% Popularity • 28% Danceability • 5% Energy • 34% Liveness
2% Instrumentalness • 3% Positiveness
16% Popularity • 28% Danceability • 5% Energy • 34% Liveness
2% Instrumentalness • 3% Positiveness
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Renata Tebaldi
In Quelle Trine Morbide - Manon Lescaut ...
93 bpm • A# Maj • 02:42 • -12.94db
25% Popularity • 26% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Ruperto ChapÃ
Las Hijas del Zebedeo: Carceleras
82 bpm • D min • 04:56 • -20db
8% Popularity • 35% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 35% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Strauss II
Trust-Look-Whom Waltz, Op. 463
82 bpm • D Maj • 05:10 • -17.03db
2% Popularity • 26% Danceability • 19% Energy • 29% Liveness
66% Instrumentalness • 30% Positiveness
2% Popularity • 26% Danceability • 19% Energy • 29% Liveness
66% Instrumentalness • 30% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
