Songs like Turn the World Around (Arr. M. Hayes) [Live] by Harry Belafonte
Based on a tempo of (+/- 10%) and a similar genre
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Fats Domino
When The Saints Go Marching In
109 bpm • D# Maj • 02:25 • -4.77db
34% Popularity • 67% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 67% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Stevie Wonder
Signed, Sealed, Delivered (I'm Yours)
109 bpm • F Maj • 02:41 • -11.33db
77% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
77% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Harry Belafonte
Jump Down, Spin Around
109 bpm • F# Maj • 01:59 • -11.88db
30% Popularity • 89% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 89% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Platters
My Prayer
109 bpm • A# Maj • 02:47 • -8.39db
56% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
56% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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B.J. Thomas
Raindrops Keep Fallin' On My Head
109 bpm • F Maj • 03:00 • -9.66db
65% Popularity • 60% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
65% Popularity • 60% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
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Frankie Valli
Grease - 2007 Remaster
109 bpm • B Maj • 03:27 • -8.45db
66% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
66% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Wild Cherry
Play That Funky Music
109 bpm • A Maj • 05:00 • -12.07db
72% Popularity • 81% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 81% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Neil Diamond
Girl, You'll Be A Woman Soon
110 bpm • F Maj • 03:00 • -5.57db
62% Popularity • 52% Danceability • 64% Energy • 32% Liveness
6% Instrumentalness • 66% Positiveness
62% Popularity • 52% Danceability • 64% Energy • 32% Liveness
6% Instrumentalness • 66% Positiveness
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Harry Belafonte
Banana Boat (Day-O) - Live
109 bpm • G min • 03:48 • -12.43db
19% Popularity • 62% Danceability • 18% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 62% Danceability • 18% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
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Lena Horne
There's a Boat That's Leavin' Soon for N...
109 bpm • C Maj • 02:39 • -8.92db
8% Popularity • 47% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 47% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Creedence Clearwater Revival
Down On The Corner
108 bpm • C Maj • 02:46 • -9.29db
76% Popularity • 86% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
76% Popularity • 86% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Roy Orbison
In Dreams
108 bpm • C Maj • 02:49 • -9.99db
58% Popularity • 50% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 50% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Nancy Sinatra
Sugar Town
108 bpm • G Maj • 02:26 • -11.79db
54% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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The Mamas & The Papas
Monday, Monday - Single Version
110 bpm • C# Maj • 03:28 • -9.5db
64% Popularity • 49% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
64% Popularity • 49% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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Katrina & The Waves
Walking On Sunshine
110 bpm • A# Maj • 03:58 • -11.97db
80% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
80% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
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Dusty Springfield
Wishin' And Hopin' - Stereo Version
108 bpm • B Maj • 02:53 • -11.43db
49% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Clarence "Frogman" Henry
But I Do
110 bpm • A# Maj • 02:21 • 1.57db
42% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 64% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Aretha Franklin
Think
110 bpm • F# Maj • 02:19 • -10.82db
67% Popularity • 69% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
67% Popularity • 69% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Matthew Wilder
Break My Stride
110 bpm • A# Maj • 03:04 • -11.05db
73% Popularity • 92% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
73% Popularity • 92% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Paul Anka
Put Your Head On My Shoulder - Remastere...
110 bpm • G Maj • 02:38 • -10db
70% Popularity • 58% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
70% Popularity • 58% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Stevie Wonder
For Once In My Life
110 bpm • F# Maj • 02:49 • -11.9db
77% Popularity • 52% Danceability • 52% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
77% Popularity • 52% Danceability • 52% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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Wilson Pickett
Mustang Sally
110 bpm • C Maj • 03:07 • -17.71db
59% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
59% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
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The Lovin' Spoonful
Summer in the City - Remastered
110 bpm • A# Maj • 02:40 • -9.76db
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Patsy Cline
Crazy - Single Version
108 bpm • A# Maj • 02:44 • -24.39db
69% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
69% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Beatles
Yellow Submarine
111 bpm • C# Maj • 02:39 • -7.06db
61% Popularity • 62% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 65% Positiveness
61% Popularity • 62% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 65% Positiveness
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Sonny & Cher
I Got You Babe
111 bpm • F# Maj • 03:10 • -6.02db
66% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
66% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Redbone
Come and Get Your Love - Single Version
107 bpm • B min • 03:25 • -7.62db
79% Popularity • 73% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
79% Popularity • 73% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Hues Corporation
Rock the Boat
107 bpm • D# Maj • 03:22 • -9.72db
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Lovin' Spoonful
Daydream
111 bpm • C# Maj • 02:19 • -11.37db
64% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Fred Astaire
Puttin' on the Ritz
107 bpm • F# Maj • 02:37 • -14.62db
45% Popularity • 82% Danceability • 44% Energy • 14% Liveness
10% Instrumentalness • 79% Positiveness
45% Popularity • 82% Danceability • 44% Energy • 14% Liveness
10% Instrumentalness • 79% Positiveness
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Stevie Wonder
Sir Duke
107 bpm • F# Maj • 03:52 • -9.77db
73% Popularity • 59% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
73% Popularity • 59% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Sam & Dave
Hold On, I'm Comin'
107 bpm • F# Maj • 02:35 • -14.03db
73% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
73% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
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Simon & Garfunkel
The Sound of Silence - Acoustic Version
107 bpm • F# Maj • 03:05 • -13.55db
74% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
74% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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ABBA
Take A Chance On Me
107 bpm • B Maj • 04:03 • -8.12db
78% Popularity • 68% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
78% Popularity • 68% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Dexys Midnight Runners
Come On Eileen
107 bpm • D Maj • 04:47 • -7.05db
78% Popularity • 45% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
78% Popularity • 45% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Otis Redding
Stand by Me
112 bpm • A# Maj • 02:52 • -11.25db
67% Popularity • 88% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
67% Popularity • 88% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Patsy Cline
I Fall To Pieces - Single Version
112 bpm • A# Maj • 02:51 • -20.51db
64% Popularity • 54% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
64% Popularity • 54% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Nancy Sinatra
It's Such A Pretty World Today
111 bpm • G Maj • 02:48 • -11db
36% Popularity • 52% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 52% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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The Coasters
Down in Mexico
112 bpm • C# Maj • 03:16 • -8.67db
57% Popularity • 61% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
57% Popularity • 61% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Hot Chocolate
You Sexy Thing
106 bpm • F Maj • 04:04 • -5.47db
75% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
75% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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The Beach Boys
Surfer Girl - Remastered 2001
106 bpm • D Maj • 02:28 • -8db
54% Popularity • 52% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 52% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Sam & Dave
Soul Man
112 bpm • C Maj • 02:39 • -13.24db
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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The Mamas & The Papas
California Dreamin' - Single Version
112 bpm • C# min • 02:42 • -9.79db
80% Popularity • 55% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
80% Popularity • 55% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Harry Belafonte
The Jack-Ass Song
106 bpm • D Maj • 02:53 • -11.36db
29% Popularity • 85% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
29% Popularity • 85% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Andre Toussaint
Hold 'em Joe
106 bpm • C Maj • 01:25 • -15.5db
32% Popularity • 64% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 90% Positiveness
32% Popularity • 64% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 90% Positiveness
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Donovan
Mellow Yellow
105 bpm • D Maj • 03:47 • -12.39db
52% Popularity • 71% Danceability • 32% Energy • 21% Liveness
2% Instrumentalness • 76% Positiveness
52% Popularity • 71% Danceability • 32% Energy • 21% Liveness
2% Instrumentalness • 76% Positiveness
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Brenton Wood
Oogum Boogum Song
113 bpm • G Maj • 03:06 • -6db
68% Popularity • 84% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
68% Popularity • 84% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Dolly Parton
9 to 5
105 bpm • F# Maj • 02:42 • -6db
81% Popularity • 55% Danceability • 78% Energy • 63% Liveness
0% Instrumentalness • 81% Positiveness
81% Popularity • 55% Danceability • 78% Energy • 63% Liveness
0% Instrumentalness • 81% Positiveness
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Paul Simon
Me and Julio Down by the Schoolyard
105 bpm • A Maj • 02:44 • -10.59db
71% Popularity • 63% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
71% Popularity • 63% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Harry Belafonte
These Are The Times
106 bpm • D# Maj • 03:15 • -17.01db
19% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Buddy Holly
Raining In My Heart
105 bpm • G Maj • 02:47 • -19.92db
46% Popularity • 67% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 67% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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The Beatles
Ob-La-Di, Ob-La-Da - Remastered 2009
113 bpm • A# Maj • 03:08 • -8.33db
72% Popularity • 82% Danceability • 73% Energy • 25% Liveness
6% Instrumentalness • 98% Positiveness
72% Popularity • 82% Danceability • 73% Energy • 25% Liveness
6% Instrumentalness • 98% Positiveness
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Benny Goodman
Sing, Sing, Sing
113 bpm • D min • 08:40 • -9.19db
50% Popularity • 63% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 26% Positiveness
50% Popularity • 63% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 26% Positiveness
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The Temptations
My Girl
105 bpm • C Maj • 02:45 • -10.74db
82% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
82% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Frankie Valli & The Four Seasons
December, 1963 (Oh What a Night!)
104 bpm • C# Maj • 03:17 • -13.49db
75% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
75% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Harry Belafonte
Kingston Market
106 bpm • A Maj • 03:17 • -17.54db
24% Popularity • 67% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 67% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Dion
The Wanderer
114 bpm • G Maj • 02:48 • -10db
64% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
64% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Matthieu Boré
I Love To Singa
104 bpm • G# Maj • 01:39 • -14.17db
23% Popularity • 76% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 76% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Don Ho
Tiny Bubbles
104 bpm • G# min • 02:42 • -12.88db
41% Popularity • 66% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 66% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Fats Domino
I'm Walkin'
115 bpm • A Maj • 02:06 • -8.11db
49% Popularity • 65% Danceability • 89% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
49% Popularity • 65% Danceability • 89% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
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Solomon Burke
Cry to Me
115 bpm • E Maj • 02:34 • -9.85db
71% Popularity • 73% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
71% Popularity • 73% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
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Harry Belafonte
Land of the Sea and Sun
113 bpm • G Maj • 02:58 • -19.37db
28% Popularity • 69% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 69% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Otis Redding
(Sittin' On) the Dock of the Bay
104 bpm • D Maj • 02:43 • -11.23db
81% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
81% Popularity • 77% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Roy Orbison
You Got It
115 bpm • A Maj • 03:30 • -10.73db
72% Popularity • 65% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 65% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Bee Gees
Stayin' Alive
104 bpm • A# min • 04:45 • -7.18db
78% Popularity • 70% Danceability • 83% Energy • 18% Liveness
1% Instrumentalness • 94% Positiveness
78% Popularity • 70% Danceability • 83% Energy • 18% Liveness
1% Instrumentalness • 94% Positiveness
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Dion & The Belmonts
I Wonder Why
103 bpm • A# Maj • 02:21 • -3.83db
59% Popularity • 51% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
59% Popularity • 51% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Frankie Avalon
Venus
115 bpm • A# Maj • 02:24 • -18.85db
45% Popularity • 57% Danceability • 36% Energy • 16% Liveness
63% Instrumentalness • 87% Positiveness
45% Popularity • 57% Danceability • 36% Energy • 16% Liveness
63% Instrumentalness • 87% Positiveness
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Harry Belafonte
Jump in the Line
105 bpm • F Maj • 04:22 • -10.03db
18% Popularity • 60% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 60% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Aretha Franklin
Respect
115 bpm • C Maj • 02:27 • -5.23db
77% Popularity • 80% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
77% Popularity • 80% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Supremes
Stop! In The Name Of Love
115 bpm • C Maj • 02:52 • -12.75db
65% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
65% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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The Mamas & The Papas
Dedicated To The One I Love
103 bpm • G Maj • 02:58 • -8.81db
63% Popularity • 40% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 40% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Buddy Holly
That'll Be The Day
115 bpm • D Maj • 02:30 • -7.77db
60% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
60% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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The Coasters
Smokey Joe's Cafe
103 bpm • F min • 02:46 • -10db
36% Popularity • 64% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 64% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Harry Belafonte
Jump in the Line
114 bpm • F Maj • 03:48 • -9db
11% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Phil Harris
The Bare Necessities
103 bpm • C Maj • 04:49 • -11.37db
53% Popularity • 80% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 80% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The Beach Boys
Kokomo
116 bpm • C Maj • 03:37 • -10.05db
73% Popularity • 68% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
73% Popularity • 68% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Simon & Garfunkel
Cecilia
103 bpm • C Maj • 02:54 • -8.87db
73% Popularity • 76% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
73% Popularity • 76% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Steam
Na Na Hey Hey Kiss Him Goodbye
116 bpm • G Maj • 04:09 • -9.56db
46% Popularity • 67% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 67% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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The Platters
Twilight Time - Single Version
116 bpm • A Maj • 02:48 • -12.56db
58% Popularity • 46% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 46% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Harry Belafonte
Sweetheart From Venezuela
103 bpm • D# Maj • 03:31 • -8.33db
34% Popularity • 50% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 50% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Boots Randolph
Yakety Sax - Theme from The Benny Hill S...
116 bpm • G Maj • 02:01 • -9.6db
37% Popularity • 66% Danceability • 97% Energy • 4% Liveness
89% Instrumentalness • 88% Positiveness
37% Popularity • 66% Danceability • 97% Energy • 4% Liveness
89% Instrumentalness • 88% Positiveness
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The Beach Boys
God Only Knows - Remastered 1996
116 bpm • A Maj • 02:54 • -9.34db
66% Popularity • 44% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
66% Popularity • 44% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Neil Sedaka
Breaking Up Is Hard to Do
116 bpm • G# min • 02:19 • -5.47db
60% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Carl Douglas
Kung Fu Fighting
102 bpm • D Maj • 03:17 • -8.7db
73% Popularity • 62% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
73% Popularity • 62% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Gloria Gaynor
I Will Survive - Original 7" Version
116 bpm • A min • 03:18 • -15.14db
71% Popularity • 78% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
71% Popularity • 78% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Harry Belafonte
Jamaica Farewell
115 bpm • D# Maj • 02:48 • -13.12db
16% Popularity • 56% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 56% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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The Dixie Cups
Iko Iko
102 bpm • A min • 02:06 • -10db
55% Popularity • 91% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
55% Popularity • 91% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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The Beach Boys
California Girls - Remix/Remastered 2001
117 bpm • B Maj • 02:40 • -6.07db
59% Popularity • 50% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 50% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Brenda Lee
I'm Sorry
102 bpm • A# Maj • 02:41 • -12.36db
57% Popularity • 56% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 56% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Aretha Franklin
Chain of Fools
117 bpm • A# Maj • 02:47 • -9.52db
63% Popularity • 72% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 91% Positiveness
63% Popularity • 72% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 91% Positiveness
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Etta James
I Just Want To Make Love To You - Single...
102 bpm • D# Maj • 03:05 • -8.58db
64% Popularity • 64% Danceability • 52% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
64% Popularity • 64% Danceability • 52% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
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Harry Belafonte
Jump in the Line (Shake, Senora)
115 bpm • F Maj • 03:39 • -7.95db
40% Popularity • 55% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 55% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Simon
50 Ways to Leave Your Lover
102 bpm • G Maj • 03:37 • -12.81db
71% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
71% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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The Limeliters
Take My True Love by the Hand
117 bpm • F# Maj • 03:00 • -11.02db
43% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Zombies
Time Of The Season
117 bpm • E min • 03:34 • -10.75db
61% Popularity • 54% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 54% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Marvin Gaye
I Heard It Through The Grapevine
117 bpm • D# min • 03:14 • -10.85db
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Herb Alpert
Tijuana Taxi
101 bpm • F Maj • 02:06 • -9.91db
44% Popularity • 75% Danceability • 60% Energy • 3% Liveness
57% Instrumentalness • 89% Positiveness
44% Popularity • 75% Danceability • 60% Energy • 3% Liveness
57% Instrumentalness • 89% Positiveness
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Harry Belafonte
Turn the World Around
103 bpm • G Maj • 04:29 • -8db
33% Popularity • 72% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 72% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
