Songs like Turning Point by Mike Vickers
Based on a tempo of (+/- 10%) and a similar genre
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Mike Vickers
Fire and Brimstone
90 bpm • C Maj • 02:49 • -12.68db
0% Popularity • 56% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 25% Positiveness
0% Popularity • 56% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 25% Positiveness
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Alessandro Alessandroni
Dialogando
90 bpm • G Maj • 02:50 • -18db
27% Popularity • 72% Danceability • 28% Energy • 10% Liveness
98% Instrumentalness • 97% Positiveness
27% Popularity • 72% Danceability • 28% Energy • 10% Liveness
98% Instrumentalness • 97% Positiveness
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I Marc 4
Beat Morbido
90 bpm • D Maj • 03:10 • -20.28db
22% Popularity • 70% Danceability • 42% Energy • 8% Liveness
91% Instrumentalness • 88% Positiveness
22% Popularity • 70% Danceability • 42% Energy • 8% Liveness
91% Instrumentalness • 88% Positiveness
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John Barry
Ipcress File -
90 bpm • E min • 03:54 • -16.08db
8% Popularity • 26% Danceability • 24% Energy • 17% Liveness
73% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 24% Energy • 17% Liveness
73% Instrumentalness • 4% Positiveness
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Alan Parker
Clear Waters
90 bpm • G Maj • 01:58 • -18.28db
12% Popularity • 52% Danceability • 36% Energy • 12% Liveness
99% Instrumentalness • 56% Positiveness
12% Popularity • 52% Danceability • 36% Energy • 12% Liveness
99% Instrumentalness • 56% Positiveness
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Brian Bennett
The Investigator
90 bpm • D Maj • 02:51 • -12.66db
9% Popularity • 57% Danceability • 43% Energy • 9% Liveness
43% Instrumentalness • 84% Positiveness
9% Popularity • 57% Danceability • 43% Energy • 9% Liveness
43% Instrumentalness • 84% Positiveness
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Mike Vickers
Dracula Returns / Dracula Bites Laura
90 bpm • C min • 02:57 • -11.99db
0% Popularity • 18% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 32% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Barry Gray
UFO Main Titles
89 bpm • G min • 01:13 • -11db
26% Popularity • 68% Danceability • 79% Energy • 6% Liveness
14% Instrumentalness • 97% Positiveness
26% Popularity • 68% Danceability • 79% Energy • 6% Liveness
14% Instrumentalness • 97% Positiveness
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Franco Bixio
Diamonds
90 bpm • F Maj • 02:26 • -16db
30% Popularity • 69% Danceability • 69% Energy • 8% Liveness
85% Instrumentalness • 96% Positiveness
30% Popularity • 69% Danceability • 69% Energy • 8% Liveness
85% Instrumentalness • 96% Positiveness
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I Marc 4
Passeggiata
89 bpm • A# Maj • 02:13 • -16.49db
34% Popularity • 40% Danceability • 33% Energy • 12% Liveness
6% Instrumentalness • 76% Positiveness
34% Popularity • 40% Danceability • 33% Energy • 12% Liveness
6% Instrumentalness • 76% Positiveness
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The Bob Crewe Generation Orchestra
Goodnight Alfie
91 bpm • D# Maj • 01:29 • -14.29db
9% Popularity • 20% Danceability • 42% Energy • 28% Liveness
7% Instrumentalness • 45% Positiveness
9% Popularity • 20% Danceability • 42% Energy • 28% Liveness
7% Instrumentalness • 45% Positiveness
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Jean-Bernard Raiteux
Kathleen Writhing
91 bpm • A min • 02:24 • -18.65db
8% Popularity • 52% Danceability • 35% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
8% Popularity • 52% Danceability • 35% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
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Bernard Estardy
Artifice Percussion
91 bpm • C min • 02:23 • -11.6db
9% Popularity • 68% Danceability • 43% Energy • 19% Liveness
9% Instrumentalness • 34% Positiveness
9% Popularity • 68% Danceability • 43% Energy • 19% Liveness
9% Instrumentalness • 34% Positiveness
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Johnny Hawksworth
Ready To Serve - Theme from "Delia Smith...
91 bpm • D min • 01:03 • -10db
9% Popularity • 31% Danceability • 73% Energy • 30% Liveness
57% Instrumentalness • 40% Positiveness
9% Popularity • 31% Danceability • 73% Energy • 30% Liveness
57% Instrumentalness • 40% Positiveness
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Roy Budd
Looking For Someone
91 bpm • G Maj • 02:31 • -12.66db
10% Popularity • 56% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 56% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 61% Positiveness
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Nino Nardini
Tropical
89 bpm • F Maj • 02:43 • -15.86db
20% Popularity • 65% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 42% Positiveness
20% Popularity • 65% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 42% Positiveness
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Lee Mason
Cult And Colour
89 bpm • A Maj • 03:13 • -5.68db
8% Popularity • 52% Danceability • 76% Energy • 7% Liveness
74% Instrumentalness • 85% Positiveness
8% Popularity • 52% Danceability • 76% Energy • 7% Liveness
74% Instrumentalness • 85% Positiveness
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Alan Parker
Heavy Water
91 bpm • A Maj • 03:21 • -10.55db
11% Popularity • 74% Danceability • 80% Energy • 8% Liveness
80% Instrumentalness • 96% Positiveness
11% Popularity • 74% Danceability • 80% Energy • 8% Liveness
80% Instrumentalness • 96% Positiveness
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Mike Vickers
Round the Clock
89 bpm • C Maj • 02:05 • -12.91db
0% Popularity • 63% Danceability • 51% Energy • 7% Liveness
24% Instrumentalness • 75% Positiveness
0% Popularity • 63% Danceability • 51% Energy • 7% Liveness
24% Instrumentalness • 75% Positiveness
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Vampire Sound Inc.
The Message
92 bpm • D# Maj • 03:26 • -9.15db
11% Popularity • 24% Danceability • 57% Energy • 11% Liveness
78% Instrumentalness • 19% Positiveness
11% Popularity • 24% Danceability • 57% Energy • 11% Liveness
78% Instrumentalness • 19% Positiveness
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Alan Hawkshaw
Roving Reporter
91 bpm • G# Maj • 01:40 • -7.23db
9% Popularity • 72% Danceability • 86% Energy • 9% Liveness
17% Instrumentalness • 83% Positiveness
9% Popularity • 72% Danceability • 86% Energy • 9% Liveness
17% Instrumentalness • 83% Positiveness
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Nino Nardini
Expectation
89 bpm • D Maj • 01:55 • -9.9db
10% Popularity • 64% Danceability • 92% Energy • 9% Liveness
68% Instrumentalness • 78% Positiveness
10% Popularity • 64% Danceability • 92% Energy • 9% Liveness
68% Instrumentalness • 78% Positiveness
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Brian Bennett
Nuplex
92 bpm • D min • 04:01 • -18.07db
15% Popularity • 44% Danceability • 27% Energy • 7% Liveness
41% Instrumentalness • 36% Positiveness
15% Popularity • 44% Danceability • 27% Energy • 7% Liveness
41% Instrumentalness • 36% Positiveness
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Jean-Jacques Perrey
The Rose And The Cross
92 bpm • A Maj • 02:39 • -14.51db
16% Popularity • 28% Danceability • 25% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
16% Popularity • 28% Danceability • 25% Energy • 8% Liveness
92% Instrumentalness • 22% Positiveness
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Mike Vickers
Mrs. Robinson
88 bpm • G Maj • 03:17 • -9.14db
0% Popularity • 40% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 40% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Keith Mansfield
West Coast Surf Ride
92 bpm • B min • 02:33 • -5db
19% Popularity • 43% Danceability • 64% Energy • 19% Liveness
2% Instrumentalness • 45% Positiveness
19% Popularity • 43% Danceability • 64% Energy • 19% Liveness
2% Instrumentalness • 45% Positiveness
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Perrey and Kingsley
Barnyard In Orbit
92 bpm • C Maj • 02:26 • -14.32db
16% Popularity • 74% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 74% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Roger Webb
Heavy Lace
92 bpm • A Maj • 01:31 • -13.01db
17% Popularity • 68% Danceability • 40% Energy • 11% Liveness
78% Instrumentalness • 51% Positiveness
17% Popularity • 68% Danceability • 40% Energy • 11% Liveness
78% Instrumentalness • 51% Positiveness
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Alan Moorhouse
West Coastin
93 bpm • E min • 02:30 • -9.41db
11% Popularity • 48% Danceability • 66% Energy • 11% Liveness
96% Instrumentalness • 76% Positiveness
11% Popularity • 48% Danceability • 66% Energy • 11% Liveness
96% Instrumentalness • 76% Positiveness
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Jean-Jacques Perrey
Hello Dolly
92 bpm • D min • 02:00 • -10db
14% Popularity • 82% Danceability • 67% Energy • 6% Liveness
40% Instrumentalness • 78% Positiveness
14% Popularity • 82% Danceability • 67% Energy • 6% Liveness
40% Instrumentalness • 78% Positiveness
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Mike Vickers
Time Trial
92 bpm • D min • 02:13 • -11.36db
2% Popularity • 64% Danceability • 65% Energy • 20% Liveness
31% Instrumentalness • 88% Positiveness
2% Popularity • 64% Danceability • 65% Energy • 20% Liveness
31% Instrumentalness • 88% Positiveness
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Goblin
Snip Snap
93 bpm • A Maj • 03:32 • -14.75db
8% Popularity • 60% Danceability • 53% Energy • 2% Liveness
24% Instrumentalness • 97% Positiveness
8% Popularity • 60% Danceability • 53% Energy • 2% Liveness
24% Instrumentalness • 97% Positiveness
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Standard Music Library
Quigley
87 bpm • A# Maj • 02:00 • -9.68db
1% Popularity • 71% Danceability • 53% Energy • 11% Liveness
7% Instrumentalness • 75% Positiveness
1% Popularity • 71% Danceability • 53% Energy • 11% Liveness
7% Instrumentalness • 75% Positiveness
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Gert Wilden & Orchestra
Follow Me (Was Männer Nicht Für Mögli...
93 bpm • A min • 02:59 • -6.9db
10% Popularity • 56% Danceability • 84% Energy • 19% Liveness
95% Instrumentalness • 58% Positiveness
10% Popularity • 56% Danceability • 84% Energy • 19% Liveness
95% Instrumentalness • 58% Positiveness
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Murphy ARGC
Latin sound - Acoustic
93 bpm • A Maj • 01:42 • -19.69db
11% Popularity • 66% Danceability • 26% Energy • 14% Liveness
98% Instrumentalness • 43% Positiveness
11% Popularity • 66% Danceability • 26% Energy • 14% Liveness
98% Instrumentalness • 43% Positiveness
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The Mohawks
Senior Thump
94 bpm • F Maj • 02:45 • -3.82db
14% Popularity • 69% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 90% Positiveness
14% Popularity • 69% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 90% Positiveness
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Mike Vickers
Evolution
88 bpm • D min • 01:57 • -12.53db
1% Popularity • 47% Danceability • 41% Energy • 15% Liveness
88% Instrumentalness • 64% Positiveness
1% Popularity • 47% Danceability • 41% Energy • 15% Liveness
88% Instrumentalness • 64% Positiveness
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John Barry
Beat Girl
87 bpm • A# Maj • 01:46 • -8.53db
26% Popularity • 36% Danceability • 63% Energy • 26% Liveness
63% Instrumentalness • 63% Positiveness
26% Popularity • 36% Danceability • 63% Energy • 26% Liveness
63% Instrumentalness • 63% Positiveness
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Brian Bennett
Ocean Glide
86 bpm • C Maj • 06:47 • -13.02db
13% Popularity • 27% Danceability • 32% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
13% Popularity • 27% Danceability • 32% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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The Bob Crewe Generation Orchestra
Pygar Finds Barbarella
94 bpm • A min • 01:17 • -13.49db
11% Popularity • 38% Danceability • 18% Energy • 16% Liveness
80% Instrumentalness • 21% Positiveness
11% Popularity • 38% Danceability • 18% Energy • 16% Liveness
80% Instrumentalness • 21% Positiveness
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Standard Music Library
Good Morning, Sunshine
94 bpm • C Maj • 01:46 • -10.84db
2% Popularity • 68% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 73% Positiveness
2% Popularity • 68% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 73% Positiveness
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James Clarke
Water Sports
86 bpm • G# Maj • 02:43 • -12.41db
16% Popularity • 65% Danceability • 57% Energy • 9% Liveness
93% Instrumentalness • 90% Positiveness
16% Popularity • 65% Danceability • 57% Energy • 9% Liveness
93% Instrumentalness • 90% Positiveness
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Mike Vickers
Things To Come
94 bpm • A# Maj • 02:14 • -21.83db
0% Popularity • 38% Danceability • 16% Energy • 11% Liveness
60% Instrumentalness • 12% Positiveness
0% Popularity • 38% Danceability • 16% Energy • 11% Liveness
60% Instrumentalness • 12% Positiveness
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Stelvio Cipriani
La polizia ha le mani legate - Main Them...
86 bpm • G min • 03:35 • -9.45db
13% Popularity • 50% Danceability • 73% Energy • 8% Liveness
92% Instrumentalness • 73% Positiveness
13% Popularity • 50% Danceability • 73% Energy • 8% Liveness
92% Instrumentalness • 73% Positiveness
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101 Strings Orchestra
Flameout
94 bpm • C Maj • 02:49 • -12.3db
10% Popularity • 38% Danceability • 53% Energy • 35% Liveness
25% Instrumentalness • 19% Positiveness
10% Popularity • 38% Danceability • 53% Energy • 35% Liveness
25% Instrumentalness • 19% Positiveness
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Janko Nilovic
Ballet dans l'espace - Remastered
95 bpm • A Maj • 03:05 • -5.12db
16% Popularity • 28% Danceability • 66% Energy • 22% Liveness
77% Instrumentalness • 31% Positiveness
16% Popularity • 28% Danceability • 66% Energy • 22% Liveness
77% Instrumentalness • 31% Positiveness
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Guido & Maurizio De Angelis
I corpi delle vittime - Titoli
95 bpm • D Maj • 02:52 • -13.34db
8% Popularity • 52% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
8% Popularity • 52% Danceability • 27% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Selectasound '88
Tabou
86 bpm • B min • 03:44 • -8.31db
7% Popularity • 63% Danceability • 69% Energy • 12% Liveness
86% Instrumentalness • 91% Positiveness
7% Popularity • 63% Danceability • 69% Energy • 12% Liveness
86% Instrumentalness • 91% Positiveness
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Perrey and Kingsley
Countdown At 6
95 bpm • F Maj • 02:53 • -12.08db
7% Popularity • 85% Danceability • 40% Energy • 6% Liveness
47% Instrumentalness • 72% Positiveness
7% Popularity • 85% Danceability • 40% Energy • 6% Liveness
47% Instrumentalness • 72% Positiveness
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Stelvio Cipriani
Bambole di droga - Originale
95 bpm • G# Maj • 02:16 • -17.89db
19% Popularity • 77% Danceability • 43% Energy • 10% Liveness
85% Instrumentalness • 85% Positiveness
19% Popularity • 77% Danceability • 43% Energy • 10% Liveness
85% Instrumentalness • 85% Positiveness
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Ennio Morricone
Samba in tribunale
95 bpm • C Maj • 02:46 • -11.51db
11% Popularity • 61% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 74% Positiveness
11% Popularity • 61% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 74% Positiveness
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The Electric Flag
Peter's Trip
95 bpm • C Maj • 02:35 • -10.55db
9% Popularity • 51% Danceability • 61% Energy • 26% Liveness
62% Instrumentalness • 68% Positiveness
9% Popularity • 51% Danceability • 61% Energy • 26% Liveness
62% Instrumentalness • 68% Positiveness
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Alan Hawkshaw
Girl in a Sportscar
95 bpm • F# Maj • 02:42 • -12.48db
31% Popularity • 53% Danceability • 50% Energy • 16% Liveness
64% Instrumentalness • 81% Positiveness
31% Popularity • 53% Danceability • 50% Energy • 16% Liveness
64% Instrumentalness • 81% Positiveness
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Mike Vickers
Van Helsing Confronts Johnny / Johnny's ...
96 bpm • C Maj • 03:58 • -11.9db
0% Popularity • 26% Danceability • 46% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
0% Popularity • 26% Danceability • 46% Energy • 12% Liveness
84% Instrumentalness • 5% Positiveness
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Giorgio Moroder
Lord Release Me
85 bpm • C# min • 03:46 • -7.87db
9% Popularity • 72% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 72% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Tony Kinsey
Malibu Beach
85 bpm • C min • 03:48 • -15.68db
11% Popularity • 22% Danceability • 34% Energy • 29% Liveness
64% Instrumentalness • 48% Positiveness
11% Popularity • 22% Danceability • 34% Energy • 29% Liveness
64% Instrumentalness • 48% Positiveness
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Keith Mansfield
Incidental Backcloth (3)
96 bpm • C Maj • 02:59 • -18db
18% Popularity • 75% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 85% Positiveness
18% Popularity • 75% Danceability • 24% Energy • 13% Liveness
85% Instrumentalness • 85% Positiveness
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Peter Thomas Sound Orchester
China Love
85 bpm • C Maj • 02:40 • -19.48db
8% Popularity • 25% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
8% Popularity • 25% Danceability • 20% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Gary Bellington
Merry Go Sound
85 bpm • C min • 02:54 • -14.8db
8% Popularity • 38% Danceability • 43% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
8% Popularity • 38% Danceability • 43% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
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Ennio Morricone
Sonny - Remastered 2020
96 bpm • A min • 05:20 • -11.34db
9% Popularity • 36% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
9% Popularity • 36% Danceability • 32% Energy • 12% Liveness
2% Instrumentalness • 27% Positiveness
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Basil Kirchin
Negatives (Previously Unreleased)
84 bpm • A# Maj • 02:04 • -14.42db
8% Popularity • 36% Danceability • 33% Energy • 11% Liveness
47% Instrumentalness • 17% Positiveness
8% Popularity • 36% Danceability • 33% Energy • 11% Liveness
47% Instrumentalness • 17% Positiveness
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Standard Music Library
Freewheeler
96 bpm • F Maj • 02:02 • -9.95db
1% Popularity • 59% Danceability • 64% Energy • 32% Liveness
1% Instrumentalness • 71% Positiveness
1% Popularity • 59% Danceability • 64% Energy • 32% Liveness
1% Instrumentalness • 71% Positiveness
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Keith Mansfield
Funky Fanfare
96 bpm • A# Maj • 02:28 • -5.09db
51% Popularity • 62% Danceability • 83% Energy • 7% Liveness
86% Instrumentalness • 86% Positiveness
51% Popularity • 62% Danceability • 83% Energy • 7% Liveness
86% Instrumentalness • 86% Positiveness
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Syd Dale
Danger Musicians at Work
96 bpm • G min • 01:58 • -10.51db
10% Popularity • 33% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 33% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Tony Kinsey
Virgin Land
84 bpm • C# Maj • 02:47 • -12.89db
9% Popularity • 58% Danceability • 50% Energy • 30% Liveness
91% Instrumentalness • 92% Positiveness
9% Popularity • 58% Danceability • 50% Energy • 30% Liveness
91% Instrumentalness • 92% Positiveness
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Mike Vickers
Endangered Species
96 bpm • D min • 04:02 • -19.38db
2% Popularity • 52% Danceability • 16% Energy • 13% Liveness
96% Instrumentalness • 16% Positiveness
2% Popularity • 52% Danceability • 16% Energy • 13% Liveness
96% Instrumentalness • 16% Positiveness
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Dudley Simpson
The Tomorrow People (The Original TV Mus...
96 bpm • A min • 01:54 • -11.4db
14% Popularity • 43% Danceability • 44% Energy • 15% Liveness
96% Instrumentalness • 20% Positiveness
14% Popularity • 43% Danceability • 44% Energy • 15% Liveness
96% Instrumentalness • 20% Positiveness
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Vampire Sound Inc.
The Six Wisdoms of Aspasia
84 bpm • A# Maj • 04:22 • -8.72db
9% Popularity • 51% Danceability • 61% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
9% Popularity • 51% Danceability • 61% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Keith Mansfield
Powerhouse Pop
96 bpm • A Maj • 02:35 • -7db
9% Popularity • 46% Danceability • 85% Energy • 30% Liveness
34% Instrumentalness • 72% Positiveness
9% Popularity • 46% Danceability • 85% Energy • 30% Liveness
34% Instrumentalness • 72% Positiveness
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John Leach
Sun Ride (Ask the Family Theme)
96 bpm • C Maj • 01:00 • -5.59db
14% Popularity • 63% Danceability • 45% Energy • 10% Liveness
71% Instrumentalness • 53% Positiveness
14% Popularity • 63% Danceability • 45% Energy • 10% Liveness
71% Instrumentalness • 53% Positiveness
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Alain Goraguer
Voir Venise
96 bpm • C min • 01:59 • -11.54db
22% Popularity • 63% Danceability • 51% Energy • 31% Liveness
1% Instrumentalness • 57% Positiveness
22% Popularity • 63% Danceability • 51% Energy • 31% Liveness
1% Instrumentalness • 57% Positiveness
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Francis Coppieters
Funky Chimes
84 bpm • F min • 03:20 • -16.99db
16% Popularity • 60% Danceability • 36% Energy • 7% Liveness
57% Instrumentalness • 63% Positiveness
16% Popularity • 60% Danceability • 36% Energy • 7% Liveness
57% Instrumentalness • 63% Positiveness
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Stelvio Cipriani
L'attesa
84 bpm • A Maj • 02:24 • -23.41db
14% Popularity • 43% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 38% Positiveness
14% Popularity • 43% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 38% Positiveness
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Piero Umiliani
Elzeviro
97 bpm • F# min • 03:43 • -10.71db
8% Popularity • 47% Danceability • 55% Energy • 9% Liveness
83% Instrumentalness • 46% Positiveness
8% Popularity • 47% Danceability • 55% Energy • 9% Liveness
83% Instrumentalness • 46% Positiveness
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Nora Orlandi
A Doppia Faccia - Soho
97 bpm • G min • 03:18 • -7.93db
9% Popularity • 48% Danceability • 63% Energy • 33% Liveness
81% Instrumentalness • 80% Positiveness
9% Popularity • 48% Danceability • 63% Energy • 33% Liveness
81% Instrumentalness • 80% Positiveness
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Puccio Roelens
Peggy
97 bpm • G# Maj • 03:23 • -3db
13% Popularity • 40% Danceability • 76% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
13% Popularity • 40% Danceability • 76% Energy • 9% Liveness
2% Instrumentalness • 90% Positiveness
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Alan Parker
Hot Pants
97 bpm • D Maj • 01:52 • -12db
16% Popularity • 56% Danceability • 61% Energy • 8% Liveness
91% Instrumentalness • 55% Positiveness
16% Popularity • 56% Danceability • 61% Energy • 8% Liveness
91% Instrumentalness • 55% Positiveness
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Vampire Sound Inc.
People's Playground B - Version B
83 bpm • B min • 01:17 • -18.26db
15% Popularity • 55% Danceability • 25% Energy • 12% Liveness
6% Instrumentalness • 39% Positiveness
15% Popularity • 55% Danceability • 25% Energy • 12% Liveness
6% Instrumentalness • 39% Positiveness
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Stelvio Cipriani
Too Risky A Day For A Regatta
97 bpm • A# min • 03:48 • -16.33db
15% Popularity • 49% Danceability • 56% Energy • 27% Liveness
91% Instrumentalness • 56% Positiveness
15% Popularity • 49% Danceability • 56% Energy • 27% Liveness
91% Instrumentalness • 56% Positiveness
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Gianni Ferrio
La morte accarezza a mezzanotte (Valenti...
83 bpm • A min • 05:42 • -15db
9% Popularity • 39% Danceability • 32% Energy • 11% Liveness
71% Instrumentalness • 21% Positiveness
9% Popularity • 39% Danceability • 32% Energy • 11% Liveness
71% Instrumentalness • 21% Positiveness
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Ennio Morricone
Come un madrigale - Originale
97 bpm • C# min • 03:39 • -22.7db
17% Popularity • 41% Danceability • 18% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
17% Popularity • 41% Danceability • 18% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
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Mike Vickers
Dumping The Body / Van Helsing Prepares ...
97 bpm • C Maj • 02:11 • -16.68db
0% Popularity • 33% Danceability • 23% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 33% Danceability • 23% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Neil Richardson
Full Speed Ahead (1)
97 bpm • A# min • 02:05 • -10.27db
13% Popularity • 27% Danceability • 73% Energy • 27% Liveness
92% Instrumentalness • 71% Positiveness
13% Popularity • 27% Danceability • 73% Energy • 27% Liveness
92% Instrumentalness • 71% Positiveness
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Laurie Johnson
Gala Performance
97 bpm • G Maj • 01:48 • -6.54db
13% Popularity • 22% Danceability • 75% Energy • 31% Liveness
87% Instrumentalness • 69% Positiveness
13% Popularity • 22% Danceability • 75% Energy • 31% Liveness
87% Instrumentalness • 69% Positiveness
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Alan Hawkshaw
Undergroove
83 bpm • C min • 02:33 • -18.32db
9% Popularity • 59% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 69% Positiveness
9% Popularity • 59% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 69% Positiveness
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Klaus Weiss
Drums Around
98 bpm • D# Maj • 01:52 • -14.46db
12% Popularity • 78% Danceability • 89% Energy • 10% Liveness
26% Instrumentalness • 90% Positiveness
12% Popularity • 78% Danceability • 89% Energy • 10% Liveness
26% Instrumentalness • 90% Positiveness
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Ennio Morricone
18 Pari
97 bpm • D min • 03:16 • -17.66db
9% Popularity • 67% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 87% Positiveness
9% Popularity • 67% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 87% Positiveness
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Reg Tilsley
Warlock
83 bpm • D min • 03:18 • -10.72db
8% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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John Cameron
Half-Forgotten Daydreams
83 bpm • A# Maj • 04:08 • -14.94db
37% Popularity • 46% Danceability • 38% Energy • 14% Liveness
75% Instrumentalness • 78% Positiveness
37% Popularity • 46% Danceability • 38% Energy • 14% Liveness
75% Instrumentalness • 78% Positiveness
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Perrey and Kingsley
One Note Samba - Spanish Flea
98 bpm • F min • 02:07 • -8.63db
8% Popularity • 58% Danceability • 92% Energy • 21% Liveness
6% Instrumentalness • 64% Positiveness
8% Popularity • 58% Danceability • 92% Energy • 21% Liveness
6% Instrumentalness • 64% Positiveness
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Courtney Martinez
Heartbeat And Moves
98 bpm • E min • 01:50 • -10.13db
12% Popularity • 64% Danceability • 56% Energy • 39% Liveness
59% Instrumentalness • 89% Positiveness
12% Popularity • 64% Danceability • 56% Energy • 39% Liveness
59% Instrumentalness • 89% Positiveness
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Keith Mansfield
Funky Fanfare (Small Group)
98 bpm • C# Maj • 01:35 • -12.37db
24% Popularity • 73% Danceability • 69% Energy • 20% Liveness
18% Instrumentalness • 89% Positiveness
24% Popularity • 73% Danceability • 69% Energy • 20% Liveness
18% Instrumentalness • 89% Positiveness
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Mike Vickers
Getaway Car
98 bpm • D Maj • 02:40 • -9.61db
16% Popularity • 63% Danceability • 67% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
16% Popularity • 63% Danceability • 67% Energy • 7% Liveness
94% Instrumentalness • 75% Positiveness
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Johnny Hawksworth
Up To Date - Theme from "Man About The H...
83 bpm • F min • 01:50 • -10db
18% Popularity • 49% Danceability • 72% Energy • 27% Liveness
37% Instrumentalness • 80% Positiveness
18% Popularity • 49% Danceability • 72% Energy • 27% Liveness
37% Instrumentalness • 80% Positiveness
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Fabio Frizzi
Toward Dawn
82 bpm • C Maj • 01:41 • -10.72db
15% Popularity • 82% Danceability • 49% Energy • 9% Liveness
66% Instrumentalness • 94% Positiveness
15% Popularity • 82% Danceability • 49% Energy • 9% Liveness
66% Instrumentalness • 94% Positiveness
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Alan Moorhouse
Boss Man
98 bpm • A Maj • 02:05 • -10.41db
14% Popularity • 62% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 88% Positiveness
14% Popularity • 62% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 88% Positiveness
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Sid Ramin
Confrontation
82 bpm • F Maj • 03:32 • -15.43db
8% Popularity • 31% Danceability • 51% Energy • 23% Liveness
80% Instrumentalness • 32% Positiveness
8% Popularity • 31% Danceability • 51% Energy • 23% Liveness
80% Instrumentalness • 32% Positiveness
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Laurie Johnson
Jason King - Theme
99 bpm • A# Maj • 02:10 • -18.11db
11% Popularity • 47% Danceability • 47% Energy • 32% Liveness
66% Instrumentalness • 84% Positiveness
11% Popularity • 47% Danceability • 47% Energy • 32% Liveness
66% Instrumentalness • 84% Positiveness