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Tuxedo
Songs like
Tuxedo
by
Clare Dunn
Based on a tempo of (+/- 10%) and a similar genre
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Carrie Underwood
Heartbeat
140 bpm • C# Maj • 03:29 • -4.48db
53% Popularity • 54% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Canaan Smith
Good Kinda Bad
140 bpm • G# Maj • 03:38 • -4.67db
27% Popularity • 64% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Clare Dunn
Tuxedo
140 bpm • D Maj • 03:25 • -4db
41% Popularity • 59% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Love and Theft
Night That You'll Never Forget
140 bpm • A Maj • 03:37 • -5.11db
33% Popularity • 56% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 58% Positiveness
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Sara Evans
Better Off
140 bpm • C# Maj • 03:59 • -5.06db
37% Popularity • 45% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Florida Georgia Line
Good Girl, Bad Boy
140 bpm • F# Maj • 03:51 • -4.41db
45% Popularity • 56% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Carly Pearce
Every Little Thing
140 bpm • C Maj • 03:00 • -6.51db
59% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Runaway June
Wild West
140 bpm • C Maj • 03:38 • -5.26db
38% Popularity • 46% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Clare Dunn
Tuxedo - Remix
140 bpm • D Maj • 03:19 • -5.07db
16% Popularity • 66% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Cassadee Pope
Kisses At Airports
140 bpm • F Maj • 03:23 • -6.11db
18% Popularity • 54% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Canaan Smith
Mad Love
142 bpm • G min • 02:48 • -6.17db
28% Popularity • 57% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Florida Georgia Line
Dig Your Roots
140 bpm • G Maj • 03:34 • -4.59db
44% Popularity • 46% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Love and Theft
Runaway
140 bpm • C# min • 03:49 • -4.39db
38% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Michael Ray
Think a Little Less
142 bpm • A Maj • 02:56 • -4db
52% Popularity • 52% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Clare Dunn
El Paso
142 bpm • F Maj • 03:28 • -4.33db
15% Popularity • 55% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Luke Bryan
Strip It Down
138 bpm • A Maj • 04:01 • -3.59db
59% Popularity • 63% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Canaan Smith
Two Lane Road
142 bpm • D Maj • 03:19 • -5.39db
27% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Steven Lee Olsen
Raised by a Good Time
142 bpm • D Maj • 03:12 • -4.5db
43% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Florida Georgia Line
Music Is Healing
140 bpm • E min • 03:31 • -4.02db
40% Popularity • 50% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Jennifer Nettles
Unlove You
138 bpm • C Maj • 03:54 • -7.34db
44% Popularity • 39% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Clare Dunn
El Paso (Stripped)
138 bpm • F Maj • 03:42 • -4.71db
5% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Pistol Annies
Boys from the South
137 bpm • G Maj • 03:39 • -5db
39% Popularity • 43% Danceability • 64% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
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Cam
Runaway Train
143 bpm • D Maj • 02:57 • -3.6db
30% Popularity • 55% Danceability • 91% Energy • 49% Liveness
2% Instrumentalness • 34% Positiveness
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Emerson Drive
She's My Kind of Crazy
137 bpm • F Maj • 03:23 • -4.96db
37% Popularity • 56% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Florida Georgia Line
Sippin’ On Fire
143 bpm • A# Maj • 03:13 • -3.22db
54% Popularity • 48% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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Chase Rice
Everybody We Know Does
137 bpm • C Maj • 03:41 • -2.99db
37% Popularity • 57% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Lee Brice
Good Man
144 bpm • G# min • 03:24 • -9.54db
35% Popularity • 52% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Parmalee
Close Your Eyes
144 bpm • B Maj • 03:34 • -3.51db
44% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Carly Pearce
I Need A Ride Home
144 bpm • C# Maj • 03:30 • -7db
34% Popularity • 54% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Thompson Square
You Make It Look So Good
144 bpm • C# Maj • 03:24 • -3.33db
23% Popularity • 50% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Blake Shelton
Bet You Still Think About Me
144 bpm • F Maj • 03:55 • -6db
33% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jenna Paulette
The Girl I Was
144 bpm • G# Maj • 03:38 • -5.68db
49% Popularity • 56% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Levi Hummon
Love You Hate You Miss You
144 bpm • A Maj • 03:28 • -4.85db
16% Popularity • 59% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Clare Dunn
Honestly (Stripped)
136 bpm • A# Maj • 04:09 • -4.04db
3% Popularity • 47% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Adam Craig
Just a Phase
136 bpm • E Maj • 03:06 • -5.48db
39% Popularity • 71% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Adam Sanders
Thunder
136 bpm • E Maj • 03:34 • -7.87db
31% Popularity • 63% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Drew Baldridge
Rebound
136 bpm • B min • 04:30 • -4.68db
23% Popularity • 61% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Jordan Rager
Now That I Know Your Name
136 bpm • C# Maj • 03:24 • -5.37db
31% Popularity • 51% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Smithfield
Hey Whiskey
136 bpm • G Maj • 03:30 • -4.8db
33% Popularity • 46% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Canaan Smith
Love You Like That
145 bpm • B Maj • 03:23 • -5db
58% Popularity • 56% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Blake Shelton
My Eyes
145 bpm • E Maj • 03:10 • -7.58db
49% Popularity • 45% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Kelleigh Bannen
Famous
146 bpm • G Maj • 03:12 • -5.41db
28% Popularity • 63% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Ryan Follese
Put A Label On It
146 bpm • C Maj • 03:24 • -4.61db
35% Popularity • 59% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Luke Bryan
Fast
146 bpm • C min • 03:26 • -3db
53% Popularity • 55% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Lee Brice
She Ain't Right
146 bpm • A Maj • 03:12 • -5db
40% Popularity • 47% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Clare Dunn
Holding Out For A Cowboy
146 bpm • A min • 03:30 • -7.88db
30% Popularity • 56% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Blake Shelton
Gonna
146 bpm • E Maj • 03:02 • -5.12db
47% Popularity • 67% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Frankie Ballard
Helluva Life
134 bpm • F# Maj • 03:51 • -6db
49% Popularity • 56% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Ryan Hurd
City Girl
134 bpm • B min • 04:07 • -6.2db
36% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Miranda Lambert
Vice
134 bpm • A Maj • 04:00 • -7.78db
54% Popularity • 57% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Brett Kissel
I Didn't Fall in Love with Your Hair
148 bpm • F Maj • 03:18 • -7.33db
32% Popularity • 42% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Clare Dunn
Money's All Gone
146 bpm • F# Maj • 03:40 • -3.2db
22% Popularity • 54% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Sara Evans
Infinite Love
148 bpm • E Maj • 03:11 • -5db
29% Popularity • 44% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Leaving Thomas
Waiting Kind of Girl
148 bpm • D# Maj • 03:14 • -4.91db
9% Popularity • 62% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Ryan Hurd
Love in a Bar
134 bpm • C# Maj • 03:07 • -6.4db
39% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Chuck Wicks
Us Again
148 bpm • C# Maj • 03:39 • -6.42db
25% Popularity • 50% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Thompson Square
If I Didn't Have You
148 bpm • F# Maj • 03:22 • -3.43db
45% Popularity • 55% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Clare Dunn
How It Comes Off
134 bpm • A# Maj • 03:42 • -9.99db
11% Popularity • 67% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Kane Brown
Used to Love You Sober
148 bpm • C# Maj • 03:01 • -6db
55% Popularity • 52% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Old Dominion
Wake up Loving You
148 bpm • G# Maj • 03:48 • -8.2db
43% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Ryan Hurd
Hold You Back
134 bpm • A Maj • 03:34 • -6.78db
35% Popularity • 59% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Michael Ray
Run Away With You
148 bpm • D# min • 03:40 • -4db
29% Popularity • 50% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Big & Rich
Run Away with You
148 bpm • F# min • 03:44 • -4.12db
46% Popularity • 54% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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The Band Perry
Live Forever
148 bpm • E Maj • 03:52 • -5.24db
40% Popularity • 57% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Jerrod Niemann
God Made A Woman
132 bpm • G Maj • 03:28 • -8.7db
39% Popularity • 53% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Blake Shelton
She's Got a Way with Words
149 bpm • D# Maj • 03:10 • -6db
50% Popularity • 62% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Ryan Hurd
We Do Us
148 bpm • G Maj • 03:16 • -7db
31% Popularity • 60% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Miranda Lambert
Roots and Wings
149 bpm • C Maj • 04:55 • -6db
29% Popularity • 42% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Kenny Chesney
Wild Child
149 bpm • D# Maj • 03:09 • -8db
45% Popularity • 59% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Clare Dunn
Safe Haven (Stripped)
150 bpm • A# Maj • 03:53 • -4.31db
3% Popularity • 41% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Old Dominion
Wrong Turns
131 bpm • C# Maj • 03:28 • -5db
46% Popularity • 63% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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A Thousand Horses
Smoke
150 bpm • G Maj • 03:39 • -5.53db
31% Popularity • 43% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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Canaan Smith
We Got Us
150 bpm • D Maj • 03:49 • -4db
27% Popularity • 55% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Jordan Rager
Southern Boy
150 bpm • D# Maj • 03:47 • -7.08db
35% Popularity • 51% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
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Haley & Michaels
Drinking About You
150 bpm • F Maj • 03:00 • -3db
8% Popularity • 49% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Clare Dunn
Move On
150 bpm • E Maj • 03:37 • -3db
27% Popularity • 52% Danceability • 95% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Meghan Patrick
The Bad Guy
150 bpm • F# Maj • 03:45 • -7db
33% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Jana Kramer
I Got the Boy
150 bpm • C Maj • 03:21 • -5.95db
56% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Canaan Smith
Stuck
150 bpm • D Maj • 03:25 • -6db
19% Popularity • 57% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Kip Moore
Dirt Road
150 bpm • C Maj • 03:23 • -5.21db
45% Popularity • 62% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Josh Abbott Band
Amnesia
150 bpm • C Maj • 03:33 • -5db
34% Popularity • 52% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Lauren Alaina
Barefoot and Buckwild
130 bpm • G# Maj • 02:53 • -3.7db
37% Popularity • 70% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Michael Ray
Everything in Between
130 bpm • F# Maj • 03:29 • -6db
32% Popularity • 65% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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Luke Bryan
I See You
130 bpm • F# Maj • 03:05 • -3db
56% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Lee Brice
That Don't Sound Like You
130 bpm • E Maj • 03:30 • -9.5db
53% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Cam
Mayday
152 bpm • C# min • 03:36 • -5.92db
40% Popularity • 52% Danceability • 68% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Sugarland
Little Miss
129 bpm • B Maj • 04:31 • -4db
41% Popularity • 35% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Kalie Shorr
Fight Like a Girl
152 bpm • D# Maj • 03:25 • -4db
28% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Clare Dunn
Colorado
152 bpm • B Maj • 03:29 • -3.46db
30% Popularity • 45% Danceability • 87% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Florida Georgia Line
Bumpin' The Night
152 bpm • C# Maj • 03:41 • -4db
37% Popularity • 46% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Old Dominion
Shut Me Up
152 bpm • G Maj • 02:51 • -4db
40% Popularity • 55% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Carly Pearce
Color
152 bpm • D Maj • 02:46 • -3.74db
27% Popularity • 53% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Cam
Half Broke Heart
152 bpm • B Maj • 03:03 • -3.43db
33% Popularity • 70% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Jana Kramer
Don't Touch My Radio
152 bpm • A Maj • 02:46 • -3.06db
21% Popularity • 58% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Brett Kissel
Cool with That
152 bpm • A Maj • 03:49 • -4.74db
33% Popularity • 43% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Lady A
You Look Good
152 bpm • C Maj • 03:01 • -4.65db
53% Popularity • 66% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Michael Ray
Kiss You in the Morning
152 bpm • B Maj • 03:01 • -3db
46% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Cam
Hungover On Heartache
129 bpm • F Maj • 03:13 • -4.65db
27% Popularity • 70% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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Chase Rice
50 Shades of Crazy
152 bpm • D# min • 03:10 • -5db
18% Popularity • 52% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Tuxedo