Songs like Twelve Again by Aodhan
Based on a tempo of (+/- 10%) and a similar genre
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Hope D
Swim
124 bpm • E Maj • 04:48 • -7db
34% Popularity • 59% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 59% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Noah Dillon
Sunburnt In July
124 bpm • F Maj • 03:58 • -6db
18% Popularity • 32% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 32% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Eliza & The Delusionals
Sentimental
124 bpm • D Maj • 03:50 • -6.75db
11% Popularity • 55% Danceability • 70% Energy • 9% Liveness
2% Instrumentalness • 42% Positiveness
11% Popularity • 55% Danceability • 70% Energy • 9% Liveness
2% Instrumentalness • 42% Positiveness
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There's A Tuesday
Piñata Head
124 bpm • A Maj • 03:07 • -9.3db
18% Popularity • 54% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 54% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Gordi
Sandwiches
124 bpm • G Maj • 03:58 • -6.18db
12% Popularity • 70% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 70% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Aodhan
Twelve Again
124 bpm • F# Maj • 02:50 • -7db
21% Popularity • 56% Danceability • 71% Energy • 28% Liveness
4% Instrumentalness • 46% Positiveness
21% Popularity • 56% Danceability • 71% Energy • 28% Liveness
4% Instrumentalness • 46% Positiveness
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Mitch Santiago
Out For You
124 bpm • A min • 04:02 • -4.63db
31% Popularity • 56% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 56% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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The Jungle Giants
One Kiss - triple j Like A Version
124 bpm • G# Maj • 03:22 • -6.98db
29% Popularity • 60% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 60% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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The Moving Stills
Throw Me A Line
124 bpm • G Maj • 04:10 • -6.36db
13% Popularity • 66% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 66% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Carla Geneve
The Right Reasons
124 bpm • D Maj • 03:33 • -10.75db
30% Popularity • 78% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
30% Popularity • 78% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Highline
Chasing Heaven
124 bpm • G Maj • 04:36 • -4.17db
29% Popularity • 50% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 50% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 40% Positiveness
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Hope D
Addict
124 bpm • C min • 03:54 • -10.78db
25% Popularity • 58% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 58% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Spacey Jane
Skin
124 bpm • A min • 03:14 • -4.31db
55% Popularity • 39% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 39% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Greta Stanley
New Feeling
125 bpm • F Maj • 03:16 • -6.51db
14% Popularity • 74% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 74% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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The Moving Stills
Downlow
125 bpm • C# min • 03:39 • -6.28db
15% Popularity • 58% Danceability • 89% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
15% Popularity • 58% Danceability • 89% Energy • 13% Liveness
1% Instrumentalness • 62% Positiveness
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Teenage Dads
Adrenaline Rush
123 bpm • F min • 03:05 • -5.14db
21% Popularity • 74% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 74% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Tia Gostelow
Phone Me
125 bpm • C Maj • 03:10 • -6db
35% Popularity • 56% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
35% Popularity • 56% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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San Cisco
Shine
125 bpm • E Maj • 02:34 • -4.99db
20% Popularity • 69% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 69% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Spacey Jane
Wasted on Me
125 bpm • G Maj • 03:48 • -4.78db
37% Popularity • 59% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 59% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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F-POS
Family Song
123 bpm • G Maj • 03:35 • -5.17db
14% Popularity • 58% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 58% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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The Moving Stills
Bad
125 bpm • C Maj • 03:24 • -8.12db
12% Popularity • 59% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 59% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Tired Lion
~Cya Later~
125 bpm • G Maj • 03:20 • -5.3db
31% Popularity • 60% Danceability • 81% Energy • 9% Liveness
8% Instrumentalness • 83% Positiveness
31% Popularity • 60% Danceability • 81% Energy • 9% Liveness
8% Instrumentalness • 83% Positiveness
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Tia Gostelow
We Are the People - triple j Like a Vers...
123 bpm • G# min • 04:40 • -12.4db
29% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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San Cisco
Reasons
125 bpm • E min • 03:12 • -3.68db
46% Popularity • 60% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 60% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Aodhan
Three Leaf Clover
125 bpm • E Maj • 03:14 • -7.62db
9% Popularity • 61% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 61% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Death by Denim
Sleepless and Sunkissed
125 bpm • B Maj • 04:20 • -7.97db
11% Popularity • 44% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 44% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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The Moving Stills
Truthfully
125 bpm • C min • 03:37 • -5.68db
16% Popularity • 66% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 66% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Kita Alexander
Between You & I
125 bpm • G Maj • 04:13 • -4.46db
44% Popularity • 57% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
44% Popularity • 57% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Spacey Jane
Hanging
125 bpm • C# min • 03:24 • -4.44db
38% Popularity • 44% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 44% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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San Cisco
Messages
125 bpm • A# Maj • 03:19 • -5.56db
22% Popularity • 72% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 72% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Hein Cooper
The Fear - triple j Like a Version
123 bpm • F Maj • 03:31 • -9.62db
29% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Bec Sykes
Getaway
123 bpm • G min • 03:31 • -10.11db
16% Popularity • 67% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 67% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Ruby Fields
Bottle'o
122 bpm • C Maj • 02:32 • -8db
30% Popularity • 63% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 63% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Maddy Jane
Say You Weren't Mine
126 bpm • F Maj • 03:18 • -6db
14% Popularity • 50% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 50% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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CLEWS
Overluck
126 bpm • A Maj • 03:30 • -5db
18% Popularity • 67% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 67% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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San Cisco
When I Dream
123 bpm • F# min • 03:11 • -6.58db
45% Popularity • 67% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 67% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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Shag Rock
Wild Thing
122 bpm • C# min • 03:30 • -7db
32% Popularity • 65% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 65% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Aodhan
Get It Right
126 bpm • G# Maj • 03:12 • -6.71db
10% Popularity • 52% Danceability • 79% Energy • 20% Liveness
2% Instrumentalness • 56% Positiveness
10% Popularity • 52% Danceability • 79% Energy • 20% Liveness
2% Instrumentalness • 56% Positiveness
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Ruby Fields
Bruises
122 bpm • G Maj • 02:57 • -5.57db
30% Popularity • 60% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 60% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Maddy Jane
Island Time
122 bpm • B Maj • 04:03 • -7db
13% Popularity • 68% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 68% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jack River
Dark Star
126 bpm • G Maj • 03:31 • -2.01db
22% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 47% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The Money War
Right Kind Of Love
122 bpm • C Maj • 03:16 • -4.11db
18% Popularity • 43% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 43% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Ball Park Music
Day & Age
122 bpm • A# Maj • 03:50 • -5.96db
35% Popularity • 51% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
35% Popularity • 51% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Aodhan
Flies In My Room
122 bpm • G Maj • 04:40 • -9db
12% Popularity • 69% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 69% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Noah Dillon
Knievel Daredevil
122 bpm • C min • 04:30 • -8.85db
26% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Middle Kids
Some People Stay In Our Hearts Forever
127 bpm • G# Maj • 03:06 • -4.72db
26% Popularity • 48% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 48% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 47% Positiveness
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George Alice
Alive - triple j Like A Version
122 bpm • G min • 03:32 • -9db
35% Popularity • 54% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 54% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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There's A Tuesday
FOMO
127 bpm • C# Maj • 03:10 • -8.8db
13% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 58% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Tia Gostelow
Vague Utopia
127 bpm • F Maj • 03:28 • -3db
37% Popularity • 44% Danceability • 83% Energy • 18% Liveness
27% Instrumentalness • 28% Positiveness
37% Popularity • 44% Danceability • 83% Energy • 18% Liveness
27% Instrumentalness • 28% Positiveness
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Toxic Fox
Oil Painted Hill
127 bpm • E Maj • 03:36 • -6.4db
9% Popularity • 56% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 56% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Charlie Collins
Mexico
127 bpm • B min • 04:35 • -5db
26% Popularity • 58% Danceability • 78% Energy • 10% Liveness
5% Instrumentalness • 39% Positiveness
26% Popularity • 58% Danceability • 78% Energy • 10% Liveness
5% Instrumentalness • 39% Positiveness
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Hockey Dad
Good Eye
127 bpm • F# Maj • 03:54 • -4.15db
33% Popularity • 46% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 46% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Death by Denim
Homemade
127 bpm • C Maj • 03:24 • -4.24db
19% Popularity • 52% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 52% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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The Money War
Hey Now
121 bpm • A Maj • 02:51 • -4.95db
13% Popularity • 47% Danceability • 93% Energy • 39% Liveness
20% Instrumentalness • 62% Positiveness
13% Popularity • 47% Danceability • 93% Energy • 39% Liveness
20% Instrumentalness • 62% Positiveness
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Allday
The Paris End of Collins St
127 bpm • G Maj • 03:42 • -5.69db
14% Popularity • 54% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 54% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 51% Positiveness
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Local Safari
My Friend
127 bpm • E Maj • 03:19 • -6.46db
11% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 56% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Wave Racer
It's Not Living (If It's Not With You) -...
121 bpm • F# Maj • 04:13 • -10.11db
28% Popularity • 64% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 64% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Maddy Jane
Femme
127 bpm • E min • 04:43 • -5.51db
10% Popularity • 45% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 45% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 15% Positiveness
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Asha Jefferies
Crybaby
121 bpm • B Maj • 03:32 • -9.58db
24% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 62% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Tia Gostelow
Hunger
127 bpm • B min • 04:07 • -5db
32% Popularity • 52% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 52% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Allday
Cup of Tea in the Bath
121 bpm • G Maj • 03:58 • -7.09db
17% Popularity • 60% Danceability • 71% Energy • 47% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 60% Danceability • 71% Energy • 47% Liveness
0% Instrumentalness • 40% Positiveness
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The Moving Stills
Photo Upload
127 bpm • C min • 02:59 • -3.59db
22% Popularity • 53% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 53% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Hope D
Common Denominator
120 bpm • C Maj • 03:23 • -10.17db
18% Popularity • 62% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 62% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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CLEWS
Want You That Way
128 bpm • G# Maj • 03:20 • -4.45db
11% Popularity • 52% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 52% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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There's A Tuesday
Bus Stop
128 bpm • F# Maj • 04:10 • -6.8db
22% Popularity • 51% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 51% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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San Cisco
Between You And Me
120 bpm • E Maj • 02:49 • -8.16db
19% Popularity • 41% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 41% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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NECTAR
Caramel Blue
120 bpm • F Maj • 03:41 • -6.29db
14% Popularity • 61% Danceability • 67% Energy • 14% Liveness
3% Instrumentalness • 63% Positiveness
14% Popularity • 61% Danceability • 67% Energy • 14% Liveness
3% Instrumentalness • 63% Positiveness
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Tia Gostelow
Giants
120 bpm • F Maj • 03:52 • -5db
34% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Ball Park Music
Cherub
128 bpm • G# Maj • 05:28 • -8.81db
45% Popularity • 56% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 56% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Milan Ring
Love Galore / Broken Clocks - triple j L...
120 bpm • B Maj • 05:14 • -8.69db
23% Popularity • 52% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 52% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Michael Dunstan
Lay in the Sun
128 bpm • G Maj • 03:57 • -7.25db
19% Popularity • 61% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 69% Positiveness
19% Popularity • 61% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 69% Positiveness
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Somebody's Child
Hold Me Like You Wanna - EP Version
128 bpm • A min • 03:58 • -3.26db
30% Popularity • 56% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 56% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Death by Denim
Feels Like Fiction
128 bpm • A Maj • 03:49 • -8.57db
15% Popularity • 68% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 68% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Aodhan
Always
120 bpm • F# Maj • 03:50 • -13.05db
19% Popularity • 67% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 67% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Winterbourne
Take The Golden
120 bpm • G min • 03:41 • -10.08db
31% Popularity • 68% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 68% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Sycco
Peacemaker
120 bpm • A min • 03:11 • -9db
34% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 64% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Teenage Dads
Message in the Sand
120 bpm • G# min • 03:01 • -3.59db
30% Popularity • 50% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 50% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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The Moving Stills
Gene
120 bpm • F# Maj • 03:23 • -8.32db
20% Popularity • 73% Danceability • 55% Energy • 10% Liveness
14% Instrumentalness • 49% Positiveness
20% Popularity • 73% Danceability • 55% Energy • 10% Liveness
14% Instrumentalness • 49% Positiveness
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The Buoys
Lie To Me Again
128 bpm • A# Maj • 04:09 • -5.22db
39% Popularity • 59% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 59% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Aodhan
Drive
120 bpm • E Maj • 02:40 • -6.14db
21% Popularity • 70% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 70% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Darcie Haven
I Wanna Be
120 bpm • F min • 02:47 • -8.8db
14% Popularity • 62% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 62% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Cousin Tony's Brand New Firebird
Love is Heartbreak
120 bpm • C Maj • 04:45 • -7db
23% Popularity • 48% Danceability • 80% Energy • 6% Liveness
8% Instrumentalness • 36% Positiveness
23% Popularity • 48% Danceability • 80% Energy • 6% Liveness
8% Instrumentalness • 36% Positiveness
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San Cisco
Gone
120 bpm • E Maj • 03:06 • -6.57db
17% Popularity • 64% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 79% Positiveness
17% Popularity • 64% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 79% Positiveness
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The Moving Stills
Waste My Time
120 bpm • C Maj • 03:31 • -6.21db
23% Popularity • 74% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 74% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Ball Park Music
Turning Zero
120 bpm • D# Maj • 03:08 • -10.28db
20% Popularity • 72% Danceability • 42% Energy • 9% Liveness
8% Instrumentalness • 32% Positiveness
20% Popularity • 72% Danceability • 42% Energy • 9% Liveness
8% Instrumentalness • 32% Positiveness
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Aodhan
Love Is Hard To Write About
120 bpm • B Maj • 03:36 • -7.14db
5% Popularity • 71% Danceability • 48% Energy • 11% Liveness
6% Instrumentalness • 39% Positiveness
5% Popularity • 71% Danceability • 48% Energy • 11% Liveness
6% Instrumentalness • 39% Positiveness
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Spacey Jane
Head Above
120 bpm • G# Maj • 03:36 • -6.64db
36% Popularity • 62% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 62% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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ILUKA
Fall Apart Again
120 bpm • E Maj • 04:06 • -6.3db
20% Popularity • 46% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 46% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Sfven
flowerbeds
120 bpm • F# Maj • 02:52 • -5db
20% Popularity • 80% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 80% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Art of Sleeping
Win Your Heart
120 bpm • C Maj • 03:50 • -8db
33% Popularity • 60% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 60% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Ball Park Music
Stars In My Eyes
120 bpm • G Maj • 03:47 • -5.79db
40% Popularity • 57% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 57% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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Jess Day
Rabbit Hole
120 bpm • B min • 03:11 • -3.73db
21% Popularity • 69% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 69% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Aodhan
When Your Eyes Speak
120 bpm • A min • 04:33 • -13.46db
21% Popularity • 64% Danceability • 21% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
21% Popularity • 64% Danceability • 21% Energy • 8% Liveness
2% Instrumentalness • 18% Positiveness
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Pacific Avenue
Sally
120 bpm • E Maj • 04:37 • -4db
33% Popularity • 49% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 49% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Maddy Jane
Do Something
120 bpm • A# Maj • 02:39 • -5.47db
17% Popularity • 71% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 71% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Tay Oskee
Blood Rush
129 bpm • G Maj • 03:55 • -7db
21% Popularity • 84% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 84% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Nick Ward
Adam's Song - triple j Like A Version
128 bpm • E Maj • 04:16 • -12.8db
34% Popularity • 38% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 38% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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South Summit
Tired Of Waiting
129 bpm • E Maj • 03:54 • -2.55db
29% Popularity • 45% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 45% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
